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  • This is my absolute favourite coming of age movie! It has an endearing teenage hero, an engaging story, a touching theme, an amazing musical score, and an abundance of humour. The story revolves around Dave Stoller and his three buddies, four misfits who have just graduated from high school.

    Dave recently received a bicycle as a gift, has become a good racer locally, and his heroes are the Italian Cinzano racing team. To the consternation of some, his life begins to revolve around his dreams of becoming a racing champion, to the extent that he basically tries to turn himself into an Italian. He learns the language, absorbs the culture, listens to its operas, and gives his cat an Italian name Fellini! He even pretends to be an Italian exchange student in order to impress a pretty sorority girl named Katherine, whom he calls Caterina and feels would otherwise be beyond his reach.

    Dave makes an appealing hero, wonderfully portrayed by Dennis Christopher, vulnerable but with an amazing joie de vivre. His hilarious attempts at becoming Italian, for example shaving his legs like their men but not their women, proved one of the highlights of the movie. The scene where he serenades his Caterina at her sorority house has to be one of the most charming in all filmdom. I was also bowled over by his endearing enthusiasm when he discovers "The Italians are coming!", that his racing heroes will soon be arriving in his hometown of Bloomington, Indiana where the entire tale is set, culminating in the Indiana Little 500 cycling race.

    Dave is a kid who doesn't think he is good enough for college, lives in a fantasy world of Italian cycling, and wants to break away from his own aimless, mundane life. This is a typical coming of age movie in that he learns a lot about himself and the realities of life, especially from the behaviour of his heroes, the Cinzano racing team. His three sidekicks are a sympathetic bunch -- the rebellious, angry Mike, the short, feisty Moocher, and the goofy, appealing Cyril who seems to have no family. Through competing against the college crowd in the Little 500, they learn lessons in self esteem and team spirit, believing in yourself and striving toward reachable goals.

    Breaking Away is a movie with obvious social class themes. Dave and his friends are "townies" called Cutters, named for the stonecutters from the town's quarries. The students at the nearby college campus look down their noses at these Cutters. However, Dave's father, who is a car salesman lacking a college education himself, teaches his son to take pride in the name, that it was stonecutters who built these impressive college buildings.

    The film is refreshingly unusual in having a major sympathetic role played by Dave's parents. I absolutely loved the father, portrayed by Paul Dooley, the source of much of the film's humour, announcing for example that he doesn't want anything in his house that ends with 'ini'! Mr. Stoller despairs of his son's Italian phase, fearing verbally that Dave is going to wind up an Italian bum! Both the marital relationship between Dave's parents and the bond between father and son are captured with poignancy as well as humour.

    When I first saw this movie after its original release, the thing that remained with me besides the charming joie de vivre of its hero was the wonderful Italian music, from Mendelssohn's Italian Symphony and a Rossini opera. This musical score provides magnificent accompaniment to the bicycle racing sequences, especially one in which Dave is racing the Cinzano truck on a highway heading toward Bloomington!

    This is a heartwarming movie that no one should miss. It may be almost thirty years old but its characters and story are as engaging as the day it was released. I won't give it away, but that last scene is priceless!
  • I recently saw this on the big screen here in Tokyo (July 2012).

    I hadn't seen it for years, going back decades probably. I saw it originally when it came out, as I was only a couple of years junior to those portrayed on the screen. Like others have mentioned, the acting was superb and true to life. Not one second on screen do you feel anyone is acting. Dennis Christopher as lead character David Stoller is really a joy to behold. His enthusiasm is never forced or fake. He pulls it off beautifully.

    And Dennis Quaid's Mike character is probably all too common in this world of high school stars peaking with graduation. His story is quietly repeated among so many who saw their best years in high school only to watch others get the longer lasting glory. The speeches he gives are poignant, deep and yet perfectly fitting of his character. He does a wonderful job of showing the frustration of change.

    Daniel Stern's Cyril is perfect as the more comical of the bunch - simply perfect casting. Some of his lines are just priceless.

    And Jack Earl Haley and 'Moocher' looks like so many of us looked like back then, me included (though I wasn't short). Long straggly hair, t shirt, jeans and string-bean skinny.

    Paul Dooley and Barbara Barrie were wonderful. As were the brief shots of others at the Little 500. I can only imagine they were locals hired as extras.

    Hart Bochner (Lloyd's son) did a fine job as the snob jock. Gotta admit, they didn't come better looking than that back then. I sometimes wonder if Paul McTiernan didn't intentionally subject Hart to that somewhat comical but deadly ending in "Die Hard" out of payback for being such a jerk in "Breaking Away".

