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  • I had the exceptional opportunity to be one of two Americans in-country to witness the filming of Caravans. It was filmed outside Isfahan, Iran and I was then the American Vice-Consul in Isfahan (read: second banana, of two). Our Consul, my lovable, affable boss, was David McGaffey and he and our wives enjoyed several opportunities to visit the set and to dine with the cast. The real setting of the story, I believe, was in Afghanistan. My tiny claim to fame is that my desk was the one used by Joseph Cotton, who played the American Ambassador. I had inherited the ambassadorial-size desk as a result of the closing of a consulate in Khoramshar many years earlier -- it filled my tiny office such that I had to squeeze to get by and sit at it. The crew borrowed several other props from our consulate, including, most notably, our official metal seal, which they masked over to say Embassy instead of Consulate, as best I recall.

    The actors were superb, as was the costuming. It is hard to imagine, for example, that only one or two actors had "real" guns and the rest of the army had cleverly-painted sticks. Alas, the direction sank the movie, to my everlasting disappointment. Caravans is a great Michener read, but the movie died and my "6" is, I think, charitable and a salute to the fine folks who graced Isfahan with their presence back then, for several fun-filled weeks.
  • vgpoet19 August 2015
    The movie, Caravans, was filmed in Isfahan, Iran, and near by the city out in the desert. I had the opportunity to visit the sets on several occasions. Some of the film was shot at what was then called the Shah Abbas Hotel, the best hotel in town and one which used to be a Caravanseri. It was and still is a beautiful hotel, with much blue and white tile walls and brass chaise lamps. Across from its landscaped Persian garden courtyard is an alcove where one of the scenes of the movie was filmed. It was a tight fit, with many cameras and crew packed into its small space. They did a number of takes that day. Most of the cast stayed at this hotel. Rumors claimed Anthony Quinn didn't like his mattress and threw it out his window. My Time Magazine mentioned that Jennifer O'Neill complained about the lack of dry cleaners. I found these stories amusing. I also got invited to a desert filming near Isfahan and I had a wonderful day on the set. That day, they were shooting the caravan going by as well as Jennifer O'Neill in a tent with some other women. I was able to get some photographs of some of the actors, but when I asked Anthony Quinn if I could take his picture, he asked me not to since he wasn't wearing makeup. There was a good bit of time to kill between filming, and near sunset, some of the Iranian extras started doing a spontaneous mock dance fight using sticks. I heard group singing from Jennifer O'Neill's tent. It was a magical day, one I will never forget. I didn't have the chance to see Caravans until years later. Unfortunately, the movie itself isn't nearly as exciting as watching it get filmed.
  • I actually watched this movie being filmed while living in Isfahan, Iran in the last 1970s. My father worked for an American company, and I was in high school---there were actually 10,000 Americans living in Isfahan, (including families with children) before the revolution got underway and the evacuations of non-essential personnel started.

    I haven't seen the movie since the time it first came out, but I do remember that (a) the score was quite good (b) although the plot of the original Michener novel dealt with Afghanistan, and although the adaptation may have put the "location" of the action near the Pakistani border, the filming of exterior sequences took place within an hour's drive of Isfahan, VERY far from the Pakistani border.
  • This certainly isn't a great film, but it is entertaining, and even more so since it takes place in Iran. Most, if not all movies that take place in the Middle Eastern are set in Arabic countries. So much so that even in this day in age most people in the West associate the Mid-East solely with the Arabs.

    But this movie is unique in that it not only takes place in Iran, a non-Arab country, but it was also filmed there as well, right before the Revolution, which technically began in '78 but was firmly established the year later.

    The turmoil of the Revolution took place in the major urban centers, which this movie was filmed far away from, in the desert areas of the province of Baluchistan, which borders Pakistan. The Baluch are an Iranian people, related to the Persians, Kurds, Azari's, etc. with their own distinct culture and heritage.

    What really makes this film interesting is that they portray the Baluch and their dress and customs fairly accurately. It's obvious the filmmakers did their homework and actually put some effort in learning about the various Iranian ethnic groups and the differences between them. For example, the Baluch have had plenty of conflicts with the central government for quite some time, and this fact is made good use of in the movie. Even today the Baluch create problems for the central government every now and then, what with all the smuggling going on, which is their primary trade.

    All in all, if you're looking for something unique, give this movie a shot. Don't expect too much in the way of story or acting, but you're sure to find the scenery and the exposure to a different culture interesting.

    As a sidenote, it's interesting (but not surprising given Western ignorance) the two other reviewers were under the vastly mistaken impression that the movie was concerned with an Arabic or "bedouin" tribe, since there are no such tribes in Iran and also despite the fact that the film quite emphatically makes it clear that the tribe is Baluchi. You'd think people would realize that Iran is not an Arab country by now.
  • An entertaining adventure with all the ingredients , set in the Middle East in 1948 , and concerning about an American emissary , Michael Sarrazin , sent by the Ambassador, Joseph Cotten , to find a senator's daughter , the gorgeous Jennifer O'Neill . After an unsuccessful marrying a native army officer , she has joined a caravan formed by the tribe Kochi led by Anthony Quinn travelling through the sunny desert .

