After an odd new medical student arrives on campus, a dedicated local and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue.After an odd new medical student arrives on campus, a dedicated local and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue.After an odd new medical student arrives on campus, a dedicated local and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue.
- Awards
- 4 wins & 4 nominations total
Featured reviews
Most of the cheap or not so cheaply made horror films these days are nothing more than a tedious exercise in how to bump off as many teenagers in as many different ways as one can imagine in ninety minutes or less. One need only watch recent films such as Wrong Turn or the remake of Texas Chainsaw Massacre to realize how far the horror genre has fallen. Once John Carpenter made the first Halloween film, we have been subject to an endless series of copy cat films whose only purpose seems to be finding an imaginative way to slice and dice the local teenage population. All of the Freddies, Jasons, and Michael Myers films combined don't come close to having an ounce of the entertainment and imagination of Producer Brian Yuzna and Director and Writer Stuart Gordon's Re-animator.
Professor Herbert West (Jeffrey Combs) is a scientist who has discovered a formula which brings the dead back to life by reanimating their tissue. After an experiment in Switzerland goes awry, he moves to Miskatonic University to continue his experiments. One thing Professor West isn't and that is modest. He even takes a few moments to ridicule a professor, Dr. Carl Hill (David Gale) when he disagrees with him about when death actually occurs. He eventually rents a room from fellow student Dan Cain (Bruce Abbot). Dan is dating Megan Halsey (Barbara Crampton) who is the daughter of the college dean, Alan Halsey (Robert Sampson). What Dan doesn't know is that the aforementioned Dr. Hill has a perverted eye on Megan also. We know this because of the sleazy stares Dr. Hill eyeballs her with when ever she's around. Think of Megan as being an overage Lolita and Dr. Hill as Humbert Humbert and you've got the idea. All of this is not window dressing as it would be in some other films. It all comes into play very nicely. It goes without saying that sooner or later, Dr. West will be making good use of his reanimation formula, in ways only those with the most grotesque sense of humor can imagine. To say any more than that would deny you of the true pleasures of this film.
How can a film that is so explicitly graphic and perverted in nature be fun? It's because every person involved in the making of Re-Animator was smart enough not to take it too seriously themselves. Everything in this film is so wildly over the top, that you can't help but chuckle right along with them as they wink their eye at you. There may be certain moments of the film that would normally sicken even the most hardcore horror film fanatic, but since Yuzna and Gordon never once let Re-animator sink into the tedious by the numbers game of other films of these nature, these same scenes become intentionally cartoonish and silly.
But more than anything, this film owes it's life to it's cast. Jeffrey Combs as Herbert West should serve as the model for anyone wanting to make a film involving a mad or semi-mad scientist. Given this kind of role, there is many an actor who would have been tempted to ham it up and alas in many horror films they do just that. However, when Combs seems to imply that he is the smartest man on the planet and the rest of us are Neanderthal, we don't hate him for this implication at all. He is so good at making us believe he is the smartest man since Einstein and we are all nothing but Cro-magnon man by comparison that we love him for it just the same. He may be crazy, but he's a fun kind of crazy.
David Gale as the smarmy Dr. Hill, is a joy to watch also. He has some of the most ridiculous scenes in the film yet somehow manages to keep a straight face through it all. He gives new life to the old saying about not losing your head over a piece of tail.
Bruce Abbot as Dan Cain is the perfect contrast for West. He is a straight arrow, is madly in love with Megan, yet somehow lets himself become involved in West's experiments. Abbot also is smart enough to know that the center of this film is West, and never once overplays his role to try and overshadow him. As for Barbara Crampton, she should have won some kind of award, just for the abuse the producers put her through as Megan. Is there an award for most abuse of a female by the walking dead?
Re-animator was made on a budget of less than a million dollars which is truly remarkable. There isn't a film budget in the world though that can replace the imagination and daring rampant through out Re-Animator. And when a horror film is that well done, and is something all the Freddies, and Jasons, And Michael Myers can only dream about, I have no choice but to give it my grade which for Re-Animator is an A.
Professor Herbert West (Jeffrey Combs) is a scientist who has discovered a formula which brings the dead back to life by reanimating their tissue. After an experiment in Switzerland goes awry, he moves to Miskatonic University to continue his experiments. One thing Professor West isn't and that is modest. He even takes a few moments to ridicule a professor, Dr. Carl Hill (David Gale) when he disagrees with him about when death actually occurs. He eventually rents a room from fellow student Dan Cain (Bruce Abbot). Dan is dating Megan Halsey (Barbara Crampton) who is the daughter of the college dean, Alan Halsey (Robert Sampson). What Dan doesn't know is that the aforementioned Dr. Hill has a perverted eye on Megan also. We know this because of the sleazy stares Dr. Hill eyeballs her with when ever she's around. Think of Megan as being an overage Lolita and Dr. Hill as Humbert Humbert and you've got the idea. All of this is not window dressing as it would be in some other films. It all comes into play very nicely. It goes without saying that sooner or later, Dr. West will be making good use of his reanimation formula, in ways only those with the most grotesque sense of humor can imagine. To say any more than that would deny you of the true pleasures of this film.
