An alien orphan is sent from his dying planet to Earth, where he grows up to become his adoptive home's first and greatest superhero.An alien orphan is sent from his dying planet to Earth, where he grows up to become his adoptive home's first and greatest superhero.An alien orphan is sent from his dying planet to Earth, where he grows up to become his adoptive home's first and greatest superhero.
- Nominated for 3 Oscars
- 19 wins & 23 nominations total
Featured review
We all have unique reasons for loving a film. That's what makes cinema so magical. It's personal. You can love the meat of the movie, or you can love the trimmings.
There's a bunch of good stuff here. Most people my age will refer to "Superman" as THE definitive superhero film. None will ever take it's place. A position no doubt dictated by the age we were when first viewing it. As with films like "Star Wars" and "Raiders of the Lost Ark", WHEN you experience them is just as important as HOW you experience them.
As we age, youth's eyes fade. Cynicism creeps in. Experience leads us to see the many injustices this life offers and we become more critical... less likely to accept that which we would rather believe. After all, an adult who clings to the youthful ideals of wonder is simply naive... right?
To this day, the opening title sequence for "Superman" fills me with the same magical joy it did over twenty years ago. Never was a score so perfectly crafted around a film. John Williams and Richard Donner created such an indelible experience that over 25 yrs later, Bryan Synger will use the same music and theme to bring the magic to a new generation of wondrous eyes.
As for me though, this will always remain the best.
There's a bunch of good stuff here. Most people my age will refer to "Superman" as THE definitive superhero film. None will ever take it's place. A position no doubt dictated by the age we were when first viewing it. As with films like "Star Wars" and "Raiders of the Lost Ark", WHEN you experience them is just as important as HOW you experience them.
As we age, youth's eyes fade. Cynicism creeps in. Experience leads us to see the many injustices this life offers and we become more critical... less likely to accept that which we would rather believe. After all, an adult who clings to the youthful ideals of wonder is simply naive... right?
To this day, the opening title sequence for "Superman" fills me with the same magical joy it did over twenty years ago. Never was a score so perfectly crafted around a film. John Williams and Richard Donner created such an indelible experience that over 25 yrs later, Bryan Synger will use the same music and theme to bring the magic to a new generation of wondrous eyes.
As for me though, this will always remain the best.
- LookingforJulia
- Oct 21, 2004
- Permalink
Storyline
Did you know
- TriviaOn his first day on the set, Marlon Brando suggested to Richard Donner that the cameras roll during rehearsal. Brando reportedly said, "Who knows? We might get lucky." According to Donner, that very first take was the one that was used in the finished film. Brando was notoriously lazy and was constantly pulling little stunts like this to lessen his workload. Christopher Reeve even complained about it in interviews, saying Brando was "phoning it in and it shows!"
- GoofsWhen Jor-El introduces himself in the Fortress of Solitude, he explains that by this time, he will have been dead for thousands of Earth years. Yet during his teaching during Kal-El's journey to Earth from Krypton, Jor-El refers to Einstein's theory of relativity, which wasn't formulated until long after the destruction of Krypton.
- Crazy creditsFor the first few opening credits, the graphics 'soar' towards the viewer. Following the appearance of the 'S' symbol, they change direction and from the film's title onwards, recede into the distance.
- Alternate versionsThe current DVD, in addition to containing the 2000 restored director's cut, has 2 deleted scenes (both of Lex' babies, and seen in the TV edits in their original context), and alternate audio scoring for 8 sequences (including an unreleased alternate pop version of Margot Kidder's "Can You Read My Mind"). The DVD has the 2000 restoration with the following additions / expansions (all of which were seen in previous expanded television versions):
- Some added dialogue when Jor-El is talking with the council.
- The council calls an "Executioner" to hunt and kill Jor-El to keep the rocket from launching.
- Noel Neill and Kirk Alyn's speaking cameos on the train.
- Little girl sees Clark running faster than train, parents call her Lois Lane.
- In the kitchen Martha Kent takes out a box of Cheerios.
- After rescuing Air Force One Superman returns to Fortress of Solitude and has a conversation with his father.
- In Metropolis when the news of Superman comes out, Clark is a spectator. A stranger (played by an uncredited Richard Donner) comments "that'll be the day when a man can fly"; Clark grins.
- While trying to get Luthor's lair Superman goes through machine guns, flame throwers, ice machines with Luthor taunting on loudspeaker.
- The sequence with the Girl Scouts.
- ConnectionsEdited into Superman II (1980)
- How long is Superman?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Superman: la película
- Filming locations
- Range Road 264, Blackie, Calgary, Alberta, Canada(The Kents' farm, coordinates: 50.675111, -113.558333)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $55,000,000 (estimated)
- Gross US & Canada
- $134,478,449
- Opening weekend US & Canada
- $7,465,343
- Dec 17, 1978
- Gross worldwide
- $300,478,449
- Runtime2 hours 23 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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