Gandhi

Thinking back, I suppose I have now seen many (sometimes good) films that follow the same recipe: One man makes a difference.

But this film is an exception in so many ways:

1) It was made in 1982, so it came before many of them.

2) It has amazingly well-displayed historical significance.

3) Great performances in a near-flawless, frank scrpit.

This film does not bother the viewer with an opening montage of scenes of the main character at various ages ("Dragon", I'm looking at you). This is an amazing film that anyone of any religion, race, or nationality can and should appreciate. With its subtle relevance to today's situations in that part of the world, this is a history buff must-see.

Watch this film and see great performances (an obvious oscar went to Ben Kingsly), excellent cinematography, and a wonderful inspiring story, whose essence soars well above the corny, do-gooder mentality of other pitiful efforts of "bio-pics".

10/10

As an Indian watching this film, in 2020 no less, you need to take this movie with a grain of salt. History was indeed made by one man in this film, however it has entirely omitted the sacrifices by others almost equally important.

Richard Attenborough, a legend himself, has taken on a gargantuan task by helming such a powerful and historic project. While critics and historians can argue night and day, as a movie goer, this is movie shows the humble beginnings of even humbler old man who shaped a nation.

Ben Kingsley bears such a remarkable resemblance to the real Ghandi himself, you often forget this is a film and not a documentary of the real man. His performance is strongly commended and near flawless.

A must watch for movie buffs and historians everywhere.

"The object of this massive tribute died as he had always lived, without wealth, without property, without official title or office. Mahatma Gandhi was not the commander of armies, nor the ruler of vast lands. He could not boast any scientific achievement or artistic gift. Yet men, governments, dignitaries from all over the world, have joined hands today to pay homage to the little brown man in the loin cloth, who led his country to freedom."

This quote is from the funeral scene in the 1982 film "Gandhi". Richard Attenborough directed this massive epic about the man that freed India. The film opens with Gandhi's assassination. The next scene, his funeral, is one of the greatest scenes in cinematic history. Attenborough managed to recreate Gandhi's funeral on January 31st, 1981, the 33rd anniversary of the actual funeral. It is estimated that nearly 400,000 people were on hand to be a part of the filming the recreation. This film was made before CGI (computer generated images), so the funeral scene is probably the last live action crowd of that magnitude that will ever be filmed.

Mahatma Gandhi's message of non-violent resistance is delivered in an interesting and enthralling body of art. This film has made and will make millions of people aware of the little brown man that took on the British Empire and won. "Gandhi" serves both as entertainment and an important historical record of one of the most important figures in history.

Ben Kingsley played Gandhi. He was the perfect for the role. He resembled the real Gandhi. He was young enough to portray Gandhi as a young man. He is a British actor that nailed the British influenced Indian accent. He is a wonderful actor that was patient and humble with such an important part. And he was a relatively unknown actor at the time, so the "big-time actor" persona did not get in the way of viewing the film. He did win both the Academy Award and Golden Globe for best actor, for this role, which I agree he deserved. He became Gandhi.

The cinematography was outstanding. Attenborough filmed "Gandhi" on location in India. The scenes of India are spectacular, and India is very much another character in the film. This film is as much about India itself as it is about Gandhi. Attenborough shows the audience the people of India from its countryside to the vast city of Calcutta. It is suggested by Kingsley, on the DVD, that Attenborough had a difficult time with the elite class in India at the time of filming. They were against the making of such a film by an Englishman. Undeterred by their negative thinking, he persevered to enlist thousands of Indians to help make this film. Every crowd scene, he used real Indians from the area. Attenborough also won both the Academy Award and Golden Globe for best direction.

This movie is a must see for everyone. It should be required viewing in high schools, as part of History class. The fight against prejudice will forever be relevant. It is also a beautiful work of art. This movie is not tainted by the embellishment of Hollywood (see "Pearl Harbor" for that). Of course, it would have been hard to screw up a movie about such a great man. 10/10

In her diary entry of Saturday, February 27, 1943, Anne Frank wrote in passing (translated from the Dutch): "The freedom-loving Gandhi of India is holding his umpteenth fast."

