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  • Warning: Spoilers
    A child dies after being chased out the window of an abandoned building by four other children. An unseen witness to the accident comes back years later looking for revenge, and heads roll. Literally.

    The dead child, Robin Hammond, was the daughter of the high-school principal (Leslie Neilsen) and the sister of Kim (Jamie Lee Curtis). Robin also had a twin brother, Alex. Four children were present when Robin fell, but only one of them, Nick (Casey Stevens) suggests going for help. The other three -- Wendy (Eddie Benton), Kelly (Mary Beth Rubens), and Jude (Joy Thompson)-- make him swear never to reveal what happened. Robin's death is blamed on a psycho named Murch, whose car crashes while he is being pursued by police.

    We see the Hammond family paying a visit to Robin's grave-site six years later. The anniversary of her death coincides with the date of Kim's senior prom. Buzzkill!

    In the intervening years, Nick and Kim have become "involved". Nick is a sincere chap, but not sincere enough to tell Kim that he helped kill her sister, although he appears to toy briefly with the idea when Kim breaks down in tears about how the day of the prom is the anniversary of her sister's death. "It would have been her first prom," she sobs. "Uh, Kim..." says Nick, uncomfortably, before he wimps out and trots off to football practice.

    Kim is also friends with Kelly and Jude, neither of whom seems to be bothered in the least by the dead sister..er, elephant in the room. As for Wendy, who has grown up to be the quintessential Rich Bitch Mean Girl, she doesn't care about anything but clothes, cars...and Nick.

    Apparently, Nick broke up with Wendy to date Kim, and Wendy isn't taking it well. Wendy asks Lou (played with sullen, stupid menace by David Mucci) to help her get revenge. Lou -- one of the more fully realized characters in the film -- readily agrees; you get the feeling that his future includes an appearance on an episode of "Cops". When he arrives at Wendy's house to take her to the prom, he passes her a bottle of whiskey, belches, wipes his mouth, and says "You look terrific."

    A shadowy figure with a guttural voice makes phone calls to Nick, Wendy, Jude, and Kelly, promising mayhem at the prom, but no one seems alarmed, even when Kelly and Jude find their yearbook pictures pinned in their lockers with shards of a broken mirror. Kim and Wendy meow and scratch at each other over Nick. Kelly agonizes over whether to let her boyfriend, Drew, go "all the way". Jude meets a short, frizzy-haired kid in a Chevy van; he calls himself "Slick" and asks her to the prom. At the prom, Wendy and Lou's entrance spurs Nick and Kim to hit the dance floor, where they twirl and prance in synchronized abandon to an aggressive disco beat.

    In the background, the police skitter about looking for Murch, who, conveniently for the plot, has escaped from the local asylum in time to serve as the largest and smelliest in a series of red herrings. A creepily-mustached school janitor has also been offered up for suspicion. And all this before any blood is shed at all.

    Kelly is the first to die, in a locker room, where she has gone to make out with Drew. When she refuses to do the deed, Drew stomps out to "...find someone who will!", leaving Kelly to sob "Drew, you bastard!" just before the killer sticks a shard of mirror through her windpipe.

    Jude dies next. Slick's nerdy exterior conceals a van equipped with a bed and enough weed to knock out Cheech and Chong. As Jude and Slick toke up and giggle about losing their virginity to each other, the killer opens the back door of the van, slits Jude's throat, and dispatches Slick by forcing him to drive the van off a cliff.

    Wendy is the only one of the victims who shows any gumption. Confronted by the ax-wielding killer, she kicks off her high heels, runs like a deer, and takes refuge in the school auto shop. The killer finds her when she attempts to hide in a closet and finds the still-warm body of poor, virginal Kelly hanging on the wall. Her screams give away her position and the ax falls shortly thereafter.

    When Nick and Kim queue up to be crowned King and Queen of the prom, Lou and his goons grab Nick and tie him up. Lou puts on the crown and waits for his cue -- receiving instead an ax to the back of the neck. His head, with the crown at a rakish angle, rolls out onto the dance floor and grosses everyone out. Meanwhile, Kim has rescued Nick and the killer realizes he's decapitated the wrong guy. The killer grabs the ax and goes after Nick -- only to be disarmed by Kim, who smacks him in the head.

    The women do all the heavy lifting in this film.

    The killer staggers out the front door of the high school, whereupon Kim realizes who he is and tackles him before the police can shoot. She pulls off the killers' ski mask to reveal her brother, Robin's twin, Alex. It seems that Alex was at the school when Robin fell out the window, and has known all this time who was responsible. He dies in Kim's arms as the music swells.

    A very large question arises from the ashes of this movie: If you were a little boy and someone pushed your twin sister out a window, wouldn't you run screaming home and tell your parents right away? And, failing that, wouldn't you feel compelled to tell your older sister she was dating one of the people responsible?

