The King of Comedy

I hate the celebrity culture. I hate the fact that people become famous, just for the sake of being famous. I hate the fact that just because a celebrity gets married or has a child, that's front page news. I hate reality TV. I hate shows like "Pop Idol" (or "American Idol"), where normal people seem to think they are destined for A-list status. The fact that this film (The King of Comedy) is as old as I am, is either an all too worrying statement on society, or proves that it was way ahead of its time. Maybe that's why I love it so much.

De Niro has always amazed me, but the fact that he seems to understand this character so well is a little overwhelming. Whether he is delivering cringeworthy gags to a cardboard audience, or embarrassing himself, obliviously, in front of Jerry Lewis, his consistency is amazing. His motives are understandable to anyone who's ever had a dream. Perhaps it's De Niro's early ambition as an actor, that fuelled this shamefully overlooked performance.

Jerry Lewis is perfect as the disgruntled TV host. A man who lives a double-life of hilarious TV personality, with a bitter persona off-screen. You can certainly relate to this man's motivations, his love for his work, but his resistance to allow it run his personal life.

The only character I can't totally emphasize with is Sandra Bernhard's Masha (her actions aren't justified as well as De Niro's Rupert). But maybe that just goes with my aforementioned hatred for celebrity culture. The scary thing is, I know that people like this exist, and I didn't for a second, question the feasibility of her performance.

As usual, Scorsese shows brilliant control, despite this being one of his most modest works.

"The King of Comedy" should be looked upon, now more than ever, as a very important film, that has a lot to say about the world we live in and the obsessions that we consume. 9/10

I have yet to meet anyone who doesn't like this movie. It is hugely funny in places yet has a dark menacing strand running through it. Jerry Lewis and his TV-show world are totally believeable and De Niro as Pupkin plays the part like an exercise in total embarrassment.Also, much as you realise Pupkin is derranged,you can't help being on his side. One of the highlights is Pupkin's monologue. This is really well written and will remind most people of every bad comedian they have ever heard.The jokes are terrible but Pupkin's delivery seems just able to carry it off. When this movie was made the studio sat on it for two years before it was released.They probably did not know how to sell a movie like this.Sure it is an intelligent piece of work etc. but it is a most unusual film ,really quite unique.In the UK,it was barely released in cinemas and for years it was not even available on tape.Strange, because it really is a most excellent movie.

The time when Scorsese took another turn by making a disturbing dark comedy. This film turns the spotlight towards the show business industry by exploring the subjects of fame and celebrity and their influence over individuals and society as a whole. With a nice tone, excellent cinematography, good setting and a thrilling plotline, Scorsese crafted the perfect image of a delusional and obsessive sociopath portrayed by none other than Robert De Niro. I have to say that "The King of Comedy" along side "After Hours" are the most overlooked pictures in Martin Scorsese's catalogue.

Rupert Pupkin (Robert De Niro) is, in his own mind, the greatest undiscovered comic of his generation. He knows that he's destined for stand-up superstardom. All he really needs is a chance to display his vast talent on TV.

Enter mega- talk show host, Jerry Langford (Jerry Lewis), who will see Pupkin's mastery of comedy one way or another. Whether he likes it or not. Even if extreme measures must be taken.

How could Rupert's plan possibly fail?

THE KING OF COMEDY is Director Martin Scorsese's wonderfully dark jab at the insanity of celebrity culture. Watching it unfold is both frightening and hysterically funny. De Niro's Pupkin is perfectly pitiful, as is Masha (Sandra Bernhard), his equally unbalanced cohort.

Mr. Lewis is remarkably restrained in his noteworthy role. He comes across as pissed, flabbergasted, and terrified by turns. If you only know him as a cinematic buffoon, then you need to see him here.

This movie is a crackpot masterpiece...

'The King Of Comedy' is easily Martin Scorsese's most underrated and misunderstood movie. Scorsese and Robert De Niro's previous collaboration was the brilliant boxing biopic 'Raging Bull', generally regarded by most people as a masterpiece. Then the two made 'The King Of Comedy'... What a brave move! You couldn't find a more different movie, but one just as impressive and extraordinary. This movie is disliked by many, deliberately ignored by others. It's a very uncomfortable film. It's a (very) black comedy and is genuinely funny in places, but much of it is embarrassing to watch. Not because it is inept, but because of the believability of De Niro's obnoxious and irritating "loser" and wanna be comic Rupert Pupkin. De Niro has made a lot of disappointing movies in the last few years but 'The King Of Comedy' reminds you of just how brilliant he can be. I can't think of many actors who would be brave enough to play this part! Jerry Lewis is a performer I have always disliked, but he is excellent in this movie, probably because he is playing someone very close to himself in real life. The rest of the supporting cast aren't the most obvious choices, led by confrontational comedienne Sandra Bernhard and the "forgotten" Charlie's Angel Shelley Hack. Plus there are Tony Randall and a couple of other celebrities playing themselves, and a blink and you'll miss it cameo by The Clash (!). I really admire Scorsese for taking such a risk with this movie, which is one of the most original and provocative ever released by a major Hollywood studio. Bravo! This is must see viewing for not only all Scorsese or De Niro fans, but anyone who appreciates unusual or difficult movies.