Perry Mason Returns (1985 TV Movie) User Reviews (14)

Didn't They Know Who Della Worked For Before?

[bkoganbing · 7/10 · 8 June 2008]

After a 20 year absence from the small screen Raymond Burr who is now, older, stouter, and grayer and with a beard returns to television in the first of several two hour made for television films. Burr had a legion of fans as Mason and his return was heralded with high ratings every time one of these films was broadcast.

In the interim like many good lawyers and some mediocre ones, Perry Mason became a judge and was now an appellate court jurist. But when a friend's in trouble, Perry quits it all and returns to active combat in the courtroom.

Back in the original series William Hopper as Paul Drake was a defendant in one episode. Here it's the only other living cast member at the time from the old series, Barbara Hale as Della Street.

Della's gone on with her life as well. She became a secretary and later executive assistant to the wealthy Patrick O'Neal. With the kids and second wife O'Neal's got, no wonder he began relying heavily on Della Street to run his business.

When O'Neal is stabbed to death by a killer in drag to make it look like Della broke in, she's arrested and of course she turns to Perry as her attorney. Biggest mistake the perpetrator made, didn't the individual realize just who Della worked for before. Definitely should have found another patsy.

But as the case developed it turns out that not only did O'Neal have to be killed, but that Della had to be framed in order to solve get out of the potential jackpot the killer was in.

This became a family reunion in another way as Barbara Hale's son William Katt came on as Paul Drake, Jr. The script had it written that Paul Drake was now retired and the Drake Detective Agency was in the hands of his son. But it's clear that Katt only considers it a part time gig. In fact when we first meet him he's doing another gig, playing a saxophone at a jazz club.

Perry takes him on, but doesn't quite take him seriously enough. Katt has to earn his respect and that's a running theme throughout the film.

Perry Mason Returns is a good start to eight years of Perry Mason films, all anticipated by the legion of fans Raymond Burr developed for Erle Stanley Gardner's famous defense attorney.

He's baaaack!

[fjalexiii · 8/10 · 20 June 2016]

I hesitate to write this, as I am not a huge fan of reviving classics. However, three factors - the chemistry amongst the cast members, the combination of devoted former viewers and their kids who became new viewers, and the age-old American moral story that the good guys always win in the end - ensured that the revival of the Perry Mason franchise in the guise of two-hour TV movies would be a ratings smash.

As with a few other revivals of older franchises - the first Star Trek movie is a prime example - this plodded along at times, but its main purpose was to re-acquaint former viewers with an updated cast and to introduce new viewers to the show and its format. Later Mason TV movies were better than this; but after 19 years off the air, I think die-hard fans would have looked at a filmstrip of old stills from the original series. Just having Mason back in the saddle again, with his old confidential secretary at his side (and on trial for murder, no less) along with the son of his old detective pal was enough to put a grin on my face. The premise was a bit of a stretch, in that a well-respected appellate-court justice will impulsively resign his court to defend his faithful old sidekick but Mason is a stand-up guy.

The plot in a nutshell is that someone has it in for Arthur Gordon, a wealthy businessman. Any number of people want him dead, including everyone in his family and undoubtedly some of his business competitors. Someone goes to extreme lengths to not only do him in, but to frame Della Street for the murder as well. Suffice it to say that by framing her, two birds will be killed with one stone. Mason has his work cut out for him to get to the bottom of the mess.

William Hopper, Bill Talman and Ray Collins all died between 1965 and 1970. It would have been a kick to have seen them, too, but two out of five ain't bad. All things considered, not a bad watch at all.

He's back! Bigger & Badder then ever!

[sol1218 · 6/10 · 7 January 2007]

(There are Spoilers) Floundering around like a beached whale in the state appellate court for the last ten or so years and getting thick and heavy around the mid section, as well as everywhere else, former defense attorney Perry Mason, Raymond Burr, was just about pooped in handing out long winded and boring opinions about the law. When Mason heard that his former private secretary Della Street, Barbara Hale, had been charged with the murder of her boss millionaire businessman Arthur Gordon, Patrick O'Neal, the guy just jumped at the opportunity. Perry had to resign in order to defend Stella in open court where the real action is and that's just where Perry Mason want's to be.

