According to Oliver Stone, he intentionally cast Tom Berenger and Willem Dafoe against type (Berenger, who played the ruthless, sadistic Sergeant Barnes, was mostly famous at that point for playing good guys, while Dafoe, who had primarily played villains up until then, played the heroic, compassionate Sergeant Elias). The casting worked, and both men received Oscar nominations for their work.

The film was banned in Vietnam, because of its depiction of the Vietnamese. It was also banned in Malaysia for its excessive profanity and violence.

In a television interview, Charlie Sheen credited Keith David with saving his life. While shooting in an open-door Huey gunship, the helicopter banked too hard and Sheen was thrown towards - and would have gone through - the open door. David grabbed him and pulled him back in.

According to his DVD commentary, the scene in which Chris saves a Vietnamese girl from being raped, was inspired by an incident in which Oliver Stone intervened in an assault on a villager in Vietnam.

Oliver Stone wrote the first draft of Platoon in 1971, and sent it to Jim Morrison in hopes that he would play the part Charlie Sheen would ultimately play. Morrison had the script on him when he was found dead in Paris. It is unknown whether he would have been cast, had he lived. However, Stone eventually made The Doors (1991) based on Morrison's life.

In many U.S. military leadership classes, the character of Lieutenant Wolfe (Mark Moses) is used as an example of how not to behave as a junior officer.

The movie poster depicting Elias with his hands in the air, is a recreation of a 1968 photograph by Art Greenspon. This photograph was recognized as the thirteenth greatest military photograph in a September 2000 issue of the Army/Navy/AF Time.

Several of the actors wrote messages on their helmets worn throughout the movie. Charlie Sheen's helmet reads, "When I die, bury me upside-down, so the world can kiss my ass", while Johnny Depp's simply reads, "Sherilyn", a tribute to Sherilyn Fenn, whom Depp was dating at the time. Mark Moses (Lieutenant Wolfe) had on his helmet a drawing of MAD magazine mascot Alfred E. Neuman with the phrase "What, me worry?" and, according to Tom Berenger, this caused Oliver Stone to laugh hysterically once during filming.

Johnny Depp recalled that during one particularly stressful scene, he was so intimidated by Oliver Stone's aggressive behavior, that he came close to vomiting. Stone still insisted on a second take.

Roger Ebert said in his review: "François Truffaut once said that it was impossible to make an anti-war film; that the act of depicting war, glorified it and ended up making it look like fun. I wish he had lived to see Platoon. Here is a movie shot at the ground level, from the infantryman's point of view, and it does not make war look like fun."

Technical advisor Dale Dye was also the door-gunner on one of the Hueys after the church ambush. He made sure that his visor was down to disguise the identity of the gunner, as Dye also played Captain Harris.

The U.S. Department of Defense declined to co-operate in the making of the film. Military equipment was loaned from the Armed Forces of the Philippines.

Before shooting commenced, all of the actors had to undergo an intensive two-week basic training under the supervision of military adviser Dale Dye. Oliver Stone's intention was not to have the men bond and act as one unit, but to deprive them of sleep, and make them utterly exhausted, so that they would be burnt out, and therefore in character.

Originally, Charlie Sheen was turned down for the main role of Chris, because it was felt he was too young for the part. His older brother Emilio Estevez was offered the part, but the project fell apart due to financial problems. Two years later, the project was given the go-ahead, but Estevez had already committed to other projects. Charlie Sheen again read for the part, and won it.

Special packs of Marlboro cigarettes were made for the movie on the insistence of Oliver Stone, who wanted the cherry-red color on the pack to more closely match those made during the late 1960s.

Some of the Vietnamese cast members were actually tourists who were vacationing in the Philippines at the time of filming.

At one point, a character is warned not to drink from a river because he might get malaria. During filming, Willem Dafoe got thirsty and drank water from a river, not knowing that a dead pig was not far upstream. He was sick for 24 hours, but not with malaria.

Aside from editing the film (and winning an Oscar for her work), Claire Simpson also suggested to Oliver Stone that he use Samuel Barber's "Adagio for Strings" over some of the more emotional footage.

