A Nightmare on Elm Street 2: Freddy's Revenge (1985)

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A Nightmare on Elm Street 2: Freddy's Revenge (1985) Poster

A teenage boy is haunted in his dreams by deceased child murderer Freddy Krueger, who is out to possess him in order to continue his reign of terror in the real world.




  • Robert Englund in A Nightmare on Elm Street 2: Freddy's Revenge (1985)
  • Mark Patton in A Nightmare on Elm Street 2: Freddy's Revenge (1985)
  • Robert Englund and Kim Myers in A Nightmare on Elm Street 2: Freddy's Revenge (1985)
  • Kim Myers and Mark Patton at an event for A Nightmare on Elm Street 2: Freddy's Revenge (1985)
  • Robert Englund in A Nightmare on Elm Street 2: Freddy's Revenge (1985)
  • A Nightmare on Elm Street 2: Freddy's Revenge (1985)

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19 December 2017 | Foreverisacastironmess123
| Freddy drives the bus.
Ok so for a start, I honestly never quite registered the big infamous gay undertones of this much-maligned sequel that everyone raves about so much until I heard it pointed out in some documentary or whatever, and I certainly never noticed it as a kid, I just thought it was a bit of a lame sequel that just happened to feature some very random s**t in it! That element of the movie has really been blown out of proportion, people make out that every little scene is a homoerotic metaphor of some kind, someone even suggested that of the unbelievably stupid scene where the parakeet goes crazy and attacks the cast before exploding like a Roman candle in a flurry of fire and pretty feathers! To me it's not at all that it's 'gay' that's the problem, but that it's so obnoxiously out of place, awkward and plain ridiculous to have that kind of thing stamped all over the sequel to what had been such an acclaimed and instant classic. And how it's done in this is so tacky and in the more blatant moments that everyone knows about it's right in your face, "subtext" my ass! It might have earned itself a little more consideration and respect over the years and I can understand why, it is a fun and entertaining campy effort in its own right, it's pure 80s and has an effective eerie score as well as still retaining the darker more menacing Freddy who talks little and sticks more to the shadows before he naturally progressed into the macabre crooked clown pop culture horror icon we all know and love, but at the end of the day make no mistake, this was never a worthy follow up to the masterful original and failed to live up to its premise and was a big 'ol step down in basic quality on pretty much every level... From my point of view it's not a bad movie, but it sure ain't a good Nightmare on Elm Street movie! For one thing it's fundamentally a story about possession, not nightmares, and barely touches upon the dream and die aspect that was so incredibly well realised in the first movie, and that was especially irksome. If Jessie sleeps people other than him die but that's as far as it goes.. It's the sequel that quite literally took the Nightmare out of Elm Street! To be totally fair though they couldn't have known about the lore that would come about with the later films in the series, but couldn't they have thought it through a little more and followed on the first movie's events just a little and done it so that, maybe with his presence still very weak after his defeat by Nancy, Freddy was using Jessie to spread new fear to the children of Elm Street so that he'd be strong enough to be able to terrorise and kill his victims in their dreams again? As it is the tone is patchy and has no real atmosphere at all.. It has its good points and moments, it gets off on the right foot with the regular bus ride turning into a trip straight to hell, with the bus precariously hanging above a flaming abyss on crumbling rocks. That a creepy memorable sequence and a high note to me and the effects are impressive, as are the ones done in the also memorable scene where Freddy bursts out of Jessie's body like out of a cocoon, it's very well done and is a little reminiscent of David's transformation into a werewolf in a certain classic! I like the few scenes in the old abandoned steelworks factory, it's a spooky old joint and it makes sense that a corporeal Freddy would return to haunt his old lair.. The silly monster animals might not seem to make sense but maybe it's Freddy's unearthly influence starting to manifest itself? One thing the movie has in its corner is that it has Clu Gulagger in it, who is hilarious as a moronically skeptical old-timey father! Mark Patton is so lame and annoying in it however, he's just a whiny male waif who's essentially filling a girl's role, I mean how could the audience possibly take him seriously after he lets loose such a cringeworthy girlish shriek after the opening nightmare? Jessie is a helpless idiot, it's the girl who saves him in the end after solving the mystery for him - it might be the only flick in the series with a male lead but it doesn't count for very much, when push comes to shove it's still a woman that beats Freddy, with a kiss nonetheless! Jessie is baptised and born anew by the power of her pure love and his inner lurking evil of corruption is banished, but it's only a matter of time before the symbolism strikes again!! As much as this film leans toward the sucky side of things it could have easily been a lot worse if the execs hadn't come to their senses and used Robert Englund in the role he was born to play a second time after a failed screen test. And for what it's worth, like Friday the 13th A New Beginning, it at least offered a novel approach to a beloved horror character and an interesting chapter in an awesome series. Not nearly as good as the original but not as bad as some make it out to be. A solid 7 out of 10 Fu Man Chew Fingers! X

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