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  • Warning: Spoilers
    Ah-ha, foreshadowing! A strong lead, elaborate fight scenes, semi-bad dubbing, silly facial hair, and a weak musical score add up to Blood of the Dragon. I had never heard of Jimmy Wang Yu until I saw Screaming Ninja and this. He definitely deserves his status as a name in the martial arts genre. He is quite impressive both physically and in his acting. White Dragon(Yu) faces Red Wolf, Golden something, wussy prime minister, and Kang Fu(Fei Lung - Evil Betty). Of course, they are no match for the defender of the rebellion. Fun as only a seventies martial arts movie can be. The twenty minute final battle could have inspired a scene in Kill Bill. A different soundtrack and some less silly supporting vocal talent would elevate this a lot.
  • There is little in this low-budget Chinese kung fu drama that we haven't seen before, aside from a few nifty weapons. It's a predictable story of one man versus an empire, the bad guys this time around being the big, greasy bearded Mongols whose dominance spells trouble for good-guy fighter White Dragon. Eventually Dragon ends up taking on an entire Mongol army alone, but not before he has mildly romanced an attractive barmaid, made friends with a not-too-annoying young Chinese kid, and chopped off a guy's finger! The film is pretty bloody for a kung fu movie. I'm not talking Chang Cheh kinda bloody, as in a bloodbath or slaughterhouse film (see CRIPPLED AVENGERS or SUPER NINJAS) but the blood does flow fairly steadily.

    Bolstering the film is one-time action legend Jimmy Wang Yu (THE ONE-ARMED BOXER), a film star whose career was already on the wane in the late '70s after his box-office gold of a decade previously. Wang Yu would slug on in a plethora of low-budget, sometimes interesting movies in the '80s and '90s (FANTASY MISSION FORCE being a good sample of his later work) but he would never reach the early heights of his career, which saw him equal popularity with Bruce Lee. Here, he doesn't have a lot to do as the noble, heroic White Dragon, other than swing his spear around and jump into the air a lot. Still, Wang Yu is cool in my book, his acting a little better than most of his contemporaries, so kudos to him for his appearance here.

    Unfortunately, the American distributor saw fit to tinker with this movie for its US release. Thus we get dubbed in American voices (rather than the usual English dubbing); a hilarious US cast list showing up at the end (the names are either made up or those of the dubbers) and worst of all, cheesy rock music inserted over the soundtrack. Speaking of sounds, the sound effects in this movie are hilariously over the top, whether it be a spear swinging, a ball-and-chain spinning or a horse clip-clopping down a road (they do that a lot in this film). It's pretty funny to watch and listen to. Although far from a classic, BLOOD OF THE DRAGON has plenty of goofy flying, clichéd dialogue, and silly action to recommend it, cheesy effects and a high body count. Kung fu fans might enjoy it, providing they find a good copy (Brentwood DVD's is typically poor).
  • Warning: Spoilers
    The Mongols have taken over China but White Dragon (Jimmy Wang Yu) and his huge spear stand in their way. Two rebels die to give a young thief named Kenny a tube with a secret message and White Dragon agrees to protect him as they journey to deliver that information to the Prince, who hates White Dragon as he once defeated his father in a duel and ruined the man's life.

    That tube contains a secret list of rebel leaders that the Prince can use to save China, even if he hates White Dragon, who is selfless and still wants to return it to him, even if the Prince had no honor and stabbed him with a secret dagger hidden inside his Magic Sword.

    This all leads up to a twenty-minute long final battle that seems like a contest between White Dragon and the Prince to see how many soldiers they can kill. The final boss, General Tai (Yi Yuan) has one of those amazing martial arts movie weapons, a sword that turns into a whip. I have no idea how a weapon like that would work in real life, but who cares? This is the world of unreal weapons and even more fantastic warriors using them to unleash their fighting skill.

    It's intriguing that this was directed and written by a female filmmaker, Kao Pao Shu, which doesn't happen too often in martial arts cinema. She would direct herself in The Female Fugitive and also make The Master Strikes.
  • So begins the dialogue in BLOOD OF THE DRAGON, which is probably the least important element of this almost-nonstop action martial arts movie. Starring Wang Yu (from the amazing ONE-ARMED SWORDSMAN series), BLOOD OF THE DRAGON is an above-average movie with a pretty cool protagonist and enough blood and gore to satisfy any fan of violence.

