Fair Game (1986)

R   |    |  Action, Thriller


Fair Game (1986) Poster

A young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill ... See full summary »


6/10
810

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  • Garry Who in Fair Game (1986)
  • Peter Ford in Fair Game (1986)
  • David Sandford in Fair Game (1986)
  • Peter Ford in Fair Game (1986)
  • Carmel Young in Fair Game (1986)
  • Don Barker in Fair Game (1986)

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21 September 2008 | lost-in-limbo
8
| When the hunted gets game.
This mid-eighties thriller is a skimpy, but surely entertaining and crazy Australian b-grade exploitation attempt at the revenge sub-genre. A young woman takes on some restless kangaroo poachers who go onto make her life hell, when she confronts them about killing animals on her wildlife sanctuary. It's a lot better than you're led to believe. A cat (well there's three of them) and mouse game evolves, as they simply go tit for tat (no one is desperate to back down) in humiliating, terrorising and finally gaining sweet vengeance. The savage violence isn't particularly extreme, as it has a comic book tone to it, but it's mean-spirited and gustily dished-up. From the get-go you can tell it's going to be thrilling, exciting and blistering as it gets straight in to it and never adjusts otherwise. The suspense holds up and the adrenaline kick gets the heart-pounding in many knuckle-busting sequences (the memorable trophy truck ride). Andrew Lesnie sharply photographs the colourfully rugged Australian landscape and wildlife, but it's the moody nightlife cinematography that adds the atmospheric dynamics. Cassandra Delaney (who looks lovely and spends the quite bit time in the flesh) brings a genuine grittiness and sympathetic side to a strong, capable character. The boneheaded, cruel poachers are eccentrically portrayed by Peter Ford, David Sandford and Gary Who. From this inclusion, the gigantic killer pig feature 'Razorback (1984)' comes to mind. Dominating a lot the scenes would be that of Ashley Irwin's uncanny live-wire and throbbing music score. Sometimes uncalled for, but always palatable. Director Mario Andreacchio makes good of the psychical set-pieces and locations. While writer Rob George's material is fundamental, he still strikes up a dependable script that never resorts to camping it up. An agreeable revenge item.

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