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  • This Spanish movie presents the last twenty-seven hours of the life of the beautiful Maribel Verdu (in the beginning of her career) and Martxelo Rubio. Antonio Banderas, also in the beginning of his career, is a drug dealer and the three teenagers are drug addicted. The movie shows problematic young persons, spending time on the streets, looking for small jobs to get enough money for drugs and beer and drugging themselves. Maite (Maribel Verdu) loves Jon (Martxelo Rubio), but stays with Rafa (Antonio Banderas) since he is a drug dealer, who feeds her addiction. Many other characters appears during these twenty-seven hours in this Spanish city with gray sky. The tragedy in the end of the story is announced since the beginning of the plot. An average European drama movie, recommended to those who like drug-related theme and fans of Maribel Verdu and Antonio Banderas. My vote is six.

    Title (Brazil): "Jogo da Vida" ("Game of the Life")
  • This movie is worth seeing not so much for the story or the acting. Instead it is worthwhile seeing for the portrait it gives of the city of San Sebastian or Donostia in the eighties.

    The city is today a quiet posh beach resort and commercial center for the province of Gipuzkoa and southern France. The medium age is very high and there are as many people in the age group 0-19 as in the age group 65+. But in the eighties this place was a vibrant city.

    In some scenes in the film you can see the riots or kale borroka in the old part between young Basque nationalists and the Spanish police. The punk-rockers and the junkies passes by and you get to see how the city looked like twenty years ago. It is a treat! But it also shows in a low key manner the enormous drug problem that prevailed in the Basque Country during the eighties. If you have the opportunity you should see it.
  • It is not surprising that Variety back in 1986 missed the elegiac, Greek classical Myth quality of this film. And not so surprising that there is only one comment on your db considering their downbeat revue. I'm not a druggie fan at all and had little idea of the 'story' when I saw this movie at the NFT in London recently. I was moved and certainly persuaded of the inevitable and elegiac qualities of the way the tale was told. One accepts the 'unhappy' ending without complaint - it IS inevitable. How great to see a movie with a proper understanding of the language of film: exceptional camerawork and editing(how about that excellent table-football sequence?)and wonderfull soundtrack - both REAL sounds and music - THAT'S what gave it the timeless mythical quality - not the rather un-imaginative directorial input: the two climaxes - the dash to hospital and finding the dead-girl's junk were rather overdone, overlong and lifeless and most of the well acted dualogues were shot in boring singles. But I also appreciated the very handsome young men and their ice-blue jeans and was sorry Jon never took to taking up the offer of selling his body for drugs to the beautiful macho drug dealer! The one shot of the Police in the political background was an haunting sadistic homoerotic image of mustachioed man in van. I left the screening full of grey San Sabastian and the feeling of being 'cold'.
  • The biggest problem with this movie is that it doesn't get into the nitty-gritty of either street life, runaways, prostitution, drug abuse, or ANYTHING that is supposedly at the heart of this film. In terms of drug abuse, as far as we know all they do is smoke cigarettes. When Jon finds Maité passed out, there should be a hypodermic needle beside her, a bottle of pills, or at least a pack of cocaine, but all we see is something in her hand and it is unclear whether it is a cigarette or a needle (If it was a needle her sleeve should have been rolled up). This movie contains no explicit drug use at all, nor even anyone exhibiting the EFFECTS of drug use, including alcohol. When she is taken to the hospital, we don't see her dragged unconscious into the waiting room, instead there is a man with a stretcher inexplicably waiting for her at the entrance, whereby she is calmly rolled into the hospital. It's also a little ridiculous that she was able to make it to the hospital alive, and by the time Jon left the hospital is was already dark and she was still alive (many hours would have passed since she was brought there), but the hospital was unable to save her in the end. The runaway aspect is also a little dampened, as the situation is that of: "You're our son, we love you enough to give you food, but not to let you live with us or try to get you off drugs." In essence, he is not from an impoverished or broken home. In terms of prostitution... there is none, whether it be on the streets or among the main characters, and whatever prostitution IS implied, it is so vague that it amounts to nothing.

    In the end, for all these shortcomings, basically the portrait we're presented, is of 2 young adults who are living on their own, struggling to make ends meet, who appear in good health and with perfect skin, rather than 2 runaways, hooked on drugs, and under the thumb of a drug pusher, pimp, or gangster, or whatever Antonio Banderas' character is even supposed to be. And for anyone who has no real life knowledge of drug use, these 2 portraits are a key difference that the movie must establish, because many young people do hard drugs, and still live productive lives and don't have any trouble supporting themselves. These characters, the way they are presented, appear simply as irresponsible individuals who spend their money on smokes and booze when they should spend it on food and rent. In addition to all this, the scenes are very poorly set up in that all of the main characters seem to be omni-present whenever the plot seems to have use for them.

    Aside from the enormous failings, as others have commented, the dialogue and acting were fairly good, and I'm sure this movie serves as an interesting time capsule from the 80's of the city where it was filmed. I was actually able to find meaning from the rather perverted scene of where Maité just learns something new, how to fish, a useful survival skill in this coastal town, only hours before she dies. But in the end, for anyone with any REAL interest in the subject that the film pretends to be based on, an absolute waste of time.