The Karate Kid

My love of "The Karate Kid" is limited to the fact that this movie, if it had been in the hands of a more fluorescent director, could have turned out a lot differently from the movie we all know and love from 1984.

Directed by John G. Avildsen (who also did 1976's "Rocky" - another underdog story) and written by Robert Mark Kamen (who would later co-author 2001's "Kiss of the Dragon" with Luc Besson, which starred Jet Li - another example of martial arts in American cinema done right), "The Karate Kid" is by far the best (and frankly, most realistic) incorporation of martial arts into a mainstream American film.

This movie came out the year before I was born, and only through word-of-mouth over the time I was growing up, did I know that "The Karate Kid" even existed. I got to view the film my freshman year in high school as part of a class, but the instructor watered down the experience so much that the movie lost its potency.

Now a few years later, I finally watch the movie without any intrusion from the outside world and I find a truly marvelous picture that's far better than its many stylized contemporaries, i.e. "The Matrix" trilogy, which is the best example of that trend.

Ralph Macchio stars as Daniel LaRusso, a new kid to a picturesque southern California community that looks a lot like something you'd see in a magazine advertisement. Daniel makes the mistake of hitting on Ali (Elisabeth Shue), who unknown to him, is the ex-girlfriend of Johnny Lawrence (William Zabka), and Daniel takes a pretty brutal beating from the martial arts-trained Johnny, that leaves him scarred but with his pride and dignity still in tact.

The number of violent clashes with Johnny and his brutal Cobra Kai martial arts friends continue, until Daniel is saved by Mr. Miyagi (Pat Morita), the karate-trained handyman of his apartment building. Daniel insists on Mr. Miyagi teaching him karate, so that he can compete in an upcoming martial arts tournament; this requires Daniel to undergo some pretty unconventional training - "wax on, wax off; paint fence - side to side" etc. And in return, Daniel learns that there's a lot more to karate than just fighting and the "Old One" shows him that way.

"The Karate Kid" is a true gem of a film that's shamefully underrated. I'm glad that on February 1st of this year, this movie is finally getting the DVD treatment it deserves.

Macchio is convincing as Daniel, bringing a number of wide-ranging emotions to his role that at first may seem quite perfunctory as opposed to being dramatic. The real star of the show (at least in the minds of a number of critics, and the Academy), is Morita as Mr. Miyagi. He brings grace (almost rivaling Bruce Lee) to a role that could have been quite stereotypical, but is still very moving and dramatic.

Of course, what's a movie about karate without the fights? I should note that the action in this movie is very convincing, but is not stylized in any fashion, shape or form. It is very down-to-earth and realistic, and that may of course be a bit of a turn-off to some hardcore fanboys that may watch this movie thinking it'll be something like "The Matrix" (1999) or "Enter the Dragon" (1973).

The fighting here is in its own style and mode of action. A number of the fights are quite brutal, especially in the ones where John Kreese's (Martin Kove) Cobra Kai students are featured, as he frequently trains them the brutal way of "no mercy," which Mr. Miyagi is quick to realize is not the way of karate.

"The Karate Kid" gets a perfect 10/10.

A lot of posts focus on the 'coming of age' aspect of this movie, but the very overlooked part is the role it played in helping to alleviate many of the stereotypes a very Asian phobic America was after WWII, Korea and Vietnam.

They make a point of showing Miyagi in a US Army Uniform--and a War Hero-- and makes references to detention camps Miyagi's family was sent to (a horribly dark period in American history)...where Miyagi's wife was being sent (pregnant) and where she and his unborn child (son) ultimately die during childbirth. There are also a few scenes in which ethnic slurs are used by rednecks toward Miyagi.

Taking this into light, and taking the fact that Daniel has no father that we know of in this movie, the name Daniel-san (sounds like Daniel-SON) helps demonstrate a father son bond that is overlooked. Much of the conversation between Daniel and Miyagi is about Miyagi's great father in Okinawa, because Miyagi has acquired all this knowledge and wants to share it. Daniel substitutes for the son Miyagi never had and Miyagi substitutes for the father Daniel doesn't have.

Done by the same director as Rocky, this unusual "feel good" movie became a hit in 1984 and generated two sequels before the mania died and the franchise imploded.

I remember the phenomenon from the 80s yet as a "prolific reviewer" for the IMDb now (which, for buffs, is not the same thing as a "Voracious Eater" from the Claymore series) I now see the film differently.

I see a very competently done film that is literally lifted off the ground and carried to the finish line by the extraordinary one-of-a-kind performance from a (then) 50 year old Pat Morita, an actor who essentially spent his entire career doing "asian walkons" and offers us only this one role as a chance to see what he actually could do. Given half a chance.

Macchio and Shue were competent (the former had some momentum from Happy Days/Laverne and Shirley and the latter was beginning a short career as a type of "brat pack" teenage star) but it was Morita who owned the film and kept your interest.

Unfortunately the historical record even on the IMDb does not reflect any of this. Shue actually won an award for a completely forgettable part and Morita not only did not win anything for this film but the only nominations he received were in the "supporting role" category. This is clear "color blindness" on the part of Hollywood. He has almost as much screen time as Macchio (I counted) but because his career was merely bit parts before (and after) this was the prevailing mindset. The film would have failed without him.

As a footnote, I was not able to identify precisely why he was cast in the role, but historically Okinawa has indeed been associated with its own unique brand of martial arts and, in the martial arts world, short stocky older men have long been acknowledged as champions even though in the films of our present era someone of Morita's age or body-type would never even be considered for such a part.

The two sequels were much weaker but the demand for them was great and, when there is money on the table, Hollywood will always oblige.

While John Hughs' films may be the standard for teen flicks in the 1980s, Hughs' films were just a few of the great and unique teen films to be released in that decade. Coupled with Back to the Future, Fast Times at Ridgemont High, Ferris Bueller's Day Off and Bill and Ted's Excellent Adventure, the 80s was a rather unique time for teen movies. The Karate Kid just happened to be another one of those films. With the immortal Pat Morita leading the way, this film was not only touching, but put a whole new spin on the `zero-to-hero' story line which we have all seen too often. Ralph Macchio may have had no career after these film, but at least he proved to be comparable as Daniel (san). Sure, the ending and outcome proved to be a little predictable, but the film was still a winner.

I am a kid of the 80's, no doubt about it. This movie meant a lot to me back when I was growing up. I never really took karate and I wasn't really bullied, but it is great to remember a time when profanity wasn't needed for humor, or vulgarity, or shootings or blowing up buildings.

A time when the " good guy " would adhere to the rules and had morals. A time when the " bad guy " had no honor, but would rarely curse...lol. ( Hey, this was a PG movie after all, wasn't it? LOL. ) " Oh, I think nothing of cheating and being mean, because THAT'S what makes the audience dislike me and root for the hero, but I just can't use filthy words. " I miss that.

I love the movie because it takes me back to my childhood and a simpler time. A good guy and a bad guy, with the good guy coming out on top. If the " good guy " curses like a sailor, shoots everyone that gets in his way, and does everything vile imaginable, he's not really that good of a guy, is he?

Yeah, I'm " old school. " So what?