    Katherina played by Robyn Douglass was wonderful. She had that perfect look of girls you would just die for back then. She even resembled a girl me and my pals were all in love with back in Chatham Township high school. I loved her scenes and her moment when she finds out the truth. Really jolts you out of your seat. Choked me up.

    Watching this film really made me aware of how we've changed, not just in our clothing or hair styles, but in our entire lives. Everything is brand-name now, everyone is so conscious of who made the object they desire and how much it cost. The more expensive the better. Everything is new and shiny. Every single element in a movie is examined from eyeglasses to shoes to pens. Everything is measured for its affluence and brand quality.

    Back then, we had Schwinns, Huffys, Raleighs, even Sears and whatever else we could afford. We wore clothes just like those kids in the movie wore, T shirts, old jeans cut-offs in summer, and ripped up sneakers. We had fishing holes or swimming holes and spent enormous amounts of time riding bikes, or just laying in the grass or on rocks in the sun, or up in some tree house, just thinking or talking or planning out the universe... and also about girls, which none of us had actually had any meaningful contact with yet. A magical time in a boy's life.

    Reminds me of the time we discovered an old playboy in the woods under a fallen tree. It was a huge deal with us at the time. We'd hide it back under the tree trunk wrapped in some plastic and go back to it when we were back there. Nowadays, the most descriptive and graphic porn that even Ripley wouldn't believe is simply a click away 24/7. It's a different world, indeed.

    (Ironically, as a side note, the Playboy issue, we found out years later was the one that highlighted the ill-fated Dorothy Stratton.)

    Nowadays, can you imagine anyone, especially a 19 year old kid sitting still out in nature or anywhere else for that matter for even ten seconds without whipping out a smart-phone or some other gadget? Or being seen not having just the right clothes, just the right Nikes or Adidas sneakers? We had converse back then, and they were the cheap sneakers.

    It's just sad that such a time in life is gone forever, not just in the styles which were, yes, sloppy, an unkempt, but in the way kids lived. It's an entirely different world today and I wouldn't trade my childhood in the 70s and early 80s with any kid today for all the money in the world.

    I sat through the film twice, loving it so much and knowing I'd probably never get a chance to see it on the big screen again. Watching it with tears in my eyes, I really felt such an urge that if I could have, I would've climbed into that screen in a second to go back to that time once again that is never more. Just like Willoughby must've been to Rod Serling.
  • If there was one film I've been dying to watch for many years, it is the fifth Best Picture nominee of 1979, the 8th most inspiring American movie from AFI's Top 100, the 8th sports movie from AFI's Top 10, the gem that has been impossible to find in my usual DVD stores: "Breaking Away". The first of the many satisfactions the film provided me was the magical moment where I finally found it… and God, I wasn't disappointed.

    "Breaking Away" opens in a small town of Indiana, with four friends and as many personalities to identify with. Mike (Dennis Quaid) is a former athlete venting the bitterness of unfulfilled athletic dreams on local college' upper-class students. Moocher (Jackie Earle Haley) is hung-up on his height, trying to repress his insecurity while enduring derogatory nicknames every day. Cyril (Daniel Stern) a tall and lanky former basket-ball player and guitar apprentice cares as much about his future as his own father cared about him. And surprisingly, Dave (Dennis Christopher), the central protagonist is the most upbeat of the bunch.

    "Breaking Away" is one of these miracles that only the New Hollywood era could provide, something that cuts straight to your heart without you even noticing it. It carries the authentic realism of its Best Picture co-nominee "Norma Rae", with a more heart-warming effect: you smile, laugh and embrace the friendship between these boys who don't know what to do with their post-high-school future, and keep reinventing the world when they go swimming in the abandoned water-filled quarry. And there is something in Peter Yates' directing, that invites the viewer to seize the present with enthusiasm.

    And the enthusiasm is embodied by one of the most engaging and lovable characters I've seen in a long time. Dave is so obsessed with the Italian cycling team he translated it in his own life. He talks and sings in Italian and in English with Italian accent, infuriating his Dad (Peter Dooley) who must endure food ending with '-ini-' all the time instead of something American like French Fries. The portrayal of Dave's parents is far from the stereotypical detachment, the mother (Oscar-nominated Barbara Barries) cares too much while the father believes a 19-year old shaving his legs, listening to opera must have some serious issues … While watching Dooley, I kept wondering what happened to his Oscar nomination, he's hilarious to a Walter Matthau-level.

