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  • While this movie is not the old fashioned wartime classic I had anticipated, it is certainly highly watchable. This is definitely more a romance than a war movie or suspense thriller. It's been awhile since I've seen it so forget all the plot intricacies, but enjoyed the film at the time for two reasons. First, the incredible cast and second, the World War II backdrop with all the drama of wartime and the hair, clothing, & automobile styles. For me, the movie is noteworthy for the dynamics between the sophisticated, steady husband and the virile, charismatic lover. Also its memorable ending, which I loved.

    The movie portrays the story of Margaret Sellinger, a British nurse, and David Halloran, an American pilot (stationed in England) who meet in London during an air raid and fall in love. David doesn't realize that Margaret is married until he is assigned to transport a British secret agent into France and learns that this agent is none other than Margaret's husband. Of course this situation may be something of a coincidence, but it does make for a good story.

    The three stars cast as the parties in this love triangle are all favourites of mine. The dashing and magnetic Harrison Ford plays the lover, David. That consummate gentleman, Christopher Plummer, is cast as the older, dependable, and consistent husband, Paul Sellinger. The lovely Leslie-Anne Down (of Upstairs, Downstairs fame) portrays Paul's wife, Margaret, the woman caught between these two very compelling men. Frankly, if I had to choose myself between Harrison Ford and Christopher Plummer, I'd be hard pressed to decide...though Plummer would have been quite captivating enough for me in the first place!

    The movie doesn't delve much into the marital problems, other than that the husband, Paul, doesn't feel he is exciting enough for his wife. The film therefore provides no reason why we shouldn't favour the husband and view him as the injured victim of the piece. Not a whole lot of sympathy on my part for the bored Margaret, wartime or not and despite Harrison Ford's obvious appeal. Unfortunately, not much detail is shown developing Margaret and David's relationship, other than some emotional bonding as a result of shared danger during a V2 rocket bombing. Then before you know it, they're having an affair. Perhaps this contributes to my lack of interest in their romance. Frankly, my heart does not bleed for Margaret, much as I adore the actress portraying her. It was very unfair of her not warning David straight away that she's a married lady with a daughter, thus I had more compassion for her misled lover.

    Later in the film the husband and lover are placed in a dangerous situation where they must cope with enemy action and rely upon each other. Naturally this makes for some 'interesting' scenes, quite touchingly done, as they must work together to survive. They're both fantastic here, the macho younger Ford and the seasoned older Plummer. Their scenes are infinitely more compelling than those between the lovers in a relationship not very well drawn. No spoilers as to which gentleman prevails in the end. Do both or either of the two even survive the perils involved? Suffice it to say, the ending was unforgettable for me personally.

    With these actors and this setting, it might have been a great movie if they'd only imparted a little more depth and vulnerability to Margaret, some relationship development and genuine chemistry to her affair with David, and a bit more understanding as to why she succumbed to temptation in the first place. However, in truth, I confess that I'm a real sucker for a wartime romance and would lap up just about any representative of the genre, especially one with this particular cast.
  • This film has many great elements, but the whole things fails primarily due to overwrought dialogue that is very soap operatic with words put in character's mouths that mostly teenage girls would think of. Without John Barry's romantic score, this film would be pathetic, leaning towards hilarious.

    In any film, when two characters meet and fall in love there is a certain amount of time and shared experiences that pass in the story before the love between them is credible. In this film, the love is instant, deeply romantic -- yet torrid, and lasting. Completely impossible! Having said all that, the film still provides some great military movie sequences. There are some funny bits with Halloran and his co-pilot Cimino mouthing off during their missions and briefings. And a whole military caper pulled off by Halloran (Ford) and Mr. Sallinger (Plummer) which is both exciting and easy to follow.

    After a while, one realizes that Margaret Sallinger, (Down) never speaks her lines, she whispers them in a plaintive, teary voice, always on the verge of boo-hoo. This becomes grating after a while. Further, it makes the audience wonder what Halloran sees in her.