    Just asking.
  • Six years ago four kids make a pack to keep a secret, which involved the mysterious death of child Robin Hammond. They thought that were the only ones who knew what had happened, but some else witnessed it to. Now that person strings them along, to eventually plan their revenge during Prom night.

    A real thank-you to the commercial success of "Halloween (1977)" and "Friday the 13th (1980), which saw the influx of slasher films and "Prom Night" was one of the first to step up. Too bad that we have here is an unspectacular so-so, if slick looking slasher effort that got caught labouring along with very little happening and providing us with corny school melodramatics. When it came to the crunch, most of the Prom Night sequences was about getting the groove on and listening to funky dory disco soundtrack. Oh it just makes you want to bogey; well it didn't stop Jamie Lee Curtis from strutting her stuff. However when it came to the good stuff, I thought the novel deaths were soundly executed, and there's a certain unpleasantness about them. When the black hooded killer (who's quite fast on their feet and would make for a good shaker too) is tormenting and stalking the victims (from be it to the phone calls or hanging about in the shadowy corridors) there's an ominous air to proceedings, which director Paul Lynch pulls off rather well. It's just too bad that most of the time is used setting this all up with ineffective red herrings and below par, drawn out script. Too many loose ends creep in, even though the premise is quite slight and you can find yourself laughing at its unintentional goofiness and picking up on it predictability.

    Robert New's stunningly vivid camera movements are atmospherically airy and Paul Zaza and Carl Zittrer's sorrowfully twisted musical score gets it cues right. The performances from the cast are acceptable with a likable Jamie Lee Curtis (earning her scream queen tag at the time) proves herself as an upcoming talent. Weak character, but well judged performance. Leslie Nielsen looks awkwardly distracted, and seems to duck off in a phone-in performance and George Touliatos gives the film some solidarity. Anne-Marie Martin is a delight as the scheming sexpot Wendy, David Mucci is perfect as the boorish brute Lou and Casey Stevens is modest as Curtis' prom date Nick.

    This post-Halloween slasher is familiar and slowly plotted, but its competent technical handling helps.
  • Scarecrow-8814 June 2008
    Warning: Spoilers
    A young girl dies tragically when she falls through the window of an abandoned building upper floor as a result of a scare tactic prank performed by four kids playing a hide-n-seek version of "I'm going to kill you." The kids responsible make a silent pact to keep their actions behind this death secret, with a schizophrenic known child abuser accused of being the guilty culprit responsible. The wrongfully accused man is seriously burned after trying to flee the police with his car turned over in a crash. Breaking free from the asylum imprisoning him, this event coincides with the four kids, now teenagers in high school, receiving creepy phone calls from an unknown psychopath forewarning their up coming meeting at the senior prom. The film shows the days leading up to the senior prom, and the psycho, dressed in black with a ski-mask covering his face, attacking each member of the group responsible(..when they are most vulnerable, away from a crowd of people, alone in some place either inside the quiet abandoned halls & rooms of the school, or just outside the building) for the little girl's death many years ago, on Prom Night.

    More along the line of "Halloween" than "Friday the 13th", this is a methodical(..some might say..slowwwwwwwww moving)character driven slasher with limited death sequences shown, with most of the killer's murderous activities occurring off screen. I will say that the victims are developed, given exposition before the senior prom so that they gain sympathy from the audience. The only one who might deserve her comeuppance in many viewer's eyes is Wendy(Anne-Marie Martin), the very one who instigated the silence of their misdeeds as children, and the one who causes most of the mischief towards Kim(Jamie Lee Curtis), who is dating her former squeeze, Nick(Casey Stevens). What makes this union most interesting is that Kim's sister was the girl who fell through the window to her death, and Nick was one of the kids responsible for frightening her with that game. We witness the other two girls, now young women either experiencing love for the first time or heartbreak, before meeting their doom at the hands of the mysterious psycho. As is the case in giallo thrillers, which this is closer in spirit than 80's slashers, there are red herrings regarding who the killer might be. Could the psycho be the escaped lunatic seeking revenge for being framed for a murder he didn't commit? Could the killer be Kim's grieving father, Principal Hammond(Leslie Nielsen, handed a very underwritten role)? Could the killer be the peeping tom, alcoholic, sneaky janitor? I'm just not convinced this will work for many slasher fans because the seedy, gratuitous elements which draw such a crowd are not that present here.

