Fade to Black

I'd agree that "Fade to Black" works better in theory than in this actual execution. It should have been more fun, and admittedly the hook IS quite delicious: what if an unstable film geek murdered those who mocked him, while dressed up as his favourite cinematic characters?

The main problem is that our antihero, Eric Binford (Dennis Christopher), an employee for a film advertising firm, is not sympathetic in the slightest. This isn't a character whom you feel sorry for and root for so much as you want to smack him around. He's an ill-tempered, whiny wimp who attaches way too much importance to his knowledge of movie trivia.

Then again, this may well have been the intention of writer / director Vernon Zimmerman. One of my Internet acquaintances once described "Fade to Black" as "showing the dark side of being a film geek". Eric seemingly can't relate to anybody on a normal level, instead thinking entirely in cinematic terms. As unlikable as Eric may be, however, it's hard to say whether the problem is in the character as written or any ineptitude on Christophers' part.

Another thing that doesn't help are the scenes with the normally entertaining Tim Thomerson as a liberal minded police shrink. The character is a dolt and one doesn't want to root for HIM, either, even if he is sympathetic to Erics' plight.

It's still a fairly enjoyable experience, at least for any cinephile. Amid all the movie references, clips from classics such as "White Heat" and "Creature from the Black Lagoon" are edited in with ease. And it's cool to see Eric dress up as Dracula, The Mummy, and Hopalong Cassidy, etc. while in the act of doing away with his nemeses.

The good supporting cast includes Norman Burton, Morgan Paull, James Luisi, Eve Brent, John Steadman, Marcie Barkin, Peter Horton, and a swaggering young Mickey Rourke. The major bright spot is Australian beauty Linda Kerridge, a Marilyn Monroe lookalike who actually gets named Marilyn in the movie. As Erics' would be girlfriend, she shines.

A nice music score by Craig Safan and a rousing face off on top of Manns' Chinese Theatre are also highlights.

Six out of 10.