    Well, the answer to what the attraction is never comes, but the noble dialogue at the end is a struggle to listen to and is a riff on the immortal Casablanca "Hill of beans/Here's lookin' at you" farewell between Rick and Ilsa. It is well that this Hanover Street high-road sign-off sequence comes last as it is the most indulgent in melodrama. Still, Ford and Plummer work so effectively to make this movie almost passable that you really have to give them credit for their commitment to their characters.
  • First of all Harrison Ford can do no wrong. Please understand that. With that said, read on: This film was directed and shot in such a way that I felt that I was watching a film school final shot by a mediocre student. The dialogue is Spam-stale and the chemistry between Harrison and Lesley-Ann Down is zilch. The first love scene is so poorly shot and edited, my dog could have done a better job in his sleep. Most of the time, you feel that most of the cast is reading cue cards; it's that stiff. The timeline is goofy and the movie jumps around and is pretty unbelievable. Harrison was trying desperately to stretch his acting wings at this point in his career, but the material and dialogue were so limited, you really feel for the actor. But, damn, he's so charming, sexy and likable, it's worth the headache to sit through this abomination just to enjoy Harrison being Harrison.
  • When I read the synopsis for the plot of 'Pearl' I thought of 'Hanover Street' right away. I saw this movie when I was 10 years old and was impressed by it's pacing, the plot twist, and the fact that in the end it is just as it is billed, a romantic war movie. For a guy like me who cant stand romantic war movies I was surprised to find how much I enjoyed this obscure film not once but the many times I have watched it. If during the course of a film you feel that same longing a character experiences then it has made it's mark. When David Halloran, Harrison's character, transitions from cocky bomber pilot to reluctant pilot who begins to hear the concerns of his bombardier as well as his heart, from the unhealthy romance of two people in need of something concrete in a time of uncertainty, from the struggle to get back to the one you love this movie runs the gammit of what war is like for lovers, soldiers, and ordinary civilians caught up in it. Think of loving someone so much they make you ache then throw in the fact that they are someone elses lover and the knowledge that you will have to turn and walk away from them forever.
  • Hanover Street is one of those old fashioned wartime romances so popular on both sides of the pond during and after World War II. At a time when a lot of people and nations united to defeat a generally recognized menace to civilization folks were in a sacrificing mood.

    American flier Harrison Ford and British army nurse Lesley Anne Down meet on Hanover Street and the chemistry is high voltage electric. Soon they are in an affair, but Down doesn't tell Ford she's already slightly married to Christopher Plummer.

    Plummer is in British Intelligence, a researcher and a trainer, but yearns for some field action feeling that Down might see him in a better life as he has suspicions that she's drifting away. Wouldn't you know it he takes on a field mission that involves him pretending to be an S.S. officer and he's to go to some S.S. headquarters in occupied France and steal some vital plans. This is the kind of plot that was popular during World War II years. The most famous were those sought after 'letters of transit' in Casablanca.

    That field mission puts him on Harrison Ford's bomber and when it's hit both have to bail out and Ford becomes part of the mission.

    Hanover Street is so old fashioned though Ford seems to borrow a bit of Han Solo from the future in his portrayal of the flier that it really belongs in the Forties. Only that Ford and Down are actually shown if discreetly having a sexual relationship that the Code would never permit you would swear this was a Forties film. In fact think Casablanca if want to know how this ends.

    If you like romances, Hanover Street is for you.
  • Warning: Spoilers
    the script for this film just about ruined it for me. Some really silly dialogue. But I like the Harrison/Leslie combo, and they do the best they can. And Harrison really knows how to hold a woman in his arms (fellows, take note!). The music, by the great John Barry (also composed the music for "Out Of Africa", "Sophie's Choice", and "Born Free", among many others), is marvelous, very evocative of the era, and helps the movie a great deal. But if you've one of the classic romance movies, like "Casablanca", or the Vivien Leigh version of "Waterloo Bridge", this one pales in comparison. Compared to what passes for "romance" in films these days, though, this one's fine. **SPOILER/ADULT CONTENT WARNING** There's a topless scene, and some bad language. But "Hanover Street" is worth a couple of hours of cable TV on a rainy afternoon.
  • A soldier is put into the position of accompanying his lover's husband on a dangerous mission in "Hanover Street," starting Harrison Ford and Lesley-Anne Down. This film was done at the beginning of Harrison Ford's career as a star, and the results are disappointing. It plays more as a made-for-TV movie, especially with the casting of some actors mainly known for television work, including Down and Richard Masur.

