R | | Biography, Drama, History
The life, success and troubles of Wolfgang Amadeus Mozart, as told by Antonio Salieri, the contemporary composer who was insanely jealous of Mozart's talent and claimed to have murdered him.
This is one of only eleven films to receive more than one Academy Award nomination for Best Actor. In this instance, F. Murray Abraham and Tom Hulce were so nominated. The other ten films were Mutiny on the Bounty (1935) for which Clark Gable, Charles Laughton and Franchot Tone were all nominated, From Here to Eternity (1953) for which Montgomery Clift and Burt Lancaster were nominated, Judgment at Nuremberg (1961) for which Maximilian Schell and Spencer Tracy were nominated, Becket (1964) for which Peter O'Toole and Richard Burton were nominated, Sleuth (1972) for which Laurence Olivier and Michael Caine were nominated and The Dresser (1983) for which Tom Courtenay, Albert Finney, Bing Crosby and Barry Fitzgerald in "Going My Way" (1944), James Dean and Rock Hudson in "Giant" (1956), Tony Curtis and Sidney Poitier in "The Defiant Ones" (1958) and William Holden and Peter Finch for "Network" (1976) were nominated. Of the actors in question, only Crosby, Schell, Finch and Abraham won the Academy Award for Best Actor for the relevant performances. In an unusual twist, Barry Fitzgerald lost Best Actor to his co-star Bing Crosby, but won Best Supporting Actor for his performance, the only time in Academy history that an actor was nominated in lead and supporting categories for the same role in the same film.
Mozart! Mozart, forgive your assassin! I confess, I killed you...
Near the end when the bed-ridden Mozart is dictating a movement of his Requiem to Salieri, he tells him to write the bass instruments' notes as the "tonic and dominant" pitches in the key of A minor. But the notes that play, and the notes that actually appear in the score, are the tonic and sub-dominant.
The producer, screenplay writer and director thank the following for their boundless assistance in our effort to present the physical authenticity and aura you have seen and felt in "Amadeus": -The National Theatre of Czechoslovakia and Prague's Tyl Theatre management for allowing us to film in the Tyl sequences from the operas: "Abduction from the Seraglio," "The Marriage of Figaro," and "Don Giovanni." It was actually in this magnificently preserved theatre that Wolfgang Amadeus Mozart conducted the premiere performance of "Don Giovanni" on October 29, 1787. -His Eminence Cardinal Frantisek Tomasek for his kindness in permitting us to use his beautiful residence headquarters in Prague as the Emperor's palace. -The Barrandov Studios and CS Filmexport for their help in filming "Amadeus" in Prague and in castles and palaces throughout Czechoslovakia.
The director's cut (2002) adds the following scenes (twenty minutes in total):
English, Italian, Latin, German
$86,764 (USA) (7 April 2002)
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