Cheerleader Camp

For once, this stereotypical 80's horror movie is not just set in a sport-crazy American high school or at a summertime camp but in.... a combination of both!! An actual cheerleader camp! Do these really exist? Anyway, this setting means there's a double portion of clichés, dumb teenager jokes and naked breasts guaranteed, so it can't be all bad, right? The opening sequence, which seems to come straight from a "Nightmare on Elm Street" sequel, gives us the false impression that "Cheerleader Camp" might be more ambitious than the usual 80's slasher, but it rapidly turns into a silly and by-the-numbers horror comedy. A group of competitive high school girls and two incredibly dumb males attend a camp where the best group (including their mascot) can win tickets for the national cheer leading contest...or something. Of course, their main concern quickly becomes surviving, as there's a vicious killer around as well. The best thing you can say about this film probably is that it doesn't take itself too seriously. The murders only occur halfway through the film because the opening is too busy playing out the fat guy pranks! Travis McKenna (who truly has a gigantic bottom) is more than just a comic relief; he "fills up" the first 40 minutes of this film with vulgar fat-guy behavior, like videotaping the girls sun bathing topless and "mooning" the entire camp through the windows of his van. There's absolutely no attempt to build up tension and the murders are delightfully cheesy. Quite gory, but certainly not unsettling and only diverting your attention from the lousy storyline. The killer's identity is so easily predictable and even the typecasting of Buck Flower as the eerie old janitor couldn't possibly make you doubt.

High school students in SoCal go to cheerleading camp in the remote Sequoia National Forest where they tragically start dying one by one. Who's the killer? Will any make it back alive?

"Cheerleader Camp" (1988) is a whodunnit slasher that mixes cheerleading antics with elements of the "Friday the 13th" flicks and "The Burning" (1981), not to mention "Sleepaway Camp" (1983). "Body Count" (1986) also comes to mind.

I had a bad attitude at first because there was some campy humor along the lines of "Friday the 13th Part III" (1982) and "Friday the 13th Part V" (1985), mostly revolving around the overweight character and the female camp director, not to mention the Englund-like Handyman, albeit less so. In other words, I thought the movie was going to be a full-on joke, but the comedic bits only revolve around those characters and the flick takes a dark turn in the second half.

Also, it actually deals with some pretty heavy themes despite being an 80's slasher with a dash of sex humor. For instance, there are reflections on anxiety, competition/rivalry, relationship abuse, alcoholism, deception, manipulation and false testimony.

I was halfway through when it occurred to me that one of the male characters was Leif Garrett, the former teenage heartthrob of the late 70s. Here he is at 26 (during shooting) playing a high school student and he's effective enough.

Lorie Griffin stands out on the female front as Bonnie. You might remember her from her memorable role in "Teen Wolf" (1985). The female cast is decent - also including Rebecca Ferratti (Theresa), Betsy Russell (Alison) and Vickie Benson (Miss Tipton) - but the director evidently didn't know how to shoot women (no pun intended).

So, this is worthwhile enough to check out if you like 80's slashers, but you have to roll with its hackneyed shortcomings.

The film runs 1 hour, 29 minutes, and was shot in Bakersfield and Sequoia National Forest, California, which is about an hour's drive northeast of there.

GRADE: C+

This was a movie that I actually remember seeing at the video store growing up, but it never hooked me enough to rent. Mind you, I was probably avoiding renting it knowing that my father probably would veto this one, as blood and gore wasn't an issue, but nudity kind of was back when I would have possible checked this out. I know I heard about this on podcasts, but it had been awhile since then and didn't remember much. The synopsis here is a group of cheerleaders become the targets of an unknown killer at remote summer camp.

We start this movie off during what I could clearly tell was a nightmare from the beginning. Alison Wentworth (Betsy Russell) is trying to find her locker in a dark, empty room and we hear the P.A. announcer calling out they're waiting. This voice is doing this over and over. She goes up to the football field to do a cheer, but keeps getting it wrong. The issue is that it is only her mother and father in the crowd. They leave and she calls out that she just wants love. She is then cut from her pom-poms on her forearms.

She then wakes up screaming. She is actually in a van with the rest of her cheer squad. Her boyfriend is driving, Brent Hoover (Leif Garrett) with his best friend Timmy Moser (Travis McKenna) riding shotgun. He's overweight and kind of a pervert. Also on the team are the mascot, Cory Foster (Lucinda Dickey), the ditzy blonde Bonnie Reed (Lorie Griffin), the beautiful, yet slutty Pamela Bently (Teri Weigel) and then her best friend Theresa Salazar (Rebecca Ferratti). It is common knowledge that Alison is the favorite to win queen at the cheerleading camp this year, but the problem is that she is mentally unstable and everyone knows about her nightmares.