    The object, it seems, was to recreate the '40s World War II film, and in this, it is partially successful. There are some exciting scenes, particularly toward the end. However, the film takes about an hour to get going, and in the slow first hour, we don't get much back story. What, for instance, is the problem with Down's marriage to Christopher Plummer? I know there's a war on, but Down and Ford seem to fall for one another immediately, and we really don't get to see the love story develop. Before we know it, there are lines like "I don't know where you leave off and I begin." Lesley-Anne Down, in my opinion, is one of the most beautiful women ever on TV or film - those eyes, her coloring - she's gorgeous. She's not particularly made up or photographed to advantage in this, but she's still amazing. Her acting is very good, particularly in scenes with her daughter. Christopher Plummer, as a man who feels he's not exciting enough for his wife, is its usual excellent self in a part that isn't really fleshed out. He and Ford do an excellent job in their scenes together. Harrison Ford is Harrison Ford, his star persona established early on - he's very natural, jaunty, and macho. His casting is perfection - a true movie star in the fashion of Hollywood's golden era in an old-fashioned romance. I just wish the movie had been better. And by the way, the last action scene in the film is ridiculous.
  • This love story is set during Europe during World War Two. Harrison Ford plays an American pilot who falls for a nurse played by Lesley-Anne Down. Eventually the miltary send Ford on a spy mission with Christpher Plummer. The wife must decide what to do with her love life. It is average melodrama set during World War 2. This movie is OK if you love Harrison Ford, but I will pass and watch one of his better movies!!If you like love stories set during this era of history check it out !!Otherwise, avoid this love story mess!!!But if you are a least bit curious check it out at the library or the video store!!!
  • Warning: Spoilers
    It can't have been easy to have a cast of charming highly competent actors,charismatic warplanes,a bitter - sweet romance in war - ravaged picturesque London and turn the whole lot into a turkey of a movie but Mr.P.Hyams managed it in "Hanover Square". He wasn't helped by a script that may have passed muster at the Odeon, Streatham in 1942 for a less than critical audience never sure that their house would still be standing by the time the movie was finished,but more peaceful and plentiful times were rather more demanding. Mr C.Plummer plays the upper middle class Intelligence Officer whose wife (Miss L.A.Downs) has an affair with USAF officer(Mr H.Ford). Apparently Mr Ford is so irresistible to Miss Downs that they have sex in a conveniently situated country hotel on their first date,an event so unlikely as to be almost incredible.Yes I know it's wartime,and I know things were different,but believe me nicely brought up English gels with husbands and daughters most definitely did not "put out" as our American friends would say on their first illicit meeting with a virtual stranger,even if he is an intrepid birdman. Indeed Miss Downs is so irredeemably posh that I am not entirely convinced that Mr Ford does not classify as her bit of rough. She is a voluntary nurse - albeit one with an immaculate uniform and beautifully - coiffed hair.She walks the wards as a Lady Bountiful and I'm almost convinced the Sister refers to her as "Lady Margaret" at one stage. Her husband is in some "hush - hush" department running secret agents and they live in a very upmarket Townhouse somewhere around the Harley Street triangle.Their daughter (little Miss P.Kensit) is a cute poppet and everything in the marital garden appears lovely.Why she should risk all this for a quick tumble with a not particularly winning American bomber pilot is not clear.It certainly isn't for his conversation ,his monotonous tone of voice or his sense of humour. By contrast Mr C.Plummer is gentle,articulate and sensitive. In a ridiculously contrived plot twist he and Mr Ford end up in occupied France wearing German uniforms on a Deadly Mission. On their return Mr Ford nobly lets Miss Downs go back to her husband and is last seen loping across Hanover Square doubtless in pursuit of a fresh conquest. Women with husbands at the front in 1942 would not have been sympathetic towards her,the word "Jezebel" might well have been bandied freely about They knew all about temptation and resolutely resisted it if only for the sake of their men in foreign climes.The thought of a posh woman with a husband at home having it off with a Yank would have filled them with scorn.And quite rightly too. As for that young pilot.....well,he could probably hardly have believed his luck.
  • gwailo24719 February 2008
    I knew this was a romantic movie upfront, but the WW2 stuff seemed interesting enough to take a look.