How can a film that is so explicitly graphic and perverted in nature be fun? It's because every person involved in the making of Re-Animator was smart enough not to take it too seriously themselves. Everything in this film is so wildly over the top, that you can't help but chuckle right along with them as they wink their eye at you. There may be certain moments of the film that would normally sicken even the most hardcore horror film fanatic, but since Yuzna and Gordon never once let Re-animator sink into the tedious by the numbers game of other films of these nature, these same scenes become intentionally cartoonish and silly.
But more than anything, this film owes it's life to it's cast. Jeffrey Combs as Herbert West should serve as the model for anyone wanting to make a film involving a mad or semi-mad scientist. Given this kind of role, there is many an actor who would have been tempted to ham it up and alas in many horror films they do just that. However, when Combs seems to imply that he is the smartest man on the planet and the rest of us are Neanderthal, we don't hate him for this implication at all. He is so good at making us believe he is the smartest man since Einstein and we are all nothing but Cro-magnon man by comparison that we love him for it just the same. He may be crazy, but he's a fun kind of crazy.
David Gale as the smarmy Dr. Hill, is a joy to watch also. He has some of the most ridiculous scenes in the film yet somehow manages to keep a straight face through it all. He gives new life to the old saying about not losing your head over a piece of tail.
Bruce Abbot as Dan Cain is the perfect contrast for West. He is a straight arrow, is madly in love with Megan, yet somehow lets himself become involved in West's experiments. Abbot also is smart enough to know that the center of this film is West, and never once overplays his role to try and overshadow him. As for Barbara Crampton, she should have won some kind of award, just for the abuse the producers put her through as Megan. Is there an award for most abuse of a female by the walking dead?
Re-animator was made on a budget of less than a million dollars which is truly remarkable. There isn't a film budget in the world though that can replace the imagination and daring rampant through out Re-Animator. And when a horror film is that well done, and is something all the Freddies, and Jasons, And Michael Myers can only dream about, I have no choice but to give it my grade which for Re-Animator is an A.
Ah, finally a horror camp classic that deserves to be called a horror camp classic. Re-Animator is one of those fun horror movies that is so over the top that it is just a lot of fun to watch, kind of like the spectacular Evil Dead films, although not quite to that same level of skillful horror/comedy mix. Ironically enough, I think it should be a testament to the quality of the rest of the movie that it is able to work so well despite prominently featuring a soundtrack that is a naked rip-off of the Psycho soundtrack. It's amazing to me that Richard Bond, the music composer, didn't think anyone would notice him plagiarizing one of the most famous movie soundtracks in cinematic history, but luckily everyone else in the production was right on the mark.
Jeffrey Combs delivers a wonderfully crazy performance as Herbert West, the scientist in the movie who is determined that he has discovered a scientific method to beat death, and is desperate to try it out on a human being rather than small animals, on whom he has had remarkable success. He is playing a completely one-dimensional character, a genius scientist whose mental capacity is also tinged with madness, but which is counterbalanced by the fact that he may very well be desperate to try something potentially immoral but which could also potentially revolutionize medicine. Maybe his intentions are good after all, but for the purposes of the film, he just wants to get his hands on some fresh corpses, which is a great premise for a horror film.
The movie operates in its own world, like the Evil Dead films did. It takes place in the horror genre but wants to combine some elements of drama as well, as we have a real scientist who is truly brilliant. He is still in medical school, I believe, but is often smarter than his often-published professors, criticizing their work for being incorrect or even plagiarized. He's very quick to make enemies, I would think his line of work might be easier the less people he had watching him, so it's unfortunate that he was so good at making people not like him. Mere days after he rents out a room from a couple of other students, they find their cat dead in his refrigerator. I hate it when new roommates do that.
There is plenty of gratuitous nudity in the film, and while I appreciate nudity as much as the next guy, I don't like it when it drives a weak film, and that is certainly not the case here. There is a graphic and highly disturbing nude scene three quarters or so through the film that made me literally cringe and turn my head, not because of gore but by the sheer disturbing idea of it, it was awful. But the thing that I loved is that that scene fits in with the rest of this movie so well. It is all about too much gore and too much blood and too much nudity, but also lots of laughs. This is a perfect example of how much fun scary movies can be.
Jeffrey Combs delivers a wonderfully crazy performance as Herbert West, the scientist in the movie who is determined that he has discovered a scientific method to beat death, and is desperate to try it out on a human being rather than small animals, on whom he has had remarkable success. He is playing a completely one-dimensional character, a genius scientist whose mental capacity is also tinged with madness, but which is counterbalanced by the fact that he may very well be desperate to try something potentially immoral but which could also potentially revolutionize medicine. Maybe his intentions are good after all, but for the purposes of the film, he just wants to get his hands on some fresh corpses, which is a great premise for a horror film.
