A petty thief with an utter resemblance to a samurai warlord is hired as the lord's double. When the warlord later dies the thief is forced to take up arms in his place.A petty thief with an utter resemblance to a samurai warlord is hired as the lord's double. When the warlord later dies the thief is forced to take up arms in his place.A petty thief with an utter resemblance to a samurai warlord is hired as the lord's double. When the warlord later dies the thief is forced to take up arms in his place.
- Nominated for 2 Oscars
- 20 wins & 5 nominations total
- Director
- Writers
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Storyline
Did you know
- TriviaWhen Toho Studios couldn't fulfill the budget demands of the film, American film directors George Lucas and Francis Ford Coppola stepped in to help Akira Kurosawa. Kurosawa was visiting San Francisco in July 1978 and met Lucas and Coppola. The two convinced studio 20th Century-Fox, still riding high after the success of Lucas' Star Wars: Episode IV - A New Hope (1977), to advance-finance the film and fund the remaining portion of the budget. This was done in exchange for the film's world-wide distribution rights to the picture outside of Japan. This was the first time that distribution rights to a Japanese film had been pre-sold to a major Hollywood studio.
- GoofsIn the final battle there are at least 100 riflemen shown firing their matchlock rifles in volleys. The smoke generated by the matchlocks almost immediately dissipates. This indicates a more modern gunpowder was used in the matchlocks as the historically correct black powder load would blanket the battlefield with thick smoke after a handful of volleys.
- Quotes
Nobukado Takeda: The shadow of a man can never stand up and walk on its own.
- Alternate versionsIn the original Japanese version, there are 20 minutes featuring Kenshin Uesugi. For some reason, these scenes were cut out of the USA version.
- ConnectionsFeatured in A.K. (1985)
Featured review
Better than Shakespeare
I saw the director's cut about twenty years after I first saw the film. Kagemusha is as magnificent now as before, but what has changed in the meantime is my appreciation of the meaning of Shakespeare's plays. The history plays and most of the tragedies were about the political dilemmas facing the new Tudor state. The Elizabethan audience sat on the edge of their seats waiting to see how political order might be restored once it had been set in disarray. The Wars of the Roses sequence culminates in the late political tragedies -- Julius Caesar, Macbeth, Hamlet and Lear. The question is always the same. How is an impersonal modern state possible when its leader is a person, the King? Or is rule by office compatible with the human flaws of the person occupying it? Shakespeare was the client of a conservative aristocratic faction, no rabble-rousing democrat he. But he went so deep into this political question in the course of writing all his plays that he dug deeper into this core issue of modern politics than anyone since.
Kurosawa approaches the same question through the notion of a double,"the shadow of a warrior", Kagemusha. Here the contrast between the office of the political leader and its personal incumbent is brought vividly to life in so many ways. The period is the Japanese equivalent of England's War of the Roses, the transition from feudalism to the beginnings of the modern state. The losing side in this case is the one that tries to resolve the contradiction of personality and office by a subterfuge, a thief masquerading as a lord. The winning side and founder of the Japanese state is the Tokugawa clan. The climactic battle symbolises the passage from traditional to modern warfare, as the horses of the losers are mown down by fusillades of gunfire. The credits run as the corpse of the double crosses a submerged flag whose abstract symbolism shows us which aspects of feudalism the modern state will borrow. Personality is vanquished.
The aesthetic vision animating this movie is incredible. There is so much to look at and admire, perhaps interpret. One striking feature for me was the persistent strong breeze ripping through the banners, a symbol of the winds of change running through 16th century Japan, contemporary to Shakespeare's period. Because this drama was made by and for the modern cinema, in many ways Kurosawa's masterpiece is better than Shakespeare.
Kurosawa approaches the same question through the notion of a double,"the shadow of a warrior", Kagemusha. Here the contrast between the office of the political leader and its personal incumbent is brought vividly to life in so many ways. The period is the Japanese equivalent of England's War of the Roses, the transition from feudalism to the beginnings of the modern state. The losing side in this case is the one that tries to resolve the contradiction of personality and office by a subterfuge, a thief masquerading as a lord. The winning side and founder of the Japanese state is the Tokugawa clan. The climactic battle symbolises the passage from traditional to modern warfare, as the horses of the losers are mown down by fusillades of gunfire. The credits run as the corpse of the double crosses a submerged flag whose abstract symbolism shows us which aspects of feudalism the modern state will borrow. Personality is vanquished.
The aesthetic vision animating this movie is incredible. There is so much to look at and admire, perhaps interpret. One striking feature for me was the persistent strong breeze ripping through the banners, a symbol of the winds of change running through 16th century Japan, contemporary to Shakespeare's period. Because this drama was made by and for the modern cinema, in many ways Kurosawa's masterpiece is better than Shakespeare.
helpful•7531
- hart_keith
- Jul 26, 2002
Details
- Release date
- Countries of origin
- Language
- Also known as
- Kagemusha, sjena jena ratnika
- Filming locations
- Himeji Castle, Himeji, Japan(Nobunaga's castle)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $4,000,000
- Gross worldwide
- $4,018,532
- Runtime2 hours 42 minutes
- Color
- Sound mix
- 4-Track Stereo(original version)
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was Kagemusha: The Shadow Warrior (1980) officially released in Canada in French?
Answer