Kurt Russell confessed on the DVD commentary that he was afraid of starring in the movie because he had made a string of movies that flopped at the box office. When he asked John Carpenter about it, he told Kurt that it didn't matter to him - he just wanted to make the movie with him.

The Chinese characters in the main title translate to "Evil Spirits Make a Big Scene in Little Spiritual State".

John Carpenter envisioned the film as an inverse of traditional scenarios in action films with a Caucasian protagonist helped by a minority sidekick. Jack Burton, despite his bravado, is constantly portrayed as rather bumbling; in one fight sequence he even knocks himself unconscious before the fight begins. Wang Chi, on the other hand, is constantly portrayed as highly skilled and competent.

The Three Storms were partly the inspiration for the popular character of thunder god Raiden from Mortal Kombat fighting video game series, while David Lo Pan was the inspiration for the evil sorcerer Shang Tsung.

Jackie Chan was John Carpenter's first choice to play Wang Chi, but producer Lawrence Gordon was highly against it, fearing Chan's English wasn't good enough after seeing his performances in Battle Creek Brawl (1980) and The Protector (1985), but Carpenter wanted Chan after the success of Police Story (1985). Chan declined and Dennis Dun was cast instead.

Kurt Russell suffered a bad case of the flu during the scene just after the brothel, so the sweat on his body is real, caused by the fever.

John Carpenter and Kurt Russell explain on the audio commentary that the test screening was so overwhelmingly positive, that both of them expected it to be a big hit. However, 20th Century Fox put little into promoting the movie, and it ended up being a box-office bomb. In addition, the film was released in the midst of the hype for Aliens (1986), which was released sixteen days afterwards. However, it went on to be a huge cult hit through home video. Carpenter and Russell explained that the reason the studio did little to promote the film, was because they simply didn't know how to promote it.

According to John Carpenter, the opening of the film with Egg Shen (Victor Wong) in the lawyer's office was added in at the request of 20th Century Fox executives, in order to make Kurt Russell's character Jack Burton more heroic (they didn't get the idea of Jack being a sidekick rather than a hero). Without the added scene, the film would have started with Jack driving to San Francisco.

John Carpenter yelled at a special effects coordinator, after one of the squibs on the wall went off much sooner than expected. Kurt Russell said it was one of the few times he ever saw Carpenter lose his cool on-set.

According to John Carpenter and Kurt Russell in the DVD commentary, the story was originally written as a western, but Carpenter decided to set it during modern times. They even mention that instead of Jack Burton's truck being stolen, it was originally his horse.

This was the last studio film that John Carpenter worked on at the end of the 1980s, due to various problems he experienced during the production of the film, with then studio head Lawrence Gordon, who constantly interfered with the film up until its release date. Carpenter's two follow-ups Prince of Darkness (1987) and They Live (1988) were made independently via Alive Films, without any studio interference, and distributed by Universal Pictures.

The vehicle Egg Shen drove in the movie was a 1936 White touring car. That car is now in Yellowstone National Park (the location, for which it was originally built), named "Hollywood", and gives tours out of Old Faithful.

Although Kurt Russell was John Carpenter's only choice for the lead role, the studio suggested Jack Nicholson or Clint Eastwood. Once they proved unavailable, Carpenter was able to cast Russell.

Regarding the ornate Lo Pan marriage scene towards the end of the film, "That whole set with the mouth, coming down the steps of the escalator, it was very dangerous," James Hong revealed. "It was a very narrow escalator, and I was on lifts, 12-inch lifts. All of a sudden, John said, 'We don't have time, we've got to do it right away.' I said, 'Can't you get a stunt man, get George Cheung, he's my stunt man.' He said, 'No, no, you just got to step in.' So, with that long robe, I tried to put it over the lifts, and when I stepped on just the part before you go down, the real escalator, I said, 'Oh my God, this is going to be my last scene.' ... It looked like I was fierce, but I was trembling. That's the way it was, everything had to be real."

This is the fourth of five movies John Carpenter and Kurt Russell have done together. Elvis (1979), Escape from New York (1981), The Thing (1982), and Escape from L.A. (1996) are the other ones.

According to John Carpenter in the DVD commentary, Carter Wong, who plays Thunder, worked as a martial arts instructor with the Hong Kong Police.

Kurt Russell based Jack Burton on John Wayne. In Escape from New York (1981), he based Snake Plissken on Clint Eastwood.