    Wang Yu plays Lung Ti, also known as the mercenary White Dragon. This is the "Dragon" referenced in the title, so you know to look out for his blood in this movie...lots of it. You see, about a quarter of the way through the movie, White Dragon sustains a backstabbing (what a guy!) and STILL manages to kick butt throughout the rest of the movie. It's a tough job saving China, but somebody's gotta do it. White Dragon gets caught up in a revolution against the evil Mongol government, and the movie gets quite a few patriotic sentiments in it; the Mongols are portrayed as hairy louts, and White Dragon and the prince who fights alongside him are cool, honorable dudes. :)

    Right off the bat, BLOOD OF THE DRAGON gets into heavy action with rapid camera-cutting and frenetic editing. White Dragon wields a huge iron spear throughout the movie, and he goes against everything from a broadsword (a so-called "magic sword," but I never really saw why it was so special), a three-piece staff, throwing stars, and one of those nifty sword/whip things (used by intimidating bad guy Red Wolf). There are several unintentionally funny moments in the battles, when it is obvious that the editing is a bit sub-par, but this is to be expected from a thirty-minute fight scene with over sixty guys (yes, that IS the finale of the movie!).

    White Dragon, with his fairly easy-going attitude and honorable heart, may remind viewers of Jubei from NINJA SCROLL or Gatsu from "Berserk." Either way, the dubbing on Dragon's voice (and the rest of the cast) is above average, with all the lines understandable and at times emotional; much of this could also be attributed to Wang Yu's actual ability to act. :) Also, be sure not to miss out on the horribly inappropriate music by the band Flood! All in all, a fun movie with great weapons sequences. My rating: 8/10
  • In 1971 Jimmy Wang Yu broke his contract with Shaw Brothers. Shaw Brothers business model considered all actors as replaceable commodities totally under their control. Jimmy avoided the legal problems by making movies in Taiwan and he started fast by starring in seven movies in his first year.

    Lisa Chiao Chiao also left Shaw Brothers at the same time and continued to act in Taiwan. I believe her contract simply expired. In Jimmy's most famous movie "One-Armed Swordsman" she played his rescuer when conveniently he fell into her boat. Were they a couple in real life? If I ever meet either of them I will ask. Jimmy had another role at Shaw Brothers as a fighter with a silver spear. Since he had both arms in this movie he was also able to fight with the spear but used the sword more. There is a good mix of fights here with different weapons, all normal and no absurd movie creations, and hand fighting. Most sequences are brawls versus many opponents. Jimmy's brawl sequences are among the best ever filmed. This is simply because he avoids the cheap, overdone fight moves. These include - a circular wave of the sword and stunt men fly away in every direction, too many close ups instead of long shots, shaky camera sequences, and sudden leaps to escape that land the fighter in the next county. Jimmy's moves always show power so even if he sometimes misses by an armslength it can be overlooked. Sometimes you can even see a pure finesse move if you look closely.

    There is a child in this movie. If you must include a child in a movie instead of a prop then rule number one is the child must not be annoying. Pure gold is if the child is actually good and adds something. Here the eleven year old Yau Lung is pure gold.

    Overall this is not Jimmy's best of 1971 and not his worst either. There were parts that simply dragged so I can only rate this as average for the year and genre.
  • Considering the absurd plot (what little there is of it) and the really cheesy special FX she had to work with, director Kao Pao Shu deploys very good camera work and superior acting from her leads to produce a surprisingly strong action film. Wang Yu, in one of his last really good roles, comes across exactly as he should, a killer finally finding something worth dying for; anything less from him, and the film would probably collapse; but he pulls it off. He is well supported by one of the few successful "non-combatants" in martial-arts films (she did appear fighting in a couple films, but not many) Chiao Chiao (a frequent co-star from Wang Yu's shaw Bros. period). Most of the other actors turn in competent but stereotyped performances, but never mind. The film belongs to Kao Pao Shu and Wang Yu, and they deliver.