    I must say that I watched the whole thing through, and it kept my interest. Its pretty predictable, but the characters stay rather true to themselves, and although the ending is predictable, its not necessarily obvious.

    I will give credit for the locations/effects. The film never looks cheesy, and you can tell that effort was made to be authentic. It certainly is a war movie, there is blood and gore aplenty, not Saving Private Ryan gory, but enough to remind you this is war.

    The movie has 2 parts, the romantic story in England, and then the adventure part in France. This split makes the movie go by rather quickly, I was kinda surprised this was not one of those WW2 miniseries that were so popular at the time.

    I can't say that I would overwhelmingly recommend this movie, but if something about it strikes your interest, one of the actors perhaps, or in my case the setting of WW2, then I would check it out.
  • It is good to see a really bad expensively made film occasionally. I watched it for Harrison Ford, who acted extremely well for Polanski in ' Frantic ' but gives a very indifferent performance here. He is dull, and it is not so surprising in a dull film. The love interest lacks any spark of reality or emotional conviction, and Lesley-Ann Down irritated me in not being able to push the film forward. They meet cute in a ' realistic ' Mayfair street in London, nearly get killed in an air raid and within minutes they are in love. Set in WW2 the best scene is on a plane where most of the men in it are cruelly shot down, and the bodily mutilation is described and also seen. The film is basically two things, a war film and a love story and the two do not gel; or anyway with the appalling dialogue which only Christopher Plummer as Down's husband miraculously gets right. As I watched it plod along I wondered why it was ever conceived or made. Part of the film is set in France with Plummer and Ford together, and the action takes over and no more real psychology is needed. I will say no more of why in the name of contrivance they are there. I had intended to watch Bela Tarr but chose this instead. A big mistake. I know I will never watch it again. For those who love cliches will no doubt have a different opinion. A 3 for the London scenes ( one actually in Bath ) and some of the special effects.
  • "Hanover Street" is the kind of movie people like to pick apart because the SS Sgt. didn't render the proper Hitler salute or the uniforms were wrong or because the B-25 wasn't flown over Europe but mostly in North Africa. Well, I imagine the B-25 sets were left over from Catch 22, which used B-25s, and there was a shortage of SS uniforms at Elstree Studios when this movie was filmed. It doesn't really detract from the film. These are bits of entertainment -- not a masters level thesis. I have to say this is an "adult" movie that probably wouldn't be made today. If filmed today (late 2005), then there'd be a lot more emphasis on wise-ass remarks to the commanding officer and silly, stilted lines like "If I lost you then I'd just die ... oh I'd just die." Pretty much along the lines of 2001's awful Pearl Harbor. The love story is really more about honor and sacrifice than love, and reflects closely wartime England when many single, and probably married, English women dashed off with "heroic" Yanks -- which gave way to the British saying about Americans: "Over paid, over sexed and, bloody well, over here." There's a lot of action in this movie and a lot of tension that builds up at the right moments. Is it a big, blockbuster movie like "Raiders of The Lost Ark?" No, but it's got a good script, the cinema-photography is outstanding and the score is perfect. Aside from Catch 22, there's not a lot of places you can see REAL B-25s lining up for takeoff in a film (sorry, again the Pearl Harbor CGI doesn't cut it for me) and the fear-laced banter between Ford's bomber crew seems closer to the real thing than the heroic bull from other movies. If there's a gripe I've got about this film it's Ford's haircut. You can see a lot of detail and expense in the Hanover Street set, the Blitz and even the airfield. Everybody looks up to 1940s standards and the set has that smoke-filled, perpetual autumn look that seems to be what people associate with early color films from the World War II era. However, Ford's 1978 shag kind of ruins the mood. Maybe he couldn't cut his hair because "Empire Strikes Back" was due to start lensing soon after "Hanover Street" went into post production ... who knows, but it detracts from the detail paid to the extras and the set. Still, "Hanover Street" is a good film.
  • Warning: Spoilers
    A very familiar John Barry score accompanies this war time romance between an American pilot and a British nurse. Writer/director Peter Hyams takes us back to London, 1943, where the chance meeting between these two pawns of World War II begins what can only be a doomed love affair.

