Whenever I review one of these old school martial arts movies I mention some details of the action in the opening scene. This is to make sure we are all talking about the same movie. These movies are notorious for having multiple titles and titles that have nothing to do with anything going on in the movie. This movie is also known as "Imperial Sword", "The Brave in Kung Fu Shadow", "Kung Fu Shadow", and "Glory Sword". The opening scene is a woman is running. As typical, she keeps falling down but they don't catch up to her until "kung fu girl" appears and saves her by fighting off a large group of men. If you are watching this some 40 years after it appeared in theaters I would bet it is because of Chia Ling aka Judy Lee. Though not her best movie this is typical of her movies and above average for the time and genre. I rate it a seven out of ten with those qualifications.
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ckormos19 January 2016
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BrianDanaCamp23 November 2001IMPERIAL SWORD (1977, aka THE BRAVE IN KUNG FU SHADOW) is an overly complicated kung fu tale distinguished by some rousing swordplay and fight scenes featuring the exceptional female star, Chia Ling (aka Judy Lee). A graduate of a Taiwan-based Peking Opera academy, the star gets to perform her full repertoire here, doing acrobatic flips and kung fu kicks and fighting with a staff and sword. The well-staged action is captured on Taiwan locations and studio sets and occurs regularly throughout the film.
The plot has to do with the search for the Blood Rain Sword, an Imperial treasure in the possession of Lin Fung (Chia Ling), passed to her when her father, an honest judge, was murdered by corrupt officials. Tien Peng plays a fighter forced by villain Chao Pai (Chang Yi) to try and wrest the sword from Lin Fung. Eventually, he becomes her ally and the two join forces against Chao Pai. There's not much urgency to the story, since a minimal investigation and a diligent search by the bad guys would easily turn up the sword early on with the only obstacle, of course, being Lin Fung and her formidable mastery of the sword.
This framework offers lots of opportunities for fight scenes and, fortunately, the film takes full advantage of them. Chia Ling is at the forefront of all of these scenes and is quite a sight to behold. Extraordinarily beautiful, she goes into action, with her eyes blazing, nostrils wide and mouth tightened in determination, leaping about, swinging her sword, slashing and kicking bad guys, and either emerging victorious or fleeing when the odds are against her. She also uses her wits. At one point, she switches places with a kidnapped woman and is carried inside a bag into a basement dungeon. When the gang opens the bag, she leaps out and slays a number of her would-be captors before she's wounded with a poisoned dart. Later, as she is recuperating from the effects of the dart, she notices four guards searching the abandoned house in which she's hiding. As the camera prowls the rooms and courtyard of the sprawling ruins (an actual location), she attacks with her sword and uses the layout of the place to confuse the guards and pick them off, one by one.
The final battle takes place in a mill outside of town, recreated in full in a massive soundstage. The only problem with this otherwise superbly staged sequence is the reliance on the villain's sensitivity to light. As a result, the final fight between Chang Yi and the two leads takes place in a deliberately darkened set, the better to weaken Chang by flashing him with bursts of sunlight when shutters are flung open. It's Chang Yi's biggest fight in the film but because of the diminished lighting, he's not seen to best advantage. Still, the film remains one of Chia Ling's prime kung fu showcases. -
BRAVE IN THE KUNG FU SHADOW is a rare wuxia movie from Taiwan, typically constrained by a low budget which saps the film of its best intentions. It's a swordplay story starring cult heroine Judy Lee as a female fighter searching for the mystical Blood Rain Sword, which she plans to use to combat a murderous court official.
This film certainly has plenty of action to recommend it, as well as handful of outre elements to keep viewers on their toes. Director Chen Chi-Hwa was the man responsible for various low budget Jackie Chan films made at the start of his career before putting out the even more bizarre LADY IRON MONKEY, which perhaps is the pinnacle of his output.
This particular film gets mired in too much plotting involving peripheral characters, but the action scenes are well staged and amusing, utilising poison darts, flying guillotines, and other slightly magical equipment. American viewers are poor served by the rubbish picture quality of available prints which serve to hinder the viewer's enjoyment.