Paul Attanasio
Washington Post
Everything about this movie is backwards -- where Lindsey was fascinated by the way political and cultural themes were engrafted on what was essentially just a scam, Schlesinger starts with an idea of an era, then contends that his characters were the products of it. Instead of a story, there's just a lot of footage of the falcon flying around, toting his subjective camera, and, like the audience, at the end of its tether.