They arrive and get checked in by Miss Tipton (Vickie Benson). The group sizes up their competition, which includes Suzy (Krista Pflanzer). Alison also has competition on her own squad as Brent is looking to hook up with Suzy or whoever will, as Alison is shutting him down. Pamela also wants what she has. The only true friend she has is Cory, but Alison isn't the nicest to her.

Things take the dark turn when Suzy is found dead in her room by Alison. The thought is that she killed herself, but Alison isn't so sure. She also doesn't trust Miss Tipton or her two helpers, the caretaker of the camp Pop (George 'Buck' Flower) or Chief Ronnie (William Johnson). What really happened to Alison and will it happen again?

Now this movie is kind of intriguing to me. This is at the tail end of the slasher boom, where they were starting to use more comedy in them. I would say for this movie, it harkens back more to the slashers when they were like giallo films in the regards that we don't who the killer is at first and it is kind of sleazy.

I wasn't surprised digging into this movie that John Quinn would go on to do softcore porn you'd find on things like HBO or Cinemax, as this feels like a rauchy sex comedy that has giallo elements. That is where a lot of the sleaze comes from as well. Timmy is a perv, dressing up like a woman to see girls naked, peeping through the window to see Miss Tipton with Sheriff Poucher (Jeff Prettyman). The sheriff and Pop are looking at these high school girls and it is pretty misogynistic if I'm going to be honest. I won't come down too hard as this is the 80's, but it did make me feel a bit uncomfortable, since they are much older than the girls they're ogling.

With that out of the way, I didn't mind the mystery of the movie. We have Alison who has nightmares and thinks that she killed Suzy. No one else does, but she keeps having these odd dreams. When others start to go missing, she knows something happened. What I like though is the reveal, especially with how they do it. The problem is that they take too long to get us there in my opinion. The first death we don't get to see, we just see the aftermath to it. We don't go back to this until a little over halfway through. I think this is a misstep in my eyes, because I was bored. The jokes weren't really landing and the nudity only goes so far to be honest.

Once we do get the deaths though, they are fine. There's a death with a hedge-clipper through the mouth that I liked. That is really about it though. The rest from what I remember are done off-screen. We get to see the aftermath is it. The blood is a bit too red as well. Since they went practical though, I'll let that slide. We also get a lot of dream sequences, which I'll also let slide. It is part of the story and it leads to Alison going crazy until we see the truth. The cinematography is fine. We do get to see the killer point of view shots, which helps with that slasher feel.

The last thing to cover here would be the acting. It was fun to see a young Russell as I really only know her from the Saw series. She is quite attractive and her performance is fine. It was funny to see Garrett in this movie as I know he was a teen star and really fell from grace. I didn't like his character, along with Flower, McKenna, Prettyman and Johnson. They're all quite misogynistic and really look at the women like objects. There isn't much redeemable for me to like them aside from Flower just being a great character actor. I thought Dickey and Griffin play their roles fine. It is interesting to see Weigel, who I know went on to do porn from here. Makes sense why she goes topless along with a former Penthouse pet in Pflanzer. The acting though is really just subpar in general.

Now with that said, this movie does have some interesting aspects, but it just doesn't really work. I like the mystery they were working with, even though I predicted the reveal within the first 20 minutes. This does bring that sleazy feel you get from slashers or giallo films, which I do have a bit of a soft spot for. The acting though is subpar, it is boring and just plays like a not very good rauchy sex comedy. The deaths are mostly off screen and that is a shame. The soundtrack also didn't really stand out, but it doesn't hurt the movie either. I'd say this is below average unfortunately and can only recommend this if you liked it from back in the day or just want something wild to laugh to with drinks personally.

If there had been a bigger budget, this would have been THE slasher flick of the 1980's. It was much better then another camp series, sleepaway camp, and the acting was much better then other b-movies. One thing that worked against it, however,was the rather generic title, and it's alternate title, bloody pom poms, wasn't any better. Had more attention been paid to this movie, Leif Garrett would have been on a major comeback, and Besty Russell, perhaps the least known, and most eye pleasing of any 80's starlet, would have been a a list star. Alas, in 1987, this good movie came and went, while much attention was paid to big studio stinkers like ishtar, The Golden Child, among others. How Besty Russell was never an a list star, is a loss.

This is supposed to be a horror film, but the filmmakers were obviously too preoccupied with the oodles of (first-rate, I must admit) nudity and sex-related jokes to care very much about the "horror" aspect. The film does have at least one astonishingly gory scene, but the killer's identity is painfully predictable; it's practically spelled out for you. Betsy Russell's performance is better than this film deserves. Seriously. (**)