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  • "Newhart" was a wonderful TV series and I was a regular viewer when it first aired. It's also shown every night locally here and I still try to see it when I can...even if it does air at 1am!

    For those unfamiliar to the show I have some important advice. First, the character Kirk was a regular during the first 44 episodes and he was simply terrible. I don't blame the actor...he was just doing his job. But the writing was terrible. Kirk was 100% disagreeable and that's a serious problem--as you have no idea why his neighbors have anything to do with him. He's one-dimensional and god-awful. Also, the final season was very, very spotty--with many episodes which demonstrated that the show had seen better days along with a few which were classics (such as the finale). So do NOT judge the show by the early and late episodes. Those in between are brilliant and fun.
  • Lejink20 December 2014
    I never saw the previous also MTM-produced, apparently very successful "The Bob Newhart Show" which I don't think ever played in the UK, but remember this particular series very well indeed.

    I liked it very much then and still do today, now I've got the chance to re-watch them again. Of course rather like the flagship "Mary Tyler-Moore Show", it's built around a known star, the rather hangdog comedian Bob Newhart, who with his improbably young and pretty wife leaves the rat race behind to set up home in a run-down Vermont guest-house.

    Being very much set-bound, it relies on the familiarity and like-ability of its quirky cast and the gentle humour in the writing. Of course almost every bit of dialogue is set up for Newhart to deadpan the punch-line but on the parameters there are some engagingly odd-ball supporting characters like the dimwitted repairman George, the ditzy chambermaid Lesley and especially the 80's answer to the Crazy Gang crossed with the Marx Brothers, the hilarious "Anything for a buck" brothers Larry, Daryl and Daryl. Less appealing however is their irritating, fabricating, restaurant-owning neighbour Kirk.

    With a luxuriant, scene-setting theme by the celebrated Henry Mancini, the humour here is hardly revolutionary or cutting-edge, but for warm, cosy, feel-good comedy, this is a very enjoyable and comfortable place to check into.
  • SnoopyStyle8 September 2013
    New York couple Dick (Bob Newhart) and Joanna Loudon (Mary Frann) buys and operates an inn in Vermont. He's a writer of how-to books. George Utley (Tom Poston) is the handyman. Leslie Vanderkellen is the maid in the first season replaced by her flakier cousin Stephanie Vanderkellen (Julia Duffy). Kirk Devane owns the neighboring diner and lusts after both cousins. Michael Harris (Peter Scolari) produces Dick's TV show in later seasons and becomes Stephanie's romantic lead. Then there are the locals Larry (William Sanderson) and his brother Darryl and his other brother Darryl.