    Lt. David Halloran (Harrison Ford), Margaret Sellinger (Lesley-Anne Down) and husband Paul Sellinger (Christopher Plummer) are the three caught in this tragic love triangle. Ford fits well into the role of reluctant hero, and actually manages to create some chemistry with his co-star (at least he doesn't look twice her age - "Sabrina" 1995). Miss Down is easy to like as the married mother who finds herself falling in love like she never has before, and Christopher Plummer plays well the part of the husband and father who just wants to shake his feelings of inadequacy and prove himself to be more than a 'nice British man'.

    These three, along with a strong tech. team, are able to pull off what is essentially a run of the mill, old fashioned romance. A nice idea from Hyams, but he was never going to achieve anything more than pleasant entertainment. Fortunately he never aims too high, and thus avoids shooting the whole thing down in flames. Hyam's knew his pic's potential well, and fulfils it.

    John Barry's music is enjoyable and melodic, David Watkin's photography most sharp and the editing from James Mitchell is efficient. Special effects are effective.

    Wednesday, February 28, 1996 - Video
  • This film has very little going for it, other than the participation of Plummer and Ford. I honestly wanted to like it, given my respect for Hyams and many of the actors, but this just fell flat, in so many ways.

    First, Lesley-Ann Down: has she ever managed to be the romantic lead in a WWII picture that didn't end up being a piece of made-for-TV garbage? I say this after having tried to watch her in 'Arch of Triumph' (1985) with Anthony Hopkins, a remake of a project with 'Casablanca'-level ambitions that simply fell flat; this remake hardly improved upon the 1948 version. In 'Hanover Street' Ms. Downs' performance certainly wasn't enhanced by the flat dialogue and her wholly unsympathetic character. The woman is cheating on her husband, plain and simple, without explanation or cause. A stronger actress would have demanded a better backstory for this character, some 'Sophie's Choice' or 'Plenty' content to make her more fathomable, but this round-heeled wife of a British Intelligence officer (Plummer) is nothing but a liability. If she was able to be 'picked-up' by Ford as easily as she does in this film, her character would have been victimized by a German Agent, long before she encountered Ford. This film tries hard to be a romantic something-or-other, but this woman's got a kid and no obvious conflicts of interest with husband Plummer. That's one raspberry, right there.

    As for the schizophrenic element, about 2/3rds the way through, Hyams tries to turn this thing into a War film - Ford and Plummer go behind enemy lines together into Vichy France, but the plotting is sloppy as they are thrown together by chance. Hyams spent some small amount of time setting Plummer up as some sort of spy-chief, training other British Officers to to operate behind enemy lines and Ford is to be the Allied pilot that flies them to their destination. Fortunately, unfortunately in these scenes, Ford and Plummer share the strongest moments in the entire film, and the two male leads have more chemistry with one another than either has with Ms. Down(er).

    After doing all this spy-stuff exposition, Hyams promptly kills off all of the German-speaking British Agents and saddles Plummer with an untrained, monolingual Ford to complete a highly specialized intelligence heist in Central France. Plummer parachutes in with a German uniform, Ford with his Hogan's Heroes flight jacket... as if he wouldn't stick out like a sore thumb, once he hit the ground.

    It's truly no surprise that this film laid an egg at the box office - it is entirely uneven in terms of both script and story. If you want to see Ford in a better war-movie, see 'Force 10 from Navarone' - better yet, go straight to the top, and see his cameo appearance in 'Apocalypse Now'.

    As for this film, I can't even begin to imagine the market influences that allowed this script to be greenlit. The Americans were making gritty urban dramas - 'Coming Home' (1978), 'Midnight Express' (1978), 'The Deer Hunter' (1978) and the next year saw the release of 'Apocalypse Now' (1979),'Being There' (1979) and 'Kramer vs. Kramer' (1979). I suppose this film had the potential of filling that warm-spot that the British have for soap-operas and patriotic war-stories.

    While 'Hanover Street' may have had some promise as a script, it really just falls rather flat in it's execution. Ford in a pilot's uniform is simply not enough to save this turkey of a film.
  • Warning: Spoilers
    Despite numerous negative reviews of this Film, I decided to give it a chance anyway. Harrison Ford almost always shines.

    In "Hanover Street" Ford's delivery seemed a little dry at times, but not that often. His future as Indiana Jones, and other "emotional yet tough" characters peaks through on several occasions.

