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  • Warning: Spoilers
    The title would indicate otherwise. When it was released in 1982 I avoided it. At that time filmgoers were deluged with nothing but mad slasher films and teen sex comedies. I wanted nothing to do with it. It didn't last in theaters long enough for me to think twice. Today, after almost two years of prodding from a very close friend, I watched "The Last American Virgin." My feelings are extremely mixed but I must admit there are things I haven't been able to stop thinking about. Most notable is the final 40 minutes of the film which is such an abrupt switch from the first hour I almost can't believe the two halves are part of the same film.

    The first hour is the story of 3 friends and their repeated attempts to score with the opposite sex. Interestingly, since the title suggests it, the main character is not given any extra attention to lose his virginity then the other two friends who are obviously not virgins. Our main character is a pizza delivery boy who meets a girl and is immediately attracted to her. But as luck would have it she only has eyes for his best friend, the stud of the group.

    The first hour is played mostly for laughs as the boys get into scrapes trying to score with the women. A few of the scenes are amusing. They elicit chuckles but no serious laughter. One particular scene where the boys visit an extremely horny woman only to be interrupted by her boyfriend is fun. An earlier scene where the main character's parents arrive home early from a trip is amusing if not overly original.

    But then something happens. At about the hour mark the tone of the film changes. An event occurs out of left field that brings our main character and the girl of his dreams together. From then on they share experiences that are very real and anyone could identify with whether they have ever been in the situation or not. Suddenly the attempt at madcap humor is replaced by real events and real emotions and "The Last American Virgin" turns into a very special movie.

    Towards the end our main character finally professes his love to the girl in what may be the best scene ever done in this type of movie. It's strong, emotional, and so well acted that everyone out there knows exactly what the characters feel simply by the looks on their faces. It's truly a great scene.

    Now let's talk about the ending without giving anything away. In a word it's brilliant. It makes perfect sense. It is totally real. Again it is a scene that anyone that watches it can identify with. When the credits rolled I was stunned. How the director had the guts to end it as he did is a testament to not playing down on his audience. It probably ends the only way it could. Some people will love it and others may hate it. But it's true to life.

    I noticed that I used the word 'real' a lot in describing the last half. That's the only way I know how to describe it. The characters come to life in the second half. I am sure many people can identify with these people during the hijinks filled first half as well. But it's that second half when the director really nails his characters. We end up truly caring about some of them and despising others and hoping for a lot of things to happen. But we have feelings for them all. Credit to the writer (also the director). If only he had made a stronger first half with less comedy and more dealings with real life issues and this film would have been a classic.

    I haven't yet mentioned the soundtrack. As one might expect it is filled with late 70's and early 80's hits. Journey's "Open Arms" is played to great effect in the scene when the main character finally spills his guts to the woman of his dreams.

    I have never seen this film played on cable nor do I recall it being on DVD. I hope the studio has a change of heart one of these days and brings it back into circulation. I think every teenager should see this film. They'll no doubt be highly amused by the silliness of the first half (though the nudity might turn off concerned parents), but then they will experience learned lessons in the second half that, if they have yet to go through, most likely will in one form or another.

    So the final verdict is a terrific final 40 minutes is buried in an average at best teen sex film of the first 60 minutes. Oh how I wish the opening had been as wonderful as the closing. There would be no need to hope for this film to be found. It would be as known as "Say Anything" is.

    Seek this film out. If you can get passed the nudity issue I think parents and teenagers could watch this together and experience life as it really is. It's not pat and always what we want. Things happen that we can't control and sometimes things work out the way they are supposed to for reasons we can't understand at the time. It's a lesson we all have learned or will learn in life. And when was the last time you could say you learned that from a teen comedy?
  • Groverdox12 June 2021
    Nobody who has seen "The Last American Virgin" has ever forgotten its ending. This is not just because of the emotional punch it provides, but also because it's surprising that a movie like this went for pathos, when they were usually content with lame jokes and the occasional bare breast.

