Add a Review

  • I remember enjoying this on TV several times and look forward to having it on video. It's rarely even shown on TV anymore. Are you listening, Sony? If you don't want to release it, license it out to someone. it would make a nice DVD.

    Lots of comfortably familiar faces like Kaye Ballard and Eve Arden (any Mothers-In-Law fans out there?) Morgan Fairchild and Morgan Brittany (who was in Gypsy as a kid on the same backlot) Vincent Gardenia, always likable Mark Harmon, and many more.

    See the backlot and other parts of Warner Brothers (then "The Burbank Studios") which looks familiar from countless movies and TV shows... See the interior of the Hollywood Pantages as it looked in the 80s (the theatre Mel Ferrar is sitting in before his character bows out) See lots of familiar TV/movie/stage actors chewing up scenery. I don't know how faithful it is to the Harold Robbins novel, but it's good old fashioned Hollywood fun, and I recommend it as such.
  • Message to the first of the other two reviewers:

    Sony doesn't listen to ardent fans. It doesn't give one little flying f**k to our pitiful cries for the re-issuing of beloved film. It cares not one little damn. Neither does any of the other big names. Neither does the network executives. It's all about the quest for your dollar in the most mainstream way. They catch more fish when we're all in the same barrel.

    No use hoping, we will never see our old favorites restored to the full glory that is DVD. Just the new stuff, for the bleating sheep out there, ooh Spiderman 2, ooh Iron Man 3, ooh screw that stupid sh** 4...

    Look, they pulled the plug on THE SECRET CIRCLE and threw away the key. And if they could do that, what chance does THE DREAM MERCHANTS have?

    I saw it years ago when it was still new. I just vaguely remember that Morgan Fairchild was in it. The only real scene I remember is that of a (director?) pleading: "If I don't see it down here, how is anybody gonna see it up there?"*, referring to an actress's indifference to the camera.

    But we are well into the next century now, and even if my life depended on getting to see this one more time... (give a long, world-weary sigh, wipe away a tear, go make some coffee)

    Hang on to your dear memories, my friend!

    *perhaps not the exact words, but something to that effect.
  • Warning: Spoilers
    If there ever was a TV at back that is so inconsistent in nature, it's this version of the Harold Robbins soap opera about life in movie make him during the silent era, going up to the fight to bring in sound. The first half of the two-parter is a realistic if fictional version of how the film's went from the flickers to to railers to full-length films, and finally the studio system as filmmakers went West. The money man obviously stayed back in New York, so you do get to see the ruthlessness of the start affecting the creativeness of the advancement.

    While there are many ruthless elements of the creation of the business and newcomers who want to contribute their own type of creativity, the real corruption is shown by the writers who work on destroying the main characters from the first part by turning them into completely different people in the second part. Mark Harmon basically remains the same, just growing up and becoming more serious, and "Mothers-in-Law" star Kay Ballard surprisingly different from her role on the 60's sitcom and other TV series and Broadway shows, playing Harmon's surrogate mother and mother-in-law to be.

    Howard Duff and Robert Culp remain consistently slimy as well. Vincent Gardenia is believable in his changes as he goes from struggling businessman to movie mogul, a fair representation of the real life moguls who ran the studios during the golden age. Morgan Fairchild unfortunately goes from troubled young lady to egotistical star with a ruthless streak, and her transition is not handled very well even though she is very good with what she is given to do. Cameos by Eve Arden, Carolyn Jones, Ray Milland, Fernando Lamas, Morgan Brittany and Jose Ferrer only demonstrate how overstuffed this is, proving that sometimes less is more while this ends up being a pinata that has a ton of candy, some sweet yet a lot of it sour.
  • Cheese, cheese and more cheese. Mix Harold Robbins' pot-boiling plot (that unfolds in the early days of the Hollywood studio systems) with that "80s Dynasty-esque glamour" and you're left with some bad acting, bad dialogue, and some historical inaccuracies. However, you just gotta love hissing at the screen when bad girl Morgan Fairchild appears to chew up some scenery!

    If you love bad miniseries from the 80s, here's one for you.
  • This American mini-series (1980) in two parts based on a novel by best-selling author Harold Robbins that was published in 1949 was broadcast in January 1985 on the then West German television station ZDF.

    It's about the beginning of the film industry at the beginning of the 20th century, when films were shown in so-called nickelodeons. In America, most films were initially shot in New York until the increasingly successful film entrepreneurs moved to sunny Hollywood and turned the orange plantations there into the most successful film metropolis in the world. A mixture of sex, business and intrigue depicts the early years of the film industry up to the transition to sound films at the end of the 1920s. The cast consists of a then-usual mix of attractive young stars who would become TV series stars in the 1980s, and deserving old stars who practically became film gods in the Hollywood heyday of the old studio system could become.

    The leading roles are played by the attractive young stars Mark Harmon as the self-made man Johnny Edge and Morgan Fairchild as the charming, calculating actress Dulcie Warren. After this appearance, both would become the stars of the (unfortunately) short-lived prime time soap "Flamingo Road". Other roles include: Morgan Brittany (Dallas), Red Buttons (The Greatest Show on Earth), Howard Duff (Flamingo Road, Knots Landing), Jose Ferrer (Moulin Rouge), Fernando Lamas (father of Lorenzo Lamas), Ray Milland (Oscar for "The Lost Weekend") and Chao Li Chi (Falcon Crest).