It's a comment at once mildly comical and respectfully admiring, one I think the Mahatma would have appreciated with a twinkle and a laugh. He and Miss Frank are linked with the Reverend Martin Luther King, Jr., as the civil rights spokesperson-giants of the 20th century. And civil rights, and the reversal of the institutionalized violation of the same, are a large part of what the last century's politics were all about. Movie viewers are apt to find in the diary remark a distillation of their experience of the Richard Attenborough film. A recommendation is that it be followed by rentals of Saving Private Ryan and The Long Walk Home, which together convey the investment put into the respective causes the trio represented.

At the beginning of Gandhi we confront these words: "No man's life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the record, and to try to find one's way to the heart of the man...."

John Briley's screenplay accomplishes that faithfulness, and one probably has to be a scholar of the subject to sort out what is his and what is Gandhi's. Not that it really is of relevance, given what we learn from the movie about the value of eclecticism. Looking out over the bay at Porbandar, Gandhi (Ben Kingsley) tells Walker (Martin Sheen): "The temple where you were yesterday is of my family's sect, the Pranami. It was Hindu of course, but the priests used to read from the Muslim Koran and the Hindu Gita, moving from one to the other as though it mattered not at all which book was read as long as God was worshipped." In a preceding scene, similarly, confronted by young toughs on a South African street, Gandhi defends for his Christian friend Charlie (Ian Charleson) the New Testament intelligence of turning the other cheek. A worried Charlie states, "I think perhaps the phrase was used metaphorically. I don't think our Lord meant...," and is interrupted by a movie shot of the approaching menace. Gandhi replies calmly, "I'm not so certain. I have thought about it a great deal. I suspect he meant you must show courage--be willing to take a blow--several blows--to show you will not strike back--nor will you be turned aside.... And when you do that it calls upon something...that makes...hate for you diminish and...respect increase. I think Christ grasped that and I...have seen it work."

The script is replete with these kinds of memorable words, and with others that reflect its subject's political acumen and strategical cleverness.

Kingsley is sublime in the lead role. Saeed Jaffrey, Roshan Seth, and Alyque Padamsee do well as Gandhi's pro-independence collaborators. Ditto, Athol Fugard ("Assuming we are in agreement?") and John Gielgud ("Salt?") as two of his adversaries. Charleson, in his clerical collar, looks like he has walked in off the set of the preceding year's Academy Award winner, Chariots of Fire (where he played the Scottish sprinter-missionary, Eric Liddell).

This movie won eight Oscars, with Attenborough, Briley, and Kingsley all earning honors. No other film biography I ever have seen works so well. It will stand the test of time and inform multiple generations. One doubts remakes will be necessary.

Here indeed is one of the great films of the 20th Century about one of the greatest men of the 20th Century. Ben Kingsley's interpretation of the Mahatma must go down in history as one of the most perfect cinema rôles ever carried out. Throughout the long film you forget you are watching an actor playing the part of a great man in history: you are watching the real Gandhi. A gigantic performance indeed. Richard Attenborough's patient and perfect directing added all the superlatives possible to make a crowning achievement, transporting biographic films into another dimension.

It is all there: from the most intimate and poignant portrait to the incredible crowd scenes, beautifully captured in the most painstaking photography. You do not just watch the scenes unfold – you live them, you feel them, so captivating they are; and Ravi Shankar's music tugs at you, spellbinds you, forces you into sympathy, admiration and so many other feelings.

Enthralling: how such a cinematographic work of art can reach such proportions is truly amazing; this film is nothing less than a miracle. During 1971 I travelled a good bit around India; I constantly had to apologise to energetic Indians who approached me on the subject of the British Raj. I had not even been born. But as a young and unappointed ambassador, I felt it my duty to bow my head in that country which is a microcosm of the whole planet. Thanks to this film, `Gandhi', Attenborough and Kingsley have said just about all there was to say.

< For men may come and men may go, but Gandhi goes on forever >