    The story goes on, Moocher gets a job but finally leaves it after one 'shorty' too many, Mike keeps clashing and competing with the rich college boys who call him 'cutter', a reference to the working-class that built the college and Cyril is the eternal victim of his helpful nature. Drama always works as a misleading safeguard. Many times, you expect an accident to happen, in the quarry, during a fight, but Dave's excitement to compete against the Italian team, in a local sporting event, makes us lower our guard. Amazingly, Dave isn't your typical bleak and disenchanted underdog hero, his cheerful attitude towers over his friends' struggles as we would all love to do with ours.

    And in one of the film's most exhilarating sequences, he follows a semi-truck in a freeway with the perfect music in the background, "Barber of Seville'"s Overture. Dave grabs our heart like Opera our feelings, it's so genuine that many stereotypical situations work like serenading Katherine, the girl he loves, or courting her with an Italian accent, we believe "Catherina" would fall for it, because we would too. And while I loved watching Dave's adventure, I kept wondering what exactly made "Breaking Away" in the AFI's Top 100, let alone Top 10 most inspiring films … was Dave going to win over the Italians? Big deal! There had to be something.

    And that something is the pivotal moment that made me realize there's much more intelligence in "Breaking Away" than your average Sports film, something I could relate to, and that made the ending so emotionally rewarding. Dave finally races with the Italians, he approaches them with an insolent ease, speak Italian with them, but they're obviously irked by that local clown, and finally, the very team he admired jams a tire pump under his wheel and make him crash… and at that moment, we witness with shock the collapse of Dave's dreams. The sparkle disappears with the Italian posters, he talks normally, again, asks his father for help and finds him, he embraces his friends' mood and feels like a loser… naturally, he tells the truth to his girlfriend.

    As painful as the fall was, I felt a deliverance to see him act normally, to become himself again. It provides the necessary taste of disillusion and the discovery of cheat in grown-ups world as the obligatory coming-of-age. When he competes in the "Little 500" race against the college boys, he's got determination, self-confidence and three other 'Cutters' to take a few leaps, 'Cutters' stop being an insult, it's their identity. The final victory doesn't surprise us because the real victory is over our demons, it's not just winning but winning by being true to yourself. That's the kind of stuff great stories are made on, and it earned "Breaking Away" a well-deserved award for Best Original Screenplay.

    As a screenwriter myself, I was fascinated by the film's narrative and the way it rode back and forth from comedy to poignant drama, as a screenwriter it reminded me how happy I was to work with an author, putting all my sweat and blood into a six-month promising project before he would dismiss me after receiving the first draft. I felt cheated exactly like Dave felt when he was kicked off his bike. But you know what they say about what doesn't kill you.
  • GregRG5 January 2000
    Breaking Away is a picture that is better than the sum of its parts. Oh, its parts are wonderful. The writing is sharp, observant, and funny (It won an Oscar!), the acting is superb (how Paul Dooley was nixed a nomination never mind the award I'll never know), and it is a well shot film. But its charms go even deeper. It is the story of four young men in their late teens, who are staring adulthood in the face after a year of leisure in the "small town" of Bloomington, Indiana, and how they deal with watching successful college kids pass them by. It is also about a young man in search of an identity (including that of a Italian bicycle racer), and of a family that is loving and supportive, almost in spite of itself. All these add up to a richly enjoyable, deeply moving family picture that gives us many moments to treasure (a large number include Paul Dooley as the frustrated and confused, but eventually loving father). Like other sports movies (the lead character races bicycles), it has a contest at the end, and like many much poorer ones, it ends with triumph. But we cheer not only for these immensely likeable "cutters," but for ourselves, for being treated to this bittersweet, touching, and wonderful movie.
  • Bree-815 July 2000
    I went to see this movie when it first came out. We had decided to go to a double feature of two movies that we had never heard of, knowing that in that day and age, a double feature meant that at least one, if not both movies, had to be pretty awful. The first film was Starting Over with Burt Reynolds, and it was fairly good. So my friends were sure that the other would have to be terrible, but we had nothing better to do, so I convinced them to stay. Before three lines of dialogue I was absolutely hooked. I have seen it at least twenty times and the witty dialogue and rapport of the characters gets me every time. The music accents the film beautifully. The cinematography is gorgeous. But the story is what really matters. Four guys finding there way in a place where they feel little hope for the future, one a dreamer whose dreams are crushed, but he finds the spirit to pick up and start dreaming again. Delightful all the way around.
  • Do you remember that time in your life when you were no longer a teenager but not yet an adult? That time in your life when, for the very first time, you had to begin to make decisions that could affect the outcome of your life. There is no movie that captures this time, the transition from teenager to adulthood, quite as well as Peter Yates' superb film Breaking Away.

