Another Oz pic set in the roaring twenties, when things were.... well roaring. Undercover has enough glamour, humor, and fine performances, and is an enthusiastic effort, but doesn't fully rise to other similar pics, which are more mainstream. It is a cute little film, with many cuties, and a lasting impression/performance by Picot (she played the bitter carer in Proof) as an aspiring, costume designer, where American import, Pare was wonderful as a womanizing, bigoted, narcissistic co manager, we don't realize how capable an actor this guy is, and to escape acting recognition here, is downright criminal. John Walton is solid too, and gives the film flavor. Phelps is good too, as the local stud, cracking onto anything with lace, stiletto's, cotton, and a woman attached. Not so memorable, but fun. The performances make the film, especially Pare's.
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videorama-759-85939131 July 2018
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PeterM2719 December 2021This is a very fine recreation of the stylish 20s in the Australian fashion industry, and the costumes, the settings and the furnishings all add to the excellent look of the film. There is also an interesting story to be told - the true story of the struggle of the Berlei company to create ladies underwear for a more modern era.
Genevieve Picot gives a mixed performance in the lead role, being very stylish at times and shrilly ill-tempered at others. However she is ably supported by good performances by Libby Gore and Susan Leith. There are a few too many plot twists in the story, but it reaches a satisfactory finale. -
ptb-830 November 2004UNDERCOVER is an 88 minute almost musical set in Sydney's jazzy snazzy roaring twenties. The uniquely Australian underwear invention of the Berlei Bra and under corsetry of the time is lovingly and lavishly depicted in David Elfick's lush and amusing production. Unfortunately released during the home video boom of the 80s, UNDERCOVER did not find a audience...and worse still, the same film distributor also released UNDER FIRE, a spy thriller with Gene Hackman, and audiences did not know there was two films, thinking UNDERCOVER was a thriller. As a result this beautiful and frothy/light musical comedy quickly disappeared. Sadly, it was also cut from 105 mins to 88 mins shortening the delights and making a faster paced film that was on and off too fast. Directed by David Stevens (KANSAS,anyone?) and with a healthy budget all lovingly displayed in superb 20s style and with a huge cast of now very famous Aussie thesps: Barry Otto, Peter Phelps, Sandy Gore, Genevieve Picot (PROOF) etc, UNDERCOVER is from the same colourful Oz cinematic palette later lapped up world wide in STRICTLY BALLROOM (1992). UNDERCOVER was ahead of its time by ten years as audiences appreciated it's identical widescreen colour and spectacle in 90s films like MURIEL'S WEDDING and PRISCILLA, and later for MOULIN ROUGE. UNDERCOVER preceded them all and opened the door for this type of Oz frills and musical spills. Elfick also produced the Oz smash hit musical STAR STRUCK (1982) and the same zaniness and good natured musical there for all to see...just see the IMDb for the international raves from non Australian STARSTRUCK fans. Well, UNDERCOVER is the Thoroughly Modern Millie of Sydney in a swish new car and corset. If you can ever see it you will be wondering how this lovely funny film has stayed lost for so long. Now in 2005 it is available on a DVD for the long overdue discovery and fan base it deserves. But alas, not the longer version. In widescreen it is a light and lovely experience, like the lavish underwear it depicts.
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Kwah-LeBaire19 July 2010I've only ever seen the 85 minute version on DVD, which is a pity. I assume the missing 15 minutes all came from the end, because it wraps up in a bit of a rush. Apart from that solitary regret, I have to say I loved "Undercover". Loved it all - the bush towns, the historical Sydney, the 1930s department stores, the fashion, the cars, the music, the people. Especially the people.
Geneviève Picot as 'Libby', John Walton as 'Fred', Michael Paré as 'Max', and Sandy Gore as 'Nina' dominate the movie and carry us on a fictionalized version of the true story - a journey from antipodean obscurity to world-wide fashion influence. Special mentions to Peter Phelps as the persistent, if unlucky, 'Theo', and Barry Otto as the woolly and wild-eyed 'Professor Henckel'.
This largely unknown film deserves a far wider audience. While the Australian film industry continues its current obsession with dull, turgid, heroin-addict-prostitute-and-petrol-sniffing-aboriginal social realism stories, it frightens away the audience for entertaining and educational films like this one.
Don't be put off. This is a great little movie. A true story. There's music and dancing, love and loss, philosophy, and a battling underdog. Enjoy it!