Mad Max

The film is a drama with action and adventure elements. Unlike later films where the apocalyptic and ultra-violent world is already established, this one is much more "down to earth". There is a standard civilization here, however, there are violent criminals. The film shows experienced police officers facing a sinister motorcycle gang. There are a lot of cool chase scenes here, which are the highlight of the film.

The performances range from simple to some good. Highlight goes to Mel Gibson, who is charismatic and does well in the role.

The villains are detestable, and from the second to the third act we hope that Max can stop everyone in his path. The ending of the film is brutal, fun and remarkable, and certainly inspired a famous series of horror films involving a cutting saw (I think you already know what I'm talking about). If the film had a little more action in the first act, and some more interesting characters besides Mel Gibson and two or three others, I would give it a higher rating. Either way, it's a cool movie.

Mad Max is 70's type of classic dystopian action film the film that started it all and became the first in a series that launches some awesome great sequels. Max Rockatansky is iconic hero till it's day he is a true legend. Mad Max settle Mel Gibson a sure path to superstardom this highly acclaimed crazy collide o-scope of highway of mayhem cinematically defined the post apocalyptic landscape. Featuring eye- popping stunts that are electrifying and very convincing and an authentically nihilistic spirit this unforgettable actioner from Director George Miller is pure cinematic poetry.

In the ravaged near future, a savage motorcycle gang rules the road. Terrorizing Innocent civilians while tearing up the streets, the ruthless gang laughs in the face of police force hell-bent on stopping them. But they underestimate one officer: Max (Gibson). And when the bikers brutalize Max's best friend and family, they send him into a mad frenzy that leaves him with only one thing left in the world to live for - revenge! Also staring Joanne Samuel,Hugh Keays-Byrne he later started in Mad Max: Fury Road as an Immortan Joe another villain. This actor is fantastic and makes TERRIFIC job of been one of the best villains in the movie history ever. Also starring Steve Bisley, this rugged race car of a film runs on comic book volatility... exhilarating, rowdiness and visual intensity.

I love this film not much as I love Mad Max 2: The Road Warrior and Mad Max: Furry Road but I still love it. The plot doesn't start until 1.hour ago after Max family is attacked and killed. I love Max's car V8 Interceptor, high speed chases action sequences, that I guarantee you want see in any Action film today. There is any cgi in this film I didn't see them at all. The chases between Max and Toecutter on a motorcycle is fantastic, the crash and death Toecutter scene is AWESOME. I love this movie, I love it. As an dystopian action film is a fantastic that remains a true classic till it's day. The film has one problem that is focusing on max and his love life which is drama that hurts the movie and the plot starts really slow in the film. And between the film becomes very boring.

The high speed chases on the road makes this movie interesting so that you don't fall asleep. I still don't get that hate for this film, some people are comparing Thunderdome to this film, clamming that is better than Mad Max is and this is the worst one and the weakest film in the franchise which is not. I highly disagree with all of the haters of this film. It Is still good so much better than Thunderdome ever was. I will always take this film over Thunderdome,I have tried many times to take this film as the best one in the series but I couldn't because it does have some problems.

NOTE: The film is not a revenge flick like some people are saying, it is a film about car and motorcycle gang on a road it is Australian post apocalyptic dystopian action film. 7/10 B-

It was the very rawness and budgetary constraints of this little flick that made it what it was. A new kind of action hero in a new kind of world! Gibson's laughably underpaid (though unavoidably so) contribution cannot be underestimated. He imbued Max with more than the script actually merited. An attitude perhaps that struck a chord with many office-desk (wannabe) vigilantes. After all, Max takes control of his own life - is not cowed by authority. Max is everyman, the one inside us that few get the chance to let loose. He is part Jesus, part Che, part James Dean, all Australian yobbo! But this guy gets the job done - drop Max into Iraq next month and see how far Saddam Hussein gets trying to stock up on sarin!