Toward the end of the film, when the reinforcements arrive after the battle, Rhah (Francesco Quinn) reaches into a dead VC's breast pocket, pulls something out, and keeps it, while looking around nervously. The item he is removing is heroin, which VC soldiers used as a painkiller. Many heroin-addicted U.S. troops did the same thing. The scene implies that Rhah's mystical quality is a symptom of a larger problem.

With this movie, Oliver Stone became the first Vietnam veteran to direct a major motion picture about the Vietnam War. He was already the first Vietnam veteran to win an Oscar, for Midnight Express (1978), and became, with this film, the first Vietnam vet to win an Oscar for Best Director. As of 2016, he is the last veteran of any war to win an Oscar for Best Director, other than Clint Eastwood, who served in the Army during the Korean War, but never went to South Korea.

Prior to the scene where Elias' half of the platoon is smoking marijuana, the actors actually did smoke marijuana. Unfortunately for them, Willem Dafoe reported, by the time the stage was set and they actually filmed everyone had come off their high and felt awful.

All of the actors had to endure a harsh fourteen-day boot camp in the Philippines before the shooting of the film commenced. The actors were given military haircuts, were required to stay in character throughout the camp, ate only military rations, were not allowed to shower, slept in the jungle, and even had rotations for night watch.

During the opening credits, Big Harold (Forest Whitaker) falls and rolls down a hill. Whitaker claims it was a real, unintentional fall.

The final battle in the movie was a recreation of an actual event that was witnessed by Technical Advisor Dale Dye, who was a combat correspondent with the 2nd Battalion, 3rd Marines.

Tom Berenger's life-like scar required three hours of make-up work every day of shooting.

Military Advisor Dale Dye witnessed Oliver Stone suffer an attack of post-traumatic stress disorder on-set, while filming the village scene. He claimed that they had a good cry together afterwards, based on their mutual experience in Vietnam.

Drawn from Oliver Stone's own personal experiences as an Army combat infantryman in Vietnam. He wrote it quickly upon his return from action, and partly to counter the false depiction of war he had seen in John Wayne's The Green Berets (1968).

Tom Berenger lost 28 pounds during the pre-filming boot camp. Filming for the movie began the day after the camp ended. Oliver Stone didn't want the actors to lose their edge.

The movie is narrated by Charlie Sheen, eerily echoing his father Martin Sheen's narration of Apocalypse Now (1979), also filmed extensively in the Philippines.

Oliver Stone originally was looking for a Native American actor to play Sergeant Elias. When he failed to do so, he cast Willem Dafoe instead. Several scenes with Elias reflect Stone's original idea of the Native American spirit embodying Elias.

Oliver Stone considered casting Johnny Depp for the lead role of Private Chris Taylor, but Depp was too young for the part, and unknown at the time. Stone said that Depp would someday become a huge star, and is thus one of the first filmmakers who introduced Johnny Depp to Hollywood.

First part of Oliver Stone's Vietnam trilogy. The other two are Heaven & Earth (1993) and Born on the Fourth of July (1989). Many of the Platoon (1986) actors have bit parts in "Born."

Dale Dye's wife Katherine was the Vietnamese woman who was thrown into a mass-grave by two American soldiers after the final battle.

Shot in only 54 days.

Dale Dye is in a body bag being taken off a truck at the start of the film.

Johnny Depp says when he left for the Philippines for this movie at the age of 22, it was his first time out of the United States.

Oliver Stone at one point wanted Mickey Rourke for Sergeant Barnes, and Nick Nolte as the experienced Sergeant Elias. Both were offered the parts, and both turned them down.

Oliver Stone had an actual RPG fired towards the end. This added to the effect's realism.

When Sandy and Sal search the bunker, they come across a box full of maps and "S2 stuff". "S2" was, and is, Military Intelligence, meaning those papers would be handed over to S2 for analysis, after the platoon's return to base.

