The lives and work of the staff of St. Eligius Hospital, an old and disrespected Boston teaching hospital.The lives and work of the staff of St. Eligius Hospital, an old and disrespected Boston teaching hospital.The lives and work of the staff of St. Eligius Hospital, an old and disrespected Boston teaching hospital.
- Won 13 Primetime Emmys
- 25 wins & 83 nominations total
Browse episodes
Featured reviews
There is much to be said about St Elsewhere and its immense importance in defining the modern Television drama. The series set the formula for how future medical dramas would be produced. Physicians were not perfect individuals, and patients died. Doctors and nurses were "real people", and they, as did the patients, cope with day to day life inside and outside the confines of St Eligious hospital.
St Elswehere would bring the viewer into a drama filled hospital, where both doctors and patients interacted. The writers while giving us a look into the lives of both the Physician and patient, mercifully avoided a soap opera like atmosphere. They were instead disciplined in the intercourse between doctor and patient, and everything in between. They explored issues that TV had previously considered taboo, and handled those subjects in a mature, responsible manner, while never disregarding the intellect of the audience, and their ability to hold attention to dialogue.
Comparatively St Elsewhere moved on a slower pace than it's modern counterpart, "ER". The writers gave you scenes and story-lines that would cause the viewer to slow down and think, and avoided fast paced vacuous imagery and verbiage. Rarely did their ER blow-up, or the hospital fall victim to a helicopter crash. While there were expeditious Emergency Room exhibits in the St Elsewhere series, they did not bounce back and forth the camera like a ping-pong in an attempt to keep us amused. Instead, they focused on dialogue, the characters, and most imortant the plot.
Its drama along with real and diverse characters, will ensure its place in history, as one of televisions best series. St. Elsewhere is a prime example of how big ratings mean very little in defining a shows value or place in Televisions hierarchy.
St Elswehere would bring the viewer into a drama filled hospital, where both doctors and patients interacted. The writers while giving us a look into the lives of both the Physician and patient, mercifully avoided a soap opera like atmosphere. They were instead disciplined in the intercourse between doctor and patient, and everything in between. They explored issues that TV had previously considered taboo, and handled those subjects in a mature, responsible manner, while never disregarding the intellect of the audience, and their ability to hold attention to dialogue.
Comparatively St Elsewhere moved on a slower pace than it's modern counterpart, "ER". The writers gave you scenes and story-lines that would cause the viewer to slow down and think, and avoided fast paced vacuous imagery and verbiage. Rarely did their ER blow-up, or the hospital fall victim to a helicopter crash. While there were expeditious Emergency Room exhibits in the St Elsewhere series, they did not bounce back and forth the camera like a ping-pong in an attempt to keep us amused. Instead, they focused on dialogue, the characters, and most imortant the plot.
Its drama along with real and diverse characters, will ensure its place in history, as one of televisions best series. St. Elsewhere is a prime example of how big ratings mean very little in defining a shows value or place in Televisions hierarchy.
The two part episode that spanned St. Eligius' history from 1935-1985 was the best show ever on TV. The great thing about the show is that you never know if things will wind up good or bad, and the show likes to use your own memory of previous shows rather than beat you over the head with them.
From my first attraction to its offbeat name, St. Elsewhere grabbed me like no other show I've ever seen! The characters were more real than most of the people I know! Many other quality shows have followed in its wake, but none quite seem to touch St E !!!
Named for St. Eligius (patron saint of the downtrodden), this fictitious hospital is staffed by a unique group of ultimately good people who really do want to help the sick and injured. The storyline contains many threads and themes and allows the viewer a uniquely compassionate and often humorous look at human foible seeping through attempted altruism, sometimes with better results than others.
A number of renowned actors either graced this show with appearances, while more regulars' careers were advanced through being on this show. All in all, well worth catching on syndication, wish I had a DVD library of all of the episodes!!!
Named for St. Eligius (patron saint of the downtrodden), this fictitious hospital is staffed by a unique group of ultimately good people who really do want to help the sick and injured. The storyline contains many threads and themes and allows the viewer a uniquely compassionate and often humorous look at human foible seeping through attempted altruism, sometimes with better results than others.
A number of renowned actors either graced this show with appearances, while more regulars' careers were advanced through being on this show. All in all, well worth catching on syndication, wish I had a DVD library of all of the episodes!!!
This is a wonderfully scripted, well-acted drama which takes place in the fictional Saint Eligius hospital in Boston. The ensemble cast is perfect, with stellar performances by William Daniels, Ed Flanders, and Norman Lloyd as the long-practicing doctors who hold the hospital together. The series follows the physicians, residents, and staff through their personal and professional lives, with just enough humor and pathos to keep it all interesting. Especially notable is the two-part episode dealing with the 50th anniversary of Saint Eligius. The flashback sequences really tie to the current stories, help fill in blanks and make you understand more fully certain characters' actions and quirks. I highly recommend this series. It is currently being shown on Bravo (cable network). Look for it!
For a moment, let's forget the final five minutes of this series. Take the 136.9 episodes presented. This was a new sort of television. Granted, "Hill Street Blues" first came up with the large ensemble cast, the mix of humor and drama and set the stage for this program, but St. Elsewhere went so far beyond Hill Street that at the end, the two series didn't even mildly resemble each other.
Really, the notable thing that hooks a television viewer and a pop culture junkie about St. Elsewhere were all of the references. Almost like a game of Trivial Pursuit while you watched the action, the writers of the program constantly dropped references to other classic television programs, paid tribute to the past roles of their stars and placed all sorts of humorous "in jokes" for its viewers to get along the way. I don't know that all of them would still have meaning for someone viewing the show today, but maybe? The fact was the writers were letting us know that we were just like them, TV addicts, and that made a Velcro like seal between the program and its fans.
