Enjoyable private detective movie with some punchy dialogue and old school noir tropes. Larry Cohen wrote and co-directed this so there's lots of quirky Cohen touches. However it's uneven in spots and has lulls, most likely due to the change in directors. Billy Dee Williams is terrific as the lead character Hamberger, a private dick who's framed in a fairly routine plot that you've seen before. But the plot's not the selling point. See it for the dialogue, charismatic performance by Williams, and offbeat Cohenisms. Vanity and Morgan Fairchild provide the pretty. I'm a little confused as to why this movie has such a low score here. It's not groundbreaking but it's solid entertainment that doesn't take itself too seriously.
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utgard1420 November 2013
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lost-in-limbo12 March 2011Quite a modest, but diverting modern crime noir featuring the likes of Billy Dee Williams, Vanity, Morgan Fairchild and John Beck. Director / writer Larry Cohen was the man behind the production, until he was replaced halfway through by director William Tannen. This makes the atmospheric tone rather uneven and the script does have its random occurrences (Williams stuffing his face with a pickle/ or chicken and getting in a confrontation with an elevator door?!) and continuity problems that seem to be more so noticeable the further along it goes. The climatic revelations leaves us with many loose plot ends and a disappointing pay-off. Nonetheless it's Williams' performance along with a luminous Vanity that adds life to this rather formulaic cut and dry presentation. Playing it tough, but with a sardonic edge ("Everybody is kicking my arse today"); a fashionable Williams made for a likable suave, if brash presence (well-dressed and also sweet talking the ladies) as his private eye character Hamberger finds himself set-up for murder after taking up an offer to knock off someone's wife. Instead he informs the lady of the deal, so she can flee. However she ends up dead, Hamberger is the prime suspect and he finds out the man who made the offer and the lady he met up with that night wasn't who he was to believe. Now it's a race against the clock to find the real killer.
Technically is competently pulled off with some sturdy set-pieces; like its great intro with a sweet cameo by Joe Spinell, a spectacular fist-fight in a large Christmas tree, Williams finding himself in a helicopter-by shooting and against the odds holding a chair while his aggressor aims up with a scythe. Not to forget the climatic shootout at Shea Stadium. The New York location work is very well pulled off. The narrative is busily structured, where one thing leads onto another and this follows Williams' luckless character. Outside Williams and Vanity; Morgan Fairchild gives an icy performance, John Beck does rather little and Joseph Cortese fairs up much better. -
Billy Dee Williams plays Hamberger, the rogue private detective who gets the girl(s) and solves the case. You really don't need to know more, as this is the entire movie! Morgan Fairchild is still beautiful, even with the 80's big hair look. The plot line had initial promise - Hamberger is approached by an unknown person to kill that persons wife. This person and the wife both turn out to be other than advertised, but there the story started to lose my interest. Gratuitous sex and violence have always been par for the course in Hollywood of course. Here, the obvious intent to sell tickets with this fare, as well as - admittedly - one of the hottest actresses of the time, soured me.
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kmshumway5 February 2008I was hired as an extra and was waiting on the set for the day to start when Cohen called me over. "Hey kid - you an actor?" I thought, well that's why I'm here, but he added "I mean can you do lines?" I said sure, and he handed me two pages and said "Learn this." It was the Assistant District Attorney's scene with Billy Dee William's character - and I was beside myself with excitement - and fear, as it included a fairly long rip-him-a-new-one monologue. Apparently, the actor they'd hired was a no show. But about 15 minutes into my "star is born" opportunity, the actor showed - he'd been stuck in traffic. The director promised to "throw me a bone", and I ended up upgraded to playing the dead body on the slab next to the naked girl in the morgue scene.
Later in the filming, I came on again as Joe Cortese's stand-in, but had to leave the set later in the day with a 102-degree fever. But before falling ill, had a good time with BDW (one of the nicest guys ever on set) and playing cards with the Teamsters between shots.
Heard later that this film production managed to get the Staten Island Ferry stuck on a sandbar during filming - a first in the Ferry's history! -
tarbosh220003 March 2015Hamberger (BDW) is a Private Detective living it up in New York City with his girlfriend Rina (Vanity). He's contacted by a mysterious man who offers him $100,000 to murder his wife. Intrigued, Hamberger does some recon and decides to just go and meet the woman in question. After meeting Sharon Burton (Fairchild), an entire can of worms opens for The 'Berger, as double-crosses, murder and mayhem ensue. Will Hamberger live to sizzle another day? We were less than impressed with Deadly Illusion. Maybe it was due to the "two-director" syndrome - evidently the great Larry Cohen was replaced with William Tannen, the director of Hero and the Terror (1988) and Inside Edge (1992) - but the results are ultimately lackluster. To be fair, the action elements herein are very much muted; it's more of a film noir-influenced mystery-thriller. But you take the cast into account, and you can't help but feel this should have been so much more.
BDW is as smooth and suave as ever, and his narration is indeed charming. After watching Deadly Illusion, it's easy to see why legions of Americans went out in droves and purchased pallets of Colt .45. But there's a lot of cheesy humor in this movie, and a lot of it has to be delivered by Mr. Williams, and we personally found it weird to see him in that kind of role - if the film was a bit more straight-faced, the one-liners would have had more oomph. Vanity and Fairchild provided their classic female B-movie support roles, and the good news is that fan-favorite Joe Spinell is on board. The bad news is that it's only a cameo, and they spell his name wrong in the credits. With more Spinell, the movie as a whole could have moved up another rung on the ladder.