    There is a good balance of action and romance here, decent character development. The pacing is a little slower than modern films, but comparing an older film to modern drivel doesn't do much good. Sitting through this film should be a cake walk for people with an attention span.

    So over all, a good film!

    Warning to Parents: There is a very short amount of frontal nudity in this PG film.
  • London 1943. A chance and interesting encounter happens between bomber pilot Lt. David Halloran (Harrison Ford) and nurse Margaret Sellinger (Lesley-Anne Down). Romance starts blossoming only for Halloran to find out she is already married. Her husband is within British intelligence Paul Sellinger (Christopher Plummer) and both men end up on the same mission during WWII in Germany.

    Extremely well-made by writer/director Peter Hyams and mixed with some awesome music from John Barry. To me the movie really hits it stride when Plummer is brought into the story. He is a wonderful actor, but he also adds a much needed push and spark to the story that was starting to feel a little stale. Also great to see Ford after he was in the mega-hit STAR WARS trying out his acting chops in other avenues like a serious romance, although when the 3rd act hits there is action as well. One problem I had though is at the end Margaret's character has not been through what the other two characters have in terms of their love for her. It's alright though as the ending does not ring hollow by any means. If you enjoy world war romance or want to see Ford in an early different role certainly worth checking out. Also starring Richard Masur.
  • This is hardly a PG-rated film . Anyone with an interest in WWII history and who loves beautiful women (Leslie Anne Down) will enjoy this movie. Harrison Ford gives us a memorable portrayal of an American bomber pilot who falls in love with a married British nurse.
  • Warning: Spoilers
    More romance war movies were made about American GIs in England than in all other countries combined. And, it's no wonder since Great Britain was the marshaling area for the largest invasion force in history. It was the headquarters of the Allied European command during World War II. It was the home of more U.S. Army Air Force bases than all other locations combined. And, by the end of the war, some two million Americans had been in England. So, of course there would be many romances between GIs and British women. At the end of the war, the U.S. Army transported some 70,000 British war brides to America.

    The clichés aside (some Brits, especially men, took to seeing the Yanks as "overpaid, oversexed and over here," while some Americans had a comeback that the Brits were "underpaid, undersexed and under Eisenhower"), there were many matches that ended in marriage. Others ended unhappily when the GIs died in battle. But, the largest number most likely were romances that ended in time. There probably were some that involved infidelity and adultery, such as in this movie. And, most of those likely resolved in the end. A line at the very end of this film, summarizes the plight of all of the various war time romances nicely. Harrison Ford, playing David Halloran, says, "Things work out the way they're supposed to."

    Perhaps some people would see this as a real love story between two people – Halloran and Margaret Sellinger, played by Lesley-Anne Down. In my younger years I might have. But age and experience bring insights that enable us to see beyond idealistic longings, emotions and the strong hormonal drives of younger years. I think this film shows a little bit the struggle the married Margaret has over their affair. David admits his struggle, especially after having been on a mission with her husband, Paul, played by Christopher Plummer. Whether or not theirs was truly love, or just a strong romance brought on by the time and circumstances, the movie ending appropriately says that life will go on, and they will be OK.

    Because of the variety of scenes – the city streets of London, the bombing of the city, the B-25s at the airfield, and the bombing runs made by the Americans, I think this film has some historical value. But, the script otherwise is thin. The mission that David and Paul are on almost seems stagy at times. Plummer does a very good job in his role – I think the best of the film. But, otherwise, this isn't a very dynamic script.

    Two aspects of "Hanover Street" bothered me. Having seen films such as "Twelve O'Clock High" that so well depict the strain and stress that the pilots and their commanders had, I found the flippancy of Ford's character in the mission briefings not very real or believable. His disrespect for his CO just doesn't gel well. C'mon! This guy is an officer in the Army Air Force, not one of the social outcasts picked for a mission in "The Dirty Dozen." Other films show very well the anguish that commanders suffered for the lives of the men who didn't return from missions. That whole part of this film didn't seem real. And with that, I very soon had enough of Richard Masur's constantly complaining character, 2nd Lieutenant Jerry Cimino.