    The story takes place in Bloomington, Indiana, (home to Indiana University) one of the bigger college towns in America. It concerns the rivalry between the rich, snobbish college kids and the local townies (called cutters because there fathers cut limestone in the local quarries to build the college, among other things.) The cutters are played superbly by Dennis Christopher, Dennis Quaid, Daniel Stern and Jackie Earle Haley. There is not a false note in any of their performances with Quaid and Christopher special stand-outs. It is interesting to note that of the four, only Quaid and Stern went on to bigger and better things.

    What really carries this movie though, are the universal themes that everyone can relate to. We can all relate to at least one of the stars, everyone has gone through what they are going through. Most people realize it as one of the more difficult times in their life (as it is for the characters portrayed in the movie.) What carries them through is their friendship with one another, and the support that that gives them. The movie also touches upon family and how hard it is sometimes to communicate with parents, who always (hopefully) love but sometimes just don't understand. Special mention must be made of Paul Dooley (who plays the father of Dennis Christopher), how he did not receive an oscar nomination much less win the coveted statue, for his performance, remains a mystery to this day. Barbara Barrie is also excellent as the mother.

    The story follows the cutters as they try to prove to the college kids that they are real human beings, not outcasts to be looked down upon. As one of the cutters is a champion bike rider, the climax of the film and the contest to prove their worthiness, comes down to the Little 500 Bike Race. This is an annual bike race that is still held at IU and is one of the seminal sporting events of the college year (the screenwriter Steve Tesich, who won an oscar for his screenplay, actually won the Little 500). It is the perfect ending for this remarkable and uplifting film.

    Praise must be given to everyone involved with the production, there is not a false note throughout the movie. Peter Yates did a superb job of taking relatively unknown actors coupled with tough subject matter and turning it into a minor classic.
  • I saw this film in 1979 with my three best friends from high school, probably right after we went swimming at the quarry and before cruising Marymount College for girls and getting into fights with their West Point boyfriends. Though it was a virtual reproduction of our lives, we were serious movie buffs and were able to distance ourselves and give it an objective review: a damn fine "coming of age" film with a smart script and solid acting all around.

    As I watched it again recently, I noticed more funny bits than I had previously, especially in the scene when Dave's parents get romantic: she plucks the flower from her hair as she drops into bed, and he sheds his pocket protector full of pens... I also appreciated more the nuances of the relationship between Dave and his dad, and the scene with them after Dave's race with the Italian team wasn't as mushy this time around.

    Not quite an 8 out of 10, but I think the current 7.6 rating is well-deserved, and would have given it a 7.5 myself if I could have.

    Whether still young or now old, many small-town and college-town guys who grew up with a tight circle of best friends will relate to this movie, but it's not so much a "guy-flick" that their girlfriends and wives won't enjoy a look into the lives and emotions of young men that women rarely see.
  • I was nine years old when I first saw 'Breaking Away', and I think the book adaptation may have been the first more-or-less novel-length thing I ever read. My wild enthusiasm after leaving the theatre was similar at the time to my previous reaction to 'Star Wars', a fact that I attribute to the natural electrical charge of the endings of both films.

    Of course, a nine-year-old lacks the world experience to empirically understand the central messages of this film, and at the time my primary devotion to it was centered around Dave Stoller's orange Masi racing bike, a thing that I coveted with the passions of a kid on Christmas Eve.

    The movie made me mad with bicycle lust, and I frowned on every Huffy I saw at school. I used to draw pictures of Masi, Bianchi and Olmo bikes all the time after seeing this, and I shamelessly begged my parents for an Italian-made, Campagnolo-equipped racer - a futile thing to do, as my parents knew not to purchase something that expensive for a boy who would physically out-grow a pair of Levis within a school year. Ultimately, I was propelled into the worship of Eddy Merckx while all my classmates were digging into their Terry Bradshaw Topps cards, unaware - as I'm positive they still are - of who the hell Eddy Merckx even is.

    BUT...'Breaking Away' is not just a bicycle film - not by a long-shot, and I knew it then too, but that just wasn't very important to me at a time when bicycles were all-important.

