Decades after surviving the Nostromo incident, Ellen Ripley is sent out to re-establish contact with a terraforming colony but finds herself battling the Alien Queen and her offspring.Decades after surviving the Nostromo incident, Ellen Ripley is sent out to re-establish contact with a terraforming colony but finds herself battling the Alien Queen and her offspring.Decades after surviving the Nostromo incident, Ellen Ripley is sent out to re-establish contact with a terraforming colony but finds herself battling the Alien Queen and her offspring.
- Won 2 Oscars
- 20 wins & 25 nominations total
Cynthia Dale Scott
- Corporal Dietrich
- (as Cynthia Scott)
Summary
Reviewers say 'Aliens' is celebrated for its intense action, enhanced visuals, and Sigourney Weaver's compelling performance as Ripley. The film's fusion of sci-fi, horror, and war elements is widely appreciated. However, some critics feel it falls short in psychological depth compared to the original 'Alien', with less menacing xenomorphs. The plot's predictability and stereotypical marine characters also draw criticism. Nonetheless, 'Aliens' is commonly seen as a notable sequel that enriches the original's universe.
Featured reviews
I rate Aliens a perfect 10. This second installment in the Alien series evolves the original movie's horror/sci-fi genre into action-adventure/sci-fi, setting a standard which has not yet been matched. I like this movie because it paints a picture of the future which is realistic enough to suck you in during the beginning of the film and then quickly introduces you to interesting characters who you become concerned with; some you love and others you hate.....but none of them bore you. By the time the action starts it's possible to forget you're watching a movie (at least the first couple of times). The plot is filled with tension that is occasionally broken by some of the most memorable one-liners in history (especially by Private Hudson). The special effects are remarkable, considering the fact that they were accomplished the "old fashioned way" prior to digital manipulation. I can report that I now own the Director's Cut and rate this version a 10 also. The extra footage will be extremely interesting to fans of the 1986 release. Either version gives you great characters, suspense, action, firepower, sarcasm, and wit. Aliens is an outstanding show!
So often when you think of sequels you imagine cynical attempts to cash in on successful movies, efforts to bring in the coins with any old rubbish, when you think of the likes of Police Academy, Halloween and Jaws you can understand why, and then there is Aliens......
Not often is a follow up as good as the original (and better in some ways,) but Aliens is, I would class it as one of the best movies of all time, a cinematic Masterpiece which seems to improve with age. It's a space horror, which is dramatic, action packed and funny at times.
Aliens changed the genre, sci fi would never quite be the same again. This film will have you gripped, glued and on the edge of your seat, truly an adrenaline fuelled thrill ride, with amazing visuals, wonderful acting, and terrific music. Film makers of today watch and see how it should be done.
A masterpiece. 10/10
Not often is a follow up as good as the original (and better in some ways,) but Aliens is, I would class it as one of the best movies of all time, a cinematic Masterpiece which seems to improve with age. It's a space horror, which is dramatic, action packed and funny at times.
Aliens changed the genre, sci fi would never quite be the same again. This film will have you gripped, glued and on the edge of your seat, truly an adrenaline fuelled thrill ride, with amazing visuals, wonderful acting, and terrific music. Film makers of today watch and see how it should be done.
A masterpiece. 10/10
10baumer
There are really good movies and then there's that select few that change your life. For me movies like Jaws, Raiders of the Lost Ark, JFK, Titanic and Star Wars did that. By viewing a movie you see life in a different light. Aliens also did that to me. I didn't think a movie could scare me as much as Halloween did but this one certainly did that and more. The atmosphere in this movie, and the lighting and cinematography and of course the direction are top notch, and some of the scenes are some of the scariest I've seen in my life time. But what puts this movie over the top as one of the all time greatest films ever made is the casting.
Sigourney Weaver is terrific but it is her supporting cast that shines and makes you feel like you know the crew that is heading to that desolate planet.
Paul Reiser is perfect as Burke,the slimy corporate kiss ass that cares about profit before human lives. Lance Henriksen shines as Bishop, the cyborg with a heart. Jeanette Goldstein is the rough around the edges female marine that more than holds her own with all the testosterone floating around and Michael Biehn ( another Cameron favourite )is the perfect quiet leader that leads by example and not so much a loud demonstrative voice. But the show stopper in this flick ( just as he always is in any movie that he is in ) is Bill Paxton.