    Bob Newhart is classic. His stuttering delivery gives him an unique voice. It's rare that a guy can head two long-running successful TV shows. The first season is a little rough so Bob retooled it for the second season. It is basically brighter and more fun. He replaced the ineffective Jennifer Holmes with the sillier Julia Duffy as the hot girl. Then he replaced the funny Steven Kampmann with Peter Scolari. It certainly worked out well since it lasted a full 8 season. Tom Poston is funny as handyman George Utley. There is nothing like Larry, his brother Darryl, and his other brother Darryl which steals the show every time. This was a safe lovely show. Bob wasn't in the business to break down any doors or push an agenda. He was simply in it to make jokes, and he was good at it. To lead 2 different long running shows based mainly on his name is something that only legends get to do.
  • Newhart was indeed a funny and brilliant show without being crude or vulgar. It was fun watching the late wonderful Mary Frann and the amazing genius of Bob Newhart as innkeepers in Vermont. Newhart had a wonderful supporting cast of interesting characters played by Tom Poston, Julia Duffy, and Peter Scolari, and more. It should have won Emmys rather than being nominated but it was a great cast and legacy to sitcom television. Too bad, they don't make them like they used to. Newhart is better known for his dry wit and humor. He is not a slapstick comedian at all. He knows how to tell a story and his facial expressions while similar always is worth watching. Mary Frann was a great actress who was taken from us too young. Julia Duffy and Peter Scolari were great together as a couple and their humor helped enhance this classic show. Tom Poston was always a joy to see and who could forget backwoods Larry and his brothers, Daryl and Darrell who never spoke.
  • Coxer9919 July 1999
    One of the most intelligent sitcoms of the 1980's. The brand of humor was and still is refreshing for the time and in many ways missed today.
  • Bob Newhart, although most of the time played dead pan was surely the person the show couldn't function without. But of course I'm a little biased as he's my favorite stand-up, the greatest ever. I never saw the show when it was current but am catching it onreruns and of course the humor's still funny even in 2017! Stephanie is so out of this world cute, and it was pretty hard to believe she wasalready in her 30s when she started on the show. Absolutely hilariously funny show!
  • Caught between the caustic humor of "Titus" and the bitter grumblings of "Becker," I wondered where TV comedy had gone. A chance scan of TNN's weekday programming brought forth a ray of light: Two episodes of "Newhart" from Monday through Friday! (Once again, that immortal greeting: "Hi, my name's Larry, and this is my brother Darryl, and my other brother Darryl.") The understated charm of Dick Loudon, as "Brains" of the Vermont former Youth Gang, the "Hooligals" getting ready to "West Side Story" with their rivals, the "Puffians. The "Gooney Walk" of George Utley, Joanna riding herd on Stephanie as both head into the kitchen to clean a mess of Perch. The "Little Stephanie" Super Material Girl nightmare of Michael Harris (and the Soup Kitchen non-materialist doppelganger.) I won't miss Summer reruns at all!
  • Warning: Spoilers
    Television veteran Bob Newhart plays Dick Loudon, a New York based how-to book writer transplanted to small-town Vermont where he and his wife Joanna buy a quaint old inn.

    They get by with a small staff: a handyman (perennial second banana Tom Poston, in a role he played in one note for eight years, and always delightfully); and a maid, Leslie, a rich girl trying to learn how poor people lived and practicing before going to the winter olympics.

    Unfortunately, Leslie was perfect, and perfection isn't funny. Nor wOlympics. Imperfect neighbor, Kirk the owner of the Minuteman Cafe. Leslie (Jennifer Holmes) was replaced after the first season by her cousin Stephanie, who wasn't perfect but thought she was, and that was funny! Leslie disappeared without being mentioned again, or missed. Stephanie was spoiled, self-absorbed, shallow, and invariably funny. Perhaps its because lovely Julia Duffy was ten years older than the character, and had learned her craft kicking around in soaps and lesser shows for a decade before landing this part. Duffy always played Stephanie to perfection.

    And Stephanie's reason for being there made more sense. In a first season one-shot episode, Stephanie was forced into a marriage by her rich parents. In the second season she divorced her husband (after a weekend marriage) and was cut off from her fortune. The Loudon's inn was the only place she thought she could get a job and easily shirk work. In the first season she and Kirk have a fling in her one episode and her response to Kirk in their initial Season 2 meeting absolutely sets her character and is devastatingly funny. Watch those 2 episodes back to back.

    A growing presence in season two was Michael Harris (Peter Scolari) a small-station television producer who was shallow and self-centered and perfect match for Stephanie, giving her another reason for her to hang around Vermont. Scolari is hilarious and winning, though he may be a trifle grating on repeated viewings (I always thought he was great).

    In the third season Kirk is gone and the Minuteman Cafe is sold to Larry and his brothers Darryl, as their business "Anything For A Buck" isn't doing so well.

    Their increasingly bizarre behavior is odd even by the standards of small-town Vermont. And sit-coms. Larry and the Darryls raise "Newhart" to rarefied levels of surreal comedy. They are simply wonderful.

    By the third season, all the wheels were in place: Dick and Joanna (who was not as funny as she might have been--check out the "stunt casting" of a Gabor in "Green Acres" who became a positive boon for that show when her Hungarian weirdness actually suited Hooterville). Michael and Stephanie. Larry and the Darrys. George. And Jim and Chester, the show's Tweedledum and Tweedledumber, one of whom became mayor and the other being inveterately--and often insidiously--cheerful. Other glorious characters came and went over the course of the series, as people do in dreams, but this was the core.

