In this WW2-era drama, Goldie Hawn is the main character, and she tries to keep pace with the changes in her life as she goes from demure housewife from Iowa to lead lineperson in an aircraft factory by day and some-time escort of a jazz trumpeter (with a motorcycle/sidecar, no-less) by night. An interesting unfolding of the individual takes place amongst the trials of war-time life. When she finally, after many months, succumbs to the jazzman's charms, I was sympathetic toward her loneliness and formerly-repressed need for expression. During her tryst, it was always evident that she still loved her husband, played by Ed Harris, who was away in the navy. The fine acting jobs by Hawn, Harris, Russel and Christine Lahti are not exactly wasted in Swing Shift, but I would have liked to have seen more of the inner persons exposed, especially in regards to their thoughts and questions about why the Japanese attacked. The movie is good, but the individuals portrayed in the movie accept the war and their roles in it somewhat robotically, in that there is very little dialogue regarding the U.S. military's presence in Hawaii and other foreign countries. I feel this kind of dialogue would have helped develop the characters more. A fine move, well-directed and well-produced. Some powerful acting by Hawn, who manages to seem scared, but dauntless at the same time. Not an easy thing to do.