    Despite my youthful energies, I never did pursue bicycle racing,(although I am definitely a touring enthusiast whose passion for Italian-made bicycles has finally seen fruition) but 'Breaking Away' never left me. It was the REST of the film that eventually got to me - and somewhat later in life - when my emotions and experiences with the world ran deeper.

    In short, this film explores many strands: the aimlessness of youth colliding with the responsibilities of adulthood; the often heartbreaking romantic fantasies of people who wish they could be something else; lying and cheating and the false nature of gains made through them; the importance of strong family relations and friendships; and life in small-town America - and it does all this with extraordinary craft, honesty and sensitivity. It's beautiful, and more importantly, it is soulful and original. Although certainly dated in appearance, I'll even toss in the cliche that it is *timeless*, because the themes and characters are so.

    The characters themselves are all wonderfully brought out by the perfect casting - it's been said here, but the fact that Dennis Christopher never achieved star-status is truly a shame and a waste of a potentially amazing talent. He played the lead role with a believable intensity and a really quite perfect understanding of his character. Dave Stoller's painful self-realization after the Cinzano race was as memorable a job of acting as I can think of. Paul Dooley and Barbara Barry were also wonderful, as were Quaid, Stern and Haley - every one of them created a personality for their characters, both in dialogue and physical reaction. The rest of the cast was likewise fine, each actor doing the best they could with what were sometimes stock roles (the college kids, for example, including Robyn Douglas, the female romantic role)

    The direction, story and, most especially, the dialogue were great as well.

    I also picked up a love of Mendelssohn and Rossini when I was just a kid after seeing this - the film score was superb, all the while taking the Stanley Kubrick/Woody Allen approach by choosing some choice compositions of a time long past, rather than belabor the audience with the refried horrors so typical of modern film-score composition.

    I hope this movie doesn't become a relic - it seems its own sleeper status has kept it shelved over the years. Mention it to just about any American born before 1975, and they'll know what it is, but only in the way I did when I was nine: they'll usually say something like, "oh yeah, the bicycle film! I remember that one", and then they'll likely have little else to say about it, which is a shame. I still whole-heartedly place this movie among my very favorites every time, and I trumpet it whenever I get into discussions with other people about the movies I love.
  • Good little picture featuring 4 wayward boys trying to find their way in life. They hang out at the local swimming hole[and what a great place it was], cruise about town, bitch about the college kids, cause trouble, and whine about how rough their lot in life is. Although the bike race at the end was a tad predictable it was still exciting and realistic looking. Both funny and dramatic, this was well worth the watching. Look for Paul Dooley to steal the show as the put upon Dad; he had me rolling in the aisle.
  • This film was a pleasant surprise. No sex, no violence, no special effects. Just an incredibly literate and humorous script (which won an Oscar for Steve Tesich) and fantastic performances by the four leads. This is a film for those who still believe that good cinema requires meaningful dialogue and acting that is achingly real in its sincerity. Don't get me wrong: sex and violence have a very real and justifiable place in film; but this movie would have suffered from such a gratuitous inclusion. Peter Yates, the director, has done a fantastic job of pacing the film, and the score, consisting mostly of Rossini overtures, and excerpts from Mendelssohn's "Italian" Symphony (#4 in A Major, Op. 90), is an inspired touch, adding precisely the right atmosphere. This is the kind of low-budget triumph that the film community constantly extols for P.R. purposes, yet never supports with actual awards.
  • I pulled this film up because it starred Dennis Quaid, but I stayed for a very different reason. Dennis Christopher really holds down this sports film about a young man taking a year off between high school and the rest of his life. He is enthralled by the Italian cycling team, so much do that he is training himself frantically, learning to speak Italian and listening to Italian opera. In between training and racing, he hangs out with his three high school friends who are also still in Bloomington, Indiana which happens to be the site of Indiana University. The town has a rivalry between the university students and the local townies who are referred to as "cutters", thanks to the stone cutting at the long since shutdown quarry where many of their fathers worked.

    The film culminates in a four man bicycle race of 200 laps around the university's track field and one local team has finally been invited to compete.

    Dennis Christopher as David Stohler really steals the film along with Paul Dooley who plays his father (I loved seeing Paul Dooley as I am a huge sixteen candles fan were he played another misunderstanding dad who eventually gets it right.).

    The blind admiration and the disheartened eye opening of David was so well captured and endearing that you find yourself right along with his dad cheering him on in the end.