That was all just the sizzle. The steak was a great, solid cast and taut storytelling. Clearly this was the best show of the 1980s, and quite possibly the best hospital show in history.
"First rate people in a second rate place" was how the characters were described, and really, you can't deny it. St. Eligius had a lot of problems throughout its fifty plus years as a Boston teaching hospital, but no matter how convoluted their personal lives became, you always got the feeling that at least the doctors and nurses always cared about their patients, and that's why checking in was not just an addiction but a borderline obsession!
Most notable of the players were William Daniels in his role as the bombastic, pedantic and terribly Bostonian Cardiologist, Dr. Mark Craig, along with his foil, Ed Begley Jr. as his ne'er do well protégé, Dr. Victor Ehrlich. An almost Laurel and Hardy style relationship was created with these two (though physically, perhaps Mutt & Jeff is a better reference), and many of the scenes they played together were some of the most hilarious of any SITCOM of the era!
But it's difficult to truly single out any one acting performance, when you see who else was doctoring... future two time Oscar winner Denzel Washington on staff, Howie Mandel out of his zany stand-up style to play it straight and he managed! The elegance of Norman Lloyd as Medical Chief Auschlander, and the tragic sadness of Ed Flanders as Westphall, which, even more sadly, was echoed in his real life. Bonnie Bartlett, Christina Pickles, Sagan Lewis... a true gem of a cast and everyone contributed something amazing.
In addition, the guest stars list reads like a Hollywood who's who! Just check the "episodes cast" button if you don't believe me.
There were some firsts for the show: first television character to get the AIDS virus was Dr. Bobby Caldwell. Inexplicably, they also had the first character to be "cured" of AIDS, but the less said about that, the better! Dr. Westphall's bare ass was the first ever seen on a prime time network program. And, long before "24" existed, there was the digital clock on this series!
Forgive the final plot twist, which to me was a dig more at the network that canceled them than the fans that supported them. This show is filled with small treasures and characters that make them shine like diamonds. If only every show could be as good as this one. Then again, were that the case, I'd probably never do anything but watch television!
Really, the notable thing that hooks a television viewer and a pop culture junkie about St. Elsewhere were all of the references. Almost like a game of Trivial Pursuit while you watched the action, the writers of the program constantly dropped references to other classic television programs, paid tribute to the past roles of their stars and placed all sorts of humorous "in jokes" for its viewers to get along the way. I don't know that all of them would still have meaning for someone viewing the show today, but maybe? The fact was the writers were letting us know that we were just like them, TV addicts, and that made a Velcro like seal between the program and its fans.
That was all just the sizzle. The steak was a great, solid cast and taut storytelling. Clearly this was the best show of the 1980s, and quite possibly the best hospital show in history.
"First rate people in a second rate place" was how the characters were described, and really, you can't deny it. St. Eligius had a lot of problems throughout its fifty plus years as a Boston teaching hospital, but no matter how convoluted their personal lives became, you always got the feeling that at least the doctors and nurses always cared about their patients, and that's why checking in was not just an addiction but a borderline obsession!
Most notable of the players were William Daniels in his role as the bombastic, pedantic and terribly Bostonian Cardiologist, Dr. Mark Craig, along with his foil, Ed Begley Jr. as his ne'er do well protégé, Dr. Victor Ehrlich. An almost Laurel and Hardy style relationship was created with these two (though physically, perhaps Mutt & Jeff is a better reference), and many of the scenes they played together were some of the most hilarious of any SITCOM of the era!
But it's difficult to truly single out any one acting performance, when you see who else was doctoring... future two time Oscar winner Denzel Washington on staff, Howie Mandel out of his zany stand-up style to play it straight and he managed! The elegance of Norman Lloyd as Medical Chief Auschlander, and the tragic sadness of Ed Flanders as Westphall, which, even more sadly, was echoed in his real life. Bonnie Bartlett, Christina Pickles, Sagan Lewis... a true gem of a cast and everyone contributed something amazing.
In addition, the guest stars list reads like a Hollywood who's who! Just check the "episodes cast" button if you don't believe me.
There were some firsts for the show: first television character to get the AIDS virus was Dr. Bobby Caldwell. Inexplicably, they also had the first character to be "cured" of AIDS, but the less said about that, the better! Dr. Westphall's bare ass was the first ever seen on a prime time network program. And, long before "24" existed, there was the digital clock on this series!
Forgive the final plot twist, which to me was a dig more at the network that canceled them than the fans that supported them. This show is filled with small treasures and characters that make them shine like diamonds. If only every show could be as good as this one. Then again, were that the case, I'd probably never do anything but watch television!
Storyline
Did you know
- TriviaThe writers of this show shared a building and a copy machine at MTM with the writers from Hill Street Blues (1981). Whenever they needed inspiration, they would look at a script from Hill Street Blues (1981) and that always pushed them to do better.
- GoofsIn at least two episodes, someone comments on all the new digital clocks that were installed in the hospital. The only times these clocks are seen are when they are mentioned. Otherwise, large analog clocks are seen just about everywhere, in every episode.
- Quotes
Dr. Mark Craig: [looking at an x-ray] There's a liver not long for this world.
Dr. Daniel Auschlander: It's mine.
- Crazy creditsAfter the credits, they show the MTM kitten wearing a surgical mask and smock to match the show. In final episode, the MTM kitten is shown underneath the credits, hooked up to life-support. At the end of the credits, the kitten flatlines.
- Alternate versionsThe versions shown on Bravo cable network in the United States have many of the songs used throughout the series replaced with generic stock music, probably due to licensing issues.
- ConnectionsEdited into City on a Hill: There Are No F**king Sides (2019)
Details
- Runtime1 hour
- Color
Contribute to this page
Suggest an edit or add missing content