    Like a lot of fans of "Halloween" from their youth onward, I followed Jamie Lee Curtis' career, looking for other horror films on VHS shelves, and "Prom Night" was one of those. Expecting something more visceral, I guess I was a tad bit disappointed. Watching it as an adult, I believe I can see what director Paul Lynch was trying to accomplish..building up these characters looking forward to the future, or dwelling on their own personal dramas and dilemmas(..relationships and growing pains, these teens had in high school), before facing a grim fate they weren't prepared for. He also lenses the film, very soft-focus, giving it an almost dreamlike aura. One of a handful of slashers Curtis would star in during the early 80's before moving on to "Trading Places" where she'd hone her comedic chops, she was blossoming into a stunning woman. While I loathe disco with a passion, this film might amuse as a time-capsule film with how Curtis shows her stuff on the dance floor. She even teases her faithful with a lockeroom sequence showing how she has developed wearing a bra, shirt opened. As far as the death sequences, the highlight, of course, is the decapitation where a thug, taking Nick's place after he and his cronies attacked him, tying the kid up in a situation planned by Wendy, gets his head lopped off with it rolling onto the dance-floor walkway. The film's main suspense chase concerns Wendy trying to flee her pursuer through the empty halls of the school as the other teens are dancing. The film's reveal of the killer is really kind of sad, actually, as so many perish because of a childish prank which could've been prevented if the kids responsible had acted civilized.
  • The opening to the film started good with a slow pace building up to the classmate's death, however, after flashing forward six years, the film starts to slow down. Immediately for the majority of the whole hour of the hour and a half film. It's just build-up to the prom there are long scenes with the killer is just calling up all his victims and just threatening trying to scare them.it overstays its welcome it just drags the movie out. Along with Jamie Lee Curtis, none of the other characters are really that interesting or we get to know anything about them throughout the whole movie it's just them talking and goofing around. By the hour mark is where it starts to get interesting because that's when the prom actually happens with the killer pursuing his victims but more generic and cliché with teenagers just making dumb decisions there's a scene with one girl just runs further away for the auditorium where all the students are dancing and just runs to the far end of the school where no one would even know she was here. This entire film they constantly hammer and the possibility of suspects who the killer might be. The ending is disappointing and Lazy. The most recognizable scene in this movie is the dance with the Prom night song playing. This movie could've been cut down to a short film instead of feature-length.
  • Maybe the reason "Prom Night" doesn't have brilliant scores on IMDb is because it's supposed to be a horror movie, but it isn't. It is more of a thriller mixed with a teen movie. A good and entertaining teen movie at that. It has interesting and likable characters, some gloriously cheesy (even hilarious) scenes and nice disco music. Performances of the actors are decent and there is even a pretty good chase scene which looks like something that inspired Craven's chase scenes in Scream! Objectively, this movie is a good piece of fun featuring Jamie Lee Curtis in her prime and Leslie Nielsen (it's really weird to see him trying to be serious and you are just waiting to drop some jokes) and if you like a comfy teen movie with a little slasher thrown in the mix, you will have a good time. If you on the other hand want just horror like "Halloween" was, well, you are in for a disappointment. 7.5/10! I recommend it to both veterans and casuals alike!
  • A pretty mediocre slasher - one of the duller and more forgettable entries in the genre. Paul Lynch's 'Prom Night' has too many characters and doesn't bother to develop any of them other than with a few rushed clichés here and there. You end up with shallow characters you don't care about. The buildup takes too long while the killings are really artificial and lacking suspense. None of the acting is worth mentioning. Not even Jamie Lee Curtis is good here.
  • All of these characters look too old to be in high school, and it is a bit distracting. Jamie Lee Curtis looks too old for the part, even though she's just 21. She is rather ho-hum in Act I, but comes alive in Act III and especially the finale.

    There's an effective, if rather by the book, setup to the movie, and that really is its saving grace, aside from a good score and willing cast. A little suspense, a decent mystery, and it is an alright slasher flick. Nothing overly special, but it is rather decent. I watch it maybe twice a year.

    Decent enough, and if you are a slasher fan, it is a must own.

    Semi-classic
  • 'Prom Night' is a decent little slasher-mystery starring Jamie Lee Curtis in her third scream queen role. The movie also stars Leslie Nielsen as Jamie Lee's father and Hamilton High School principal. Everyone else in it are just bit players, but we must consider that this film stars one of the wickedest you-know-whats in slasher movie history. Her name is Wendy, and she is played by Anne-Marie Martin. Who this actress is, or was, I have no idea, but I know I hated her character with a passion. One of the biggest bonuses for horror fans in this movie will be the big chase scene with her and the killer quite near the end which was deliberately filmed super dark. You can hardly see what's going on and for me it is the best scene in the whole movie. Big points for Wendy's chase scene. It works since she plays the role well, and we've waited so long for this scene and it comes pretty much near the end, but it delivers.