    "The Last American Virgin" does have those things, don't get me wrong. It is the usual escapades of teens trying to lose their virginity and being foiled in a variety of ways, such as the insane husband of a seductress coming home unexpectedly and the lads having to beat a fast retreat. I'm surprised they didn't go for the girl-turns-out-to-be-a-guy thing.

    It's the typical teenage silliness, and then the ending hits. That, along with the performance of the main actor, who for once generates some kind of sympathy, and the presence of the beautiful Diane Franklin, all put "The Last American Virgin" a cut above the average '80s teen sex flick.
  • Warning: Spoilers
    Cannon Films took a break from shoot 'em ups and ninja movies to make this R-rated teen comedy with some serious moments. Three high school buddies - protagonist Gary (Lawrence Monoson), a rather scrawny shy guy, and his friends Rick (Steve Antin), the hot guy, and David (Joe Rubbo) - try to have their first sexual experiences and keep picking the wrong women - for example, a prostitute who never stops reminding them that this is a business deal, and a 30 something Latin woman with a jealous boyfriend who comes home on shore leave at an inopportune time make for some vintage low brow humor.

    The film turns serious when the object of Gary's affection (Diane Franklin) becomes Rick's sexual conquest. But then she gets pregnant, and prior to the age of DNA, slick Rick turns cold like a refrigerator on her, abandoning her. We know that Gary is going to ride to her rescue, but will things last once he's paid for the abortion and nursed her back to health? Watch and find out.

    The real star of this movie is the soundtrack, with well-known tunes from the 70s and early 80s by artists including U2, The Cars, The Police, Devo, Journey, REO Speedwagon, Human League, The Commodores, Oingo Boingo, and Blondie.

    Watch the documentary on Cannon Films, "Electric Boogaloo", to see a more mature Diane Franklin do a good natured look back on Cannon Films and the making of this little piece of nostalgia. I give it a 7 but it is probably a 6 if you are not into the music of the early 80s and more like an 8 if you are.
  • okky-19 August 2006
    This movie was release when I was 15 and I could easily relate to the themes the film portrayed.

    That was over 24 years ago and I haven't seen the movie since. This time around I cringed at some of the acting but still appreciate the film for what it is.

    Life is not always fair and the good guys don't always win in fact I think the movie did well to reflect that especially as a teenager the pricks always did better with a lot of girls. Also it doesn't matter how nice you are you cannot make someone like you. Girls/boys like who they want to like no matter how hard you try otherwise. Sometimes you just gotta let go and say next.

    Gary does a good job showing the intensity of his feelings for Karen. This is so true of teenagers when they get fixated on someone.

    I remember sitting around with mates laughing our arses off at some of the antics. The acting is not quite there compared with Fast Times at Ridgemount High but it kicks ass over this movie simply because FTARH has a lame viewer friendly ending where as this movie has a realistic ending. Nice guys finish last!! Gary comes across as pretty lame cringe worthy material but we all know guys like this who are far to sensitive. We all know a David, fun guy who makes you laugh.

    Some people on here bag the ending but hello the ending is exactly what can happen in real life. Some chicks just go back for more no matter how bad the dude treats them, especially at that age. I have experienced that first hand.

    Great sound track too!! U2 "I will follow" - Jesus is it that old??
  • For the most part, "The Last American Virgin" is your run-of-the-mill teen sex comedy (a genre for which I've apparently lost taste over the years), albeit with a pretty remarkable soundtrack. There were a couple of comedic bits that were amusing, certainly enough to keep me hooked in.

    But at a certain point (somewhat late in the game) the movie takes a real turn, and one of these three horndogs becomes the film's romantic, doomed to a sex life full of frustration and misery. Eventually, the songs become emotional music cues as the movie adopts a mature tone (possibly sexist, but deeply cynical). And that ending (I won't give it away, but I could sense it coming with dread) is what makes this film resonate. And it's a jaw-dropper.