Finding Arthur Gordon dead of a stab wound in his study all the evidence lead to his private secretary Della Street as being his killer. We already saw that it was the creepy ex-convict Bobby Lynch, James Kidnie, dressed in drag who was the real murderer and the one who left clues to incriminate Della in Arthur's untimely death. Arthur had earlier threatened to cut out his wife Paula, Holland Taylor, and all his ungrateful and greedy children, Kathryn David Laura & Chris,from his will. Arthur was going to have Paula replaced from his charitable foundation, where the majority of his fortune is in, by Della so why would she want to murder Arthur since Della was to end up as the hostess with the most-est! This fact is what Lynch seemed to have completely overlooked and in the end it would lead a very determined and no holds barred Perry Mason straight to Arthur's killers :the guy who did it and the guy who paid him to do it.

Working overtime without pay Perry gets his very competent former, but now deceased, private investigator Paul Drake's overly eager son Paul Drake Jr, William Katt, to do the legwork for him in finding out who framed Stella. Junior comes up with a dead Bobby Lynch who tried to run him down in his car in a garage but was shot between the eyes by an unknown assailant; not to save young Paul's life but to keep Lynch from talking in just who hired him if he ever was caught and put on trial.

The road to Arthur Gordon's killer leads to not only one of Arthur's spoiled and rotten kids the very sexy Kathryn, Kerrie Keane, but also her secret lover Arthur's personal attorney and the person who's to make out his will Ken Braddock, Richard Anderson. Perry together with Paul Jr. get to the bottom of what was the reason for Arthur's murder and it had to do not with just the money he was to withdraw from giving his wife. Paula had been using the foundation as her own personal piggy bank and on top of all that someone else the person who, with or without Paula's help, had Arthur killed.

A piece of cake for Perry who had no trouble at all exposing Arthur's killer and exonerating his good and close friend his former private secretary Della Street but most of all making a monkey out of the snotty and arrogant young prosecuting D.A Julie Scott, Cassie Yeats. Scott wanted to make it big as a state prosecutor thinking that the fat and rusty old man, Perry Mason, was ripe for the picking and ready to be plucked but learned soon enough that Perry is still not only the best at what he does but even better then ever in doing it.

The first of the Mason TVM series and also one of the more polished

[bob the moo · 12 October 2002]

Rich business man Mr Gordon has many enemies and a family that wouldn't miss him if he dropped dead. Someone hires a hitman to kill him and it is carried out in such a way to frame Gordon's secretary Della Street. When Della is accused of the murder, Perry mason resigns his position as judge to defend her and employs the son of his old colleague, Paul Drake, the act as private investigator on the case.

This film is the first of the many Perry Mason TVM's that were made in the late 80's and early 90's. This is the one that set up the new characters and the formula for all the movies. I have never seen the original series so don't know if this is just a lift of that formula or not, but they are all the same thing in different clothes and settings!

The plot here is the same as all the other TVM's except it does feel better written and more worked. The main flaw with the plot is the whole idea of a man dressed up as a woman – it isn't that big a deal but you must wonder how seriously they expect us to take the plot when Mason sets up his usual courtroom antics that would get kicked out in any real court but are accepted here! The final twists aren't even as daft as usual but it does set up the usual big finish. Burr loves nothing more that getting to boom `isn't it true etc, isn't it also true etc' and it makes for a dramatic if slightly hammy climax.

Burr seems very happy to be back in his old role and works hard, compared to later TVM's where he almost appears to be going through the motions. Hale is good and it's good to see her getting more of a role than usual. Katt is also good and his haircut hasn't yet gone curly and his action scenes are reasonably tense. The rest of the cast are made up of the usual red herrings for Mason to chase around the courtroom until he gets the real killer. The `oh look it's…..' faces are Taylor who is OK and Anderson. Freeman is also amusing to see if you only know him as Elijah Mohammed from Malcolm X. The cast is also interesting when you look at it in terms of the mason series and note that one of the Gordon family (Kathryn) is actress Kerrie Keane who is in two later Mason movies playing different roles.

If you've enjoyed any of the Mason TVMs then this will please you as well. Because it is the first of the TVM run it feels better and that a lot more work has gone into it, as much as I enjoy the rest, some did feel like they were rushed out in a short time. Overall this is one of the better of the modern Mason series.