    Enjoyable and obscure film that failed at boxoffice . An unusual and colorful adventure with great cast and full of action , thrills , battles and being well treated oriental social habits from desert life . Anthony Quinn gives a nice acting , as usual ; Quinn work is well up to his ordinary high standards . Anthony played a lot of exotic roles such as : Osceola in Seminola , Crazy Horse in They died with boots on , Chief Yellow Hand in Buffalo Bill , Kublai Khan in Marco Polo , a bullfighter in Santo the magnificent , an Emir in Simbad the sailor , a Mexican rebel in Viva Zapata , Quasimodo in The hunchback of Paris , a Basque in The passage and here a sort of Zorba the Sheik . But the beauty and attractive Jennifer O'Neill is the real star of this film .And support cast is pretty good , such as Barry Sullivan , Joseph Cotten , Mohamad Ali and Jeremy Kemp .

    Glowing colour and distinctive photography by Douglas Slocombe , including exhilarating and riveting exteriors from Iran , during Sha period and prior Jomeini . Rousing and catchy soundtrack by Mike Batt , including an unforgettable leitmotif .The motion picture ,produced by usual editor Elmo Williams , was professionally directed by James Fargo , though it has some flaws and gaps . As the spectacular outdoors , acceptable interpretation , and the size of the drama are not enough to make this one a memorable picture , but it remains in many ways an agreeable experience. James Fargo is a craftsman who started as an assistant director to Clint Eastwood films . He has directed Eastwood vehicles: The enforcers , Every which way but loose , and Chuck Norris : Forced vengeance . And other dramas and action movies as Second chances , Born to race , Riding the edge , Game for vultures , Voyage of rock aliens . He also made Tv episodes from Hunter , A team , Tales of gold monkey , among others .
  • I have fond memories of watching 'Caravans' as a youngster. I remember the soundtrack and still enjoy it today. The soundtrack makes the movie. Mike Batt composed one of cinema's most recognizable and most beautiful scores ever!

    Michael Sarrazin stars as Mark Miller, who is sent to Kashkhan (fictional) in the Middle East to find Ellen Jasper, a Senator's daughter who was last seen 10 months ago. She is an American who married Nazrullah, and now has to live according to his and his country's rules.

    Mark soon finds Ellen travelling with a caravan. When she refuses to leave, Mark travels with the caravan, as he needs proof that Ellen is alive and well. But when the leader, Zulffiqar (Anthony Quinn) decides to transport guns in the caravan, things get a bit more complicated. To make matters worse, Nazrullah is also desperate to find Ellen and he, too, is in pursuit of the caravan.

    The film is set in 1948 and mostly takes place in a desert. I enjoyed the adventure element, and I always love watching movies about other cultures. Unfortunately, 'Caravans' was met with negative response. As for me, I really enjoyed it. Maybe because I never read the book and therefore didn't have anything to compare it with. Or maybe it wasn't well received because of the film's ending. I agree, I wasn't happy with the ending either, and I believe the film might have done better with a different ending. At least the soundtrack was a hit.

    Despite the ending - which ruined some of the film's magic - I enjoyed it and still regard it as one of my most enjoyable adventure movies. Off course the stunning score helped a great deal.
  • Warning: Spoilers
    There are good actors (veteran Joseph Cotten briefly appears in the first scene ) , tuneful music , beautiful landscapes ,but it does not make it as a whole .

    The first part ,in which O'Neil and Quinn are absent ,is the most interesting ; naive Miller (Sarrazin) discovers another culture and a way of life terribly different of his: their laws have nothing to do with his sense of justice (the well-known custom of the right hand cut off ),the women hidden in the houses ;the scene at the doctor's office,which is still relevant today : the husband would not let the doctor examine his wife and she has to describe her symptoms :a fat lot of help for my diagnosis!

    The second part ,which justifies the title and takes entirely part in the desert ,is full of filler,of lore for tourists ,and as the character of the wife is underwritten , it verges on harlequin romance .However what brings Quinn and the captain into double conflict (gunrunning and love rivalry) gives the final scenes some substance.
  • This is a rare look into the Islamic world just before the Iranian revolution, that virtually cut-off all communication with Western cultures. International intrigue, and the complexities of "cold-war" politics are just below the horizon in this all too "Ugly American" tale of the last caravan.

    The tribal scenes are unequaled in their energy and authenticity. The inclusion of local clans and their customs bring forth a realism unique to modern films. Unfortunately, this cannot be said of the screen play, which is shallow and reflects western values at their worst. Acting is staged at best. No attempt at character development, much less motivation.

    Spectacular filming of Iranian ruins. Biblical visions, for those with open minds,are stunning. We can only hope for a deeper glimpse.
  • AttyTude019 November 2013
    3/10
    Meh
    I love to watch 60s and 70s films mostly for nostalgic reasons (I was a young woman then). So when this came up on Netflix I was pleased. I vaguely remembered seeing it when I was young, but I did not remember the film at all (I never read the book). I was sadly reminded why.