    Surprisingly enjoyable, I would recommend this film as a summer watch for families, especially those with young misunderstood boys.
  • Dennis Christopher stars as a local cutter in a small college town. He and his friends enter a crucial bike race that can make them or break them. This film offers great insight into its characters. Christopher is exceptional, and has never been better. He is supported by a first rate cast, especially Barbara Barrie and Paul Dooley as his mom and dad. Brillantley directed, edited, and scored, plus the film makes very effective use of its beautiful cinmeatography. The ending will have you on the edge of your seat. Now this is what movies are all about,

    This moving drama is on my top ten favorite films of all time. And it should have won the best picture Oscar in 1979, instead of Kramer vs. Kramer. Rating: A PERFECT 10 out of 10.
  • Breaking Away is a movie which certainly has its charms. But it's a case where the movie's reputation slightly outstrips reality. It's one of those movies which isn't quite as good as people remember it as being. It won an Oscar for best screenplay but there's really nothing remarkable about the script. In fact the story is actually quite predictable and mundane, with some rather corny dialogue to boot. It's a movie which follows a well-worn formula, the underdogs striving to make good. And you can see the obstacles the main character will face, and the reasons for his eventual disillusionment, coming a mile away. There's never really any great drama, you know where the movie's headed.

    But just because the movie is predictable doesn't mean it can't be reasonably enjoyable. It's the story of four teens, just graduated high school and trying to find their path in life. But it's the story of one of the four which is at the heart of the film. Dave Stoller is obsessed with bicycle racing. Italian bicycle racing to be specific. He Italianizes his life, much to the consternation of his father. Meanwhile he and his directionless friends have run-ins with the college kids and it all comes to a head in a bicycle race. Well, points for originality there I suppose. Not many movies have a bicycle race as the big, dramatic climax. The movie is hailed as being truly inspiring. That's a stretch. But when the movie ends you'll probably at least find yourself smiling. It's not riveting stuff all the way through, there are plenty of lulls. The movie does do enough to keep you interested though. Dennis Christopher does an excellent job in the role of Dave. Paul Dooley, playing Dave's father, is also memorable. The tug-of-war between these two characters produces many of the movie's highlights. The supporting cast features now familiar faces such as Dennis Quaid, Daniel Stern and Jackie Earle Haley. But it's really Christopher who must carry the movie. It's Dave's story. And it's a good story. Just not a great one.
  • StevenKeys28 July 2023
    Before gadgets became gods, bicycles were holy rollers for kids. Hoping to cash in on the craze, 20 Century Fox financed a film that proved one of the surprise hits of the 70s.

    It's the old, rich kids vs poor kids or eclectic kids (The Bad News Bears) or angry kids story, Mike, anyway, one that culminates in a cheesy relay race where you can guess the winners. Pure gorgonzola. Received surprisingly good reviews at release, big receipts ($20M) and awards, a Globe for best picture and Oscar on screenplay (Tesich) in a rather weak field, Alien (1) and Apocolyse Now (2) the only true standouts. B-A's biggest booster was critic Roger Ebert who gave it a review that simply gushed, as he was known to do. But like they say, one man's "treasure" can be another's trash. I recall seeing After School Special's that held my interest better. How one responsible for movies Bullitt (68) Murphys War (71) and the superb mystery-thriller, Suspect (87) (Cher & Quaid) could make this pedestrian picture is not an uncommon conumdrum with good directors. The easy answer: "Nobody's perfect (Brown)." The last straw was having to see "Kelly Leak," one of filmdom's coolest cats, turned into a guy named "Moocher (oy)." The lone bright spot is a memorable quote. Sent flying off track by some dirty European racers, a dejected Dave (Christopher) bemoans to his dad (Dooley), "everybody cheats." Not exactly a shocking revelation, even for a teenager, but one that's good to hear now & then so maybe we actually DO something about it for a change (1.5/4).
  • ...and unsure of your future. Other reviewers have given good summaries of the film, so I won't go into it. It's interesting though that of the four principle actors, only Dennis Quaid had any kind of career after this, which is very surprising since they were all such strong performances. "Breaking Away" really captures that limbo period right after high school when you're not sure what the future holds. I identified strongly with Dennis Christopher's character - I though I was going to just pump gas or flip burgers for a year before my mom pushed me to go to college. In other words, this is a realistic, character-driven movie - you'll probably find a bit of yourself in one, or several, of the characters. There's also real chemistry here between all the actors. And the photography really captures the beauty of the Midwest (some of you, no doubt, are scratching your heads after reading that). This is a gem - don't pass it up at the video store or when it appears next on TV.
  • amadeusrye13 January 2004
    How could anyone not like this movie? It's one of the few realistic coming of age stories. The characters are really likeable and the acting is great too. What is so bad about being a "cutter"? To me it seems kinda cool. "Don't forget to punch the clock shorty!"
  • Yates (Curtain Call) directed, the Oscar winning screenplay was written by the late Steve Tesich (The World According Peter to Garp). Dennis Christopher (It's My Party, The Profiler (Jack)) plays Dave, who likes to pretend to be Italian, calls his mother Barbara Barrie ("Suddenly Susan") "mama", and his dad "papa", shaves his legs because bicyclists in Italy are supposed to do that, and his friend Mike says: "weird country, the men shave their legs but the women don't". Dave also calls his cat Fellini. Even his ashtray is Cinzano brand. He is so entertaining! He sings Italian songs, pretends to be a Italian student to date one of the sorority girls, Katherine, Robyn Douglass is to Dave "Catherine". High school graduates do not know what do to with their lives. Dave is a local and is not even in college, yet. The college students call the locals kids pejoratively "Cutters", because their parents or someone in a generation back used to be stone cutters. Dennis Quaid (Parent Trap, D.O.A.) is Mike. You get the chance to hear Dennis Quaid sing! Quaid used to have a band. Mike is somewhat rebellious and sometimes annoying but over all just a young adult coping with being a cutter and trying to compete with all the rich college students. He feel jealous of the college students and is annoyed that he does not know what to do with his own life. He drives this "land yacht" which is the ugliest car you will ever see! Daniel Stern (City Slickers, D.O.A.) is Cyril and Jackie Earle Haley (Nemesis) is Moocher are the rest of the quartet of friends. They have fun, know each other really well. But they are competing with the college students from Bloomington, Indiana.