Perry Mason Returns

[iain-stleon · 7/10 · 24 August 2014]

The TV Movie - Perry Mason Returns, is a departure from the normal format of the 1950's and 1960's, this is the modern take on the former golden age of televisions hit series.

Unlike the stories of old that were completed in an hour long show, the TV Movies is an hour and half. In order to extend the running time, they have used much more filler such as a car chase in the hills and is very disjointed in contrast to the rest of the story.

The opening sets the stage for the entire movie and it is great to see Perry Mason (Raymond Burr) & Della Street (Barbara Hale) back together again. The chemistry between the two of them has not been lost during the 20 year absents from TV.

The flow of the storyline allows you to workout who the killer is. After Perry meets with the daughter of the murder man and Ken Braddock (Richard Anderson), it is clear here that he is involved, but without a clue as to the way in which Perry will figure it out. Unlike the TV series, in this TV Movie they give it away a bit too easy and too early.

In the court room, Perry is up to his usual tricks and misdirection with great effect, to the objection of the district attorney.

I rate this as an effective comeback from 20 years in the wilderness, with some lack luster moments. The performance of the other cast members can not be compared to the old series as they fail in comparison. William Katt (Barbara Hale's son) is OK as Paul Drake Jr, but is a far cry from William Hooper who played Paul Drake in the TV Series.

Anyone who is a fan of the original series as I am will not be disappointed, but they will see just how good the chemistry between the original cast was. For someone new to the series, it won't light the imagination like the TV series did but is still a good, watchable 80's TV movie.

I rate this a 7/10, if it was only an hour long and used the same format as the TV series this would have made the entire show more punchy and would have garnered a higher rating.

The Legendairy Perry Mason Returns

[youngkaren-25330 · 10/10 · 23 April 2021]

Perry mason quits his judge's job and comes out of retirement as a defense attorney to represent his latest client his former personal secretary della street who is accused of killing her boss.

Good who-dunnit

[helpless_dancer · 7/10 · 21 January 2000]

Della Street is set up as the fallguy for a murder. Of course, everybody knows that this sweet, motherly woman wouldn't swat a fly, much less off somebody. Mason pulls out all stops in unraveling the mystery and uncovers a plot to keep a multi-million dollar scam intact. The one phony part in this film is the reaction of a lawyer at the movie's end. No attorney would do what this man did.

Perry Mason returns

[coltras35 · 8/10 · 26 May 2023]

After a long and successful career as a lawyer, Perry Mason (Raymond Burr) has put down his briefcase and has picked up the gavel. However, he decides to resign his judgeship and return to the other side of the courtroom when his former longtime secretary, Della Street (Barbara Hale), is accused of murdering the wealthy businessman she was working for. Using his still sharp investigative skills and the help of Paul Drake, Jr.. (William Katt), the son of his former private investigator, Perry attempts to bring the true culprit to justice.

A solid start to an entertaining series of Perry Mason Tv films with Raymond Burr on top form - there's some exciting action sequences featuring William Katt doing the legwork. The suspects consisting of a dysfunctional family is quite good. It's quite an engaging entry:

Perry Mason Returns

[Scarecrow-88 · 7/10 · 6 September 2010]

Perry Mason(Raymond Burr)decides to step down as an appellant judge and represent his old friend, Della Street(Barbara Hale)who was framed by a hired killer responsible for assassinating her current employer, Arthur Gordon(Patrick O'Neal). Mason hires a private investigator, Paul Drake Jr(William Katt), the son of an old pal. The case is an intimidating one as the killer staged the crime really well against Della, appearing in drag so that the maid could see a woman exiting the mansion, leaving a torn piece of dress on the outside(and one of her earrings in his hand), returning her muddy heels to her closet to implicate her. But Perry doesn't intimidate easy and he expects a lot out of Paul in order to nab the real suspect, the one who hired the killer. Arthur was to disinherit his entire family out of his will and any one of them could have a possible motive for wanting him dead. When the killer, Bobby Lynch(James Kidnie)is himself shot dead while attempting to run over Paul, Perry plans to turn up the heat on all the Gordons, including wife, Paula(Holland Taylor), insanely jealous of Della who had earned Arthur's good graces(not an easy feat). Richard Anderson represents Paula and Perry later discovers that he is having an affair with Kathryn, Arthur's opinionated, bluntly honest(and has expensive taste)daughter. The aha moment at the end is an essential aspect to all the Perry Mason movies and it's a humdinger here as well. The most amusing scene could be when Perry proves his "dressed in drag" theory in court to the surprise of those in the room. Katt does most of the leg work, while Mason, with his usual towering strength, confronts the Gordons, plenty of questions and accusations which has them on the defensive, the anxiety ever present even from those who weren't behind the hiring of a hit-man. The case goes all the way to the wire with Paul popping in just in time to confirm who Mason expects is the real killer, allowing a nick-in-time suspense even though we know Perry always gets the bad guys in the end.