Oliver Stone wanted James Woods, the star of his previous film Salvador (1986), to have a role in the film. Remembering the hectic, grueling shoot in Mexico, Woods turned Stone down. Woods once said of this, "I couldn't take the mud". Although Woods was later interested in being in JFK (1991), he would not work with Stone again until Nixon (1995).

Bunny tries to encourage Junior by saying "You're hanging out with Audie Murphy here my man!". Audie Murphy was one of the most decorated American soldiers of World War II. He received the Medal of Honor, and at least 32 other medals during his war-career. Murphy became a household name after he was featured on the cover of Life Magazine in 1945, and his subsequent movie roles.

At one point, Junior and several other black soldiers are talking about the situation in the platoon. Sergeant Warren remarks that they should trust Barnes, while Junior retorts that Warren's ideas of a good leader may be contaminated by the "shit" he "shoots up". This is a reference to Sergeant Warren's addiction to morphine, which was left ambiguous in the final movie.

Most of the voices heard over the radios are provided by Dale Dye.

The character of Bunny takes at least some of his lines and characteristics from the book 'Nam by Mark Baker. 'Nam is a collection of first hand accounts of soldiers who were in the Vietnam War, first published in the early 1980s. The line, "The only worry you had was dying, and if that happened, you wouldn't know it anyway. So, what the fuck?" comes directly from the "Baptism of Fire" chapter of the book (page 67). In addition, a soldier in the "Grunts" chapter of the book "had a scalp hanging off his helmet" at the back, as does the character of Bunny in the film.

Just before the initiation of the end fight, an NVA soldier is seen planting a yellow "axe" made of bamboo. The "axe" was a pointer to guide the NVA soldiers to the American base.

Prior to going after Elias (Willem Dafoe), Sergeant Barnes (Tom Berenger) threatens to "Article 15" Taylor, unless they return to the base camp. Article 15 is a section of the Uniform Code of Military Justice that allows superiors to mete out non-judicial punishment under certain conditions. Specifically, it spells out U.S. Military punishment for serious insubordination.

Sergeant Barnes drags two women out of a hole in the village and asks Tony for a "Willie Pete" grenade, which he throws into the hole. "Willie Pete" is slang for "White Phosphorus" (WP), more specifically, the M34 White Phosphorus Smoke Grenade. It was frequently used in the Vietnam War, due to it's effectiveness in close confined spaces, such as bunkers and tunnels. The burning white phosphorus absorbs oxygen, causing the victims to suffocate, or suffer serious burns.

The cast and crew arrived in the Philippines in early 1986, almost simultaneous to the beginning of the Edsa Revolution of 1986, that toppled Ferdinand Marcos. Willem Dafoe said that a day or two after he arrived in Manila, he awoke to see a column of tanks rolling down the streets.

When the platoon meets with their Captain, Barnes refers to him as "dai uy" (pronounced die wee) which is Vietnamese for "Captain".

The part of Sergeant Barnes was originally offered to Kevin Costner. He turned it down because he didn't want to disrespect his brother, who was a Vietnam veteran. Oliver Stone would later cast him in JFK (1991).

By the end of production, it only took half an hour to apply Tom Berenger's facial scarring. Berenger would only wear it when necessary, as it ended up hurting his face.

Platoon (1986) was the third highest grossing film of 1986. Australian hit Crocodile Dundee (1986) was the second biggest film of the year, with Top Gun (1986) coming in first. It took 138.5 million dollars in the U.S.

One of three Vietnam-based films released within nine months of each other in 1986-87. The other two were Stanley Kubrick's Full Metal Jacket (1987) and John Irvin's Hamburger Hill (1987).

On the Jay Mohr podcast, Charlie Sheen said that the intensity Tom Berenger brought to his role of Sergeant Barnes was the result of a recent divorce.

Because of the film's low budget, Cinematographer Robert Richardson had to cut corners. Come the release of the DVD, however, he was able to tweak the hues in the ways he had only imagined before.