    By the fourth season, the show became unapologetically surreal, always a big aid to a comedy that means to be funny. "Newhart" occasionally borrowed elements from "Green Acres" plots; and Alvy Moore, Mr. Kimble from "GA", made a brief appearance in one seventh season show. But "Newhart" was its own bird, and from the fourth season on, it flew.

    It was sad when they decided to let "Newhart" go (they say it was because they wanted to go out on top, but the ratings were sliding dramatically). However, the last show became one of the classic moments in television history, raising "Newhart" from a great comedy to a TV landmark.

    Shows like this are generally unpopular with critics, who seem to distrust (1) putting laughs before some sort of social commentary, and (2) anything with a touch of the rural (probably because they're all city people who think nothing important ever goes on in that limbo between NYC and LA. They never got They incredibly popular "The Beverly Hillbillies" and some have ranked "Green Acres" The worst sitcom ever. But Bob Newhart, despite his gentle comedy, is one of their boys.

    If you like your comedy wacky, with colorful characters, with its own logic (a la "Green Acres"), and without lots of social commentary preaching to you what you should think, "Newhart" is worth watching.

    One caveat: unlike 'the great 1960s sitcoms that were done on sound stages with canned laughter and where the characters could drive cars and trucks and tractors, "Newhat" is filmed in front of a live audience and characters' comings and goings are often too stagey. And the live audience is often annoying, as canned laughter was on a truly funny sit-com

    Oh: some people complain that as the series progresses the inn has fewer, if any, guests. But the inn is a bed-and-breakfast, a place travelers stop at briefly before moving on. I've been stranded at B-and-Bs for more than one day and I can promise you that from breakfast, when most people check out until evening, when people begin checking in again, you might never see a soul. So that part, at least, rings true. In fact, I was once at a B and B in TN where the proprietor's wife was hospitalized and even he wasn't there all day. They didn't have a George or Stephanie living in and for an entire day I had the whole place to myself!
  • Warning: Spoilers
    Bob Newhart followed his first series Dr. Hartley on The Bob Newhart Show becoming an Inn Keeper in Vermont.

    Much like his previous series, Dick Louden (Newhart) manages to make his ensemble into stars. This series had a lot more cast member than the previous one. It starts so slow with its sleepy theme song & great country scenery that you could almost go to sleep. Mary Frann (Dick's wife) & others would then wake you up.

    Instead, many woke up to more genius. Larry, Daryl & Daryl even got jobs doing commercials after this show went off, they became so famous. It is amazing between this & his previous series how much Bob Newhart became a part of everyone's TV viewing lives.

    This series ended on a high when (spoiler) in the last episode they tied it back directly to The Bob Newhart Show. Between the downtown setting of the first show & the country setting of this show, Bob Newhart never missed a beat. Newhart is not considered a classic series. It did have a classic ending episode. There are several reasons that only the ending show really made any impact.

    The first season maid before Julia Duffy. Jennifer Holmes is the forgotten lady. The series writing was so uneven that they replaced her because she was not funny. Trouble is with the script she was given the first year, even Duffy would have failed. It is hard to be funny when there is no script for her written to be funny.

    Steven Kampmann character of Kirk Devane only lasted one season longer. His suffered the same problem. The character was written so unlikeable that he had no appeal to the audience. He could not really be funny with this handicap. The character just came off as being a jerk.

    With those 2 handicaps to start, why the series did last so long had to do with the fact that Newhart as Dick Louden still had ratings appeal due to previous shows like his own that preceded it. This series actually comes off as a total mirror reversal of his character from the previous series. Usually every time he opens his mouth to give anyone advice on this show, it backfires. That alone kept it above the ratings basement. Dick Louden could have written a How To book about creating a tv sit-com and done better than some of this.

    Then the army of different writers kept coming up with different strange characters and stories to keep it going. The best ones were Larry, Darryl & Darryl showed up in the second episode of season 1. At first they were only used in random select episodes the first 2 years. Then in season 3 they became much more used due to their replacing Kirk Devane as the owners of the Minuteman Cafe. From there in the later seasons, they became major characters to put Dick Louden in his place, very often.

    Mary Frann's Joanna is known for her sweaters. What isn't known is why her hair kept the same style for much of the series, which really did not compliment her. As the series went along, she started wearing tighter and tighter clothes, especially when Julia Duffy was sporting her baby bump. I can only guess why this was done.