Paxton and Cameron have worked on Terminator 1, True Lies, Titanic and Aliens and Bill is one of those actors that steals scenes from every actor and was always a recognizable face even before Titanic. Here, his Hudson character is the comic relief but he is also perhaps one of the true characters that we can all identify with. His tough exterior is nothing more than camouflage for his frightened fragile interior. He realizes the dire situation that they are all in and he can't hide his fear. When he finds out that they won't be rescued for at least seventeen days, his response is " Hey man, we're not going to survive 17 hours man! Those things are going to come in here and they're going to get us and..... " ( Ripley ) This little girl survived longer than that with no weapons and no military training. " ( Hudson ) " Why don't ya put her in charge!!! "
Paxton is a gift to any and every movie that he is in and this is his finest work. He should have won a best supporting actor that year. And if you haven't seen this movie, rush to see it if only for Bill Paxton. He steals the show. But if a tightly wound, brilliantly technical and unbelievably scary movie is your thing, then you can't go wrong here. This is easily a ten out of ten, and one of the best ever made. If Spielberg is the king is Hollywood, then Cameron is his heir apparent. Oh, and one more thing, Paxton will win an Oscar one day.
Sigourney Weaver is terrific but it is her supporting cast that shines and makes you feel like you know the crew that is heading to that desolate planet.
Paul Reiser is perfect as Burke,the slimy corporate kiss ass that cares about profit before human lives. Lance Henriksen shines as Bishop, the cyborg with a heart. Jeanette Goldstein is the rough around the edges female marine that more than holds her own with all the testosterone floating around and Michael Biehn ( another Cameron favourite )is the perfect quiet leader that leads by example and not so much a loud demonstrative voice. But the show stopper in this flick ( just as he always is in any movie that he is in ) is Bill Paxton.
Paxton and Cameron have worked on Terminator 1, True Lies, Titanic and Aliens and Bill is one of those actors that steals scenes from every actor and was always a recognizable face even before Titanic. Here, his Hudson character is the comic relief but he is also perhaps one of the true characters that we can all identify with. His tough exterior is nothing more than camouflage for his frightened fragile interior. He realizes the dire situation that they are all in and he can't hide his fear. When he finds out that they won't be rescued for at least seventeen days, his response is " Hey man, we're not going to survive 17 hours man! Those things are going to come in here and they're going to get us and..... " ( Ripley ) This little girl survived longer than that with no weapons and no military training. " ( Hudson ) " Why don't ya put her in charge!!! "
Paxton is a gift to any and every movie that he is in and this is his finest work. He should have won a best supporting actor that year. And if you haven't seen this movie, rush to see it if only for Bill Paxton. He steals the show. But if a tightly wound, brilliantly technical and unbelievably scary movie is your thing, then you can't go wrong here. This is easily a ten out of ten, and one of the best ever made. If Spielberg is the king is Hollywood, then Cameron is his heir apparent. Oh, and one more thing, Paxton will win an Oscar one day.
Series note: It is strongly advised that you watch this film only after seeing Alien (1979). This is a direct continuation of that story.
57 years after the events of the first film, Ellen Ripley (Sigourney Weaver) is found and awakened from hyper sleep to discover that a terraforming colony has been set up on LV-426, the planet wherein she and her fellow crew of the mining cargo spaceship Nostromo first encountered the titular aliens. When Earth-based communications loses contact with LV-426, a band of marines are sent to investigate, taking Ripley and a representative from the company that financed the colony, Carter Burke (Paul Reiser) along for the ride.
For the difficult job of following up Ridley Scott's excellent Alien, director James Cameron decided to go a completely different route--to make a fast moving, slightly tongue-in-cheek, boisterous action extravaganza. Remarkably, he was able to do that while still maintaining a stylistic and literary continuity that melds Aliens seamlessly with the first film.