    Another 1979 film about romance by American GIs in England came out later that year. "Yanks" starred Richard Gere, but had a much larger cast and a very engrossing plot. It is about three different romances, each one of a different type and result. It's a very good look at the British people during the war. The romances and loves are treated more realistically and deeply in that film. And, one of the old war romances is the 1940 film, "Waterloo Bridge," that stars Robert Taylor and Vivien Leigh. That one involved adultery on the part of the American, in another love triangle. It too resolved in the end with a believable outcome.
  • The drama is well supported by actors but the scenario is a bit predictable. And the accent of the French characters are terrible! Makes it a pleasant film to watch anyways.
  • Warning: Spoilers
    I purchased the DVD because it had B-25s in it, one of my favorite aircraft. I knew there was a love story attached, but it had Harrison Ford. Wow, where was the adult supervision when creating the screenplay?

    The audience was never informed of the location of the film title 'Hanover Street'. I suppose that this was the London street where the two lovers first met, although this was never made clear.

    I remember liking Leslie-Anne Down (Margaret Sellinger) from her appearance in the 'North and South' miniseries. I was surprised she was willing to take off her top to get into this film. She was so weepy and whiny in this appearance. The script made her the helpless slave of her hormones. She seems to be able to get free of her family responsibilities every other Thursday to meet her lover. Then she goes home to be the perfect wife and mother for her young daughter.

    It would have been very dangerous for Margaret to continue these meetings, the chance of being spotted during one of these trysts would have been great. She could have provided a perfect opening for blackmail by the Gestapo. No doubt her husband's position in intelligence would make the Sellinger family the object of intense observation. Margaret could have destroyed her whole family this way.

    Then there is the plot element where the identity of British double agents is kept in a safe at Gestapo Headquarters in Lyon, France. How are the British privy to such information? How credible is it? What better opportunity for a coup by the Gestapo could there be? The Gestapo arranges for the British to gain access to a list of effective British Intelligence Agents they wish to destroy. These men are arrested and possibly executed by their own government. A few expendable low-level operatives are placed on the list to enhance credibility. British Intelligence is devastated even more when the Gestapo ensures that the British find out that they were duped into destroying their own loyal agents.

    Then there is the problem of British Intelligence Agents being caught and found dead. They would not have been found at all. They would have been wrung dry of all useful information and kept in secret confinement or more likely secretly executed and buried. The British would be kept in the dark about the fate of their agents to prevent them from learning from the mistakes that led to their men being caught. Uncertainty is a formidable weapon in an intelligence war.

    Then there is the Harrison Ford character 'David Halloran'. He is hardly blameless in having an affair with a married woman. He pulls off her left glove to reveal a wedding ring at their first meeting. That deters him from pursuing his passion not at all. It was kind of gross to watch their love scenes with her wedding ring still on her finger. He hardly needed to focus on this woman, since plenty of eligible young women were hanging around the club on his airbase. He could see local women much more frequently than the forbidden flame in distant London.

    The film shifts gears into a fairly conventional war film about halfway through. We are treated to scenes where David's bomber is hit by enemy fire so severe that all his crew are killed, yet it is still in condition to fly along for several minutes while he crawls about inside inspecting damage and holding a conversation with his passenger. The two survivors then parachute into a wooded area just before their aircraft explodes. The secret agent, in full German uniform, never the less carries about a miniature photograph of his wife, secure in the knowledge that the Germans are too stupid to notice it.

    The two men parachute at night into the trees and drop to the ground under conditions that are strangely well illuminated for a woods at night. They then make no attempt to conceal their parachutes and stroll about calmly making small talk about matters of small importance to their survival or completion of the mission. The Germans strangely make no attempt to determine if any crew of the downed plane are still wandering about free on the ground. No wonder they lost the war!

