Pardon Mon Affaire (1976) User Reviews (9)

French films can be funny

[PeterJackson · 7/10 · 19 July 2000]

Etienne(Jean Rochefort)is a happily married man and a good father. His friends all have secret affairs and/or cheat on their wives. One morning, Etienne sees a woman in red passing by his car. He falls in love with her and tries everything to get to know her better. Of course, this must be kept a secret to his wife.

Whereas the story may not be very original, this film is extremely charming and amiable nonetheless. It has a great supporting cast(Brasseur is a stand-out), very funny moments and many real-life characters. Too bad this charming little film was later remade as THE WOMAN IN RED(with Gene Wilder and Kelly LeBrock). But Hollywood seems to have this "urge" to make their own version of each film with a bit of success outside the States. Anyway, if you have to choose between the original and the remake, choose UN ÉLEPHANT...(or PARDON MON AFFAIRE as it is sometimes called). 7/10

When four guys meet...

[sgendron · 8/10 · 18 August 2000]

This truly funny and very well written - by Dabadie - comedy directed by Yves Robert is certainly one of the funniest movies I've ever seen. It is also one that I enjoy seeing again and again.

Where the pretext for the story is really just what it is - a pretext - the most interesting part is the relationships that fuels the friendship between four men entangled in very difficult "rapport" with women. The funniest one certainly being the mother-son relationship that is in fact a true love story, that goes on between Guy Bedos and Marthe Villalonga. The scenes between those two are real anthology pieces.

The secondary roles are also very attaching, particularly the one held by Christophe Bourseiller.

All in all, this "coup de foudre" turned bad, told in voice over with amazing wit and elegance by Jean Rochefort is a classic that stands alone in the face of very mediocre French comedies.

The sequel - Nous irons tous au paradis - is also very enjoyable.

This time the dream's on me

[writers_reign · 6/10 · 9 January 2013]

Although it has elements of the dubious morality that obtained in the seventies overall this is a gentle charmer from the screenplay by Jean- Loup Dabadie through the direction of Yves Robert through the ensemble acting led admirably by Jean Rochefort. I haven't seen the Hollywood remake so I am unable to compare and contrast, I have, however, seen sufficient Hollywood remakes of French comedies - including one actually written by the great Francis Veber, i.e. adapting his own French screenplay for Hollywood - to know they seldom, if ever, live up to the original let alone eclipse it. The plot has elements of The Seven Year Itch and Dabadie acknowledges this by having the fantasy object stand over an air vent which blows her dress up; the difference is that in The Seven Year Itch there was only one male lead (Tom Ewell) and the object of his fantasy (Marilyn Monroe) whereas here Jean Rochefort has three male buddies all experiencing female trouble. Overall a pleasant, entertaining soufflé.

Originals are always better than remakes

[michelerealini · 8 October 2004]

This Yves Robert's film gave Gene Wilder the idea for a US remake ("The Woman in red"). But the latter doesn't have neither the freshness nor the simplicity of the French version.

As a European, I feel myself better at ease with the Robert's movie because it is nearer to my culture -and the fact that actors and action are set in Paris make easier for me to understand the way characters think...

It's doubtless a French comedy, with a perfect actor for this kind of work -Jean Rochefort, who portrays a typical French "bourgeois", awkward, shy and proud of his social position at the same time. A frustrated male of Latin culture...!

Etienne (Rochefort) falls in love with a sexy woman he meets in his bureau. This woman is then chosen for an advertisement... He will do everything for conquering her, unless telling it his wife. The film is a joke about men erotically fantasies.

The film is witty, charming and well written. Whereas Italian comedies play mostly with satire, strange comical faces and misunderstandings, French comedies are less caricature, they present "clownesques" situations in (appearently) more serious environments. Two excellent comical approaches! They're so different from American comical movies -in American comedies there's more mess, you laugh because situations are so incredible and full of contradictions.

This film is worth to see, Jean Rochefort is funny even if he seems serious. When I saw the Gene Wilder movie I didn't enjoy so much -Wilder is an excellent actor, but his "Woman in red" had something quite artificial.. It was not as spontaneous like the original one. Wilder is better with his extravaganzas, with slapstick elements...

Mid-life crisis.

[brogmiller · 7/10 · 30 December 2021]

Every actor needs a breakthrough role and Jean Rochefort's finally came courtesy of director Yves Robert in this slight but utterly delightful piece. The character of Etienne Dorsay affords the marvellous Monsieur Rochefort the opportunity to employ his innate quirkiness, eccentricity, Gallic charm and comedic timing to the fullest.

This is essentially a 'buddy' movie featuring a marriage break-up, a domineering mother and one of the buddies coming out of the closet but the scenes that work best are those involving Etienne, his wife, played by the lovely and talented Daniele Delorme, the object of his desire Anny Duperey who possesses that 'je ne sais quoi' in spades and Martine Sarcey as a libidinous colleague who resents being repeatedly stood up. Especially funny are Etienne's antics on horseback. Rochefort was in fact a keen equestrian and horse breeder who developed a passion for these noble creatures whilst filming 'Cartouche'.

