Time After Time

"Time After Time" is the sort of escapist fantasy that you just need to suspend disbelief in order to enjoy--and very enjoyable this film certainly is. Additionally, it's quite romantic and is a movie I strongly recommend you watch.

The film begins in London during the time of Jack the Ripper (David Warner). Coincidentally, the famous writer H.G. Wells (Malcolm McDowell) has just built a working time machine and the Ripper uses it to avoid being caught by the police. But Wells knows he cannot allow this maniac to escape and travels to 1979 in search of the murderer. There, Wells falls in love with a lady (Mary Steenburgen) and enlists her help to find the killer.

This movie works for a variety of reasons. It's certainly one of McDowell's best performances and it's nice to see him being vulnerable and more multidimensional than his other famous roles (such as in "A Clockwork Orange"). The film also looks and sounds wonderful (with a lovely score by Miklós Rózsa) and is wonderfully directed by Nicholas Meyer. Well worth seeing and a rousing adventure that both men and women will likely enjoy.

'Time After Time' is a good old fashioned entertaining adventure with plenty of thrills and a few chuckles. Fans of H.G. Wells' 'The Time Machine' and Ripper buffs will enjoy this movie the most, which covers similar territory to many of the stories of Kim Newman ('Anno Dracula',etc.) Like Newman's work it features a playful and irreverent attitude to 19th genre fiction and history. Malcolm McDowell and David Warner are both outstanding as friends turned enemies Wells and Jack The Ripper, who end up traveling to present day (that is late Seventies) San Francisco. Both actors are roughly the same age, emerged in the 60s, became well known for appearances in two of the early Seventies most controversial movies ('A Clockwork Orange' and 'Straw Dogs' respectively), and after this movie ended up appearing in all kinds of dumb action and straight to video b-grade trash, with sadly very few exceptions. 'Time After Time' features some of their best work, and the two obviously relished working together on such an original and imaginative project. Mary Steenburgen, an actress who has made little impression on me one way or the other, is more than adequate as Wells' love interest, and the supporting cast includes character actor Charles Cioffi (of 'Shaft' and countless TV shows). 'Time After Time' is simply one of the most entertaining SF thrillers ever made, and highly recommended to anyone who wants an intelligent and witty fun ride. A great movie well worth a rental.

Easily one of the most charming science fiction films made in terms of subtle humour, romantic elements, and the bridging of today with yesterday, Time After Time tells the story of English author H. G. Wells coming to 1970's San Francisco in search of Jack the Ripper by way of his time machine. Sure the story has some holes, but in many ways it is extremely literate and thought-provoking. Malcolm McDowell excels in his role as the author looking for a better place in the future that ultimately finds that life has degenerated rather than progressed....at least in Wellsian terms. McDowell plays the Victorian literary giant with restraint and subtlety rather than hamminess. The rest of the cast is also very good. David Warner makes for a good Jack the Ripper. I am not sure I ever saw him give a bad performance. He seems to gravitate toward roles of an evil nature. Mary Steenburgen also does well in playing a woman who yearns to be a woman in the working world. The special effects are not so special, but the film is nicely filmed. Director Nicolas Meyer does a workman-like job with the material while also bringing forth many social issues from the script. More than anything, the film for me is a commentary on the state of our civilization. At every corner, on every channel, one can find violence and sex... in the film, H. G. Wells is disgusted with the evolution of man over the 20th century....is it with good reason? Would the real H. G. Wells be shocked at our "Utopia"? A thinking, yet entertaining film to be sure.

"Time after Time" is a clever battle of wits between Jack the Ripper, who has used H.G. Wells' time machine to escape to the year 1979, and H.G. Wells, who steps into the machine to get to 1979 too, and chase after the Ripper. (This kind of brain-to-brain combat between two very special people is a theme that Nicholas Meyer will return to in "Star Trek II: The Wrath of Khan.")

Particularly interesting is how Jack the Ripper, an evil serial killer, finds himself completely at home in the year 1979, while H.G. Wells, with his idealistic dreams of a perfectible society, is completely out of place in our modern era.

Malcolm McDowell is believable yet comical as the intellectual Wells, almost bird-like in his quick, darting movements. David Warner is adequate as Jack the Ripper, but you don't get enough of a feeling of the Ripper's insanity and evil. Mary Steenburgen, as Wells' newfound love interest in 1979, acts well enough, but she delivers some of her lines unconvincingly.

The lush Miklos Rosza score is a treat.

Worth seeing.

Having a premise of HG Wells ( Yes that one ) pursue Jack the ripper ( Ditto ) to the 20th century has all the makings of a really camp and totally crap film , but despite the outrageous idea TIME AFTER TIME is a very enjoyable fantasy .

Unlike most time travel films ( THE TERMINATOR , BACK TO THE FUTURE not to mention several DOCTOR WHO and STAR TREK stories ) TIME AFTER TIME doesn`t really concern itself with concepts like the blinovitch limitation effect ie a temporal paradox , instead it concentrates on how a radical 19th century idealist like Wells would have found 20th century " Utopia " and how he would have been sickened by it . It`s here that the film works best with Wells travelling through the time vortex listening to the history of the 20th century and the scene with Wells and Jack watching television . It`s also interesting to note that the movie`s most amusing moments ( And they are genuinely amusing )are when Wells notices the difference in sexual mores of the present day . The film is much weaker when it switches to " Hero tracks down serial killer " type thriller but that`s not really what the film is about .