    Anyway, 'Prom Night' opens with a tragedy in which young Robin Hammond, who is Jamie Lee's character's little sister, accidentally falls to her death from a two-story window after being cornered by four brats(Wendy, Nick, Kelly, and Jude)who were trying to scare her. Freaked out that they may be in serious trouble, they all make a pact to take it to the grave, initiated by Wendy, the leader of the brats. Ultimately the blame gets pegged on some serial pedophile and no one ever suspects the four kids. But someone else knows and was there and saw the whole thing. We continue twelve years later. It's the day of the prom and all four of the kids receive raspy phone calls, asking them to "come out to play". It concerns most of them, but eventually their minds stray back to the prom. Some of them have dates, some don't. Jamie Lee ends up going with Nick who just dumped Wendy, so Wendy hooks up with Lou, who sort of serves as John Travolta's Billy Nolan from 'Carrie', and the two of them plan to play a prank on Jamie Lee and Nick since they were voted Prom King and Queen. Pause real quick. Remember, Nick is one of the kids who was involved with the death of Jamie Lee's little sister. Could you really keep a secret that big from someone you are "going steady" with? Also, the two other girls involved, Kelly and Jude, appear to be good friends with Jamie Lee's character. I don't think there is much logic in that, but hey, it's a horror movie. I have to overlook it.

    In the end, prom dreams are sliced and diced as the vengeful killer begins knocking each of them off, eighties style. The movie is definitely pretty corny and cheaply made, but that's all part of it's charm. The suspense is there, the score is really creepy, and Jamie Lee does her thing. However, the best part is the mystery. Who is the killer? I'm sure we all know twenty-five years later, but it was fun finding out. Everyone is a suspect in 'Prom Night', as mentioned by Randy from the first 'Scream', and it will keep you guessing right up to the climax. Well, actually, when it gets to that point there are only a couple people left that it can be...but it was still a bit of a surprise.

    Honestly, I think 'Prom Night' could use a remake. My VCR copy has such awful quality that it's really quite hard to see what's going on on the screen, and I hear that the DVD isn't any better, so I think we could all benefit from a remastered version, or even a remake at this point.

    6/10 is my vote. A decent little slice and dice mystery from days long gone. How I miss them...
  • Tikkin20 May 2006
    Prom Night is one of those slasher films regarded as a classic, but it seems the only reason is because it featured Jamie Lee Curtis. Jamie Lee is an excellent actress but seems bored all the way through this film. Prom Night starts off promising with some great camera-work and what seems to be an attempt to build suspense, but soon loses steam. About 3 quarters into the film I was wondering if I was watching a slasher or a high school drama, because nothing really happens until the end. When things do start to happen, your senses are bombarded with cheesy disco music and some tedious stalk and slash scenes which are completely devoid of suspense. There is also no real gore apart from a severed head. The severed head scene is cool in a cheesy way, but that's about it.

    Watch this if you must, but please stop billing it as a classic. Halloween was a classic, and even Terror Train had something going for it, but Jamie Lee was really slumming it with Prom Night.
  • I saw Prom Night when it was released back in 1980. So in honor of my 16 year old son's prom this past week, I decided to re-visit this clunky classic and see if I can re-capture my youth. And you know what? I think I enjoyed Prom Night better the second time around. There was actually a pretty good red-herring or two thrown in the mix to "confuse" the viewer into thinking who the killer really was. As a matter of fact since it's been so long, I forgot who the really turned out to be (I was after only 16 myself when I saw this movie 30 years ago!) and was actually surprised at the reveal.

    Although there were and still are certain things that ruin the movie for me (like the fact that most of the actors look to be well in their 30s and that disco had already made a quick exit), it's kinda fun to see how campy the film really is. I recommend watching it at least once and enjoy it for what it really is: a time capsule to those lost years of the early slasher movies.
  • So there we were, Professor Marvel, CaptainLouisRenault and I, in our halcyon days, knocking around Times Square, ready to laugh at another badly-made horror film that, in 1980, were proliferating faster than "Disco Sucks" t-shirts. And for the most part, "Prom Night" fit the bill. It had the obligatory starring role by Jamie Leigh Curtis; Canada filling in badly for the U.S. (we got to know the bad graphics like those that appear on the sign for "Alexander Hamilton High"--apparently Alex got around); the pacing, which was precisely the same throughout the whole movie, with no alteration; and the poor photography (at that time, all Canadian films were technically unsophisticated: scenes were lit the same whether it was an interior or exterior, night or day; shots began with the establishing-shot pan that moved at EXACTLY the same speed no matter what was happening or how close to the climax you were). And yet, "Prom Night" stands out for one reason alone: the character "Slick," played by one Sheldon Rybowski. Here were the same too-cute teeny-bopper slasher-fodder, most of whom deserved to be slashed, and here comes a chubby, geeky kid with a van, ready for lovin'. You just HAD to admire his chutzpah-which is something for a good Catholic boy to say. Anyway, the movie only was alive while "Slick" was...alive. Mr. Rybowski, so far as I know, has never gotten the credit he deserves for raising this film out of the ordinary. So I raise my...well, SOMETHING...and say, "Mr. Rybowski, I salute you."
  • Warning: Spoilers
    "Prom Night" emerged at the beginning of a decade, which also marked a decade for the rise and fall of slasher films as we know them. Along with "Terror Train" and "The Fog", "Prom Night" is one of Jamie Lee Curtis's most well-known returns to the genre after "Halloween", though it still remains fairly obscure to many horror fans and general audiences. The plot centers on Kim Hammond (Curtis), daughter of her high school's principal (Leslie Nielsen). She's popular, well-liked, and seems to have it all. Unfortunately, Kim and her family are haunted by the mysterious death of her younger sister, Robin, who died after falling from the top floor of an abandoned building ten years prior; the police blamed a schizophrenic child predator on the crime, but little do they know, there were four children who were there and whom were responsible for the incident. Those four children are now high school seniors, classmates and friends of Kim; it's prom night, which is incidentally the ten year anniversary of Robin's death. Kim will be crowned prom queen. Some won't live to see it.

