The Shining (1980)

R   |    |  Drama, Horror


The Shining (1980) Poster

A family heads to an isolated hotel for the winter where a sinister presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.


8.4/10
915,959

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In celebration of the 40th anniversary of The Shining, we take a look back at Stanley Kubrick's critically-acclaimed film.

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Reviews & Commentary

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User Reviews


24 July 2001 | FlickJunkie
9
| Amazing achievement in filmmaking and the art of terror.
Chilling, majestic piece of cinematic fright, this film combines all the great elements of an intellectual thriller, with the grand vision of a director who has the instinctual capacity to pace a moody horror flick within the realm of his filmmaking genius that includes an eye for the original shot, an ice-cold soundtrack and an overall sense of dehumanization. This movie cuts through all the typical horror movies like a red-poker through a human eye, as it allows the viewer to not only feel the violence and psychosis of its protagonist, but appreciate the seed from which the derangement stems. One of the scariest things for people to face is the unknown and this film presents its plotting with just that thought in mind. The setting is perfect, in a desolate winter hideaway. The quietness of the moment is a character in itself, as the fermenting aggressor in Jack Torrance's mind wallows in this idle time, and breeds the devil's new playground. I always felt like the presence of evil was dormant in all of our minds, with only the circumstances of the moment, and the reasons given therein, needed to wake its violent ass and pounce over its unsuspecting victims. This film is a perfect example of this very thought.

And it is within this film's subtle touches of the canvas, the clackity-clacks of the young boy's big wheel riding along the empty hallways of the hotel, the labyrinthian garden representing the mind's fine line between sane and insane, Kubrick's purposely transfixed editing inconsistencies, continuity errors and set mis-arrangements, that we discover a world guided by the righteous and tangible, but coaxed away by the powerful and unknown. I have never read the book upon which the film is based, but without that as a comparison point, I am proud to say that this is one of the most terrifying films that I have ever seen. I thought that the runtime of the film could've been cut by a little bit, but then again, I am not one of the most acclaimed directors in the history of film, so maybe I should keep my two-cent criticisms over a superb film, to myself. All in all, this movie captures your attention with its grand form and vision, ropes you in with some terror and eccentric direction, and ties you down and stabs you in the heart with its cold-eyed view of the man's mind gone overboard, creepy atmosphere and the loss of humanity.

Rating: 9/10

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Critic Reviews



Did You Know?

Trivia

After "Barry Lyndon (1975)," Stanley Kubrick started researching his next project by reading a lot of recent books. His secretary could hear him throwing rejected books at the wall in his office. One day, he started reading Stephen King's novel and, after a few hours, when his secretary hadn't heard the familiar sound of a book hitting the wall, she knew he had found his next project. Interestingly, Stephen King is skeptical of this account, as he felt that the novel begins rather slowly.


Quotes

Jack Torrance: Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.


Goofs

After Wendy has locked Jack in the pantry, we hear him slamming against the door repeatedly in an attempt to escape. The door doesn't move an inch, yet, in the interior shot, we see the door giving when he's saying "go check it out" and slamming his hands against it.


Crazy Credits

After the 146 minute version of the film was met with poor reviews and weak box office in the US, Stanley Kubrick re-edited the film for European release, removing 24 minutes of footage. Included in the removed footage were the entire performances of Anne Jackson as the Doctor and Tony Burton as Larry. However, both Jackson and Burton's names were still listed in the opening credits despite them no longer appearing in the film.


Alternate Versions

In all previous video versions of The Shining, (prior to the 2001 DVD re-release), each title card failed to change in synchronization with the music. Upon being released on DVD, each title card does in fact change in sync with the music, the way it was originally intended.


Soundtracks

De Natura Sonoris No. 1
Music by
Krzysztof Penderecki
Performed by Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach (uncredited)
Conducted by Krzysztof Penderecki (uncredited)

Storyline

Plot Summary


Synopsis (WARNING: Spoilers)


Genres

Drama | Horror

Box Office

Budget:

$19,000,000 (estimated)

Opening Weekend USA:

$622,337 26 May 1980

Gross USA:

$45,332,952

Cumulative Worldwide Gross:

$46,998,772

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