Perry Mason Takes Up Beating Women

[boblipton · 6/10 · 21 January 2019]

Since William Talman, who played the game but always losing ADA in the original series died in 1966, a new ADA was needed for the first of 26 TV movies, and they settled on a woman. While only Raymond Burr and Barbara Hale survive from the original cast, you know as soon as Fred Steiner's memorable theme begins that Perry's client faces an unsinkable case, and that Perry will sink it.

And a good thing too, since his client is Barbara Hale. It seems that Perry has been spending some time as a judge -- he was probably appointed to give the Los Angeles DA's office a better win average -- but he resigns as soon as Della is arrested. With Della's son by investigator Paul Drake (played by Miss Hale's son, William Katt) we are treated to an investigation -- Katt providing some comedy -- in which there are more than half a dozen suspects, since we all know that Della didn't do the deed.

There are the usual trite "This Time It's Personal!" tropes, but it's a well-built and executed mystery. It's a pleasure to see Burr resume the signature role that changed him from a movie heavy to a TV star.

He's Back!

[liammurphy1 · 15 September 2003]

The first Perry Mason Series ran from 1957 until 1966, In the mid eighties until it's star's (Raymond Burr) death in 1993 there was a belated revival bringing Mason a new generation of fans in several TV Movies along with original sidekick Della Street (Barbara Hale) and new P.I Paul Drake JR (William Katt). This is the first such movie and one of the better ones for it has Della street accused of murdering her boss and so Mason and Drake frantically try to find clear her name.

all in all an above-average TV Mystery

8/10

Perry Is Perfect As Usual ***1/2

[edwagreen · 10 November 2008]

Even when she is accused of murder, Della Street can't seem to get a piece of the acting action in the Perry Mason series.

That being said, we have a marvelous film here with someone impersonating Miss Street, running around with her clothing to commit murder.

The characters are lively. Eventually, you will come to know who the culprit is as the affair with the youngest daughter and attorney is revealed.

Burr, as usual, is in top-form. He really goes at it with that prosecuting attorney, a nasty woman who thinks she has the case in the bag. She had to be reminded that Hamilton Burger always had the same beliefs.

First and best of the Perry Mason revival TVM's

[jamesraeburn2003 · 14 May 2018]

Perry Mason steps down as a judge to defend his former secretary and one time sweetheart Della Street whom has been accused of murdering her new boss, the computer science tycoon Arthur Gordon. Assisted by Paul Drake Jnr, the son of his former private eye associate Paul Drake, Perry discovers that Gordon was about to cut off his family without a cent. Since all of them were in dire need of money, they all had a reason to want him dead. Perry and Drake discover that Gordon was really killed by a hitman called Bobby Lynch, but he too is murdered and time is running out fast for the pair to find out which one of the family hired him and to clear Della's name...

First and best of the numerous revival made-for-television movies, which returned the great Raymond Burr to his best loved role (along with Ironside) as Erle Stanley Gardner's ace defence attorney Perry Mason. It sizzles with cracking chemistry between Burr, Barbara Hale and William Katt (Hale's real life son) who plays the son of Perry's old private eye colleague Paul Drake. The actor William Hopper who had played him in the hit 1950's-60's TV show died not long after it had finished as did William Talman who played the famous DA Hamilton Burger. Here, Mason is paired with a young DA called Barbara Scott (Cassie Yates) who thinks that she is on to a "dead bang winner" partly because the circumstantial evidence against Della is overwhelming, but also because she believes that Mason is "rusty". Her boss, sceptical of her confidence of victory asks "Do you know how many times Hamilton Burger said that?" in an amusing nod to the original series. Her courtroom scenes with Burr are quite fun to watch as she isn't prepared for Mason's unorthodox courtroom antics. And, like Burger always did, she underestimates Mason's considerable abilities as a sleuth in which he always looks beyond the circumstantial. Yes, you've guessed it! - Scott loses just like Burger always used to.