    The town where the Stratford Inn is never gets identified. It is just one of many loose ends that fits the ending so well.

    Julia Duffy and Peter Scolari are totally self-absorbed yuppie characters that fit the insulting image that generation was given by the media in this era. Tom Poston's George Uttley handman character works though he is not exactly the most exciting one. He does win a lot of battles of wits with Dick Louden.

    Newhart might actually be the most politically incorrect sitcom of it's time. There are several broad insults of women and others during the series that now would be considered taboo by a generation of people who have been raised by the media to believe that "words and symbols" are harmful and erasing them from the National Conscience will fix the problems. Sadly, the National Media has made all of this a bigger problem instead of vice-versa.

    The more I have reviewed this old series, the more I realize that the only way it could logically have ended is by Newhart waking up from a bad dream in his bed next to Emily (spoiler) his wife from his previous series. If it had ended any other way, the loose ends and problems with the scripts would make no sense. Some of the last season episodes go totally off a cliff.

    There were a couple of folks from the prior show who pop into this series at certain points. Mr. Carlin (Jack Riley) makes one of the better ones as he was excellent in the prior series. Bill Daly who was an airline employee in the old series pops in too.

    The opening credits were borrowed from On Golden Pond. Henry Mancini's theme music might have been borrowed from an elevator. Compared to Pink Panther or Peter Gunn, this one plays like a sleep fest.

    As a whole, the series could have been much better. It seems early on episodes scripts might have been rushed in from the brainstorming tv writers' room and as it goes along, they keep looking for ways to fix issues the rushing has caused.
  • Bob Newhart is probably one of the funniest comics in American history. He brought clean and wholesome entertainment to American television before the days of cable access. This show, his second TV series, is very enjoyable to watch and the characters are funny to the bone.

    There are several episodes that make me laugh by just thinking about them. Examples being "The Great White Buck", "Pick on Dick", or the episode where Dick stays on the air to do a TV marathon in which Stephanie has to sing "Old Man River" to get him off the set. Not to count any of the Larry , Darrell, and Darrell or "Sweater Girl" episodes.

    I can't wait for this classic sitcom to come to DVD. Newhart is a classic ! Bob Newhart is a great American !
  • The first episodes with the Kirk guy were just ok. And when the ones with Micheal and Stephanie came on later they were really good and funny. A few stinkers but I watched through till the 8th season and then things just kept sliding further and further down. I don't know if Bob just checked out with the last season or what. But they were so gringe worthy I could not watch all the episodes and just fast forwarded to the last episode that I remembered was one of the best finales ever.

    I think I now remember why I didn't finish watching the series. It just got to be the Micheal and Stephanie.

    Loved Mary Fran. And Tom Poston. And Larry Darryl. They made the show in the last season in my opinion.
  • I watched both The Bob Newhart Show and this show during their first runs and loved both of them, though we get two different Bobs.

    Where Bob was dry and staid (but hilarious) in The Bob Newhart Show, the Bob in this show wasn't afraid to smile, make his little dry and funny observations of the crazy characters of the town, and then go on loving the place.

    I've been checking for this on every streaming app I have for months and it finally appeared in Amazon Prime! I started watching it immediately and love every second of it!

    Television isn't like this any longer and that's sad because we need more like this. Clean, funny, not afraid to make fun of itself and well-written, with a stellar cast.
  • CK_Horwias6 September 2021
    Most sit-coms are aimed at a relatively low denominator of intelligence. This one has the distinction of almost being exceptional. It is truly unfortunate that someone on the production team was influential enough to introduce a trio of characters that were actually out-of-character to the rest of the line-up. I'm referring, of course, to Larry and the two Darryls. Not only are they a throwback to the level of the average sitcom viewer, but their attempts at humor fail miserably - usually leaving one annoyed at the vulgar interruption. What is truly frustrating is the overzealous reception of hooting, whistling and shouting these three stooges receive any time they first come onto the set. This undoubtedly lends credence to the old adage: "Empty vessels make the loudest noise.
  • Funny as a kid, but did not age well! I loved watching Newhart a few times as a kid, but watched it a few time later on and like most sit coms does not age well. Funny in spots. There is a few memorable episode but hey Newhart hits the formulated set up comic sit com line up. See the jokes before you should. The plot twist is seen before it happens. But Newhart had some funny roles, and joke. A few memorable episode had to do something and would not leave Bob alone was hilarious . Usually the 3 brothers add to the humor in any episode they where in. 5 stars.
  • goleafs8418 November 2003
    That's how I describe "Newhart" in one word. I've always enjoyed Bob Newhart's dry humor and wit.

