One from the Heart (1981)

R   |    |  Drama, Musical, Romance


One from the Heart (1981) Poster

A couple has a fight after living together 5 years in Las Vegas. They go out and celebrate 4th of July, each with a new partner. Breakup?


6.5/10
4,770

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  • Tom Waits and Crystal Gayle in One from the Heart (1981)
  • Tom Waits and Crystal Gayle in One from the Heart (1981)
  • Teri Garr in One from the Heart (1981)
  • Nastassja Kinski and Frederic Forrest in One from the Heart (1981)
  • Nastassja Kinski and Francis Ford Coppola in One from the Heart (1981)
  • Francis Ford Coppola and Vittorio Storaro in One from the Heart (1981)

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5 November 2002 | umyde
7
| The musical beauty of romance, as only Coppola or Woody Allen could picture it
I have never been in the United States, least of all in New York. But through some directors' works I have built up an image of the city that never sleeps that's made of jazz, petty crooks and gangsters, Godard-lovers, intellectual wanna-be socialite... For all I know, New York is what can be seen through the eyes of Woody Allen, Martin Scorsese... and Francis Ford Coppola.

I would pretty much compare ONE FROM THE HEART to Allen's MANHATTAN, in the sense that both are new-yorkers visions of romance and beauty, filtered through a broadway theatrical and glamorous sensibility. This film, however, unlike MANHATTAN, isn't about New York. It's about spining through the spotlights of a city that parties all night long (cabarets, jazz, dance and magical flirts), only to realize that in the end, it's going to be your simple significant other waiting for you in the backstage.

The staging of the whole movie helps a lot, in the sense that's it's all filmed in studio. Magical skies and dawns that make it easy to pass from a store-window directly to a sunset in Bora-Bora; lust and life and music in what I would consider the last great musical. Every once in a while, Coppola gives us a glimpse of his more passionate side. This would then be the sunny side of the melancholic DRACULA.

Add to the magical staging the nightly cabaret-like musical score by Tom Waits and Crystal Gayle and one can't help but be amazed with it all. And I thought I was surprised by Woody Allen's EVERYONE SAYS I LOVE YOU.

If this is the way new-yorkers see life, that's the city I want to live in.

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