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  • OK. I admit. I'm one of those nerds who have spent all to many hours with my beloved DVD player and my wonderful television set watching science fiction series. Star Trek (Next Generation) was my first space date, and since then I've switched partners regularly. I've seen'em all, it seems, and my favorites are «Lexx», «Farscape» and the new «Battlestar Galactica», in other words: the newest, state of the art space operas. But, I also have a general crush on the old fashioned ones, the cheap ones, like the magnificent four seasoned BBC show «Blakes7». Here, the budgets are smaller than hobbits, the special effects seem to be made on a Commodore 64, but who cares when the scripts are sharp and intelligently written with dark humor, the acting dead serious and at times even high class?

    But why do they always speak English in the space future? Because this is NOT the future, it's fantasy for kids. Still, it can be irritating at times. Me, being a Norwegian, have often damned this appalling fact that one never makes genre series, like science fiction, for Scandinavian viewers. I never ever thought of the fact that this might have happened. But it did, actually, once, and even in my own homeland, Norway. I was two years old when the so called Fjernsynsteatret (TV theater section) of our national public service channel Nrk produced this three episode version of Blindpassasjer (The Stowaway).

    When I first heard of it, I was not surprised of the fact that until this day, the show has only been screened once in Norway, making it impossible for me to actually see it. It went on Swedish, danish and Finnish television also, in it's time, but that was a long time ago. There have been no video or DVD release of it, not a surprise either, and when it was screened on an art house cinema, this happened in Bergen, a city far far away from Oslo (where I live). And then there's another fact about «Blindpassasjer» that didn't surprise me, that it was written by the two Norwegian authors Tor Åge Bringsværd and Jon Bing (Bing&Bringsværd). This duo basically introduced the SciFi genre to Norwegians in the seventies; they published anthologies and wrote what they called fable prose. In my opinion, Bringsværd is the most interesting of the two writers, and has written several great and entertaining novels, masterpieces even, some of them hilarious, such as «Bazar» and «Syvsoverskens Dystre Frokost». No other than this guy, also an acclaimed dramatist, could construct the script of «Blindpassasjer».

    When I finally got to watch it, it was because a strange swede who recorded the three episodes on VCR in the 80's, eventually managed to transform it to DVD and give it to me. He was a nice bloke. So I sat down and watched it, with Swedish subtitles, bad sound and some scrapes and errors; but the thing came through and I was surprised that I eventually came to love it.

    The exterior scenes with the spaceships and planets are better than the ones in Blakes7, and the credit goes to Caprino studios (who made the famous Flåklypa Grand Prix), and the interior of the Marco Polo (the space ship) works better than I'd expected. The acting is typically theatrical, but it works better than when they play Ibsen, to put it mildly, and Bjørn Floberg carries his role solidly, as does Trini Lund. The legendary actress Henny moan delivers her lines in a serious and laid back tone which fits the genre, but this is an ensemble play, and I'm happy to say that Ola B. Johannesen carries his mustache with nobility, and Marit Østbye is a really hot space chic of my standards.

    But is it really that good? Well, one have to swallow the rather abrupt ending, the pretentious criticism of «modern society», but yes, it's, well, not really really really fantastic, but charming, cool, nostalgic and pleasant. One and a half hour of classic Norwegian SciFi.
  • I remember this show from Swedish television. I was only 7 years of age and it scared me beyond belief.

    I would love to revisit this series and see if it was just as excellent as remember though i suspect my taste and demands have changed.

    Although this was released before alien and a plethora of other space-thrillers i suspect that it has its root in scary movies from the 50:s and the political climate of the 70:s. When i think of it, this was a real sci-fi, a movie trying to discuss scientific and political questions about who we are and what we are. The term sci-fi has since then become bleak and come to be the term for any movie that has space-ships in them.
  • It's beyond my comprehension that so much rubbish from Norway has been remastered for DVD release, and still gems like this don't get a shot at recapturing their past glory. I give this a 7, not because it is very good, but because it is one of the few SciFi films made for Norwegian television. This film is nothing less than a film-historic gem that in so many ways foreshadows the first Alien film. And, my word, Blindpassasjer was first! Did Ridley Scott or anyone in the crew see the mini-series? However unlikely, the fact remains that the scenes are extremely similar. Okay, the budget is _much_ lower in the Norwegian film, but given that, it's a really well-done piece of work from the desolate age of Norwegian movie-making, which incidentally lasted until the 90s.
  • A starship in hyperspace is the ultimate "closed room". Beside of this, the old "whodunit" theme is turned on its head as the isolated crew races against time to identify - not the killer, but the victim! Hence the working title "Hvem av oss er den drepte?" (freely translated "Which of us is the victim?")
  • quevaal28 July 2010
    Warning: Spoilers
    I remember seeing this on TV when I was a kid. Not sure if they did a rerun, because I was only three years in 1978, and I was older when I saw it I think. I didn't remember much, and wasn't even sure if this was what I had seen when I recently ordered the DVD. But one thing had etched itself into my brain and that was the footage from the mysterious planet Rossum: The scary people with scythes. And yes, it's what I had seen, and the scythe wielding farmers were a bit scary today as well.