    I have read that this is an inferior remake of a previous Wang Yu film, Beach of the War God, which I have not seen. But lacking comparison, this film stands well on its own, despite all the drawbacks one expects from an American release of a 1970s Hong Kong action film. It moves along so well, one is quite happy to forgive such obvious flaws. A true gem in the rough.
  • I've seen many of Wang Yu's films, and I think that "Blood of the Dragon" (aka "The Desperate Chase") just might be his finest moment. It's certainly one of the only independent films he made that can hold its own against Chang Cheh-directed epics like "The Magnificent Trio" and "The Assassin" in terms of excitement and tragic scope. The fights (very little empty-hand action, but plenty of spears, swords and more exotic weapons) are well-choreographed, the tone of the movie is appropriately grim, and Wang's character Lung Tai is a hero you actually care about and root for. The dubbing is slightly better than what I've heard in most Hong Kong and Taiwanese martial arts flicks, and the hard-rocking American soundtrack--recorded by Flood--enhances the action. "One man, one weapon, one hell of a movie"...that's what "Blood of the Dragon" promises, and it delivers! (Especially in the no-holds-barred climax.)
  • zenjiedo_6826 September 2005
    White Dragon is an anti-hero in the truest form. A former fighter who only lived to wreak havoc and fight another day finds that the lifestyle he had once embraced is now hollow and only seeks to live a quiet life of wandering. When a young beggar runs afoul of Mongol warriors he steps in to save the young man and becomes embroiled in a plot of royal intrigue. I love the interplay between White Dragon and his protégé' as he strives to teach him in all too short a time the true meaning of heroism. The burgeoning feelings he has for the innkeeper who looks out for the boy is meaningful without getting in the way of the plot or the great martial arts action. While his enemies are somewhat uninspired the sheer amount of them will keep you at the edge of your seat to see what the ultimate outcome of this battle will be.
  • Warning: Spoilers
    A young boy plans to carry a bamboo, which lists the names of all the men who support a Chinese rebellion against Mongol occupation, to a young prince named Ma Tung, one of the leaders in the rebellion, at the dying request of the man who gave it to him. When two men working for the Mongol cause attack him and steal the bamboo, the "White Dragon" Lung Ti comes to his defense. Soon the two become good friends and the "White Dragon" agrees to accompany the boy on his journey to the palace of the young prince. However, when they arrive Ma Tung immediately recognizes Lung Ti as the man who defeated and humiliated his father Ma Chin, master of the "magic sword", in a previous duel which so shamed his father than Ma Chin shortly thereafter took his own life. Ma Tung makes the mistake of thinking Lung Ti has come for a fight and a battle between the two ensues leaving Lung Ti wounded but still standing. He and the boy then leave but when the "white Dragon" realizes just what the bamboo contains, he knows he must somehow get the information back to Ma Tung or at the very least keep it out of Mongolian hands or that of their supporters for Lung Ti also supports the cause of the rebellion and despite Ma Tung's feelings towards him, Lung Ti admires Ma Tung's stand against the Mongolians and plans to lend his support to the cause as only he can.

    Lung Ti is a master at controlling the spear and it is his weapon of choice in this story. This movie's true strong point is its many battles featuring Lung Ti's spear and/or Ma Tung's "magic sword" against an army of sword-wielding Mongolians, lead by General Tai who himself has a most unusual sword in that it can be turned into a whip, and their supporters. I've rarely seen more entertaining battles of this sort and they generally are very well shot (even if on occasion they do slip up and you see guys actually taking the spear under the arm). This story of patriotism and one man standing tall against an army is the stuff of heroic legend. This certainly doesn't fail to deliver in any fashion it promises. Wang Yu is fantastic as the "White Dragon" and the language barrier is not really a problem here as his actions and his body language speak so loudly.
  • Jimmy Wang Yu stars as a martial art criminal who decided to change his ways and help a young boy bring a bamboo containing a list of people that is in the hitlist on a Mongolian leader. Only problem is Jimmy has to take the list to a son who has a vendetta against him for killing his dad. More trouble occurs and lots of action and violence happen. Lots of known faces (including Roy Chiao) helps this standard action film. This 1974 film was released in the U.S. in 1978 by a small American distributor who redubbed it (more Americanized voices instead of the H.K. English accent dubbers), re-scored it (by an Atlanta rock band FLOOD), and edited it (removed a finger cut off scene) for it's release. The only reason why it failed at the theatres was they bill THE MAN FROM HONG KONG star as "Wang Yu". Other than that, it's a pretty good action film.
  • poe42620 February 2010
    Warning: Spoilers
    Certainly vastly superior to the over-hyped MASTER OF THE FLYING GUILLOTINE (which has its moments, to be sure, but which also boasts as many negatives as positives), BLOOD OF THE DRAGON is Wang Yu at his heroic best. He was never nobler than he is here, and the storyline is reasonably coherent (not always the case with Old School kung fu movies). The only real problem I have with this one: I've seen it three times, now (once during its initial theatrical run and twice on DVD), and there's an abrupt jump-cut during the final showdown that's still jarring, after all these years. One would think that some enterprising distributor could find a decent print of this one after all these years... (And, no sooner do I lodge the complaint than I come across a print that features the missing action: it shows Wang Yu's opponent, impaled on the tip of the steel spear that he carries, being waved about like a banner before being discarded. It was worth the wait.)