    7/10
  • I have always liked this film and I'm glad it's available finally on DVD so more viewers can see what I have been telling them all these years. Story is about a high school virgin named Gary (Lawrence Monoson) who works at a pizza place as a delivery boy and he hangs out with his friends David (Joe Rubbo) and Rick (Steve Antin). Gary notices Karen (Diane Franklin) who is the new girl in school and one morning he gives her a ride and by this time he is totally in love. That night at a party he see's Rick with Karen and now he is jealous of his best friend but doesn't tell anyone of his true feelings.

    *****SPOILER ALERT*****

    Rick asks Gary if he can borrow his Grandmothers vacant home but Gary makes up an excuse so that Rick can't get Karen alone. But one night Rick brags to Gary that he nailed her at the football field and Gary becomes enraged. A few days later in the school library Gary see's Rick and Karen arguing and he asks Karen what is wrong. She tells him that she's pregnant and that Rick has dumped her. Gary helps her by taking her to his Grandmothers home and paying for her abortion. Finally, Gary tells Karen how he really feels about her and she seems receptive to his feelings but later at her birthday party he walks in on Karen and Rick together again. Gary drives off without the girl! This film ends with a much more realistic version of how life really is. No matter how nice you are you don't necessarily get the girl.

    This film was directed by Boaz Davidson who would go on to be a pretty competent action film director and he did two things right with this movie. First, he made sure that there was plenty of gratuitous nudity so that this was marketable to the young males that usually go to these films. Secondly, he had the film end with young Gary without Karen and I think the males in the audience can relate to being screwed over no matter how hard you try and win a girls heart. Yes, this film is silly and exploitive but it is funny and sexy. Actress Louisa Moritz almost steals the film as the sexy Carmela. Moritz was always a popular "B" level actress and you might remember her in "One Flew Over The Cuckoo's Nest". Like "Fast Times at Ridgemont High" this has a very good soundtrack and the songs being played reflect what is going on in the story. But at the heart of this film is two very good performances by Monoson and Franklin. There is nudity required by Franklin but she still conveys the sorrow of a young girl who gets dumped at a crucial time. She's always been a good actress and her natural charm is very evident in this film. But this is still Monoson's story and you can't help but feel for this guy. When the film ends it's his performance that stays with you. It's a solid job of acting that makes this more than just a teen sex comedy. Even with the silly scenarios of teens trying to have sex this film still manages to achieve what it wants. Underrated comedy hits the bullseye.
  • I am so glad to see this come out on DVD. I have thought for many years that this is truly an underrated film. It goes beyond the typical teen chasing sex flick and packs an emotional punch. The emotions of the actors seem real and raw and each time I see it, I am transported back 20 years in time to the memories of what the teen years can be like.
  • This thing takes the horny teenager genre, very poorly respected to begin with, and completely flushes it down the toilet. The only people I would even consider recommending it to are teenage girls, for a "revealing" scene in a boys' locker room. And in the end I wouldn't make such a recommendation. To do so would be to contribute to the delinquency of a juvenile. An absolute piece of garbage with utterly no redeeming qualities.
  • flyawaynow25 April 2006
    When I was in 10th grade me and my buddy were up late at his house and were flipping around cable and started watching this movie. We watched it because it looked kind of funny and because it had boobs. But then the ending came and we just sat there completely speechless. I think after a minute of watching the credits roll he just sort of whimpered "Oh dude....." It goes from dumb 80's teen sex comedy to nihilistic realism so quickly that it catches you off guard. I have been trying to rent this movie for years and have not been able to find it - and nobody has ever seen it except for me and my friend - so it seems. But now it is available! I highly suggest renting it and brace yourself.
  • NinjaRyu26 April 2004
    7/10
    True
    Warning: Spoilers
    Spoilers: This movie has it's problems, but in the end it gets the message across. I liked it because it ends the way things really do. The nice guy tries and tries, gets his heart broken several times, but in the end there is no typical hollywood ending. It ends the way such things always end, or at least always have in my own and friends' experiences. Anyone who thinks that the ending to this isn't how it really happens, as the first comment seemed to, believing that the girl would come around, realize she's dating an asshole who treats her bad because he doesn't care about her at all is either naive or lives in a more perfect world than I. I give it 7/10, extra points simply because it wasn't afraid to end on a down note, give no real resolution, just the main character left heartbroken, confused and alone as so many men of countless generations have been before.
  • OK this has to be the best scene I've used that song used. Didn't really is it was that old lol. The movie itself is nothing special. Diane Franklin is as pretty as always and Steve antin a catch despite being the player. You kind of realised what was going to happen at the end but I felt cheated they left it there & it didn't continue on with the aftermath. Really felt like they just gave up on what to right next.. its classic camp 80s and some the acting wooden. But thee are a few little chuckle moments and it has a ok soundtrack when it does play music. Does make you miss being young again. Despite being no masterpiece it still shows why then was better than now.
  • I saw this in a theatre back in 1982. I expected a stupid T&A movie. That's not what I got.

