Poltergeist II: The Other Side

This sequel was okay at the theater when I saw it, but it wasn't great. Kind of an average film that adds plot points that really are a bit weak. We find out in this one that it was not necessarily the fact the little community was sitting on an old cemetery that was the problem in the first one, but rather that the house was over some burial ground of a cult. There is also this really old man that is a bit creepy wandering around looking for Carol Anne and the Freeling clan. I just think they wanted to add a more physical enemy, someone you could focus on. The family is now living with grandma, but strange stuff starts happening again. For some reason they want Carol Anne. An Indian guy comes to their aid and gives them advice and there are a series of happenings, but this one just isn't as good as the first one as it is very slow in places. The ending was just plain lame and only makes this one worse than it is. As not good as this is though, the next Poltergeist makes this one look a lot better. Some good scenes here and there, but ultimately this one disappoints. Though there is that memorable scene with the worm.

Poltergeist II (1986) was the second film of the Poltergeist Trilogy. With the amount of money the first film made. the studio decided to make another film. The principal players from the Freeling family are here (sans Dominique Dunne, for reasons known) along with an old friend from part one. A new character is added to the mix as well. Poltergeist II is darker than the first one (if you can believe that) but not as brilliant as the first one.

The Freelings have moved away from the remnants of the home. After the horrific events of part one, things can't get any worse (or can they...). An evil entity is following the family on the run. For awhile things are relativity calm. They've set up a new residence (with a family member) but the family has fallen on some pretty hard times. But they're about to get even harder. A dark man has been visiting them hurling religious epitaphs at them. Like a family house guest he doesn't want to leave and is even more bothersome than a Fuller Brush salesman or a religious solicitor. Does this strange figure intended to harm the Freelings or is he a person from the family's past?

A scary sequel. Not bad, if you want to follow the exploits of the Freelings then this movie is for you. Poltergeist II is a worthy sequel. I enjoyed it very much. Followed by the final entry in the Poltergeist trilogy, the ever so dark and (surprisingly frightening) part three.

Recommended.

JAWS 2; HALLOWEEN II; THE RAGE: CARRIE 2—all of them horror film sequels that I can only label as "curiously frustrating", in that there's enough in them to like, but just as much to be skittish about. This is also true of POLTERGEIST II: THE OTHER SIDE, the 1986 sequel to the highly acclaimed and highly successful 1982 Steven Spielberg co-produced/co-written horror film classic that Tobe Hooper (of THE Texas CHAINSAW MASSACRE fame) directed, and which ranks with THE SHINING as one of the few true horror classics of the 1980s.

The film picks up one year after the events of the original, as the Frelengs, led by Craig T. Nelson and JoBeth Williams, have now moved off to a desert suburb of Phoenix, Arizona while trying to get a new start, living with Williams' mother (Geraldine Fitzgerald). Nelson is having a rough go of it trying to be a vacuum salesman; he had been in real estate, but the Cuesta Verde incident left him out in the cold. When Fitzgerald passes on, however, it lets open the door for some literal ghosts of the Frelengs' past to haunt them. They become terrorized all over again; and this time, getting in contact with both the famous medium Tangina Barrons (Zelda Rubinstein) and an Indian (Will Sampson) well versed in the supernatural, they figure out why. Back in the 19th century, a group of White settlers were confronted by Indian warriors in what was to become the Cuesta Verde Estates, resulting in a horrific Sand Creek-type massacre that resulted in a mass graveyard that Nelson's former employers had built Cuesta Verde over. The spirits of those survivors, including especially a deranged preacher named Kane (Julian Beck), have come back to snatch O'Rourke and to lead them to the Light because they are still not at rest, but they seem to have no intention of bringing her back. Rubinstein and Sampson insist that the Frelengs must return to Cuesta Verde to confront Kane and his minions by entering the Other Side, that netherworld between life and death that Williams and O'Rourke crossed in the original. In between, though, they are confronted with a whole host of horrific things, including a "Vomit Creature", and a supernatural chainsaw that threatens to tear Nelson's station wagon apart as they head out for Cuesta Verde.