    Paul Dooley, (I'll Remember April) is the Dad who hates all those Italian things that his son likes so much. He says that all Italian foods end with an "ini" such as: zucchini, liguini, fettuccine, and so on.

    Dave is a bicyclist who is looking forward to meeting the Italian team that is coming to town. He seems to naively think that the Italian team will welcome him with open arms. Boy, does he gets disappointed! The Italian team groups up against him and one sticks a bicycle pump in his spokes. Later the four of them decide to race in a college race as a Cutter team and the university kids make fun of them. The cutter team, the little guys win. We all like that! Dad them decides to bike also, and to his surprise the son gives up been Italian and now turns French and passes dad on the street and says: Bon Jour! papa. He goes go to college, where he is now after a mademoiselle and no longer cares for the bambina.

    Favorite Scenes: Dave racing the Cinzano truck, the four of them swimming in the lake on a lazy summer day, the cutter team winning the race, Dave singing to Catherine. Favorite lines: Son :"Did you know that fly in Italian is Mosca! Dad:" Did you know that fly in English is pest." Dad: "All Italians food end with an "ini": zucchini, liguini, fettuccine". Darn, I want some American food! I want french fries! "Oh! Dave, please do not turn Catholic on us!"

    This a fun movie. I have the tape and every once and awhile will watch it. The script is so good that no matter how many times you watch it there is something interesting to be discovered.
  • AaronCapenBanner27 September 2013
    Four young friends(played by Dennis Christopher, Dennis Quaid, Daniel Stern, and Jackie Earle Haley) who live in the college town of Bloomington Indiana struggle to find purpose in their lives, as they are disrespected by the more wealthy kids of the nearby college, with whom they have periodic brawls. One of them, named Dave, is a dedicated bicyclist who has an obsession with the Italian racing team, who will be coming soon for a big race. Dave is so taken with them that he pretends to speak(and be) Italian, much to his parents(played by Paul Dooley and Barbara Barrie) chagrin. His outlook will change with a new romance and first-hand exposure to the Italians...

    Original drama is certainly offbeat and funny in places, though also stretches credibility and patience after a while. Still, a nice(if slight) film that became a sleeper hit.
  • Along with Hoosiers, in my opinion, Breaking Away is one of the better sports movies out there. It is beautifully filmed with the cinematography and scenery both outstanding. The story is touching, brilliantly written and refreshingly unpredictable, while the script is truly remarkable with a perfect blend of wit and sensitivity. Peter Yates does a wonderful job directing, the pace never lags, all the characters are credible and I'll be honest, this film does have an impact on me emotionally. The performances are all marvellous, as good as Daniel Stern and Jackie Earl Haley were, the best are from Dennis Quaid and especially Dennis Christopher. Overall, this is a wonderful movie. 10/10 Bethany Cox
  • First off Bloomington is where I grew up. And watching breaking away gives me a longing feeling for my home town. This movie well not entirely accurate about bloomington is plain and simple a bloomington thing. No where is this movie remembered like it is in good ole B-town. This is the only movie ever filmed in our town, it's the only movie to take place there so we love it.