    I liked almost all of the characters on the show. The only one I wished stayed for the entire run was Kirk Devane (Steven Kampmann). He was hilarious the way he lies and the one episode that sticks out with me was when he produced and stared in his own commercial with Dick's wife Joanna for his diner. He does the commercial like the old Ronco ads from the 70s ("How much would you pay for this hamburger? Well don't answer yet...."). Then he says Joanna paid this outrageous price and the look on her face was priceless.

    The other episode that sticks out with me was when Dick goes to a Boston Celtics game and has courtside seats. He apparently gets kicked out of the seat I believe because it was someone else's seats and he had to stand outside in the aisle area. Then I believe it was Larry Bird goes hobbling out of the game to the Celtic's team clubhouse, which became the perfect set up for the parody of the "Mean" Joe Greene Coke commercial from 1980. That was a classic.

    The final episode was the best and ultimate way to end the show. One of the biggest "curve balls" was thrown. This was one ending you could never see coming.

    A bit of trivia: Larry and the 2 Darryls were originally planned by the writers to appear in about 2-4 episodes and were to be written off shortly thereafter. Since "Newhart" was taped in front of a studio audience, the audience would cheer, applaud and holler when the trio walked in the door, then the introduction would follow: "Hi, I'm Larry, this is my brother Darryl and this is my other brother Darryl". That would then follow with more cheers and applause or laughs. It was said, that the studio audience kept the trio from being written off the show.
  • pritch-315 February 2017
    Warning: Spoilers
    I love this show and the cast of zany characters, with one exception! In this situation comedy, there was nothing funny about the character Kirk Devane! In real life, someone that obnoxious would most likely get beat up on a daily basis! His character was eventually replaced by that of Michael Harris, who also served as an antagonist to Dick Loudon, but did so with humor.
  • This is one of the all time greatest comedy series on U.S. television. I would put it right up there against the world's greatest comedy series (Fawlty Towers, Arrested Development, Monty Python, Kids in the Hall, Community) in terms of laughs per minute ratio.

    The always hilarious Bob Newhart plays the owner of an inn in Vermont (along with his lovely wife) and he is the straight man in this, always trying to keep up with the craziness around him and making hilarious, straight-faced comments about it. His bumbling, stumbling delivery is so funny and only Bob Newhart could pull this character off believably.

    The cast around them includes a rich girl who doesn't really want to be their maid, her uptight, materialistic beau, their hilarious handyman George, and of course their insane backwoods neighbours "Larry, Darryl and Darryl".

    I would love to get this on DVD!
  • One of three television sitcoms starring Bob Newhart, "Newhart" is an ensemble comedy that features a strange set of supporting characters arrayed around Bob's droll, laconic character, Dick Loudon. Bob is always the observer, commenting on the strange reality of his world.

    Dick and his wife run a Vermont inn. Frequent visitors are Tom Poston, who plays a similarly droll handyman; brothers Larry, Darryl and Darryl, who appear to be halfwits, but offer surprisingly erudite comments; and lovebirds Peter Scolari and Julia Duffy--privileged preppies with expensive tastes and elevated senses of self-worth who live off the largesse of her wealthy parents.

