Blade Runner (1982)

R   |    |  Sci-Fi, Thriller


Blade Runner (1982) Poster

A blade runner must pursue and terminate four replicants who stole a ship in space, and have returned to Earth to find their creator.

TIP
Add this title to your Watchlist
Save movies and shows to keep track of what you want to watch.

8.2/10
617,070

Videos


Photos

  • Harrison Ford and Ridley Scott in Blade Runner (1982)
  • Sean Young in Blade Runner (1982)
  • Ridley Scott in Blade Runner (1982)
  • Harrison Ford and Edward James Olmos in Blade Runner (1982)
  • Ridley Scott in Blade Runner (1982)
  • Douglas Trumbull in Blade Runner (1982)

See all photos

More of What You Love

Find what you're looking for even quicker with the IMDb app on your smartphone or tablet.

Get the IMDb app

Explore 'Blade Runner'

Check out our side-by-side comparison of the Blade Runner 2049 trailer with scenes from the original Blade Runner. Plus, take a look at Harrison Ford's career in photos.

Reviews & Commentary

Add a Review


User Reviews


6 March 2001 | jfitch7
Intriguingly Philosophical
Blade Runner, directed by Ridley Scott and based on Philip K. Dick's novel Do Androids Dream of Electric Sheep, is a Sci-fi slash Noir film about a cop named Rick Deckard (Harrison Ford) in a decrepit 2019 Los Angeles whose job it is to "retire" four genetically engineered syborgues, known as "Replicants". The four fugitives, Pris (Daryl Hannah), Zhora (Joanna Cassidy), Leon (Brion James), and their leader, Roy Batty (Rutger Hauer), have escaped from an off-world colony in order to find their creator and bully him into expanding their pre-determined four year life span. This film originally flopped when it came out in 1982, but since has become a widely acclaimed cult classic with a director's cut to boot. A large part of the success that this movie has received can be attributed to its ability to operate on many different levels.

Ridley Scott's hauntingly possible depiction of what might become of Los Angeles down the line is absolutely brilliant. It captures elements of Noir with its urban atmosphere of decadence, lighting, and characters neither clearly defined as good nor evil. Corruption is everywhere. The garbage-littered streets and permanence of dark and rain give us the sense that we've seriously screwed up the atmosphere, and the impression that all respectable human beings have fled to the off-world colonies, leaving only the scum of the earth behind.

There is a hint of style from the 40's, especially with respect to cars, costumes, and music. Rachael's entire outfit, including her hair, screams the 40's.

The soundtrack, arranged by Vangelis (who won an Oscar for his Chariots of Fire score), consisted mainly of Jazz and Blues. This functioned to represent a dark, moody world of uncertainty and pessimism.

The special effects were exceptional. Much of the set was pulled off using models. In my opinion, sets made by hand require leagues more of skill and are much more impressive and realistic than those computer generated. These guys really knew what they were doing. I was especially fond of the pyramidesque Tyrell Corporation building, which hinted at the god-like presence of Eldon Tyrell (Joe Turkell), the creator.

The script (Hampton Fancher, David Peoples, and of course Phil Dick) worked for me, as well as the actors who gave voice to it. Harrison Ford was well...Harrison Ford. I thought he did a tremendous job down-playing the role. His voice-over narration helped you along, and was yet another feature conducive to Film Noir (apparently this was taken out of the Director's Cut). Rutger Hauer's performance was intense. His lines at the end were intriguingly philosophical. Daryl Hannah's chilling robotic expressions were quite impressive. Joanna Cassidy was just plain hot.

There is more to this film than just pulp. It works on so many remarkable levels. The movie itself is a detective noir quest for the meaning of life in a science fiction environment, but the story is a commentary on what it means to be human and the questions each one of us have about life, like: How long have I to live? Why do I have to die? What happens when I die? Doesn't my maker care? Is this all merely an illusion? At the end of the film we are left to wonder if these Replicants are human, and if Deckard himself is in fact a Replicant. Scott raises more questions here than he answers, and as a result, critics are still debating the mysteries of this film today. In a sense, the ambiguity of Blade Runner is the culprit of its success.

Metacritic Reviews


Critic Reviews



Details

Release Date:

25 June 1982

Language

English, German, Cantonese, Japanese, Hungarian, Arabic


Country of Origin

USA, Hong Kong

Filming Locations

London, England, UK

Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend:

ATS 164,276 (Austria) (29 April 1993)

Gross:

$27,000,000 (USA)

Nick Cannon Takes "The Fresh Prince" to School ...

Military school, that is. In the new episode of "UnMade," we bring "The Masked Singer" host's idea for a "Fresh Prince"-inspired sitcom to life, laugh-track and all.

Watch "UnMade"

Featured on IMDb

Check out our guide to the Academy Awards, our coverage of the 2019 awards season, and more.

Around The Web

 | 

Powered by ZergNet

More To Explore

Search on Amazon.com