    If the "Prom Night"'s plot set-up sounds familiar, that's because it is. Though the film was fresh twenty-some years ago, its originality has been obstructed by the plethora of slasher films that followed in its wake, which may leave some viewers bored and running the numbers; but if you can look past this, "Prom Night" is an extremely fun film. It has a little bit of everything going for it: an elusive killer, odd phone calls, probable motives, sassy high school girls, disco dancing, a ski-mask, and, most importantly, an axe. Team up the carefree high school environment with five teenagers' dark secret, and accompany that with a hellbent murderer on prom night, and you've got yourself a straightforward, suspenseful piece of slasher cinema.

    Granted, the film is dated, and the disco dances and funky hairdos of the day may take be distracting to some extent, but the nostalgia of that era is in every frame. Paul Zaza's score is appropriately ominous and ignites a feeling of being under watch by... someone, and at all times. Director Paul Lynch also does a fine job here, showing us just enough, but not too much. Nice establishing shots of the high school's hallways at night set the stage for the action that ensues as night falls and the prom begins, and several impressive instances of cinematography abound (the slow-motion throat slash murder which only shows us a close- up of the victim's facial expression, followed by a fade-in to the red punch bowl being one example). There are several surprisingly artsy shots in the film, and the camera-work is, for the most part, clever. The film has a rather bright, hazy look to it as well, which, whether intended or not, gives the movie another sort of texture.

    Performance-wise, we've got a surprisingly decent cast of 20-somethings playing 18-year-olds. Nonetheless, most all involved give commendable performances, Jamie Lee Curtis included. Leslie Nielsen's role is minor, but he's great, and Eddie Benton does a good job as the jealous rich girl of the school (and might I say, she has one of the best chase scenes I've ever seen in a horror film). Though the film takes roughly an hour before all the mayhem ensues, the build-up is worth the wait— the final 15 minutes of the film are incredibly fun (almost as fun as the hokey disco dance scene with Jamie Lee Curtis and Casey Stevens, ala "Saturday Night Fever"). The killer himself is eerie and has an interesting choice of weapons (a shard of broken mirror), even though his whispering "now!" upon each murder might sound funny. The revelation at the end of the film may or may not be expected, depending on the viewers' familiarity with these types of films. Either way, it's pretty poignant for a slasher movie.

    Overall, "Prom Night" is a wonderful example of slasher prototypes. It was early enough to not be considered a total rip-off, and it's got a lot of interesting things going for it, no matter how by-the-numbers it seems today. It's suspenseful, sometimes spooky, and genuinely fun and lively. Factor in some wonderful murder scenes, a budding scream queen, an eerie score, and a full-fledged disco blood-bash, and you have yourself one of the most memorable slasher films of the 1980s. 9/10.
  • One of the Halloween follow-ups that would give Jamie Lee Curtis the title of "scream queen".

    Children accidentally cause the death of a little girl, now years later they are in high school and getting ready for the prom. However, it seems someone else is planning on getting some murderous revenge on prom night.

    Prom Night is a formula slasher film, with plenty of the slasher trappings, but there are some elements that raise this film above some of the others of it kind. The director gives this movie a truly dark and eerie atmosphere, with the help of Paul Zaza's spooky music score. The plot remains engaging throughout and the creep-factor is kept high. One difference from the slasher "norms" is the fact that we ultimately have sympathy and even sorrow for the film's killer.

    While Prom Night is hardly a flawless movie, in fact there are a few scenes where the lighting is way too low and the disco prom dates the film, it does hold it's own. The cast gives good performances, especially Curtis, Eddie Benton, and the late Casey Stevens. There's also a few good rock numbers like "Prom Night" and the mellow "Fade to Black".