The movie operates in its own world, like the Evil Dead films did. It takes place in the horror genre but wants to combine some elements of drama as well, as we have a real scientist who is truly brilliant. He is still in medical school, I believe, but is often smarter than his often-published professors, criticizing their work for being incorrect or even plagiarized. He's very quick to make enemies, I would think his line of work might be easier the less people he had watching him, so it's unfortunate that he was so good at making people not like him. Mere days after he rents out a room from a couple of other students, they find their cat dead in his refrigerator. I hate it when new roommates do that.
There is plenty of gratuitous nudity in the film, and while I appreciate nudity as much as the next guy, I don't like it when it drives a weak film, and that is certainly not the case here. There is a graphic and highly disturbing nude scene three quarters or so through the film that made me literally cringe and turn my head, not because of gore but by the sheer disturbing idea of it, it was awful. But the thing that I loved is that that scene fits in with the rest of this movie so well. It is all about too much gore and too much blood and too much nudity, but also lots of laughs. This is a perfect example of how much fun scary movies can be.
I bought this movie after reading a review, it must be one of the greatest horror comedies of all time! If you, like myself, thought that Evil Dead II was hilarious just go ahead and watch this one. Very sarcastic, probably the best Lovecraft movie.
This movie is campy, gory fun, amusing in parts, generally entertaining... and Jeffrey Combs is perfect as West--calm, creepy, and endearing at the same time. But at the same time, it lacks the beauty and eloquence of H.P. Lovecraft's original story, "Herbert West--Re-Animator." The modern, 1980's setting seems odd and a bit awkward. West would be much more at home in the world around the nineteen-teens and twenties, when the original story was written and set.
Lovecraft's works are so much more than just shocking tales and monster stories. They're beautiful and engaging, thrilling and--not just gory, but genuinely morbid in the truest sense of the world; a sense that seems to have been largely lost in the world of modern horror.
Re-Animator possesses none of the first three qualities. It does have some true morbidity--but only in the very small parts wherein it remains true to the source material.
To sum up: This is a good, entertaining movie, if you don't mind some gore. It's definitely worth watching. But it's the kind of movie you watch one night and then the next night forget about. It's far from worthy of cult classic status.
Lovecraft's works are so much more than just shocking tales and monster stories. They're beautiful and engaging, thrilling and--not just gory, but genuinely morbid in the truest sense of the world; a sense that seems to have been largely lost in the world of modern horror.
Re-Animator possesses none of the first three qualities. It does have some true morbidity--but only in the very small parts wherein it remains true to the source material.
To sum up: This is a good, entertaining movie, if you don't mind some gore. It's definitely worth watching. But it's the kind of movie you watch one night and then the next night forget about. It's far from worthy of cult classic status.
This movie is certainly not for everybody, but it sure is one of the better mad scientists films around. Stuart Gordon injects black comedy with over the top gore and he gets a modern horror classic. Jeffrey Combs is outstanding as Dr. Herbert West, and there are scenes that you will never forget in this one. One of my personal favorite horror films.
Storyline
Did you know
- TriviaThe special effects department went through twenty-four gallons of fake blood during the shoot, makeup effects artist John Naulin said that Re-Animator was the bloodiest film he had ever worked on. In the past, he had never used more than two gallons of blood on a film.
- GoofsBone saws, like cast cutters, don't rotate, they vibrate.
- Quotes
Herbert West: Who's going to believe a talking head? Get a job in a sideshow.
- Alternate versionsAlthough never classed as a video nasty the film has a very checkered history of censorship problems in the UK. The original cinema and 1986 video releases were cut by 1 minute 51 secs by the BBFC and many scenes were edited - most notably to the stabbing of a zombie with a bone-saw, a shovel decapitation, a scene of a head being squeezed, and a sequence where a woman is stripped, strapped to a trolley and forced to fend off the sexual advances of a severed head. The 1999 Tartan release lost 2 minutes 20 secs of footage and, although the saw attack and head squeezing was waived, the decapitation and sexual assault scenes remained cut. The latter had been pre-edited by the distributors using a slowdown technique and the entire second half of the assault sequence was completely missing. The 2001 Tartan re-release was slightly less cut and finally had the shovel decapitation scene restored, though 1 minute 49 secs remained cut from the female assault sequence. The film was finally passed fully uncut by the BBFC for the 2007 Anchor Bay DVD release. Since this 2007 release, all subsequent worldwide releases of the film on DVD and Blu-Ray have included the complete, uncensored version of the film.
- ConnectionsEdited into Cent une tueries de zombies (2012)
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Resurrección satánica
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $900,000 (estimated)
- Gross US & Canada
- $2,023,414
- Opening weekend US & Canada
- $543,728
- Oct 20, 1985
- Gross worldwide
- $2,025,014
Contribute to this page
Suggest an edit or add missing content