Unlike a lot of horror films, POLTERGEIST II maintains a good solid position of having five of the principals from the original film (Dominique Dunne, however, had been killed in real life shortly after the original film had been released), plus the solid special effects work of Richard Edlund, who had worked on the original. What POLTERGEIST II lacks, however, is the effective and incisive direction of Hooper and both his and Spielberg's understanding of the genre and of family. Mark Victor and Michael Grais, though they co-wrote the original's screenplay with Spielberg, somehow fail to grasp those concepts of the original; and Gibson, who directed the 1980 film BREAKING GLASS and later did 1993's WHAT'S LOVE GOT TO DO WITH IT, is not really in Hooper's, let alone Spielberg's, league. The mayhem may very well have been accelerated from the original, but that doesn't necessarily mean it's better.

Two additions, however, do work quite well. Sampson, a real-life Native American who starred in films like ONE FLEW OVER THE CUCKOO'S NEST and THE OUTLAW JOSEY WALES, is extremely good as the Indian shaman who, along with Rubinstein, assists the Frelengs in their confrontation with the ghosts. And Beck is incredibly grisly and frightening as the deranged preacher out to permanently possess O'Rourke; he comes off as a supernatural version of Robert Mitchum's role in the 1955 classic NIGHT OF THE HUNTER.

The most welcome return on POLTERGEIST II, besides Edlund's special effects, is Jerry Goldsmith's intense orchestral score. These things do keep this film from being just another Hollywood exploitational sequel. But what is there is still strangely empty; and that, in the end, is due to the absence of both Spielberg and Hooper in the basic involvement of things.

The magic from the first one was definitely missing but this was watchable. I always cringe when a movie portrays a Native American and their spiritual ways. It just seems stereotypical anymore. There was a lot of it in this movie. The ending was kind of quick and silly.

How these kids haven't lost their minds yet is beyond me.

Definitely a lot worse sequels to hit movies out there.

Here we have yet another belated, completely unnecessary sequel that only barely gets by. After their otherworldly encounters, the Freeling family has relocated and are now living with Dianes' (JoBeth Williams) mother (Geraldine Fitzgerald). They don't get much of a breather before supernatural forces again begin to plague them. And these forces still want to get their hands on little Carol Anne (Heather O'Rourke). Diane, Steve (Craig T. Nelson), Carol Anne, and Robbie (Oliver Robins) this time receive assistance from a wise Indian (Will Sampson), while Tangina (Zelda Rubinstein) makes an encore appearance.

Technically, "Poltergeist II: The Other Side" is reasonably well made. But it's so lazily conceived that it's very hard to care what happens here. Making things tolerable are a still very likable bunch of actors, but they have some pretty bad material to work with this time around. A lot of the dialogue is simply abysmal. Attempts at humor largely fall flat. Director Brian Gibson is no Steven Spielberg, or Tobe Hooper, and can't generate any suspense or excitement at all. The efforts of a very talented visual effects team (supervised by Richard Edlund) can only do so much to help. It's hard to believe this was written by the same guys who wrote the first film.

This is not to say that this sequel is devoid of highlights. One pleasure is in watching the supremely creepy Julian Beck as a malevolent "reverend" who puts a human face, of sorts, on the antagonistic spirits. One ingenious moment involves Robbies' braces; the other is a sequence many people do enjoy about this sequel. That would be the "vomit creature" sequence. It turns out there are consequences for swallowing the worm at the bottle of a tequila bottle.

The family is still worth rooting for; young O'Rourke is as adorable as before. It's just too bad they're stuck in such a blah story.

H.R. Giger ("Alien", "Species") is credited with conceptual design.

Sadly, the final film for both Beck and Sampson.

Five out of 10.