    Worth a look for slasher fans.

    *** out of ****
  • I just wrapped up Prom Night (1980) off Tubi. I hadn't watched this in ages. This was honestly very average. I was actually rooting for Jamie Lee Curtis' rival. This was a mix of Saturday Night Fever (John Travolta) and Slaughter High...which honestly probably sounds like a description of any given night at Finnigan Somers' house. This is obviously a must see for die hard horror fans as it is technically a classic...but also nothing special overall. This also has the clumsiest killer I've seen in awhile. If you want to see a good horrror movie about the prom, turn to Carrie. 4.5/10 for me.
  • jboothmillard1 November 2009
    Warning: Spoilers
    I mainly decided to try this horror, on Halloween of all days, because Jamie Kennedy sort of recommended it in Scream, I don't know why. Basically Hamilton High School seniors Kelly (Mary Beth Rubens), Jude (Joy Thompson), Wendy (Anne-Marie Martin, or Eddie Benton) and Nick (Casey Stevens) accidentally killed ten-year-old Robin Hammond (Tammy Bourne) six years ago, when he fell out of a window, and have kept quiet about it ever since. Though it was an accident, the four students, well, three, receive phone calls from someone who knows their secret, and he plans revenge on the high school prom night. Starring Leslie Nielsen as Mr. Hammond, Jamie Lee Curtis as Kim, Antoinette Bower as Mrs. Hammond, Michael Tough as Alex, Robert A. Silverman as Sykes and Pita Oliver as Vicki. They say Curtis cemented her title as the Scream Queen with this, as it followed Halloween, but I'm afraid to say, I don't agree that it is that good, it is hardly gory, it only made me jump once, and it just isn't a very entertaining horror film. Adequate, in my opinion!
  • In truth, this is standard fair for a slasher. Only slightly above the level of many other slasher outings at the time. The killer only gets active during the last half hour of the movie, his identity easily guessed in the end (naturally revolving around a trauma from his past). The red herring is also very obvious. Lots of disco-dancing too in this one. At the time, I imagine it became mildly notorious because of one decapitation scene and gained a little recognition because of scream queen Jamie Lee Curtis starring in it. If you're a slasher fan, this is one you ought to see, even if it's not the most exciting watch you'll ever have.
  • Not good words to hear if you want to watch a film but then those are the words that best fit this film. This movie was an attempt at a slasher-style horror thriller but it's no better than a FRIDAY THE 13TH sequel and actually less fun than many of those. Despite fine acting talent like Leslie Neilsen and Jamie Lee Curtis, this film drags and drags and then there's that horrible disco dance music. Slow and plodding describes it perfectly.
  • Warning: Spoilers
    Arriving as it did during the early moments of the slasher film explosion of the 80's, Prom Night was undoubtedly much more impressive then than it is today. Stripped of historical significance, modern viewers will probably be disappointed to find this dated offering to be a relatively bloodless affair with a meager body count and limited thrills. Certainly, as a horror film, Prom Night doesn't have the tools to deliver any solid scares. But as a piece of time capsule kitsch, this movie is a very fun watch, even if the unintentional laughs outweigh the splatter elements.

    The set-up that ultimately launches the film's flimsy revenge plot is silly and awkwardly-staged, with a young girl basically walking out of a window to her death because a quartet of pint-sized kids her own age chant "kill" over and over again. This isn't a particularly terrifying scenario, so things get off to a clumsy start here.

    It doesn't help matters that the next hour of the film is almost completely devoid of anything suspenseful, scary, or even interesting, save for a series of phone calls to the film's eventual victims made by a killer who has obviously watched too many Dario Argento films. The rest of the runtime for the first two acts is padded with long-winded character development, needless subplots, and a few attempts at red herring planting that ultimately fall flat.

    There is also a lot of screen time devoted to extended Disco dancing sequences, which, predictably, have aged far worse than the rest of the film. Compounding the goofiness, when Jamie Lee Curtis and her date are horrified to see that their nemeses have arrived at the prom despite being expelled, Jamie Lee proclaims, "let's show them what we can do!", at which point she and her partner take to the dance floor and lay down some revenge boogie. Take that, jerks!

    The film shows us too much of the killer early on, so even though this is supposed to be a whodunnit, the list of likely suspects is quite short by the time any of the murders start happening. Even worse, the masked, black-clad maniac is the smallest-statured movie psycho of all time, and any menace derived from our mysterious prom-crasher is promptly done away with once we see them and Jamie Lee on the screen at the same time, at which point we can't help but notice that our scream queen star is both taller and more physically intimidating than the killer.

    When the slasher movie festivities finally get underway, the resulting murders are downright quaint in their subdued delivery, and only a couple of sequences have any real impact. The payoff is relatively meager considering the extended exposition, and while the killer's surprise reveal at the end makes narrative sense, it is a bit disconcerting to see that the skulking murderer we've been following throughout the film is actually the most benign character in the entire cast.