    All that asidethe movie is sweet little sleeper that is worth watching for the dialogue alone. Some of the acting by the minor characters is painful yes, but all the main cast do awesome. The witty dialogue is enough to make for an enjoyable movie. I don't think enough can be said about Paul Dooley as the dad or Daniel Stern. Both have me laughing with almost every line they spoke.

    Breaking away is a great little movie about a great town.
  • mark-41415 February 2003
    Even though I've lived in Indiana most of my life and in Bloomington since 1996, I never saw this film until 1999. I was going out on a first date with this girl and we happened to walk by the Indiana Theater on Kirkwood avenue. We noticed that they were having the 20th anniversary celebration for Breaking Away inside and decided to join in the fun. Not only where they showing the movie projected, they also had guest appearances by Peter Yates (the director) and Dennis Christopher (Dave). I had the oppurtunity to meet Dennis afterwards. While watching the movie during this event Dave and his friend (in the film) walk by the very theater we were watching it in. Everybody in the theater just kind of said "huh" altogether. Great film. Why don't they make more like this.
  • Four youths from an Indiana town find a sense of purpose and pride when they take part in a bike race against the town's wealthy college students. The quality of Steve Tesich's writing somehow manages to overcome stereotypical characters and clichéd situations to deliver an engaging feel-good story. Worth watching for the exhilarating Cinzano truck sequence alone...
  • I saw this film at the theater when it was first released. Coming from a blue collar town I don't believe there was a kid alive in our neighborhood who didn't want a 10 speed bicycle after seeing this one.

    I also come from an Italian family so this film especially hit financial and nationality cords with us. Although the lead Wasn't Italian his desire to be was humorous and brought haunting familiarity to the film for us.

    That however is not why I have been a HUGE fan of this movie for the last 26 years. The characters are... They are portrayed by the actors with such intense realism that to deny this films significance to every single person who comes from a blue collar background in a somewhat large city would be ludicrous.

    I dare anyone from a working class family who was coming of age in the late 70s and early 80s to deny this films relevance. I knew every single one of these characters personally growing up from the used car salesman father to the Marlboro smoking muscle car abusing bad ass. From the quiet yet forceful mother to the tall skinny goofball "ceral"...Moocher to Dave I knew them all every single one of them residing in or near my neighborhood.

    This film touched our hearts. It spoke of the emotional struggles we went through as children and adults being in a blue collar world. The fantastic part? It did this with humor, a sense of friendship(regardless of how dysfunctional) and an innocence on the brink of realization. Just the way it was. We cheered loudly at the end of this movie as we ate our goobers and popcorn then sighed silently as we left the theater squinting to take the city bus home...
  • Best friends Dave (Dennis Christopher), Mike (Dennis Quaid), Cyril (Daniel Stern) and Moocher (Jackie Earle Haley) are aimless working class recent high school graduates in the college town of Bloomington, Indiana. Dave's obsession with bicycling and Italian leaves his father confounded. The guys swim in the abandoned quarry. The college kids call them Cutters for the workers who cut the limestone to build the colleges. Mike is the former quarterback angry at the rich college kids since college is always beyond him. Dave falls for college girl Katherine while pretending to be an Italian student.

    Dennis Christopher is ostensibly the lead actor. His character is a little too naive. Dennis Quaid delivers the most powerful performance. His swimming race with the college kid at the quarry is a highlight. There are some funny moments centering mostly with Dave and his Italian obsession. This isn't the newer National Lampoon SNL type of humor. It's gentle and sweet. Paul Dooley is hilarious playing the father. There are great touching moments. This is a fine coming of age movie.
  • Concerning the lead character's info, about him graduating from the parochial high school in Philadelphia in 1968, I feel that info could be incorrect. Reason: he was born in 1955 and that would have made him graduate from high school in either 1973 or 1974, not in 1968 - which would have made him roughly 13 years old. In other words, he is either older than what his birth date is listed as or he actually graduated with his age group. And, it appears that all the actors in the film - with the exception of Jackie Earle Haley, are older than the characters they play. What do you think? Do you agree that the info of the lead character's high school graduation date is incorrect and should be changed?
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