Kurt Russell turned down the lead role of Connor MacLeod in Highlander (1986) to appear in this film. Both movies were made and released by 20th Century Fox.

For the film's many fight scenes John Carpenter worked with martial arts choreographer James Lew, who planned every scene in detail. Carpenter stated, "I used every cheap gag - trampolines, wires, reverse movements, and upside down sets. It was much like photographing a dance."

The martial arts sequences were not hard for Dennis Dun who had "dabbled" in training as a kid and done Chinese opera as an adult. He was drawn to the portrayal of Asian characters in the movie as he said, "I'm seeing Chinese actors getting to do stuff that American movies usually don't let them do. I've never seen this type of role for an Asian in an American film".

Kim Cattrall left the set at 4:30 p.m. each day, then performed in a production of Anton Chekhov's Three Sisters. Cattrall remembers having to explain to studio bosses who Chekhov was. "My film career subsidized my theater career," she said. "If I only did theater, I would have had to waitress, and I didn't want to waitress."

Kurt Russell felt that the film would be a hard one to market. "This is a difficult picture to sell, because it's hard to explain. It's a mixture of the real history of Chinatown in San Francisco blended with Chinese legend and lore. It's bizarre stuff. There are only a handful of non-Asian actors in the cast".

The interior of Egg Chen's garage/office is Fire Station 23, the same building used as the business interior in Ghostbusters.

Problems began to arise when John Carpenter learned that The Golden Child (1986) featured a similar theme and was going to be released around the same time. (As it happened, Carpenter was asked by Paramount Pictures to direct that film). He remarked in an interview, "How many adventure pictures dealing with Chinese mysticism have been released by the major studios in the past twenty years? For two of them to come along at the exact same time is more than mere coincidence." To beat the rival production at being released in theaters, Big Trouble went into production in October 1985 so that it could open in July 1986, five months before The Golden Child (1986)'s Christmas release.

The studio felt that Kurt Russell was an up-and-coming star. Russell was initially not interested because he felt there were "a number of different ways to approach Jack, but I didn't know if there was a way that would be interesting enough for this movie". After talking to John Carpenter, and reading the script a couple more times, he gained insight into the character and liked the notion of playing "a hero who has so many faults. Jack is and isn't the hero. He falls on his ass as much as he comes through. This guy is a real blowhard. He's a lot of hot air, very self-assured, a screw-up". Russell also commented; "at heart he thinks he's Indiana Jones, but the circumstances are always too much for him".

In the scene where Kurt Russell is attempting to infiltrate the brothel, he is wearing the same outfit that he wore in Used Cars (1980).

The studio pressured John Carpenter to cast a rock star in the role of Gracie Law, Jack Burton's love interest and constant source of aggravation. For Carpenter there was no question, he wanted Kim Cattrall. The studio was not keen on the idea because at the time Cattrall was primarily known for raunchy comedies like Porky's (1981) and Police Academy (1984). She was drawn to the movie because of the way her character was portrayed. "I'm not screaming for help the whole time. I think the humor comes out of the situations and my relationship with Jack Burton. I'm the brains and he's the brawn".

In the wedding scene where Lo Pan is putting the Needle of Love in Miao Yin, James Hong jabbed Suzee Pai too hard. You can see her flinch as he puts it in her.

In the last scene featuring the character Lightning, the last frame of the lightning effect forms the Chinese characters for "carpenter" - a tribute to director John Carpenter. There is a still image of this in the photo gallery.

Right before the end credits when Jack Burton is driving his truck and talking on his CB Radio, he says, "You just listen to the old Pork-Chop Express here now, and take his advice on a dark and stormy night, when the lightning's crashing, and the thunder's rollin', and the rain's coming down..." paying homage to the names of the 3 Storms, Lo Pan's bodyguards.

The characters on the front of "Egg" Shen's bus say, "Uncle Egg's Tours Guarantee a Good Time".

Production designer John J. Lloyd designed the elaborate underground sets and re-created Chinatown with three-story buildings, roads, streetlights, sewers, and so on. This was necessary for the staging of complicated special effects and kung fu fight sequences that would have been very hard to do on location. This forced the filmmaker to shoot the film in fifteen weeks with a $25 million budget.

The ending song is written and sung by "The Coupe De Villes", a band formed by John Carpenter, Nick Castle, and Tommy Lee Wallace (Second Unit Director on this picture).