    The writing is suited to Bob's style. And the show's lyrical theme, by Henry Mancini, fits perfectly.
  • Who doesn't love Bob Newheart? I've been a religious follower of all of his television series since I was a young man. Bob is one of those people who's always welcome in our living rooms. I've never thought of him as an actor and that's simply because an actor would never have the skill to appear as natural as he does. Whenever I've watched any of the series he's starred in, I feel like I'm in the room listening to a conversation that's meant only for me and the other actors in the scene. He's so ordinary and likable that he's welcomed without hesitation into the fabric of the typical American family. Isn't it wonderful that this seemingly ordinary man has been able to entertain us for so many years without ever resorting to stories involving violence, murder, foul language and corruption. He's always provided us with entertainment that we can invite our parents or children, or even the parish priest, to watch. He's getting a little long in the tooth now, but I still chuckle whenever I see him on his occasional visits to one of the late night T.V. shows. He's a true entertainer and we're not likely see the likes of him again. He's one of those rare entertainers who has had only one wife, one family, and one philosophy of what represents quality entertainment. God Bless him.
  • I loved the Bob Newhart show set in Chicago. I'd have to rate it a 10, the cast superb, the writing first class. The Newhart Show set in Vermont would rate a 5 when it first appeared, the cast would rate a 6. After the 1984 season Steven Kampmann was out, Peter Scolari and Julia Duffy arrived.and the show improved dramatically. Kampmann overplayed his whinny, neurotic and morally corrupt character to cause the episodes wherein he played a major part to be almost unwatchable. The second launch rate a 9.5 the cast a solid 10.

    After the Bob Newhart Show nothing could take the place of the comedic inner play between Bob and Suzanne Pleshette, Mary Frann was very good but just not up to Newhart and Pleshette's couples comedy.
  • Warning: Spoilers
    I'm going to go out on a limb here and make a bold statement. Without "Newhart," "Seinfeld" doesn't happen. Now, I'm not saying the shows were identical by any means, but they share a lot more than you would think at first glance.

    Certainly "Seinfeld" had the urban setting of New York City, but if you can imagine it happening at a Vermont Bed & Breakfast, with a slightly older fellow in the title role, you can see how the parallels do exist: A world-weary, humorous guy at the center of a bunch of wacky characters that entangle themselves in his life. Which show am I talking about? Exactly.

    Now, "Newhart" had a lot more going for it than "Seinfeld" did when they started. Audiences knew Bob from his Grammy winning comedy album, guest appearances on every variety show of the day and his two sitcoms: the first being a standard gentle comedy from the early sixties and the more famous and beloved one from the 1970s filled with winking innuendo, and was pretty racy by television standards, even though Dr. Robert Hartley and his beautiful wife Emily were married. It seemed like a look into a "real" relationship, with the ups the downs and the charm, and it was genuinely laughable and lovable.

    "Newhart" was different, and it was supposed to be. Even so, many unfairly compared the actresses who played Mr. Newhart's wives on these two programs: Mary Frann's Joanna to Suzanne Pleshette's Emily, throughout the run. Really, the characters were never meant to be compared in that way. It was a different era, for television, for the nation, and even for the star. On "Newhart," Joanna's role was as a pillar of strength for Innkeeper Dick to hang onto when everything was going crazy, while Emily and Dr. Bob took turns skewering each other and their friends and situations with devilish 70s glee.

    When "Newhart" began, it was shot on videotape and had more of a "soap opera lighting" look to it. The visuals are odd in relation to the rest of the series. Also, the characters that first season were more pedestrian and the alternating heartwarming/difficult story lines flip-flopped between borderline 1950s trite or 1980s mean! But when they switched to film and they added the talented Peter Scolari and Julia Duffy, things took off! Some of the wittiest dialogue and funniest moments in a sitcom of... just about any era. Brilliant writing, and well played performances, even with the stock characters Larry, Darryl and Darryl.

    Let's get to the famed final episode, which is arguably the greatest "last episode" of any television show ever created. But the question is, why is it so great? You need to know a couple of facts.

    There were two other programs of the era that utilized a similar plot twist device around the time of "Newhart's" end: NBC's medical drama, "St. Elsewhere" (from the same production company as "Newhart" - MTM) and CBS's own nighttime soap, "Dallas," which had an important storyline involving Patrick Duffy's character, Bobby Ewing.

    Without going into specific detail about any of what these other show's plots were about (in case you haven't seen those programs), I can say that if the "St. Elsewhere" and "Dallas" plot points were not played out the way they had, "Newhart's" ending, though still funny, wouldn't have had the incredible explosive impact it had. It was a joke with an exponential punch line: you're not just laughing about the concept, you are laughing about the context of the concept in history. In other words, you were laughing not only at the moment within the show, but it was a big fat joke on all of television, itself!