    It's basically about three teenage boys trying to have sex. We get the expected sex jokes and scenes--but, for once, they're actually pretty funny!

    Yeah, they're stupid but I enjoyed them anyways. Also, there was a surprising amount of male nudity.

    Then the movie, about halfway through, takes a sudden dramatic turn as one of the boys (winningly played by Lawrence Monoson) falls in love with a girl. Then the jokes stop and things get very dark. I'm not going to give away what happens but I was very surprised at the sudden turn in events. The movie brings up some very important subjects and treats them realistically and with intelligence. And it has a real heart-breaking ending.

    I'm giving this a 10 because this is probably one of the best teen sex comedy/dramas ever made. It mixes fantasy and realism together and works! What more can you ask for? Also it has a GREAT soundtrack.
  • Warning: Spoilers
    Ahhh...the '80's. 1982 makes me think back to the really crazy time we were facing in America. Fresh off the "Do What Feels Good" '70's, "The Last American Virgin" comes as a wolf in sheep's clothing as yet another 'teenage sex comedy' from the glory days. Oh sure, there's sex, but, I can't think of another movie--OK, this and "Fast Times at Ridgemont High"--that really wasn't killing time between topless teenage scenes--there was some pretty good stuff here amongst the cleavage.

    The movie follows three hormonal friends. Gary (wanting to lose his virginity), Rick (stud incarnate), and David (overweight, but, not inexperienced) as they try desperately hard to make sure Gary joins the world of manhood. But, a funny thing happens on the way to the kegger--Gary falls for Karen (pretty brunette who loves the bad boys), and can't seem to follow through with any sexual conquest that David and Rick can facilitate. Only trouble is, Rick and Karen get hot and heavy and Karen skips a period. It's Gary who is by her side as she goes to get her abortion, and it's Gary who truly cares. But, who is Karen dancing with by film end...Rick. Subtract the "R" and add a "D" where necessary.

    What separates this film from others from the '80's we think about is that, by god, they attempt some real drama here, and not of the "my parents just pulled in the driveway variety." And, you know what? I bought it.

    It wasn't sloppy. It wasn't far-fetched. And, when Gary sees Rick dancing with Karen at the house party at the end of the film, I actually felt sorry for the guy. Our teenage Romeo actually believed in unrequited love--and when his heart was broken at the end, it all sort of touched me.

    So, all the T&A aside, there's an actually pretty believable and engaging story here. Oscar worthy? Not by a mile, but, I don't know that I'd lump it into the "let's get laid" category, either. Like "Fast Times at Ridgemont High," they actually were trying to do a true film here, letting the hi-jinx in between fall where it may.
  • Having seen just about every movie on record that a child of the eighties could have seen, this ranks at the very, very, very bottom of the heap of bad movies I have ever seen. It's depressing and just plain, painful to watch. Nuff said.
  • This is a very unusual teen sex comedy. One part of of it is the expected T & A laff riot, but the other half is a surprising sensitive and dead-on portrayal of teenage life. The movie keeps switching from one of these viewpoints to the other throughout the movie. In another movie, it would end up making the movie to be quite a mess. Yet somehow it works.