    Mediocre as a series of intrigue, not uninteresting as a chronicle of the beginning film industry!
  • Warning: Spoilers
    Based very, very loosely on Harold Robbins' 1949 novel, this 1980 mini-series moves well, and it features many names from the golden age of Hollywood and several newer performers at the time.

    The storyline focuses on the introduction of the nickelodeon, silent pictures, and the transition to talking pictures. There are also allusions to Shirley Temple and Bill "Bojangles" Robinson, the murder of director William Desmond Taylor, and a possible sex scandal involving an underaged girl.

    My favorite performers from the mini-series Mark Harmon and Morgan Fairchild play a mismatched couple, full of heat and passion. The following year they would reteam as a romantic couple for N. B. C.'s prime time soap opera FLAMINGO ROAD. Both give wonderful and believable performances in their portrayals of Johnny Edge and Dulcie Warren.

    The mini series uses the names of Harold Robbins' characters and a minimum of his storyline. The mini-series, for now, can be found on You Tube.

    Despite the many changes made in the mini series, I thoroughly enjoyed it. I also decided to read the novel before watching this mini-series, so here is a list of differences:

    First Half In the novel, the action begins in Rochester NY, not Albany as in the movie.

    In the novel, Johnny Edge's parents died when he was ten years old. His parents worked in a travelling carnival, and his father tried to save his mother, who was in a burning tent. Both died, and Johnny was raised by a carnival worker. In the movie, Johnny says his father was a gambler, and his mother dropped him off at an orphanage very soon after he was born.

    In the novel, it is Johnny's idea to start a nickelodeon, not Peter Kessler's. In the movie, Peter is the one who starts it all.

    In the novel, Peter's children, Doris and Mark, are young children at the start of the story. In the movie, Doris is about 15 and Mark is about 20.

    In the novel, Mark is the younger child. In the movie, Mark is older than Doris.

    In the novel, Dulcie Warren is a stage actress when Johnny meets her. In the movie, she is a movie extra.

    In the novel, there is no pregnancy scare and no abortion for Dulcie.

    In the novel, Dulcie never marries Mark.

    In the novel, Mark gets killed in World War I.

    In the novel, Johnny loses a leg in World War I.

    In the novel, Johnny's friend Rocco Salvatore is a barber by trade, not a future bootlegger as in the movie.

    In the novel, Johnny and Dulcie get married.

    In the novel, Warren Craig never makes the film version of The Bandit.

    In the novel, Dulcie and Warren Craig are first cousins, who have an incestual relationship. When Johnny walks in on them in bed, it ends both his marriage to Dulcie and not long afterwards Dulcie and Warren's relationship.

    In the novel, there is no partnership with Henry Farnum and Magnum Studio. Farnum never goes to go to work for Peter.

    In the novel, Peter throws Mark, who has been in control of the studio when Peter is in Europe, out of his house and his life when he discovers that Mark has been making a movie using funds for several other movies behind his back and laughing at his father. In the movie, Peter throws Mark out of his house and his life when Mark announces he and Dulcie had gotten married the day before Johnny and Doris marry.

    Second Half: Johnny and Doris have a son named Bobby.

    Conrad Stillman, a director, and Astrid James, his star, are caught in bed by Helene, Conrad's wife. She shoots and kills them both.

    Dulcie is invited back to Magnum to replace Astrid in The Flapper, even though Peter is not happy with Dulcie marrying Mark.

    Bobby falls off a horse, and Johnny couldn't be notified since he is unreachable due to having some afternoon pleasure with Dulcie.

    Doris is tempted by Zac Larsen, who had replaced Craig Warren when Craig quits during the filming of The Bandit. Zac makes a pass at her, but Doris stays faithful to Johnny.

    Bruce Benson, a film comedian, is accused of sexual misconduct with a supposedly underage girl, but Johnny threatens the parents with a lawsuit claiming their daughter is much older than fourteen as they claim.

    Peter has fought the conversion to talking pictures. Once he accepts the inevitable, the movie shows the difficulty of sound issues when sound is put on a record and also when filming occurs too when working with the new invention.

    George Pappas, the Greek man from Rochester, who has bought the nickelodeon at the start of the novel, commits suicide in Farnum's office bathroom when the bank controlled by Henry Farnum, Charles Slade, and Lawrence Radford threaten him since George has missed his last two payments. The three men later move the body to be found in the basement of one of George's theaters, and Farnum makes a call to sell all of their Pappas stock to avoid any possible connection to his death.

    Dulcie and Mark are killed in an automobile accident when Dulcie starts hitting Mark while he is driving. She tells him she is leaving him and going back to Europe to continue her career since Peter has ended it. Peter has threatened he would renew her contract but never cast her in a film ever again. He wants her to stay home and have babies.

    Peter almost gets replaced as President of Magnum Studio, but Johnny finds out the truth of when and how George died. He informs Farnum, Slade, and Radford that he will go to the police with proof that they sold all their Pappas theater stock shares. Plus, with the testimony of Farnum's secretary and Bruce Benson's, who was waiting to see Farnum in his office, they will be in legal trouble with moving a body, obstruction of justice, and insider trading information.

    Johnny, with his information, changes all the stockholders' minds, who have wanted to remove Peter from his position.

    Peter decides to retire, he offers Johnny the opportunity to run the studio, Doris wants him back, and Magnum makes its first talking picture.

    (In the novel, Peter dies before Johnny and Doris hope to marry.)