    Really, this was one brilliant, brilliant last laugh. It is so breathtakingly unexpected, yet perfectly fitted, it's almost impossible to think that it wasn't somehow planned from the first episode! That only makes it that much funnier!

    Perhaps best of all, they did it before anyone conceived the notion of a program sentimentally "paying tribute to itself," or having "celebrity commentary," and they managed to stick to their thirty minute format, not "expanding" the program to milk it.

    Genius.
  • It's interesting how the first season of this show just didn't quite click, even though they had brilliant comedic actors like Bob Newhart and Tom Poston and the Larry, Darryl, and Darryl gimmick. It wasn't until they added the Peter Scolari and Julia Duffy characters that this show really hit its stride and they had really discovered the magical combination of misfits to make this show work. You might notice that when they first introduced Peter Scolari's character, he was portrayed as at least a somewhat serious TV producer, but as the show progressed, his character really went bonkers. Bob Newhart's deadpan straight man character found himself immersed in a world of ever increasing absurdity, up to the point when it was all tied together perfectly in the end.
  • Moax4297 August 2007
    (1) Take one star - whose time already came and went - who is disgruntled with the 80s' more sophisticated, smart, and better comedies (e.g. "Moonlighting," "The Love Boat," "The Cosby Show").

    (2) Star begs his old production company (MTM Enterprises) and old network (CBS) to do another "comedy" series, who decide to go through with the idea without any shred of sense.

    (3) Retain some of the same soporific and uninteresting elements that made star's first "comedy" a success, but this time fold in some of the "dumb" humor that was prevalent in such concurrent "kiddie comedy" series as "Full House" and "Family Matters" and gear it toward the older set.

    (4) Also, rip off some elements of those even worse "rural comedies" of the 1960's (e.g. "The Beverly Hillbillies," "Green Acres").

    (5) Mix well.

    (6) Arrange to have series win some undeserving Emmy awards so it will attract viewers.

    (7) When network moves show to a slot where it will get beaten in the ratings by a competing blockbuster, make sure production company still has connections at the network so they can sweet-talk and cajole the network's executives into keeping the show on.

    (8) When production company is purchased by a foreign concern (the British-based TVS Corporation) that can't manage the company effectively, budget to continue producing series will begin to dwindle after seven years. Therefore, concoct a quick, convenient, and unconvincing conclusion for the series' final episode so series will (mercifully) come to an end. (I suppose the people who, in one of the threads on the message board for this show, said this episode was a "well, thought-out finale" MUST HAVE been on crack!)

    Yield: 8 dumb, ridiculous, uninteresting, and superfluous seasons.

    (20th Century Fox, I feel VERY sorry for you that you're now stuck with the unfortunate honor of owning "Newhart," as well as his previous "comedy." So if you're smart, and I know you ARE, please - DON'T put this show on DVD, especially since you recently stated the sales of Newhart's first "comedy" series on DVD were below par - thank goodness - and that more contemporary and MUCH funnier comedy series of yours like "The Simpsons" and "My Name is Earl" on DVD ARE selling!)
  • Op_Prime9 January 2000
    Newhart was a classic, smart and hilarious show. Bob Newhart is hilarious here. The humor, which was in no way directed at sexual issues, was great and refreshing. The series' quality never declined in quality and was great throughout it's entire run. The final episode probably being the best of all.
  • Oh where to start.. I'm a huge fan of Bob Newhart and I own all the DVDs for both Newhart and The Bob Newhart Show. This is the perfect type of humor that's fun for the whole family. Bob's stammering deadpan style is clearly enough but then you add the shallow couple, Michael and Stephanie as well as your favorite backwoods friends, Larry, Daryll and Daryll, you got a masterpiece. While I can't say I loved Mary Frann as Bob's wife as much as I loved Suzanne Pleshette, I blame that more on how it was written than Mary herself. This is the perfect show to watch at the end of a hard day when you don't want to be sucked into some drama but just want some nice easy laughs. If you haven't seen this yet, do yourself a favor, watch the third season on YouTube, you won't regret it.
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