    True, some of the comedy scenes go to the lowest denominator, but there are some wittier scenes here and there. Take the first scene, when the boys invite the girls over to Gary's house. The nervousness and awkwardness between Gary and the fat girl has me in stiches each time - because it's not only funny, but true. Though all the cast members are first-rate, it's Monoson who really steals the movie. As a shy teen looking for true love, his anguish will really break your heart.

    I can't leave out the soundtrack. The songs picked for the soundtrack are excellent in so many ways. They are timeless, so they are very listenable even two decades later. Plus, they actually manage to comment on the action going onscreen at the time. I will never forget when the Commodores' "Oh No" plays during that certain sequence.

    And I can't leave out the ending - when I first saw the movie, I was simply stunned at what happened at the end. I couldn't believe it at first, then I realized that hey, this kind of thing does happen.

    With all the fans this movie has, I am very surprised it has not been re-released on video or DVD. MGM, you now have the rights - what are you waiting for? Though since they are rereleasing a lot of older movies on video and DVD now, maybe - just maybe - we'll be able to get a new copy in each of our hands.
  • Often overlooked overshadowed by well known classics of the era. It didn't help that the ads (which I can still remember oddly enough) made it look slapstick. Instead halfway through it veers in a far more serious direction. One of the main protagonists helps a girl he's in love with through a crisis (pregnancy). Whereas other teen movies of the era offered generally feel good but not terribly realistic endings, this one offers a punch to the gut. Maybe that's not what people were looking for. I won't say much more than that but to most guys the ending is eminently relatable. Considering the prevailing atmosphere in Hollywood I'm amazed the people who made the movie went with such a gritty ending. For that reason alone, I give it a 7.
  • rhkiii10 December 2004
    Yes it's a Fast Times wannabe, but it's still decent entertainment.

    Some of the comedy parts are really funny. The scene when the three guys visit the Spanish lady is hilarious, with a little flamenco music in the background. The reaction when her sailor husband comes home is a riot. The guys' exploits in dealing with crabs are funny as well when they try to "drown them" and when they visit the pharmacist.

    The abortion scene is a Fast Times ripoff too, but it does do a good job of capturing the terror of the situation. You really feel for what Karen is going through, and for Gary in his mad scramble for cash to pay for the abortion and accommodating her recovery.

    The ending is painful to watch, but refreshingly realistic. First-time viewers will not be prepared for it and it will be a shock.

    There is a decent eye-candy for guys with young girls and the milf Spanish lady, but heterosexual guys will probably want to skip the penis-measuring competition.

    Underrated soundtrack too. Check out early, early U2(!), The Cars in their prime and an appropriate tearjerker song by James Ingram for the surprise ending.