Oliver Stone remembered that while casting the movie, Kris Kristofferson was thrown around by some as a potential Sergeant Elias, since he was in real-life close to the character in type, and had been an Airborne Ranger. Stone, however, was not keen, as Kristofferson was "way too old", and had not had a hit movie since Convoy (1978).

Keanu Reeves and John Cusack both turned down the part of Chris Taylor.

According to Charlie Sheen, he kissed the ground when he returned home from filming in the Philippines.

Denzel Washington lobbied for the role of Sergeant Elias.

At the initiation of the end fight, Raah tells Taylor air cover is coming in with "snake and nape", meaning the typical Vietnam CAS load out 250 pound Mk-81 Snakeye bombs, and 500 pound M-47 napalm canisters.

James Woods turned down a role, saying he "couldn't face going into another jungle with Oliver Stone."

Sergeant Barnes threatens Junior with a court-martial. To which Junior responds: "Send me to f*cking Long Binh". Long Binh Jail was a U.S. military stockade in Vietnam, established in 1966, for soldiers guilty of military offenses. It was located about 33 kilometers from Saigon (modern day Ho Chi Minh city).

During the battle near the church ruins, Big Harold calls out "SHORT!! SHORT ROUNDS!!!" Short Rounds is a term used to describe artillery rounds dropped short of target, and possibly on top of friendly armed forces, another example of Lieutenant Wolfe's incompetence as a combat platoon leader, as he was the one who called in said artillery strike.

Sergeant Elias, in addition to the 25th Infantry Division patch on his left sleeve, also has 1st Cavalry Division insignia on his right; known as Shoulder Sleeve Insignia- Former Wartime Service or SSI-FWS, indicating the wearer served with that unit during a combat rotation. The 1st Cavalry Division was in fact the first American division to see major action in the Vietnam War, and in this case, Elias may have been a participant in those battles. Elias makes a reference while talking with Chris about Ia Drang in '65, which is a reference to the battle involving the fight at LZ-X-ray. The battle included a squadron of the 7th U.S. Cavalry Regiment of the 1st Cavalry Division and is the main focus of the book by Lieutenant General Hal Moore and Joseph Galloway titled, "We Were Soldiers Once...And Young" on which the movie by the same title was based. Elias also seems to have been Airborne-qualified, as he has the Airborne tab on his headband.

Val Kilmer auditioned for the role of Sergeant Elias. According to Oliver Stone, he gave a bizarre audition, where he portrayed the character as an Indian shaman.

The dog tags, which make up the double O's in the poster for the film, are those of Willem Dafoe's character Sergeant Elias Grodin. Grodin, Elias K. 3365664125 USKC-987654

Oliver Stone suggested that the cast and crew camp out on-location while filming an early scene on a hill they could only reach by hiking in. Everyone agreed to that at first, but that night, after hiking up the hill and finishing their day's work, everyone ran back down to the valley.

It was during this shoot that Oliver Stone presented Charlie Sheen with a handwritten contract to sign for his next movie Wall Street (1987).

When they are cleaning the latrines, you can hear "Good morning Vietnam". A recording of the real Cronauer. This film came out a year before that movie.

Another reference to Sherilyn Fenn can be seen on Johnny Depp's guitar in the scene where they are smoking marijuana: the carved initials S.F.

Based on Oliver Stone's personal experience during the Vietnam War, and based on a screenplay he finished around 1971. Numerous studios passed on it, until he finally got approval, and starting filming in early 1986.

Oliver Stone worked for producer Dino De Laurentiis on Conan the Barbarian (1982) and Year of the Dragon (1985), on the basis that he would finance this film. However, a string of box-office disappointments led to the collapse of Dino's filmmaking operation, and the movie remained in limbo for several years. Ironically, had De Laurentiis produced it, it would probably have saved his studio, as it went on to gross 138.5 million dollars on a budget of just six million dollars.

Oliver Stone personally detonated the pyrotechnic explosions for shots in which the camera is moving, so the timing of the explosions would occur when he wanted.

Jeff Bridges was considered for Sergeant Elias.

In 2007, the American Film Institute ranked this as the #86 Greatest Movie of All Time.