The brides of Lo Pan must have green eyes, yet Kim Cattrall and Suzee Pai both have brown eyes. They wore green contacts for the movie. This is very obvious in the high definition version.

One of the more difficult effects was the floating eyeball, a spy for Lo-Pan. It was powered by several puppeteers and dozens of cables to control its facial expressions. It was shot with a matting system specially designed for it.

In an early scene set at the airport, a street gang has kidnapped Wang's fiancé and are speeding through the underground car park towards Wang and Jack, who dive out of the way just in time. Watching the scene carefully, it is easy to spot that John Carpenter shot the scene backwards, with the actors performing all movements in reverse. The scene was then played forward and sped up substantially. This dramatic scene was shot using this reverse method not to confuse actors and crew (or audience for that matter), but for safety reasons due to the speed of the vehicles and lack of stunt doubles.

John Carpenter was first offered the project in July 1985. He had read the original script and deemed it "outrageously unreadable, though it had many interesting elements".

"Miao Yin" roughly translates to "cat-like".

The characters in the film reminded John Carpenter "of the characters in Bringing Up Baby (1938) or His Girl Friday (1940). These are very 1930s, Howard Hawks' people." The rapid-fire delivery of dialogue, especially between Jack Burton and Gracie Law, is an example to what the director is referring.

The movie was parodied in Teenage Mutant Ninja Turtles: A Chinatown Ghost Story (2014), an episode of the animated Teenage Mutant Ninja Turtles. They even had James Hong provide the voice of a near carbon copy of Lo Pan named Ho Chan.

Peter Kwong cited his character's long hair as one of the best parts of making the film, even though, according to him, "I had to sit in three hours of make-up everyday, just to get in and out of the three thousand dollar wig."

Kurt Russell lifted weights and took up running two months before production began to prepare for the physical demands of principal photography. In addition, John Carpenter and his cast and crew conducted a week of rehearsals involving choreographing the martial arts scenes.

John Carpenter had seen Dennis Dun in Year of the Dragon (1985) and liked his work. He met the actor twice before casting him in the role of Wang Chi only a few days before principal photography.

Jeff Bridges was considered to play Jack Burton, since he worked with John Carpenter on Starman (1984). He was also considered for Kurt Russell's roles in Escape from New York (1981) and The Thing (1982).

The rivalry between the Chang Sing and Wing Kong is analogous to the famous rivalry between the Hip Sing and On Leong in early twentieth century New York City.

John Carpenter was not entirely satisfied with Boss Film Studios, the company in charge of the film's visual effects. According to him, they took on more projects than they could handle, and some effects for the film had to be cut down. Richard Edlund, head of Boss Film Studios, said that there were no difficulties with the company's workload, and that Big Trouble was probably its favorite film at the time, with the exception of Ghostbusters (1984). The effects budget for the film was just under two million dollars, which Edlund said was barely adequate.

The short knives wielded by the "Three Storms" warriors, that Thunder calls "Hui Huan Dou" (Soul-Returning Blades) are in fact Nepalese Kukri. These knives are used by all Gurkha military regiments in the British Indian Army.

According to John Carpenter, the post-production process was merely four months.

Zach Braff went as Jack Burton to Kate Hudson's 2014 Halloween party and ran into Kurt Russell. They posed for a photo.

Body count: 46.

W.D. Richter used Rosemary's Baby (1968) as his template, presenting "the foreground story in a familiar context - rather than San Francisco at the turn-of-the-century, which distances the audience immediately - and just have one simple remove, the world underground, you have a much better chance of making direct contact with the audience".

One of the legends of 80s, 90s and early 2000s Hollywood trailer narration, Hal Douglas, narrated the original theatrical trailer (2 min 40 sec) for this film. His lines are as follows: "There is a hidden world where ancient evil weaves a modern mystery. They call it Little China. It's where big trouble was waiting for Jack Burton. They told him to go to hell... and that's just where he's going. Jack Burton's coming to rescue your summer! 20th Century Fox presents Kurt Russell in John Carpenter's Big Trouble in Little China."