    Some people will hate it and it is somewhat dated, but those who like teen flicks or grew up in the early 80s should like it.
  • I'm 28 years old and I remember sneaking to watch a this movie. At the time I first saw the movie, I was a pre-teen and very interested for obvious reasons. But the odd thing was I really felt like I could relate with the main character who's really interested this beautiful girl who was draw to his more "studly" friend. And like the nice guy always does, just to be close to that special someone, he gives of himself to pick-up up the pieces. The thing of it is I've never seen the movie all the way through because I saw a copy that was recorded from HBO. I've been waiting over 15 years to see the complete movie, so maybe I'll try to find it. Who knows, I might get "lucky".
  • This is not an easy film to review. On the one hand, The Last American Virgin is an obvious cash grab. It's a teen comedy with plenty of female nudity, something that was seemingly popular with audiences back in the early-1980s. This not only speaks about the ongoing degeneration of Western culture but also about what people generally enjoy watching now - mainly nudity, horror and fantasy. So, The Last American Virgin sort of follows the Porky's (1981) formula, but with considerably less style and imagination. I'm thinking that the title too was chosen simply to attract male viewers. And don't forget about those jeans with an open zipper on the film's poster. On the other hand, the two leading actors, Lawrence Monoson and Diane Franklin, deliver good performances, especially in scenes dealing with love and heartbreak. The coming-of-age drama featuring their characters is like a different film within this film. The cast is made up mostly of Jewish-American actors, and director Boaz Davidson is from Israel. The Last American Virgin is a remake of Davidson's 1978 film Lemon Popsicle. Davidson teamed up with Menahem Golan and Yoram Globus of Cannon Films to get The Last American Virgin made and released in the USA. By the way, Cannon Films is best known for releasing several cheesy patriotic action flicks starring Chuck Norris in the 1980s. And so, if you're an adult like me (I'm a young adult) and you get to watch The Last American Virgin, you'll notice that something isn't quite right with this film. And I'm not talking about the not-so-good direction by Davidson. I'm talking about the behavior of the characters and the situations they get into. These characters just don't behave like American teens. This is made clear by the fact that Davidson also wrote the screenplay. What might have looked familiar to an Israeli audience, looks odd to me (I'm Canadian by the way). And I kept thinking that the behavior of these supposedly American teens is intense or strange. It's no wonder that film critic Geoff Andrews called this film "sickening junk." But when this film isn't showing us a group of young men desperately trying to get into the pants of young women or a prostitute, it's showing us one of those young men longing for a beautiful transfer student. How about that? Also, I couldn't believe it when I saw Diane Franklin. I kept thinking that she is too good-looking to be in this film. She has little to say, but her performance is clearly one of the best. When talking about The Last American Virgin, people often mention the soundtrack. The decision to include popular new wave rock songs from that time period was clearly made to appeal to an American teen audience. But these songs aren't used to good effect in the film. Some of them don't even fit the scene. So, given all this, is The Last American Virgin worth recommending? In my opinion, it's not worth recommending. I'd say that it's one of the worst teen movies of the 1980s. It's entertaining, but that's one of the few good things that I can say about it. It's not worth watching even if you're interested in American '80s culture because only the setting and the actors are American.
  • BandSAboutMovies13 June 2021
    Warning: Spoilers
    This movie is a destructive force that still leaves hurt feelings decades after it's been viewed. Sure, it's a remake of director Boaz Davidson's Lemon Popsicle and that movie ends the same way, but that movie came back with plenty of sequels. Once The Last American Virgin drops its bomb on you, it lets you watch everything burn and then that's it. There's no happiness, no hope, just the song "Just Once" and the destruction of the film's hero in a way that there's no coming back from.

    When a movie has a title like Lemon Popsicle, you don't know what to expect. It's a foreign movie released in 1978 that could be about anything. But when the title is The Last American Virgin and the movie comes out in the middle of the teen sex comedy craze, you don't expect things to go this way.

    Gary (Lawrence Monsoon, Friday the 13th: The Final Chapter) is a pizza delivery boy with two friends, the cool ladies man Rick (Steve Antin, Jessie in the "Jessie's Girl" video) and David (Joe Rubbo). Most of their hijinks revolve around trying to have sex, like telling girls they have cocaine - it's really Sweet'n Low - or sleeping with a prostitute or Carmello, a Spanish woman who Gary meets while delivering pizza. Everyone gets their turn except for Gary, who is the titular character.

    Yet he has better plans for his first time. He's in love with Karen (Diane Franklin!), but she's in love with Rick, who plans on sleeping with her once and dumping her. He does exactly that, getting her pregnant. She turns to Gary, who sells almost everything he owns and borrows money to pay for her abortion, then nurses her during the lowest moment in her life. They share a kiss and she invites him to her 18th birthday party.

    That's when the pain hits hard.

    This film takes what Lemon Popsicle did on its soundtrack and transports it to the 80s, which is an incredibly smart move. The music is vital to this film's success, featuring heavy hitters like The Cars, Devo, The Police, Journey, REO Speedwagon, U2, Blondie and the Human League. I mean, how do you think Bono felt when he saw this and his song "I Will Follow," which is about his mom who died when he was only 14, is used over an abortion montage?