At the end of the scene where Willem Dafoe and John C. McGinley are arguing about whose team should have to pull perimeter watch, John C. McGinley's character says, "Guy's in three years and he thinks he's Jesus F'n Christ or something." Dafoe went on to play Jesus in The Last Temptation of Christ (1988).

In one scene Sgt. Barnes dismisses marijuana ( "I don't need this shit") while taking a swig of whiskey. This reflects Oliver Stone's personal beliefs that the soldiers who smoke marijuana were more stable than the ones who drank alcohol.

Several times in the movie, a character will use the phrase "xin loi" (pronounced zin-loy). This is Vietnamese for (roughly) "Sorry about that".

As Taylor and Gardner arrive in-country, they pass by some troops rotating out. One of them comments "365 and a wakeup". American soldiers arrived in Vietnam on a one year rotation (hence 365), every soldier kept track of how many days he was "short", that is, eligible to DEROS (date eligible to return from overseas service). Your last day was considered a wakeup, as you woke up and rotated home.

The film is "Dedicated to the men who fought and died in the Vietnam War".

First-time credited film role for Francesco Quinn, Bob Orwig, Reggie Johnson, Mark Moses, Corey Glover, Paul Sanchez, Ivan Kane, and several of the other actors in the film.

Keanu Reeves turned down the role of Private Chris Taylor.

John Spencer was originally cast as Sergeant O'Neill, and John C. McGinley was originally offered the part of Tony. But Spencer dropped out, and Stone offered McGinley the larger role. Ivan Kane ended up playing Tony.

Only one-third of Georges Delerue's original music score ended up in the finished film. The rest of the unused material was released twice, first in the 1995 Prometheus records label and then in the 2018 Quartet Records expanded and complete edition. Oliver Stone said that Samuel Barber's Adagio for Strings was originally a temp track, which eventually was used, when it turned out to be more effective in its usage than Delerue's own score. Delerue also wrote his own adaptation of Adagio, however, it was rejected because his version was not up to Stone's expectation. His version, especially the finale, was deemed heterophonic (different versions of a melodic line coming in one go), a complete antithesis against Barber's original version that was homophonic (different voices going together in a melodic line). He also acknowledged that some critics had written to him explaining that there were at least three of Delerue's original cues, which they had pointed out, that should have remained in the finished product.

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.

Crawford talks about going back to California when he gets out, where "the surfing's gonna be good." In Point Break (1991) he plays a California surfer.

The film cast includes two Oscar winners: Forest Whitaker and Oliver Stone - the latter has a cameo role; and three Oscar nominees: Willem Dafoe, Tom Berenger, and Johnny Depp.

Features Tom Berenger's only Oscar nominated performance.

The role of Chris was originally offered to Kyle MacLachlan, who turned it down.

Forest Whitaker tried to be as bulky as possible to play Big Harold, but the vigorous boot-camping training, bad food and rough shoot caused him to lose a lot of weight. When he noticed Whitaker was getting thinner, Oliver Stone said to him, "What are you doing? You're supposed to be 'Big' Harold".

In the cabin, when Junior talks with Bunny, is a pin-up poster by Alberto Vargas dated 10/67.

The rock band Sprung Monkey use a sample of the argument between Barnes, Elias, and the Lieutenant at the village torching scene in their song "Bleeding" from their 1993 album "Situation Life".

Kevin Dillon would once again work with Oliver Stone in The Doors (1991) as John Densmore, drummer for the titular band.

Was #9 on Roger Ebert 's list of the "Best Films of 1980s."

John C McGinley and Tony Todd would later appear together as Marines in The Rock (1996)

Included among the American Film Institute's 1998 list of the Top 100 Greatest American Movies.

Willem Dafoe is carrying a Cold Steel Tanto taped to his H harness. Berenger is also carrying a Cold Steel push dagger on his as well. Neither of these knives were available during the Vietnam conflict.

Thomas F. Wilson was almost cast in the movie. He applied for the role of Sergeant Barnes, but lost out to Tom Berenger.