Dialogue is by Jean-Loup Dapadie who contributed to so many of Claude Sautet's films, including the archetypal 'buddy' movie 'Vincent, Francois, Paul et les autres'.

The sequel alas worked less well but that is customarily the case with sequels and eight years were to elapse before the obligatory Hollywood makeover. Whether the result was worth the wait is of course down to the individual viewer.

Another terrible middle age man extra marital affair movie

[eatinglovepies · 2/10 · 2 August 2020]

The movie was only funny for the first 30 mins with the mixed up. Way too long and predictable, only about 10 mins worth of story stretched into almost 2 hours.

Bravo! Trés bien!

[buckaroobanzai50 · 25 August 2010]

This has to be my favourite French film ever! I recall seeing it's very well dubbed English version on TV in the early '80s. It was remade into The Woman in Red, which was pretty banal in comparison. But thanks to TV5 Monde, I was able to see the original version en Francais.

The film centres around Jean Rochefort, his friends and family. At the start, we see him standing precariously on the ledge of a high building. The reason why is shown at the film's end. (I won't give it away here) This is followed by a flashback. He is a middle-aged some-what bored businessman, who has his head turned one day when he sees a mysterious woman standing under an air vent in a car park. She happens to be wearing a flimsy red dress (hence the US title of the remake) which flutters in the breeze. She seems to enjoy this, and returns to the vent for a second helping. After she walks away, Rochefort tries it out for himself, but the effect for him in his buttoned overcoat is not as sexy to the viewer. Or even him. This is the catalyst for his obsession with the girl, played by Anny Duperey, who eventually turns up at his place of work, much to his surprise.

Meanwhile, his loving and quite attractive wife, is being sexually harassed by a chubby friend of their teenage daughter, this is not to mention the personal problems that Rochefort's tennis buddies also encounter.

This is well worth a look, even for the dubbed version. There was also a sequel made sometime after, but the magic was not there.

The adults are big kids.

[dbdumonteil · 15 October 2005]

Yves Robert's best works are those which deal with children :"la guerre des boutons" "la Gloire de mon Père" and its follow-up "le château de ma mère"."Un éléphant" is not as good as the three movies I mention above.But what connects it to his three wonderful films is that its four heroes have not really grown up.Claude Brasseur 's way of pitting the olives is a schoolboy 's joke!We can also credit Robert for introducing a gay character (Brasseur) while avoiding the usual clichés.Brasseur portrays a man like all the other ones.We'd never guess he is gay if we were not told it so.On the other hand,the female parts are not very interesting:Daniele Delorme -who was Robert's wife and her co-producer-was better in the fifties when she was directed by Duvivier and the attractive Duperrey is nothing but a mirage .And Guy Bedos 's mother is a calamity ,for Marthe Villalonga is ham-acting flesh on the bone.

The movie was so successful that there was a sequel ("Nous irons tous au Paradis' ) and an American remake ("the woman in red")

Alluring,wondrous sex-comedy,sub Rosa

[Cristi_Ciopron · 28 November 2006]

A banal bureaucrat who works in a Paris ministry sees an engaging amazon in an amaranth dress;the man had a decent family life.On all sides,his friends are left by their wives because they were caught having affairs. Étienne Dorsay's wife,Marthe (the delicious Danièle Delorme),is an attractive and very straight woman;she warns her husband about the consequences of his being caught with another woman.But Étienne plans nonetheless to meet the mysterious beauty sub Rosa.Étienne sees the woman,Anny Duperey, on an ad poster,and finds how to meet her;then,he rides Anny Duperey down.Completely amoral,Dorsay's imbecility is equaled only by his selfishness.As such,the movie is cynical and illusion-less."Un elephant ..." is a long flash-back,as it starts with Dorsay's odd illumination on the roof,when he contemplates freely the prospective of stepping further into profligacy.It is the turning of an bureaucrat into a libertine;but Dorsay remains none the less an imbecile.

"Un elephant ..." has several subplots (Jean Rochefort's three womanizing and somehow stupid friends have their various misfires with their prosaic love affairs;Dorsay' s wife,Danièle Delorme,is harassed by a disagreeable teen-ager,and she sometimes looks as if she is close to ceding to him).

A female colleague,Martine Sarcey, misapprehends his intentions.

A word about the actors:Jean Rochefort brings some bonhomie and calmness,but also the crap poetry of the boorish clerks.Not a bit of respectability in his character; Jean Rochefort/Dorsay remains selfish and narrow-minded.The script is an almost bitter study in amorality,albeit that in a suave register,and it has the '70s frankness of keeping to sex only.These sex marauders,Jean Rochefort and his friends,have no charm,and the movie does not pretend that they have any.Around Dorsay,the sex escapades fail ,but "Un elephant ..." has a bizarre,fanciful and interesting ending.It is true that "Un elephant ..." does not reach the narrative ampleness that some sex-comedy of that era had,instead it is constructed as a series of gags,and as an open registration of sexual tribulations that ultimately denotes a certain "disabusement".

Three gorgeous actresses (Anny Duperey,Danièle Delorme,Martine Sarcey).