The first version of the screenplay was written by first-time screenwriters Gary Goldman and David Z. Weinstein. Goldman had been inspired by a new wave of martial arts films that had "all sorts of weird actions and special effects, shot against this background of Oriental mysticism and modern sensibilities". They had written a western, originally set in the 1880s, with Jack Burton as a cowboy who rides into town. Goldman and Weinstein envisioned combining Chinese fantasy elements with the western. They submitted the script to TAFT Entertainment Pictures executive producers Paul Monash and Keith Barish during the summer of 1982. Monash bought their script, and had them do at least one re-write, but still did not like the results. He remembers, "The problems came largely from the fact it was set in turn-of-the-century San Francisco, which affected everything-style, dialogue, action". Goldman rejected a request by 20th Century Fox for a re-write that asked for major alterations. He was angered when the studio wanted to update it to a contemporary setting. The studio then removed the writers from the project. However, they still wanted credit for their contributions. The studio brought in screenwriter W.D. Richter to extensively re-write the script, as he felt that the Wild West and fantasy elements didn't work together. The screenwriter modernized everything. Almost everything in the original script was discarded, except for Lo Pan's story. Richter realized that "what it needed wasn't a re-write, but a complete overhaul. It was a dreadful screenplay. This happens often when scripts are bought, and there's no intention that the original writers will stay on". He wrote his own draft in ten weeks. Goldman contacted Richter and suggested that he should not work on the project. Richter told him, "I'm sorry the studio doesn't want to go forward with you guys, but my turning it down, is not going to get you the job. They'll just hire someone else". Fox wanted to deny Goldman and Weinstein writing credit, and eliminated their names from press releases They wanted only Richter to have credit. In March 1986, the Writers Guild of America, west determined that "written by" credit would go to Goldman and Weinstein, based on the WGA screenwriting credit system which protects original writers. However, Richter did get an "adaptation by" credit for his work on the script. John Carpenter was disappointed that Richter did not get a proper screenwriting credit because of the ruling. Carpenter made his own additions to Richter's rewrites, which included strengthening the Gracie Law role and linking her to Chinatown, removing a few action sequences due to budgetary restrictions and eliminating material deemed offensive to Chinese Americans.

The Three Storms are a copy of the three Assassins in Lone Wolf and Cub (1973).

In the prison scene, Gracie is the only prisoner kept bound and gagged in her cell. This is explained by a deleted (but unfilmed) scene where she gives the guards verbal abuse, resulting in her being gagged and hog-tied. As there was no prior indication due to the scene being deleted, a surprised Kim Cattrall had no idea she would be spending the scene trussed up until the day of shooting. She endured it like a professional, occasionally having her gag removed so she could drink water. When asked by John Carpenter whether or not she was uncomfortable, she simply replied 'I've been in tighter situations than this!'

David Lo Pan was cursed by the first Emperor of China. James Pax, who plays Lightning - portrayed the First Emperor of China in the documentary of the same name in 2006.

The truck driven by Jack (Kurt Russell) - the "Pork Chop Express" - is a Freightliner FLC 120.

The name of the murdered gang leader, Lem Lee, is probably a reference to Tom Lee, the leader of the On Leong Tong, a crime syndicate in New York's Chinatown in the early twentieth century, that fronted itself as a merchant association.

This movie was released on July 2nd 1986. 8 days later, July 10th, Kurt Russell's son, Wyatt Russell, was born.

In the Italian dubbing of the movie the quote "Yeah, and a wise man has enough sense to get in out of the rain!" is dubbed as if it was Jack Burton's line, not Egg Shen's.

The fifth and final collaboration between John Carpenter and cinematographer Dean Cundey.

Ellen Barkin was considered for the role of Gracie Law.

Just before leaving to assault Lo Pan's domain. Egg offers Jack a .44 Magnum and tells him "It'll make you feel like Dirty Harry". Dirty Harry was played by Clint Eastwood, who was considered for the role of Jack Burton.

The fight scenes were meant to be John Carpenter's homage to the old school Hong Kong Kung Fu movies. He is quoted as saying that he had his fight choreographer use every Kung fu movie fight gag to make the fight scenes as action filled as possible.

At one point, Jack is describing Lo Pan as "Tall guy, weird clothes. First you see him, then you don't." Kurt Russell once starred in a Disney movie titled Now You See Him, Now You Don't (1972).

Trailer narrated by Hal Douglas.

In the DVD commentary, John Carpenter jokingly says that Kurt Russell's character Jack Burton is the hero of the movie, but other than killing Lo Pan, and saving Wang when he shoots the guard, he is more of a sidekick throughout the movie.