HealtH

This was the very first film I was in as an actor. Robert Altman himself chose me as "The Carrot" after casting director Rick Sparks suggested me for the role. The total experience filming was nothing but positive. Mr. Altman was a delight to work with and watch him gleefully direct his cast of repertory actors. The film was "shelved" for a few years before it was finally released nationwide in limited release. His films are more for "groupies" who "get" his brand of humor, where today Christopher Guest's improvisational films featuring a "rep" group of actors seem to be more widely accepted and understood. Mr. Altman is a sincere passionate director and lets his ensemble of players breathe life into the improvisational scenes. Carol Burnett is a class act on and off the screen. Glenda Jackson equals her. Lauren Bacall was more aloof. James Garner would spend hours signing autographs on the beach for the gallery of fans in the hot sun following the long hours of shooting. He is the consummate pro. Many people may not "get" HEALTH, but it was way ahead of its time and today would be a hit with the world's political scene more controversial as this cast of characters is. P.S. I played "the carrot" in the opening and closing scenes! how's that for getting "roots" as an actor?

When Altman made "Health" his career was sinking fast. Hollywood had discovered the summer special effects blockbuster and had no further need of 70's temperamental, erratic, auteurs like Altman or Bogdanovich or Cimino or Coppola. And considering that they were producing stuff like "One From the Heart", "Heaven's Gate", "Quintet", and "At Long Last Love" who can blame them.

The New York Times reviewer, maybe it was Judith Crist, was trying real, real hard to like this movie. She honestly acknowledged that she did not want Altman to go the way of Orson Welles or Erich von Stroheim and knew that his career could not survive more flops. Altman had made one flop after another since "Nashville" (then again his critically praised overlapping dialogue technique confused and alienated audiences so he had never been much of a moneymaker, just a critical darling. Now the critics were abandoning him.). The reviewer desperately wanted this film to be good enough to save Altman's career.

It wasn't anywhere close.

As an Altman fan, I'd sought out this movie for years, thinking that with such a great cast, it would have to be at least marginally brilliant.

Big mistake.

This is one of Altman's big-cast mishmashes, thrown together haphazardly and improvisationally (or so it feels) with the hope that it would all come together in the editing room. It doesn't.

As Maltin points out, this turkey is notable only for the debut performance of Alfre Woodard, who outshines the vets all around her. But other than that, avoid at all costs. (Which is pretty easy to do -- it's never been released on video -- to my knowledge -- and its cable appearances have the frequency of Halley's Comet.)

I was mesmereized by this movie when it played on 1983 summer TV, but haven't been able to see it again, even though I've been searching off and on (mostly off) for 20+ years.

Apparently, no one else in the known universe has anything good to say about HEALTH. Perhaps I won't, either, on a second watching. But on that first watching it was one of the best, funniest, quirkiest movies I'd ever seen. I've actually been recommending it to some of my friends ever since.

Contrary to what one commenter noted, I did recently see a reference to it on VHS, but I was hoping to find it on DVD. I guess a director's commentary would be too much to ask for <g>.

As disjointed as it is, HEALTH is still light years more clever than a lot of movies that get wide release so it's a real head scratcher why it sat on the shelf for so long...and is pretty much forgotten now. Assembling his standard large cast, director Robert Altman makes some pointed comments on the hypocrisy of many health food aficionados. Lauren Bacall and Glenda Jackson are well-used as rivals vying for president of a national health organization. Bacall is the best thing in the movie as she claims to be in her eighties --- and has a dog in his forties to boot! She's also senile and kept alive by a sex-starved nurse and a shady manager. Jackson is the clipped tongue naturalist who views herself some sort of Jesus figure for the Health conscious set. Carol Burnett is terrific as a government representative who grows more and more wary of the health movement the more she is exposed to it. Her interview scene with Dick Cavett, as himself, is priceless. James Garner plays Bacall's manager and he's appropriately caddish. Henry Gibson is a hoot as a political dirty trickster. Paul Dooley and Alfre Woodard have a few funny moments as well.