    So much of this movie is very Cannon Films and that's also the joy of it. It also leaves me with so many questions. Why does Gary bring Karen a bag of oranges when she's lying in the hospital? Why would they make this seem like a teen movie and give it that ending, when if it was a date movie it's filled with way too much raunchy sex? And how about the fact that the actors who played Gary and Rick, who come to blows in the movie over the girl who got between their friendship, have come out? How does Gary not realize that Karen's friend Rose, who he gets set up with, is geeky hot (maybe this makes more sense in 2021 than 1982)? And how did cinematographer Adam Greenberg (who also filmed Terminator 2, 10 to Midnight, Near Dark and many more) feel about recreating so many of the same shots that he'd made in Lemon Popsicle?

    Director Davidson also made Hospital Massacre, Salsa and American Cyborg: Steel Warrior, movies that would not even hint at the art that he would make with this movie. If you've ever seen the poster for this and laughed it off as a simple teen comedy, I want you to take a chance on this movie. But be prepared for the final moments.
  • Warning: Spoilers
    For an American teen sex comedy of the 1980s, THE LAST American VIRGIN is surprisingly strong viewing. It features a cast of characters who are both likable and more importantly realistic; a fast-moving plot with plenty of laughs and incident to keep it moving; and a surprisingly deep and dramatic final half hour which transcends the usual boundaries of the sex comedy genre to become something more, perhaps a work of social drama.

    This is invigorating stuff, with lively direction from Boaz Davidson, here basically remaking his own Israeli film LEMON POPSICLE. Most of the cast were unknown to me but do well in their various parts: Lawrence Monoson as the lovesick lead (we've all been there), Steve Antin as the jock, AMITYVILLE II: THE POSSESSION's Diane Franklin as the object of Monoson's obsession. There's plenty of nudity here and the usual encounters we expect from high school comedies, such as spying on the girl's changing room, a visit to a hooker, and plenty more.

    One stand-out supporting role comes from Louisa Moritz playing what would today be described as a 'cougar' who the boys end up visiting. What follows is pretty much unforgettable and must have been for all the teenage boys who saw this film back in the day. The love triangle aspect of the film isn't funny at all, but rather awkward and, yes, tragic. It's as though the comedy slips away as the running time progresses, leaving something deep and meaningful behind it. The ending has the same impact as being dunked in an ice-cold river, rounding off what is certainly an above-average movie.
  • Ya know, I have no idea how everybody else's teenage life was, but this does not reflect the folks I knew and hung around with let alone, myself. And just in case if you're wondering..NO..we weren't pristine/clean cut/Pat Boone type teens. (If there was ever such a thing!!!!)

    Look, I'm NOT saying being a teenager is easy. The better, well actually the BEST teen movie of this time is "Fast Times at Ridgemont High". Now those kids I knew and were as realistic as it got back then (and maybe now).

    This was crap. This was a low rent version of Fast Times and even then it didn't do much for me. It had a few moments, but not enough for me to recommend this, or even claim "this is how it was for teens back in 1982". I couldn't relate. The lead girl (girls) did nothing for me and please if they really wanted to keep their virginity, they would have, in which case, this film would not have been made. Pure crap and a bad staple to be left behind as a time-capsule cinema for teens/young adults in the early '80's.
  • Perhaps this movie was meant to be nothing but funny. Maybe it was meant to get teenage boys excited at all the nudity in it. But what I got out of it was actually something that many people believe in. And that is, " Nice guys finish last ".

    There is a line in Angel Heart from Lisa Bonet's character that says " It takes a bad ass to make a girls heart beat faster. " True. Most likely. Women always say that they want the flowers and the candy and politeness and whatever. But ( at least at an early age ) they end up going for the good looking, slimy, disrespectful, untamed guy. The one they know they can't conform to their beliefs. And that is part of the attraction. After all, what is exciting about a guy that is already the way you want him to be? I believe this may have happened to Boaz Davidson. And what he has to say in this film that is disguised with sex and nudity and parties and everything else that teens can relate to, is that you will get your heart broken. It happens to everyone and it will happen to you. And that is a strong final statement in the film. But having said all that, the movie is fun. It is funny and it shows the antics of highschoolers quite well.

