Gandhi

Very, VERY few films have had the distinct ability to move and inspire me to the point where the effect is almost life-altering. "Gandhi" - the unbelievable, first-rate biopic on the historical figure - is truly one of those films, no question whatsoever. An unsurprising sweep for the 1983 Academy Awards, this is without a doubt one of the last real "epic" motion pictures ever.

Chronicling the rich, unforgettable life of a one Mohandas K. "Mahatma" Gandhi - played to shocking perfection by the wonderful Sir Ben Kingsley - this is a film that I can say really, deeply affected me with its power, its scale, and of course, its timeless message of love and non-violence. As a matter of fact, ever since I first saw the film, and became much more aware of the back story, I can also say that Gandhi is now one of my biggest role models in life. I cannot fully express how much this great man's way of thinking - his words, his struggles, his accomplishments - has affected my own, for I am now a practicing pacifist. I am a firm believer in the value of non-violent protest, and have tried my best to apply that philosophy to most situations in my life. It has worked wonders for me, and has really changed how I view the world in terms of human nature and so forth. Like I said, VERY few films can do something like that to me.

... and long may it continue to do so. Remains an incredible piece of storytelling and film making about one of few individuals the world has delivered, that can truly be referred to as a great leader - and not just of his people but of the peace loving populations of the world. Ben Kingsley perfectly embodies Gandhi to the point that you can almost believe he is performing in his own biopic. Let's also not forget, alongside a great telling of an inspirational journey, we get a history lesson of the impact of empire. It should encourage you to dig a bit deeper to uncover some rather alarming truths that the imperialists would rather you didn't appraise yourself of, undertaken by the usual white middle aged and older men who thought they were created better than the rest of the worlds demographics they sought to control.

In her diary entry of Saturday, February 27, 1943, Anne Frank wrote in passing (translated from the Dutch): "The freedom-loving Gandhi of India is holding his umpteenth fast."

It's a comment at once mildly comical and respectfully admiring, one I think the Mahatma would have appreciated with a twinkle and a laugh. He and Miss Frank are linked with the Reverend Martin Luther King, Jr., as the civil rights spokesperson-giants of the 20th century. And civil rights, and the reversal of the institutionalized violation of the same, are a large part of what the last century's politics were all about. Movie viewers are apt to find in the diary remark a distillation of their experience of the Richard Attenborough film. A recommendation is that it be followed by rentals of Saving Private Ryan and The Long Walk Home, which together convey the investment put into the respective causes the trio represented.

At the beginning of Gandhi we confront these words: "No man's life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the record, and to try to find one's way to the heart of the man...."

John Briley's screenplay accomplishes that faithfulness, and one probably has to be a scholar of the subject to sort out what is his and what is Gandhi's. Not that it really is of relevance, given what we learn from the movie about the value of eclecticism. Looking out over the bay at Porbandar, Gandhi (Ben Kingsley) tells Walker (Martin Sheen): "The temple where you were yesterday is of my family's sect, the Pranami. It was Hindu of course, but the priests used to read from the Muslim Koran and the Hindu Gita, moving from one to the other as though it mattered not at all which book was read as long as God was worshipped." In a preceding scene, similarly, confronted by young toughs on a South African street, Gandhi defends for his Christian friend Charlie (Ian Charleson) the New Testament intelligence of turning the other cheek. A worried Charlie states, "I think perhaps the phrase was used metaphorically. I don't think our Lord meant...," and is interrupted by a movie shot of the approaching menace. Gandhi replies calmly, "I'm not so certain. I have thought about it a great deal. I suspect he meant you must show courage--be willing to take a blow--several blows--to show you will not strike back--nor will you be turned aside.... And when you do that it calls upon something...that makes...hate for you diminish and...respect increase. I think Christ grasped that and I...have seen it work."

The script is replete with these kinds of memorable words, and with others that reflect its subject's political acumen and strategical cleverness.

Kingsley is sublime in the lead role. Saeed Jaffrey, Roshan Seth, and Alyque Padamsee do well as Gandhi's pro-independence collaborators. Ditto, Athol Fugard ("Assuming we are in agreement?") and John Gielgud ("Salt?") as two of his adversaries. Charleson, in his clerical collar, looks like he has walked in off the set of the preceding year's Academy Award winner, Chariots of Fire (where he played the Scottish sprinter-missionary, Eric Liddell).

This movie won eight Oscars, with Attenborough, Briley, and Kingsley all earning honors. No other film biography I ever have seen works so well. It will stand the test of time and inform multiple generations. One doubts remakes will be necessary.

As soon as I finished watching Gandhi, I thought to myself "This movie had to have won Best Picture." I think it's one of the best epics of all time. It masterfully tells one of the most important stories of the 20th century, that of India's struggle to free itself, spearheaded by one of the most extraordinary men of all time, Mahatma Gandhi. I would be hard pressed to name anything lacking about it. Direction, cinematography, costumes, they're all great. And Ben Kingsley! Without a doubt his portrayal of Gandhi is one of the best performances of his career, if not THE best. Playing the pacifist Indian lawyer-turned-leader couldn't have been an easy task, and I don't think anyone could have pulled it off as well as he did. This movie deserves all the praise anyone gives it and more. Excellent.

Thinking back, I suppose I have now seen many (sometimes good) films that follow the same recipe: One man makes a difference.

But this film is an exception in so many ways:

1) It was made in 1982, so it came before many of them.

2) It has amazingly well-displayed historical significance.

3) Great performances in a near-flawless, frank scrpit.

This film does not bother the viewer with an opening montage of scenes of the main character at various ages ("Dragon", I'm looking at you). This is an amazing film that anyone of any religion, race, or nationality can and should appreciate. With its subtle relevance to today's situations in that part of the world, this is a history buff must-see.

Watch this film and see great performances (an obvious oscar went to Ben Kingsly), excellent cinematography, and a wonderful inspiring story, whose essence soars well above the corny, do-gooder mentality of other pitiful efforts of "bio-pics".

10/10