Ripley is much more fully developed in this film, although unfortunately, some of the most significant scenes were deleted from the theatrical release (if at all possible, watch the 2-hour and 37-minute director's cut instead). Cameron fashioned Aliens into a grand arc where Ripley's actions at the end of the film have much more meaning as she's not only fighting monsters, but also fighting to retain a semblance of something she lost due to her 57-year hyper sleep. As in the first film, she is still the most intelligent, courageous and resourceful member of the crew, but she has much more colorful company.
The marines accompanying Ripley back to LV-426 may be too cartoonish for some tastes (as for viewers of that opinion, most of the action and the film overall is likely to be too cartoonish), but for anyone more agreeable to that kind of caricatured exaggeration, it's a joy to watch. I'm a big fan of both Bill Paxton and Lance Henriksen, and both turn in wonderfully over-the-top performances, at their diametrically opposed ends of the emotional spectrum--Paxton as the spastic surfer/redneck and Henriksen as the intense, moody sage, with a surprising reality and an even more surprising conscience to go along with it. We also get a cigar-chomping Sergeant, a crazy, butch Private, and a complex, pensive Corporal as main characters, and a mysterious, bright young girl (played in a terrific performance by Carrie Henn). Much of the center section of the film hinges on the interrelationships of these characters, despite the action trappings going on around them.
Cameron carries over the crypt/labyrinth motif of the first film, and adds a metaphorical descent into the bowels of hell in the climax. The action throughout is suspenseful. Aliens contains one of my favorite "cat fights" in any film. It's also worth noting the influence this film may have had on Paul Verhoeven's Starship Troopers (1997)--although admittedly, we could say that Cameron was influenced a bit by the Robert A. Heinlein book, as well. Throughout all of the varied action sequences, as well as the important early scenes of colonists on LV-426, Cameron is able to clearly convey the logistics of very complex sets, so that viewers remain on the edges of their seats.
Part of what makes the monsters so effective is that we're not told too much about them. We only get glimpses into their physiology's, their behavioral patterns and their intelligence. Cameron gives us just enough to become wrapped up in the film, but not so much that we become overly familiar with the aliens, or start to question the logic behind the film. He also smartly carries over some devices from the first film that were abandoned to an extent, such as the acidic blood of the aliens, and he supplies answers to the few questions that the first film raised, such as why the blood doesn't corrode instruments and objects when a dead alien is examined.
Aliens is yet another example of a sequel that is just as good as an original film in a series. Just make sure you watch both in order, and try to watch the director's cuts.
57 years after the events of the first film, Ellen Ripley (Sigourney Weaver) is found and awakened from hyper sleep to discover that a terraforming colony has been set up on LV-426, the planet wherein she and her fellow crew of the mining cargo spaceship Nostromo first encountered the titular aliens. When Earth-based communications loses contact with LV-426, a band of marines are sent to investigate, taking Ripley and a representative from the company that financed the colony, Carter Burke (Paul Reiser) along for the ride.
For the difficult job of following up Ridley Scott's excellent Alien, director James Cameron decided to go a completely different route--to make a fast moving, slightly tongue-in-cheek, boisterous action extravaganza. Remarkably, he was able to do that while still maintaining a stylistic and literary continuity that melds Aliens seamlessly with the first film.
Ripley is much more fully developed in this film, although unfortunately, some of the most significant scenes were deleted from the theatrical release (if at all possible, watch the 2-hour and 37-minute director's cut instead). Cameron fashioned Aliens into a grand arc where Ripley's actions at the end of the film have much more meaning as she's not only fighting monsters, but also fighting to retain a semblance of something she lost due to her 57-year hyper sleep. As in the first film, she is still the most intelligent, courageous and resourceful member of the crew, but she has much more colorful company.
The marines accompanying Ripley back to LV-426 may be too cartoonish for some tastes (as for viewers of that opinion, most of the action and the film overall is likely to be too cartoonish), but for anyone more agreeable to that kind of caricatured exaggeration, it's a joy to watch. I'm a big fan of both Bill Paxton and Lance Henriksen, and both turn in wonderfully over-the-top performances, at their diametrically opposed ends of the emotional spectrum--Paxton as the spastic surfer/redneck and Henriksen as the intense, moody sage, with a surprising reality and an even more surprising conscience to go along with it. We also get a cigar-chomping Sergeant, a crazy, butch Private, and a complex, pensive Corporal as main characters, and a mysterious, bright young girl (played in a terrific performance by Carrie Henn). Much of the center section of the film hinges on the interrelationships of these characters, despite the action trappings going on around them.
