R | | Biography, Drama, History
The life, success and troubles of Wolfgang Amadeus Mozart, as told by Antonio Salieri, the contemporary composer who was insanely jealous of Mozart's talent and claimed to have murdered him.
Mozart! Mozart, forgive your assassin! I confess, I killed you...
During "The Abduction from the Seraglio" performance, we see Kappelmeister Bonno watching from the box seat with two ladies flanking him. Milos Forman had the actors, including the extras in the adjacent box seat, remain in their positions to film a brief shot for a scene later in the movie (during "The Marriage of Figaro" opera, where we see Kappelmeister Bonno tapping his nose and smiling because the Emperor yawned). The result of this economical use of equipment and actors is that Kappelmeister Bonno, flanking ladies and extras all appear to have attended both operas sitting in the same seats and wearing the exact same clothing, wigs, jewelry and makeup.
The producer, screenplay writer and director thank the following for their boundless assistance in our effort to present the physical authenticity and aura you have seen and felt in "Amadeus": -The National Theatre of Czechoslovakia and Prague's Tyl Theatre management for allowing us to film in the Tyl sequences from the operas: "Abduction from the Seraglio," "The Marriage of Figaro," and "Don Giovanni." It was actually in this magnificently preserved theatre that Wolfgang Amadeus Mozart conducted the premiere performance of "Don Giovanni" on October 29, 1787. -His Eminence Cardinal Frantisek Tomasek for his kindness in permitting us to use his beautiful residence headquarters in Prague as the Emperor's palace. -The Barrandov Studios and CS Filmexport for their help in filming "Amadeus" in Prague and in castles and palaces throughout Czechoslovakia.
English, Italian, Latin, German
$86,764 (USA) (7 April 2002)