Raw energy is what MAD MAX was all about! Distilled, tempered and inflamed by the time THE ROAD WARRIOR came around but at this juncture. a man on a mission and with the best tricked-up car since....well, THE CAR ! For those of you incidentally, totally mortified that his glorious black-hearted Interceptor was rendered dead-meat in MAD MAX 2, be comforted by the fact that it DOES in fact reside still in a museum in London (Why there and not Sydney I know not...perhaps for the same reason Australia still is not host to the cricket-ashes urn!) What chance of either's return when Greece can't even get the Elgin Marbles back?

Much has been made (and remembered) of the high-power car chases in this film, held by many in absolute reverence. In fact after the main cops vs The Nightrider work-out in the first few minutes of the flick, its pretty much all downhill in the action stakes - nothing subsequently in MAD MAX (1) comes near this brief sequence. This situation (with a way bigger budget) was inarguably reversed by the time THE ROAD WARRIOR came along. The stunts in THAT film have never been surpassed and remember this was without CGI fx.

MAD MAX has that indefinable 'something" the sequels didn't...perhaps just a raw innovation couldn't be duplicated - rather like ur first kiss. It might not have been the best, but it sure IS fondly remembered.

Dr. George Miller's low budget Mad Max franchise impacted on Australian culture and altered the perception of Australia and Australians overseas in a way that no other Australian film had done. The films explores themes such as 'man and the environment', 'fear provoking post-apocalyptic future, family', 'masculinity in crisis', 'good versus evil (Max as an iconic hero), Australian ethos and car culture; themes often featured within Australian films yet presented in a stark and dramatic way. The cinematographic impact is powerful; the human and emotional appeal is timeless.

Australia's barren deserts presented the ideal setting for a post-apocalyptic environment. The film set is more identifiable as Australia as it was filmed around the city of Melbourne. Long deserted roads feature significantly in the film and the cinematographic device of taking long distant shots of Max demonstrates how small he is in the scale of the environment that he is living. It is a relentless, unforgiving environment which demands defeat or survival and marks the characters which play upon its stage.

Just as the physical setting is stark and desolate, the time setting and its associated events create an atmosphere of fear and foreboding which plays on the minds and emotions of contemporary viewers. In this fear provoking post apocalyptic future the few survivors of the nuclear holocaust are in warfare with one another, the rebel bikers and the police.

Good versus evil is a dominant discourse in many film genres and one which embraces the Australian ethos. Max possesses some highly valued "Australian" traits; in particular, those of the underdog, the battler, the hero. External forces beyond his control stop him from "winning" completely. Contrary to the Hollywood hero, the Australian hero is a pawn in the game of others, which explains why Max can never quite "win" in absolute terms. There is little public glorification of success in Australia; heroes are remembered for their style rather than for their achievements. (Venkatasawmy, 1996) Mad Max represented a tradition hero, a hero to whom many diverse cultures are able to relate, as a story of a lone hero is a story that goes back through centuries of storytelling, and as a consequence the film achieved colossal success within Australian and around the world. The Australian cultures and lifestyles shown throughout these films give Australians an understanding of their country in the landscape, the language, and the way we treat people, life and life in exceptional circumstances.

Reference Venkatasawmy, R. (1996), Australian Film in the Reading Room: The Hybridity of Film-making in Australian National Cinema: Formulating a Cinematic Post-Diaspora. Retrieved March 14, 2005, from http://wwwmcc.murdoch.edu.au/ReadingRoom/rama/CHAPT4.htm

Honestly I have to admit I was left slightly bewildered after watching this film for the first time in many many years.

I didn't really get the post apocalyptic vibe from this film, granted it's incredibly low budget but still it felt more like an outback set film.

I also found some of the musical choices a bit odd. The scenes with Max and his family had this TV movie vibe thanks to the bizarre choice of music. Also the music at times drowning out the dialogue was very off putting.

I did enjoy elements of this film, in particular the set pieces and action parts of this film, despite it being a low budget affair I have to say I was impressed. It's also worth bearing in mind this film was made in the late 1970's so for me that makes the action scenes all that more impressive.

Mad Max is a slightly odd low budget action flick that has a certain charm but is let down by down by questionable editing, musical score and acting.