Cameron carries over the crypt/labyrinth motif of the first film, and adds a metaphorical descent into the bowels of hell in the climax. The action throughout is suspenseful. Aliens contains one of my favorite "cat fights" in any film. It's also worth noting the influence this film may have had on Paul Verhoeven's Starship Troopers (1997)--although admittedly, we could say that Cameron was influenced a bit by the Robert A. Heinlein book, as well. Throughout all of the varied action sequences, as well as the important early scenes of colonists on LV-426, Cameron is able to clearly convey the logistics of very complex sets, so that viewers remain on the edges of their seats.
Part of what makes the monsters so effective is that we're not told too much about them. We only get glimpses into their physiology's, their behavioral patterns and their intelligence. Cameron gives us just enough to become wrapped up in the film, but not so much that we become overly familiar with the aliens, or start to question the logic behind the film. He also smartly carries over some devices from the first film that were abandoned to an extent, such as the acidic blood of the aliens, and he supplies answers to the few questions that the first film raised, such as why the blood doesn't corrode instruments and objects when a dead alien is examined.
Aliens is yet another example of a sequel that is just as good as an original film in a series. Just make sure you watch both in order, and try to watch the director's cuts.
I first saw this in the late 80s on a vhs.
Revisited all the four parts in the early 2k on dvds which i own.
Revisited this part (154 mins special edition version) few days back as i am on Alien movie marathon n very impatient to check out Prometheus n Covenant.
This movie has some amazing star cast, lots of fireworks, intense action n claustrophobic horror.
Revisited all the four parts in the early 2k on dvds which i own.
Revisited this part (154 mins special edition version) few days back as i am on Alien movie marathon n very impatient to check out Prometheus n Covenant.
This movie has some amazing star cast, lots of fireworks, intense action n claustrophobic horror.
Storyline
Did you know
- TriviaLike most films, the movie wasn't shot in sequence. But for added realism, James Cameron filmed the scene where we first meet the Colonial Marines, one of the earliest scene, last. This was so that the camaraderie of the Marines was realistic because the actors had spent months filming together.
- Goofs(at around 2h 10 mins) When Bishop saves Newt from being sucked out of the airlock, part of Lance Henriksen's real torso can be seen beneath the false one, emerging from a hole in the floor. (James Cameron acknowledges this error on the DVD commentary; the goof was digitally corrected for the 2010 Blu-ray release.)
- Quotes
Private Hudson: Hey Vasquez, have you ever been mistaken for a man?
Private Vasquez: No. Have you?
- Crazy creditsAs the final credits fade, there is the sound of an alien egg opening.
- Alternate versionsThe Finnish VHS version rated K16 is cut with 3 minutes and 42 seconds. Some gory murders done by the aliens, some acid-to-the-face scenes, and pretty oddly the entire "fingers and knife"-game between the soldier and Bishop, and just a shot of Newt in the water and couple of aliens rising up to the surface, are cut out. The scene in the movie's ending, where the alien queen rips Bishop in half is heavily cut too. The Finnish video version re-release is still heavily cut (3 minutes and 3 seconds), although it's a little more complete (at least the "fingers and knife"-game is intact). The cuts on both versions were applied by the distributor.
- ConnectionsEdited into Zeiram (1991)
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Alien 2: El regreso
- Filming locations
- Acton Lane Power Station, Acton Lane, Acton, London, England, UK(exterior of atmosphere processing station; interior of alien structure; cocoon chamber, now demolished)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $18,500,000 (estimated)
- Gross US & Canada
- $85,160,248
- Opening weekend US & Canada
- $10,052,042
- Jul 20, 1986
- Gross worldwide
- $131,060,248
- Runtime2 hours 17 minutes
- Color
- Aspect ratio
- 1.85 : 1
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