    This film is just a bit of spectacularly photographed fluff. Jennifer O,Neill was one of the most beautiful women of her time, but she could NEVER act. And is it only me, or do her clothes look too much like crisp, brand new Barbie-disguised-as-Sheherezade costumes?

    Also, the plot is so rushed I felt like I was fast-forwarding to the end. They don't give us any real reason to like Ellen, or even understand her motives. When Miller asks her what prompted her inconsiderate behavior to her parents, she answers with all the petulance of a spoiled brat, "My parent used me for their respectability." Ah, well. There you are, then. That explains everything, doesn't it? But wait. There's more. In order to put a stop to her parent's disrespectful ill-usage of her, our heroine seeks solace among men who, according to one of the locals, Sardar Khan (Christopher Lee), "Give our women less rights than a camel." Naturally! Who else would a Western woman go to for respect? ... Oh, dear. Now I've upset solinvictus93, and his fellow students specializing in Middle-Eastern studies ...

    Caravans is OK if you just want light escapism and you are a fan of the ever-versatile great actor, Anthony Quinn. The film is also in excellent condition for one of its age. I want to read the book now.
  • Can you believe the American State Dept would that stupid to expatriate young diplomat to the Middle East and didn't train and educate him well enough to know and understand the customs of the Muslims? This guy bulged into the territory without even having the basic knowledge of the Arabian culture and all the the taboos not allowed? Eating with left hand? Taking away the hijab of a woman, albeit a married one? Sitting down next to a married Arabian woman? The mockeries of James Michner's novel were just too many and too unbelievably unconvincing that had shown every segment of this movie.

    "We Muslim men valued women less than our mules, but tributed all the love to them in our poetry" , the only thing that I totally agreed. It shows how weird the Arabian male chauvinists' logic is. Then when the French government passed a law to forbid the Muslim females wearing hijabs in public, but the Muslim women protested, claiming it violated their right to choose. It's another weird Middle East logic, but this time, it's the females who refuse to liberate themselves.
  • So, OK, Citizen Kane this isn't. I re-read the original Michener book a few years ago and went looking for the movie. Only the largest video store in town had it, and you had to ask, because it was waaaay in the back stacks.

    They simplified and Hollywood-ized the book's plot and removed much of Michener's trademark exposition on the good things, bad things, history and cultural foibles of Afghanistan. For that matter, they scrubbed out the word "Afghanistan" and made it a generic "country in the mid-East".

    But it does have a lot of wonderful photography of Iran and a genuine bedouin people, who provided the extras for Anthony Quinn's "tribe". Iran had its revolution and became mostly closed to the West just a year after shooting, and it is almost heartbreaking to see all the magnificent countryside and archaeological sites that provide the backdrop, along with the knowledge that it is still so difficult, dangerous, and expensive to visit.
  • It's such a departure from Michener's excellent novel, you are liable to be severely disappointed by this interpretation. Wooden performances and altered plot lines contribute much to the disappointment. Redeeming qualities are Quinn's stoic performance in the face of a bad script and the authentic location.

    Perhaps the biggest travesty is the representation of the central Doctor Stiglitz character which was so watered down, they may as well discarded the role all together.

    In the way it invites comparison to modern Afghanistan, it would be good to see a new more faithful remake but I can't see that happening under Taliban rule.
  • CinemaSerf10 November 2022
    US Embassy official "Miller" (Michael Sarazin) is despatched into the desert to try to track down the missing daughter of an influential US Senator. After many days (and it does feel like it) he meets her new and proud local husband - "Col. Nazrullah" (Behrouz Vossoughi) who initially refuses to let him meet her, only for it to turn out that she has again gone missing. More travelling reveals she has taken up with "Zulfiqqar" (Anthony Quinn), a tribal leader who makes a bit of money on the side smuggling Russian rifles into India. What now ensues is a remarkably filmed but terribly plodding adventure story that sees him and "Ellen" (Jennifer O'Neill) begin to understand each other and for him to realise just what she loves about her new home and it's people. Mike Batt's score (featuring the lovely dulcets of Barbara Dickson) and some beautiful and historic cinematography in and around Iran adds loads of richness to this presentation of the story, but sadly Quinn arrives far too late in the day to rescue this from grand-scale mediocrity and it ends rather weakly and ponderously. It could easily have been thirty minutes shorter and perhaps that would have tightened it up enough to sustain the thinly padded out thread, but as it is, it's a long old slog!
  • The film's scenario would never happen except in a novel, or a soap opera where the central character has to "find herself".

    An USA Intelligence operative goes into the Persian desert to find a missing diplomat's daughter. His journey involves gun-running Arab nomads, flash floods and lots of camels.

    Nevertheless Caravans is good escapist fun. I could watch this film again and again, as it is great cinema. Two good bonuses are the scenery and the soundtrack. Mike Batt (a fellow Brit) composed the stirring music and it is worth buying the soundtrack CD alone (you may recall the minor pop chart hit-single by Babara Dickson, called Caravans).