Looking to avenge his father's death, after he was murdered by gangsters when he failed to pay protection money, a monastery novice strives tirelessly, with the help of students and a drunkard, to learn advanced kung-fu techniques.
Jackie Chan directed this fairly typical parodic plagiarism of several of his own films (and a few from before his time). A few Chan's regulars show up, including the master from the masterpiece Drunken Master playing essentially the same role, but Jackie himself is nowhere to be found. I got the feeling that this film was tossed together as a vehicle for one or two of the younger actors in it. The plot is not very clever, and though some of the characters are interesting (particularly the male lead and his two masters), they all dissolve into not very clever and not-as-funny-as-they-could-have-been stereotypes once the central plot comes into focus. Thankfully, there is very little pseudo-philosophical pretentiousness here.
The plot is a story of family revenge - where a hopelessly sensitive tiny young man (smaller than Bruce Lee, even) wants to exact revenge on s band of thugs who have terrorized his village, leaving him and his sister orphaned. So he seeks a master at a Kung Fu gym and is treated ruelly for a while, until he meets another master (a drunken old vagabond in the woods), and suddenly starts to show some promise. Plenty of poorly realized comedic opportunities arise and there is some good fighting (and some miserably acted fighting as well). ho hum. Bottom line is - it took me three nights to get through this and I only laughed a couple of times.
Check out our gallery of the 2021 Golden Globe nominees in the leading and supporting acting categories, as the characters they so brilliantly played and in real life.