Thief

'Thief' is one of the most underrated movies of the 1980s, if not of all time. Made in the early 80s by TV veteran Michael Mann, and co-produced by the future "king" of action blockbusters Jerry Bruckheimer, this movie can almost be seen as the transition from 1970s character based crime DRAMA to 1980s flashy but brainless 1980s crime ACTION. In that sense 'Thief' is the last great 1970s movie of the 1980s. Mann made at least two great movies after this ('Manhunter' and 'Heat'), but I still think it is is his best and most satisfying work. James Caan believes that the movie contains his finest performance and I'm inclined to agree with him. Caan is dynamite throughout. He oozes charisma and is impossible to take your eyes off, but also gives a subtle and complex performance. The film works both as an exciting caper movie, and as a human drama. In many ways it is the best crime film to pull that off since Dassin's 'Rififi' in the mid 1950s. Cann is helped by a superb supporting cast, who on the surface may seem a motley bunch, but all are very good - Tuesday Weld ('Who'll Stop The Rain'), Jim Belushi (his movie debut), a memorable cameo from country legend Willie Nelson, and especially a fantastic turn from Robert Prosky. Prosky is probably best known to most viewers as the kindly father-figure he played in 'Hill Street Blues'. His turn here as a ruthless gangster is a complete eye opener! Prosky delivers one of the most vicious lines ever heard in a movie, which is a bit too extreme for me to quote here, but believe me, you will never forget it when you hear it! Many people seem to find Tangerine Dream's dated synth score to be extremely irritating but I actually enjoyed it and thought it helped build the mood. 'Thief' is a hardboiled crime classic and is highly recommended to any fan of the genre, especially those made in the 1970s. It is wildly underrated and deserves to be rediscovered by a larger audience. 'Thief' is simply one of THE great "lost" classics of the last thirty years.

Director Michael Mann sure loves his diner scenes. The scene in which Frank takes Jessie to the diner might very well be my favorite of the film, as it steadily proves that this more than just a film about heists and tough guys. James Caan is perfectly cast as Frank, and throughout the film he holds the weight of his performance up as if it were only five pounds, portraying Frank as tough, fearless and thick skinned. But in the diner, as well as in his interactions with Okla (played by Willie Nelson!!!) he is able to open us up to more. The photo Frank has in his wallet is a very strange yet alluring glimpse inside his mind and his heart that he would not otherwise show. Tuesday Weld's reactions as Jessie also help show us how he is slowly winning her over not just by being aggressive, but by showing vulnerability. From then on, I knew the film had established itself as a great one, as I now clearly understood Frank's true motivations. It proved to me that the film is just as much a character study than is a heist and gangster film. And boy, does it deliver on both fronts.

Frank (James Caan) is a professional thief, who enjoys doing high profile jobs. He also owns an restaurant and sales cars for a living. He's tired of his other life as a thief. He hopes to settle down by having a wife, a family and a house. When he's been contacted by a mysterious business man (Robert Prosky). Which this man is the local crime boss of Chicago, who wants him to do a big score for him by robbing Diamonds. Once he succeed from his job, which Frank was hoping to be last job. But the mob boss turns on his back and treating his life by working for him until he dies. If Frank doesn't work for his boss, he will kill his wife (Tuesday Weld), his best friend (James Belushi) and destroy his entire life.

Written and Directed by Michael Mann (Ali, Heat, The Keep) made an stylish character drama is that extremely well directed and acted by the cast. Caan's performances makes this fascinating film works. It's certainly one of his best roles to date. The supporting cast are excellent as well, including Willie Nelson in a small role. This film was a box office disappointment, when it was first released. Now it's a cult classic... largely because of Mann's visual style, the performance, excellent cinematography by Donald E. Thorin (Midnight Run, Mischief, Tango & Cash) and Tangerine Dream's electronic score (Firestarter, Risky Business, Socerer). Look for some familiar faces as extras and bit-parts. Based on a novel by "The Home Invaders" by Frank Hohimer. Big time Hollywood Producer:Jerry Bruckheimer (Beverly Hills Cop, Black Hawk Down, The Rock) is one of the producers of this picture. This is a underrated movie worth seeing. (****/*****).

Even though this film was made only a little over two decades ago, I consider it a film-noir classic! James Caan said once that this was the film he was in that he was proudest of next to The Godfather. I remember that Roger Ebert and Gene Siskel said this was one of the finest films of 1981. Caan is wonderful in a role that he was born to play, a tough guy with his heart on his sleeve. Everything about this film is wonderful from the musical score by Tangerine Dream to the dark lighting effects to the authentic detail about the life of a thief ( I read that Michael Mann actually used real life thieves as technical advisors to this film!). Even though Caan's character is an anti-hero, you have to feel sorry for him because he is caught in a situation where there is no way out! The best scene in the film is where he tells Tuesday Weld about his prison experiences and shows here the picture cut out that he has made of his American dream. Jimmy Caan is truly awesome, he is the only actor that ever made me cry (in Brian's Song) I also wanted to mention another great character actor who is in the film. His name is Robert Prosky and he plays the mob boss who uses Caan. This was his film debut after many years as a stage actor and he is terrific. Watch the scene in the acid plant where he threatens Caan. He is really chilling! Michael Mann created Crime Story and Miami Vice and he also directed Manhunter, but lets not forget this film as well.

This is one of the few Michael Mann films I can stand to watch. Caan is at his absolute peak here, with his intensity just blazing off the screen. The supporting cast is excellent, the edits are perfect, everything just clicks.

As has been noted by other reviewers, the technical aspects of this film are right on the money. All the locations are really there (or were at one time) and the settings didn't have to be faked up. Yes, Chicago and surrounding Chicagoland is really like this, folks.

I try to watch this thing every few years. Should buy a DVD, I guess, and insert it into my permanent circular film buffer.

Highly, highly recommended.