Vengeance

Seek this one out if you are looking for a different kind of Lee Van Cleef "spaghetti-type western". Definitely on a par with his lesser westerns like "Death Rides a Horse", but inferior to "The Big Gundown", this revenge story has quite a few unusual aspects. The surviving massacred family member is a young boy, who proves quite resourceful in his vendetta against Van Cleef and his gang. Lee is definitely not a sympathetic character, and his evil presence is perhaps only surpassed by "Angel Eyes" in "The Good, the Bad, and the Ugly". The quality of the DVD is inferior, with the sound badly out of sync. Nevertheless, I enjoyed this unique "pseudo-spaghetti western". - MERK

I know nothing of Lief Garrett's modern day goings on, but I'll tell you this: he can sure pick a grim film to star in! Not only was he great in Devil Times Five (aka Peopletoys), he's also good in this, as a kid out to get revenge on the low down scum who killed his parents! The leader of this gang? Lee Van Cleef, all bald and knife-brandishing.

Garrett fairly works his way through the evil gang, using snakes, scorpions, nooses, rocks and arrows in what amounts to almost a slasher-like Western. I didn't even think he needed the help of Jim Brown, but when Big Jim starts throwing dynamite at everyone, you're kind of signing up a winner right there! Big Jim also brings along his band of brothers he's been fighting with, just to complicate things up a bit.

This is your typical dark late-era Spaghetti Western, violent and pretty unrelenting, with a fairly high body count. Made in Isreal so I guess the term 'Spaghetti' might not be appropriate.

After witnessing the savage massacre of his family , a boy (Leif Garret) sets out a personal vendetta and rescue his sister (Glynnis O'Connor) against an outlaw band ( Lee Van Cleef, John Marley , among others ) . He carries the revenge in his heart after seeing his family butchered . Former rules of the code of west are dated and nowadays is guided for revenge . He embarks on his vengeance and during his quest teams up with a prospector (Jim Brown ) who has been robbed by the nasties . Together form an alliance going after those who murdered his parents and trying to retrieve the money the bandits robbed him . They are a dynamic duo combining untamed youth and toughness . They travel the southwestern territories and cross paths concerning similar foes they hunt .

This average Western/revenge flick is plenty of violence , shootouts and packs loads of action though the director is uninspired and the final is pretty predictable . This mediocre Western vengeance tale is set with Francesco De Massi's good musical score . Features an appearance by stalwart Spaghetti Western Lee Van Cleef as an ugly , brutal, dirty and downright villain with big earring.

James Brown as two fisted hero is fine , he starred four Westerns in similar style , three of them along with Van Cleef ( exception is ¨100 rifles¨ ) , they are : ¨Take a hard ride¨ ( directed by Antonio Margheritti ), ¨The Condor¨ ( by John Guillermin ) and ¨Kid Vengeance¨ . Leif Garret as obstinate and impetuous young is nice , he starred two Westerns both of them with Van Cleef , thus was with ¨ A bullet from God ¨ ( by Frank Kramer or Gianfranco Parolini ) and this one .The motion picture is regularly directed by Joseph Manduke .

I may be the only person in the universe that actually likes this movie. Of course the last time I saw this, I was 16, and not yet force-fed twaddle like Resnais, and being conditioned as to what to appreciate in cinema. Even so, this film was enough to make the great Lee Van Cleef hang up his six-guns forever, with the exception of riffing his cowboy image for Cheetos and Midas Muffler commercials. He is superbly slimy in this one, nonetheless-- with a big earring, bandana and goatee, his character McLain is outlandish, but in a good way. Despite the exploitative nature of the material, much of the film is otherworldly- the violence and the characters. Shot in orange hues and dreamy soft focus, Leif Garrett (yes... Leif Garrett) rides the trail of vengeance after Van Cleef's gang of slimeballs after they murder his family. He gets an ally in Jim Brown, who shares his thirst for revenge after Lee rips off his mine. The fact that some of the violence is ludicrous actually works- take for instance the scene with the scorpion, or when an outlaw has rocks dropped on his head in slow motion. The last half of this revenge western has a dream-like quality; perhaps it was meant to accentuate the state of mind of Garrett's character, and of a child at that. Dealing with such a loss and seeking retribution for it puts one in a strange state of consciousness-- how often have we felt after the death of a loved one that we are dreaming. or hoping that we will wake up soon? But at least, because this film is so bizarre, it is not your average revenge oater. It at least makes you think about you are watching. Isn't that what cinema art is supposed to do?

I have to grit my teeth (grit-grit) when I read the putdown of this movie. Sure, it is another vengeance adventure and, sure, there are goings-on that have gone on before, but the sum total is - it is some picture, and I mean that in a positive way.

The opening scene with the Easter bunny - well, I saw this on Maundy Thursday - was too realistic, as was the rape of the mother, viewed by the audience at a distance, but by her son as a close-up. He also witnessed the killing of his father, a combination that demanded, yes, demanded, retribution.

Said youngster was ex-heartthrob Leif Garrett who was excellent in a role that put him on screen most of the time. Lee Van Cleef was on the screen for a short period of time and was his usual brooding s.o.b. self. He was an expert.

His gang of heartless bad guys, and there was a gang of them, were, as they were supposed to be, totally obnoxious.

The other star, of course, was ex-footballer, Jim Brown (no stranger to westerns) doing a very fine job as the mad, brooding hero of the piece.

"Kid Vengeance" - no kidding - is a western - an Israeli western yet -- oy vay - that will keep your attention from beginning to end. Don't - er - passover (yuk-yuk) this one. And, fie (ancient Roman for foo, or fooey) to those who dismiss this item.