    A horror classic, this ain't. But the glaring markers of the era give the film nostalgic interest, and it's definitely fun to see Leslie Nielsen playing it straight, even if he abruptly disappears from the film without explanation before the climax. Jamie Lee is also a welcome presence, and although she seems to be phoning her scenes in most of the time, we have to concede that she gives the admittedly weak material about what it deserves.

    The ancillary elements of the film (including the very cool theatrical poster and its killer tag-line) are actually more interesting than the finished product, and only the most forgiving fans of the genre's boom during this period will gleam much enjoyment here.

    It's hard to recommend a film that has such limited appeal, but I must confess that I have a genuine fondness for Prom Night, and I still enjoy myself every time I watch it. 1978-1983 was truly a magical era when the horror genre exploded with low budget delights, and if you hold those golden years in your heart, your chances of forgiving this film's trespasses are much better.
  • I just watched Prom Night for the first time in over ten years, and a few things stuck with me after the viewing.

    First of all, after a creepy opening sequence, detailing the cruel, yet accidental death of an innocent girl, the movie CRAWWWWWLLLLSSSSS... In other films of it's genre, such as the superior Friday the 13th series, the murders are usually evenly spread throughout the film, setting the tone for a climactic ending. Not here. The first hour of Prom Night seems like it could be from some long forgotten 70's after school special.

    Secondly, it amazed me how much this movie has in common with Jennifer Love Hewitt's hit "I Know What You Did Last Summer". Both movies feature a group of characters that accidentally kill an innocent, then act irrationally as they attempt to avoid blame. They bully each other into promising never to talk about the death ever again. At some future point (one year later in IKWYDLS, six years later in Prom Night...) all the participants receive threatening reminders of their crime as a precursor to the actual murders. Makes me wonder if the producers of IKWYDLS didn't INTENTIONALLY steal the plot, and just change the particulars.

    At any rate, Jamie Lee Curtis is always welcome in these slasher films, (even though she looks a little old to play a high school student) and Leslie Nielsen plays the principal of the school whom happens to be Jamie's father.

    It's not bad as early 80's slasher go, as the killings (especially the punk whom gets beheaded...) are fairly graphic, but the slow pace really lessens the impact of the entire film.

    Also, is it just me, or does the disco music being played at the prom sound like outtakes from an Abba recording session?
  • kevinfbarker21 October 2020
    Children playing a game of hide and seek in an abandoned building accidentally throw a classmate off the roof, killing her. They make a pact to never speak of this again and let the world believe she was the victim of some crazed maniac. Flash forward to their senior year of high school and someone is leaving them threatening messages and phone calls on the anniversary of the child's death which just so happens to take place on prom night. This isn't a great slasher movie and most of the actual slashing takes over an hour to get to, but some of the characters are interesting to spend time with and the finale more than makes up for any slow periods earlier in the film.
  • Another average slasher flick, one of two that scream queen Jamie Lee Curtis made back to back during her time in Canada fresh from her fame in John Carpenter's Halloween in 1978. It opens with four young kids in an abandoned building playing a macarible game when one girl joins them and it leads to her accidently falling out of a second floor window to her death. The four kids (three girls and a boy) make a pack never to mention it to anyone. But six years later, someone knows about the killing and decides to get those four responsible. As it also happens the anniversary of the death coincides with the big high school prom which the kids are all attending, making it convenient to borrow big ideas from movies like Carrie (1976) among others for the characters, situations and subplots.

    Although it has some good qualities and was moderately successful when first released, the movie is bloodless in almost every respect, plus the murders are so murky and dimly lit. Jamie Lee Curtis, playing Kim, the older sister of the murdered young girl, is good as the popular student who wants to be elected prom queen. But she, unfortunatly, is not one of the four students targeted by the masked ax-weilding killer. In fact, she frequently becomes a suspect along with her father the school principal, as well as her younger brother Alex, the creepy school janitor, and the school bully. But the identity of the killer is fairly obvious. But so much time is spent on establishing red herrings that more than two-thirds of the movie pass before any of the killings begin. The production values are also good, but the film is starting to show its age.

    Contents: Six killings, scant blood, one decapitation, Jamie Lee Curtis as prom queen, no nudity, no real suspense, no pace, lots of disco music and dancing, sit this one out.
  • As kids, a group of friends push a girl out of a window and she dies in a most heinous manner. Many years later, the same friends (who look thirty, but are apparently eighteen) are ready to go to the prom, but a masked killer wants them all dead. Is it the madman who recently escaped from the insane asylum? To find out, you will have to wait for the shocking conclusion...