    This is a rare film that is sleezy enough to please the teenage crowd it caters to but also intelligent and poignant enough to show what it;s like to get your heart broken. No highschool film has ever done this better. Like I said, I think the writers must have experienced a situation like this first hand. Maybe we all have.

    This is an old film, but if you ever come across it gathering dust on a shelf in your local video store one night, pick it up, you may be surprised. It is a hell of a lot better than Never Been Kissed.
  • Warning: Spoilers
    The Last American Virgin came before Fast Times at Ridgemont High and American Pie. And yet, the film has elements of both. Three friends trying to have sex (with two of them trying to lose their virginity) and a young, naive girl who falls in love, only to find out that she's been used.

    While American Pie was funnier, this film has plenty of laugh-out-loud moments. And while Fast Times made you sympathize a bit with Jennifer Jason Leigh's character, Karen is a bit more realistic.

    Gary is the young, awkward teen who has eyes only for Karen. And while sex is important to him, Karen is even more so. No one else can seem to fulfill his true desire which is to find someone to love and someone to love him back. As many reviewers have already pointed out, Gary is the typical "nice guy." He doesn't take risks, and he'll do anything to win the girl of his dreams. Now, many films have the awkward nice guy eventually winning in the end. I'm sure you can count how many times on one hand of "nice guys" who've succeeded . You might be lucky to count even one.

    Diane isn't the typical, popular girl, but she's certainly attractive enough, and as we well know, many girls just can't resist the "bad boy." The guy who mistreats them, uses them, and knows that--usually--the girl will always end up coming back no matter how dispicable they are.

    This presents us with the two questions that have been asked for years: why don't nice guys ever win? And why do girls like guys who abuse and mistreat them?

    While the movie presents these two quandries very well, you won't find any answers. Nice guys rarely take any kind of initiative. They sit back hoping that things might fall into their lap. And girls figure that any attention--even if it's bad, but shown in a seemingly affectionate way--is better than none at all.

    The writer was bold enough to take us down the very realistic road. This isn't a "Hallmark" movie where everything is neatly wrapped up in the last seven minutes in some dream world. Life just doesn't work that way. And young people, who are full of hormones and confusion, tend to figure that something is better than nothing, even if that something isn't very nice. Most people will prefer the abuse to the unknown. Why else to people remain in abusive, unhealthy relationships? In short, because of many people's lack of self-esteem, anything is better than being alone. Anything. And that is the real tragedy.

    Gary feels incomplete without having someone. Karen figures that someone is better than no one. And, no, "nice guys" rarely fall into that category of "someone." Without initiative, security, and confidence, they're finished before they start.

    The movie is much deeper than it's typically given credit, despite its funny and a bit cliched story. Many subsequent films may have done some elements better, but this film is arguably the first to challenge teens to really think about what is important, and maybe to even have the guts to choose the road less traveled rather than the one that everyone else is walking.
  • (1982) The Last American Virgin TEENAGE DRAMA/ COMEDY

    Written and directed by Boaz Davidson that is a combination of several pre-sex teen films including "Fast Times At Ridgemont High", "Porky's" and "Diner" to "American Graffiti" to name a few. Quite poor because it's viewed as another cheap imitation of what was done better except that the setting is similar to1934 "Of Human Bondage" starring Bette Davis and Leslie Howard in which she uses and abuses him to the extent of exploitation. The real story doesn't really start until the center character, Gary (Lawrence Monoson) becomes infatuated with a floozy of a girlfriend, Karen (Diane Franklin) who's main intention was to only use him. And while the film ends, I'm left wondering whether he had ever learned his lesson this leaves me hanging. Gary is a chump and an embarrassment to all men everywhere.
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