Raymond Burr and Barbara Hale are a joy to watch here. Although she is now Perry's client, she acts as though she is still his secretary. "You do realise that you are the client, don't you?", he asks as if putting her in her place. She replies, "For the first time I know what its like to be the accused, I'd like to stay busy." "Well, in that case I will need detailed information on all the family, especially their finances." In a touching moment, Della turns to Perry and says "I don't know if I've ever said this, but its nice to see you again" and you can see by the way Perry responds that he is moved and we are invited to wonder if there really was a romantic angle to their relationship.

The interplay between Burr and Katt's struggling private eye is at its strongest here. Perry makes it clear that he disapproves of his undisciplined lifestyle: he has ran his father's once thriving business virtually into the ground and he scraps a living on routine divorce cases when he isn't moonlighting as a jazz musician and the "novel" he is meant to be working on has barely got started. Mason is very hard on Drake during the investigation by dismissing his efforts even when he has got vital leads and clues, which he has literally diced with death to obtain for him. Initially, we think that Perry's attitude to the young lad is unjust, but later we can see that he is actually very fond of him and it was just his way of getting Paul to focus on the job at hand.

The supporting cast is excellent with Holland Taylor, Kerrie Keane, David McIlwraith and Roberta Weiss stand out as the murdered man's family all of whom, in the best murder mystery tradition, have something to hide and are all not exactly trustworthy. Richard Anderson also deserves mention as the family lawyer Ken Braddock as does Patrick O' Neill as the ruthless tycoon Arthur Gordon. Dean Hargrove's script plays as fair as can be with the audience leading to a satisfying denouement and Ron Satlof's direction is pacy, slick and smooth.

Success by Negation

[tedg · 5 October 2010]

This film is interesting not for what it is, but its place in a the scheme of things. By itself, it is dreadful, every bit of it. Taken alone, there are inherited characters played by actors who were accidents. There is an attempt to play with a formula that got worn out, so there is a hipster detective and a couple car chases. The "77 Sunset Strip" model is followed here, I think because the original series competed with it (and its ilk). The formula that worked before was scrambled here, but in the later episodes of this second time around, they got better as they went back to basics.

The thing is worth considering because of the stage of evolution it represents.

The detective story was a great invention, a big step forward in narrative types. It was followed by the mystery novel, where the reader and writer engaged in a tussle for control, sometimes (in the later form) complicated by a detective who has as much control as the writer. This was high art, in fact still is in some form in literature.

Film picked it up and evolved the noir form, perhaps the greatest American invention.

In written fiction, the standard model is based on the reader trying to determine the murderer by assembling causal dynamics. Erle Stanley Gardner changed the formula in a clever way. He wrote tons of Perry Mason stories from his "fiction factory," using a very strict formula. In his stories, it is impossible to guess the murderer (or sometimes two) by understanding cause. Instead, you eliminated all that could have done it, because the solution is the least likely. Gardner in his day was the most popular author in the English language.

So while film took the mystery form and evolved it into noir in amazing variety, TeeVee picked up this strange deadend on the evolutionary tree. The stories were imported wholesale, with the characters modified significantly. Perry was less a playboy and Della was not his lover. No big deal. I think the long run of this show established the form of the detective story we have today when it is distinct from noir: viewers don't want to work at figuring things out. They just want to collect all the pieces as the movie proceeds and see how they assemble at the end, the assembly done for them.

When Perry went off the air, it was a sad end to the more pure negated form (negated because of that "least likely" business). So when he came back with this relatively long form, it was hugely anticipated. I recall this. And I recall how we celebrated the show and its successors, not because they were good but merely because they existed. Again. This negated the negation of the negated form.

Ted's Evaluation -- 2 of 3: Has some interesting elements.