    As my headline proclaims, I thought this was a horror classic. And I still think some people think it is, because they made numerous sequels and a lackluster remake recently came out. But I want to know why. This film was mostly boring, with really awful lighting and characters I could not keep straight or give two figs about. It comes across as something like "I Know What You Did Last Summer" (only much earlier, obviously), except for one major difference: the girl who gets killed in the beginning is certainly very dead.

    Director Paul Lynch should not take pride in this. Not that he has done anything to really take pride in (besides some decent episodes of "Star Trek"). If I were to sit down and enjoy a chai tea with Paul, I would have so many questions to ask him about what possessed him to make such an awful film. And then I would make him buy my tea. (Though, to be fair, this was an early attempt from him, having really only worked on the forgotten "Blood & Guts", which was also written by "Prom Night"'s William Gray, who penned the much better "The Changeling" that same year.)

    The casting is confusing. Leslie Neilsen appears, in a serious role, but he adds essentially nothing to the movie for the brief moments he is in it. Jamie Lee Curtis, fresh from "Halloween", shows up as the heroine and I think we are supposed to think she is an attractive teenager. But she looks like a 30-year old cross-dressing man. If people in 1980 thought this was sexy, I am really glad I was not around to be a part of that. Then again, my friend Seth still does, so who knows? All the other actors are forgettable, besides maybe Sheldon Rybowski, the guy who plays Slick.

    Only one scene in the entire movie was actually cool for the horror fans, and you will have to wait for over an hour to see it -- and if you blink or do not have slow-motion on your DVD player, you may likely miss it. I will not say what happens, but a character gets killed. Very quickly.

    There is also a really elaborate dancing scene (that I hope is in the remake, but disco probably is not cool anymore). I enjoyed that, and I freely admit it. So, despite all the trash I talk in this review, I have to confess there were parts I liked... oh, you know, like every scene with Slick.

    I suppose with the remake having come out, you should watch the original first. Might give you some perspective. I thought it was safe to say the new one would be vastly superior, especially if they had cast up and coming starlets like Mary Elizabeth Winstead. But they did not, and that is just my personal bias. So, it seems the old boring film might be better than the new... a small miracle, really. The one thing that is hard about being a horror fan is trying to explain why Jamie Lee Curtis is a horror actress... and I just do not have the heart to defend her. Do not watch this film unless you want to be confused and disappointed.

    Synapse Films is releasing a 2K digital restoration in 2014. I was able to catch an advance screening, though I have to say it falls under that old story: you can polish a poop, but it is still a poop.
  • I first saw Prom Night back when I was 10 years old, but didn't appreciate it as a film until re-watching it at 19. Watching it a second time was like discovering a priceless gem and I must say, as a screenwriter, I still look to this movie as motivation and inspiration. Unlike most Hollywood horror/slasher movies, it did what most of the latter cannot, which is provide a combination of good lucks and good acting, therefor ensuring we care about the characters.

    Scream most definitely took a page from this movie as inspiration for its mystery theme. Though the budget was low and this movie was made in 1980 I feel that it still has enough of a story to keep us entertained and also enough of a punch to make us jump a bit. But what really makes Prom Night a success is its actors. Jamie Leigh was wonderful as always, but one character I felt that stole the show was the character of Wendy. As vile and wicked as they made her, the actress portraying her gave her depth. I felt as a viewer that she was more than just the typical bitch character. With killer lines, a beautiful face, and a chase scene that has been the foundation of future horror movie chase scenes, this girl makes the movie worth watching.

    If you happen to see this movie on or notice it in a video store I would suggest giving it a look. I would love to see a remake, ONLY if they kept the plot the same, but intensified the horror, much like what was done in TTCM remake. And, of course, to have Edie Benton and Jamie Leigh make an cameo or guest appearance somewhere!
  • Prom Night - 1980

    (This films rate a C ) The beginning has some nice intensity with the kids playing a creepy "game", repeating "Kill, Kill, Kill" over and over again. A girl falls to her death as a result and they run away while swearing to secrecy. Fast forward to Prom Night years later. It has moments where the build up is so slow and painful that it just drags on without much excitement. However, the prom scenes are so 80's exciting and the music is very entertaining. It also tries to give you several different believable suspects, but the killer is obvious from the start. There are some unintentional funny moments (the van kill scene, the school janitor) and some poor script writing through out this film. Not much gore. Brief boob shots. Some of the scenery is rather crude but it was the low budget early 80's after all. Leslie Neilson as the principle in a serious non comedic role and of course Jamie Lee Curtis is perfect in any role. But overall this movie is cheap and shallow with a really absurd ending.
  • Calicodreamin22 October 2021
    This 80s slasher film is a bit of a snooze. The storyline is interesting but too much time is spent on the high school drama. The slasher kills are obviously low budget, but they mostly work.
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