    At first I was less than impressed with the footage from space, and "pappmaché-planets", and why didn't they sleep in some "real" hibernation chambers? Was this "Fjernsynsteater in Space?" However, I knew they didn't have a lot of money to make the film and tried to forget about 32 years of progress within special effects and rather focus on the story. The storyline is good, and I knew it was futile to look for the most suspicious crew member. Still, when the stowaway was exposed, I was surprised at how easy it was done. Imho, the stowaway (being so adaptive) would have been able to keep it up so to speak. Or, the stowaway should have been exposed earlier.

    Nevertheless, I enjoyed seeing the series again quite a lot, and it left me thinking that it's about time with the second Norwegian sci-fi film now that Norwegian films generally have become a lot better and special effects are a lot easier.
  • I recently (May 2008) discovered that this childhood favorite was available as a DVD. Although I've seen a great deal of high quality movies since then (late 70's (I was 10 in 1978)), this three-episode, low budget thing still stands strong.

    What's fun is that I now watched it with my 10 year old daughter, and she experiences just the same as I remember from back then: The creepy music (she had to hold my hand, even though she's been raised with watching LotR and Resident Evil), the ever changing theories of who the culprit actually is, and also complaining about the theatrical voices from an era before Norway discovered the difference between stage acting and movie acting.

    This is the one and only good science fiction movie (or series) ever made in Norway. And it's still worth watching.
  • dakjets16 August 2022
    A Norwegian sci fi series from the beginning of the 80s! That's exactly what this series is. Norway has little production of this genre, even these days. As a child I watched it with my parents. We think it was very exciting, something new and scary too. Now I have watched the series again. It's easy to see why this one was the talk of the town when it arrived. It might be unfair to judge it today? An incredible amount has happened and the sci fi we are spoiled with has an incredible number of effects and is often spectacular in form. Most of this is missing here. This was made on a very low budget, and the props are also very simple, as are the sets. Nevertheless, it has retained much of the horror, and has some surprising moments. Would have liked to see what a remake could achieve here, because the story has incredible potential for excitement in a proper sci-fi setting.

    At least it was a nostalgic reunion.
  • Blindpassasjer is a great piece of classic Norwegian Sci-Fi. Made for TV in 1978, this 3-part mini-series isn't quite up to STAR WARS standards in the special effects department, but it is very story-driven and what a fascinating little story it is. What starts off at a seemingly slow pace, the story begins picking up rather nicely and suddenly you're sucked into the vastness of outer space, feeling like you're right there with the crew inside the Marco Polo, guessing until the very end. Who is the stowaway--the biomate that has breached the ship, somehow undetected, and has killed one of the crew and took his/her place among the others? Tensions mount as the crew tries to find out which one of them is the stowaway. They only have 20 hours to find out before a missile from Nexus destroys them all, preventing the biomate from reaching population. Join the crew of the Marco Polo. Follow their investigations and theories about the mysterious robots on the planet Rossum. And most importantly...find the stowaway before it's too late!
  • Warning: Spoilers
    Blindpassasjer is a brilliant piece of sci-fi history, one that predates classics such as Alien and The Thing. One would think that Ridley Scott managed to get a hold of this series, somehow.

    The set-design is astonishing. While it is pretty dated by modern standards, as spaceships today don't have 70s carpets and orange chairs, it helps the series and makes it stand out more. The ship models are impressive, considering the time and that it is a Norwegian production.

    It wasn't necessarily the visuals that creeped me out as a kid, other than the foreign space ship and the farmers on Rossum. It was the music. Whoever was in charge of selecting the music; I congratulate you. It works perfectly and captures the sense of dread and almost nasty atmosphere you feel.

    The planet Rossum itself is also a good plot-device. By filming the rural parts of Norway in black and white, and later adding a red filter over it, makes it look like an entirely different planet. The found footage-like recordings that Jason goes through is really creepy, especially the robot who suddenly turns his head around. I know several people who had nightmares about that scene when they where kids.

    As I said before, this movie was very ahead of its time. It has elements from both Alien and The Thing, which this series predates. A 'shape-shifting' creature, in this series a 'biomat', who kills one of the crew and takes his place is straight out of The Thing.

    Overall a great series that I think has stood the test of time. I will definitely show this to my kids, when that day comes.