William Petersen turned down an unspecified role because the filming schedule would have kept him abroad from his family for six weeks. Petersen previously appeared with Willem Dafoe in To Live and Die in L.A. (1985).

Charlie Sheen and Keith David would later co-star in Men at Work (1990).

The only Best Picture Oscar nominee that year to be also nominated for Best Sound.

Elias, Barnes and Wolfe are all carrying carbine type variants of the Colt AR-15/M16. The production did have the cooperation of the US Military so those depicted were not used in Vietnam, however, beginning in 1966, some special units used the even shorter GAU/5A-A, XM177E1 and XM177E2 variants which had short barrels and larger flash hiders to compensate for the larger muzzle blast and flash. They came to be known as CAR-15's and would continue to be used by Army, Navy and the Air Force into the early 1990's. The M4 Carbine has since become the primary weapon for most infantry units in the military.

Red goes to Barnes to try to cash in on some leave before the Final Battle, because he has a strong premonition that he isn't going to make it out of this one alive, but Barnes rather pragmatically denies him as the platoon is already majorly shorthanded with all the casualties they've suffered by that point. Red is one of the only platoon members to come out completely unscathed, (mainly because he hid under a body for the entire battle) and as the only remaining sergeant left in the platoon, Captain Harris promptly gives him the newly-deceased Barnes' job as platoon sergeant.

Barnes gives Elias' posse a rambling speech where he casually insults them all, calling them a bunch of potheads trying to escape from reality, whereas he 'is reality.' The entire time he's absolutely slugging Jack Daniels and is obviously hammered on the stuff.

HBO Video was set to release the film on home video in October 1987. As a result of an extended legal dispute regarding Hemdale's output deal with Orion, the release was delayed due to Hemdale's existing contract with Vestron Video to release their films. Ultimately, the case was settled out of court, and HBO distributed the rental version in March 1988, followed by a priced-to-own release from Vestron later that year. The covers are near-identical, with the same black-and-white image and a gold-embossed title. However, the Vestron release features the credits on the front of the box rather than the back.

Oliver Stone: An officer at the bunker that gets destroyed by a suicide runner.

The movie was filmed nearly sequentially. As soon as their characters were killed in the movie, the actors returned home. The emotion that Charlie Sheen shows in the closing helicopter scene was largely real, knowing that he was finally going home.

Pockets of fake blood intended to simulate gunshot wounds to Elias' body during the famous "arm-raising" scene malfunctioned and never exploded. However, Willem Dafoe's performance in that take was considered so impressive, that the scene was left as is.

The paper pinned to Manny's (Corkey Ford's) dead body is a South Vietnam safe conduct pass. These papers were dropped en masse over South Vietnam in an unsuccessful attempt to get the VC and NVA to surrender. The enemy troops are showing their contempt for the Americans by attaching the pass to Manny's corpse.

After Taylor (Charlie Sheen) takes his revenge on Sergeant Barnes (Tom Berenger), the other platoon arrives to look for survivors, and someone asks Taylor if he's okay. As he does, Taylor quickly drops a grenade. The script didn't call for it, but Sheen thought his character would be suicidal at that point in the movie. Oliver Stone liked it, and kept it in the movie.

In the aftermath of the end fight, Francis stabs himself in his leg with a knife, in order to get out of Vietnam. When Francis is seen leaving on the medical chopper, Rodriguez is also seen with a bandaged leg, suggesting he too may have stabbed his own leg in order to get out of future military service.

For the climactic death sequence of Sgt. Elias, Willem Dafoe was required to detonate "bullet-hit" squibs on his body with a handheld device as he tried to escape enemy fire. It's clear the device is in his left hand as he stumbles along, but he claims it can be seen flying from his hand at one point which would explain why some of the explosives did not go off as planned.

In the immediate aftermath of the ambush battle at the beginning of the film, Barnes finds a wounded VC soldier, and mercilessly put him down by firing a couple rifle rounds into his chest. At the end of the film, Chris puts Barnes down in an identical situation, in a scene that is practically a mirror image of the prior one.