    I could go on, but there is not much fun to be had flogging this pitiful plot. Harrison Ford learned from this film and probably demanded to read the scripts before signing on to future projects. He was big enough at the box office to make his demands stick. He did manage to prevent type casting from the 'Star Wars' films and so the film had to go into the win column for Ford's career. Just look at the pitiful careers of Carrie Fisher and Mark Hammill post 'Star Wars'.
  • pilot100930 October 2021
    A trite tail of fornication and redemption told on a budget of $50. Very young Ford et all but if you are looking for a relaxed romance without too much realism then it works ok.
  • Warning: Spoilers
    Still relatively new to the scene, Harrison Ford takes the romantic leading role for this remarkably old-fashioned wartime soap opera. For much of the film Ford looks plainly ill at ease, not all all suited to the slushy love story in which he is participating. Similarly, the director (action specialist Peter Hyams) finds the romantic aspects that dominate the first half of his film difficult to deal with. Instead of creating a convincing on-screen love story, Hyams overdoes things almost to the point of self parody, asking grand gestures of his actors and an absurdly overbearing score of composer John Barry. At the hour mark, there won't be many viewers left with the willpower to remain tuned in. But just as the film threatens to collapse completely, Hyams (who also wrote the film) suddenly shifts his narrative to something that he, and Ford, are much better at. The second half of Hanover Street redeems the film, as it drops the mock-romantic weepie approach and becomes an engaging escape melodrama.

    American bomber pilot David Halloran (Harrison Ford) is stationed in England during World War 2. One day during an air raid he meets a beautiful nurse, Margaret Sellinger (Lesley Anne Down), and the pair of them are instantly attracted to each other. Margaret is already married but her relationship with husband Paul (Christopher Plummer) lacks passion and excitement. She is, therefore, swept hopelessly off her feet by her romantic encounter. Halloran's devil-may-care attitude towards his dangerous occupation begins to soften now that he has something to live for, but he is still chosen to fly a British spy over enemy lines as part of a dangerous parachute drop. By the most incredible chance, the spy turns out to be Paul, taking on an audacious raid behind enemy lines in a bold gesture to win back the respect of his wife. When the plane is hit by enemy fire, Halloran and Paul are forced to bail out together deep in enemy country. In an ironic twist of fate, the unwitting love rivals become survival buddies, both relying upon the other to get out of the perilous predicament they are in. They have many adventures as they attempt to steal a document from the Gestapo HQ in Lyon and make it back alive to the woman they love.

    This is the only wartime film Hyams has made, and in the later stages he demonstrates a proficiency for the genre that makes one rue his decision to make the film in the mould of a tearjerker. If he had just gone for a full-on wartime thriller - something along the lines of Where Eagles Dare - he might have made a rather good film. Alas, the soppy opening hour cannot be erased from the memory, nor can it be forgiven, and it really does cheapen the whole effect of the film. Down performs quite well under the circumstances, trying hard (and with moderate success) to make her love dilemma involving even though the script defeats her with overwroughtness. But she is the only one who seems to give a damn during the first half - Ford looks totally desperate throughout this section, and Hyams simply lacks the finesse to make it work. Even Plummer cannot do much during the opening hour, his role reduced to that of a boring cuckold with a handful of scenes in which to make his mark. One thing that does work nicely throughout the entire film is the photography (by David Watkin), which captures the desired period feel rather accurately. To summarise, Hanover Street is shamelessly old-fashioned tosh in which the action bits are handled with infinite more conviction than the romantic ones.
  • I don't understand all of the negative comments about this movie. It's not like they set out to make another Gone With The Wind, people. I usually hate this kind of movie, but I loved this one! Ford was just beginning to come into his own as an actor, and did a wonderfully believable job. The plot, though a bit predictable, at least went about it in a reasonable way. Entertaining way to spend a couple of hours. I guess I'm just one of those people who doesn't understand what movie making "art" is all about. I've seen a lot of critically acclaimed films that I wouldn't use to balance a short table leg.
  • For years, I had known about this WWII-set romance starring Harrison Ford and Lesley-Anne Down from various ads I saw. Having now seen this with Mom-who's first time watch this also was-we both enjoyed it especially the action scenes during the last part. Actually, I think I liked Harrison's scenes with Christopher Plummer-here playing Ms. Down's husband-then those he did with Lesley herself. Those romantic scenes didn't seem too well thought out, for some reason. Still, those scenes weren't too bad and for the most part, Mom and I really enjoyed Hanover Street so that's a recommendation.
  • malcolmgsw8 July 2019
    Apart from the brief appearance by the great Max Wall this is a truly abysmal film. It is unclear whether the makers wanted to remake Brief Encounter or Guns of Navarone.So they make a totally unsatisfactory hybrid. The anachronisms abound.70s hairdos being the least of it.There is no way Ford would be chosen to pilot for a night drop.He would have to be trained for weeks before.
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