That's kind of indicative of the overall vibe of "missed opportunity" of Deadly Illusion. Plus, there was so much competition in video stores at the time - how could this movie compete with the far-more-awesome-yet-still-kind-of-similar Action Jackson (1988)? Or even Fortune Dane (1986) for that matter? The makers of Deadly Illusion should indeed have gone the Fortune Dane route - make it a 50-minute TV pilot and maybe, if it's developed further, put episodes out on VHS - because that format would have worked better here. Being that it's boring and slow in many spots, 90 minutes or so seems like an unnecessary amount of Hamberger to take in one sitting.
It does have that "It's 1987 in NYC" kind of vibe, which is welcome, and there are plenty of shots of the World Trade Center towers, which we always like to point out and celebrate. There's even a scene of BDW and Fairchild eating in a restaurant where the towers are directly over her head, even looking like antennae popping out of her skull. At least that's better than this silly dark-haired wig she dons at other various times, and maybe that's the true "Illusion" here.
Featuring the catchy end credits song "Illusions are Real" by Stephanie Spruill, despite a couple of bright spots, perhaps unsurprisingly for this troubled production, Deadly Illusion doesn't really hang together and is an unsatisfying viewing experience. -
Uriah4316 January 2022This film essentially begins with a New York City private detective known simply by the last name of "Hamberger" (Billy Dee Williams) being offered $100,000 by a rich man named "Alex Burton" (Dennis Hallahan) to kill his wife. Although he has no intention of doing going through with it, Hamberger accepts a down payment of $25,000 and then heads out to the house where the man's wife lives. When he gets there, he tells "Sharon Burton" (Morgan Fairchild) of her husband's murderous plans and, after spending the night with her, returns to his apartment. Not long after that he is arrested for the murder of Sharon Burton. However, upon being taken to the morgue he meets the real "Alex Burton" (now played by John Beck) and discovers that the body identified as being that of Sharon Burton is not the same woman he met at the house. And since his prints have been recovered from that house, he realizes that he has been set up. To that effect, he is given only a couple of days to find the real killer or be charged with the crime. Now rather than reveal any more I will just say that-considering the cast-I honestly expected this to be a better movie than it actually turned out to be. As it was, the acting wasn't that good and the plot was so completely unrealistic that it was nothing short of laughable. That being said, I cannot in good conscience rate this film any higher than I have. Slightly below average.
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sol-kay16 February 2013****SPOILERS*** The film "Deadly Illusion" was supposed to be the follow up to the previous Mike Hammer flick "I the Jury" released six years earlier with its star Billy Dee Williams playing unlicensed and out of work private detective Hamberger an Afrcian American version of the famous Mickey Spillane gumshoe. Hamberger is contacted at his makeshift office, munching on a sour pickle, at a local midtown Manhattan deli by this mysterious Wall street type Alex Burton. Burton offers Hamberger a proposition of $100,000.00 to murder his wife Sharon who lives in far out Long Island and make it look like the results of an home invasion. Reluctant to go through with the plan but taking the $25,000.00 advance money Hamberger goes to see Sharon and instead of whacking her has a a quickie,sexual tryst, with Sharon instead. It's later discovered by Hamberger that not only was Sharon murdered but the person whom he was having such a good time with on the island wasn't Sharon at all! Even Sharon's so-called husband Alex was a phony in him getting into a fight with Hamberger who tracked him down to this New Years Party in Time Square where he after slugging it out with Hamberger fell through window and down 20 floors to his death!
Arrested by the police in Mrs. Sharon Burton's murder since he was the last person to supposedly be with her when she was alive Hamberger is convinced that he was set up in some way to cover up a far bigger crime in progress right from the start. That's when taken by the police to the city morgue he saw the real Mr. Alex Burton identify his wife who despite the act of a grieving husband that he put on wasn't at all that sorry to see her gone! Given by the detective in charge Paul Lefferts, Joseph Cortese, of the Sharon Burton murder case 48 hours to come up with her real killer Hamberger together with his girlfriend Rina, Vanity, check out all the clues in Sharon's murder. This leads Hamberger to this fashion model agency run by the stately and striking beautiful Miss. Jean Mallory whom Hamberger somehow feels he's met before but just can't quite place the time and the place.
****SPOILERS**** As Hamberger soon finds out the agency run by Miss Mallory is really used to smuggle in heroin from the Middle and Near East by the very fashion models employed by it! And it's the late Sharon's husband Alex Burton who's a silent partner with Miss. Mallory in this criminal operation! Now a marked man not only by the police but the mob running the heroin smuggling ring Hamberger has to go out on his own risking his life to get those behind it who've framed him in order to silence him by getting arrested for Mrs. Burton's murder. But with Hamberger being street wise and now on to what's been happening to him that won't such an easy task for them! Nowhere as easy as murdering Mrs. Burton as framing Hamberger in her being murder!
Great NYC locals with Hamberger escaping from getting fried broiled or charcoaled by the drug smuggling mob in an attack on a swanky East River barge restaurant by an attacking helicopter as well as fighting off a potential assassin on top, as well as on the ice skating rink, of the giant Rockefeller Center Christmas Tree. The two climatic scenes at the New york Mets' Shea Stadium as well as in Miss.Mallory's darkened office are pure Mickey Spillane with Hamberger doing in the bad guys as well as girl, Jane Mallory,in typical Mike Hammer fashion. -
gridoon20244 May 2023A forgettable attempt to update the classic 1940s private-eye formula to the 1980s, complete with first-person tough-guy narration, duplicitous women, frenemies police officers, corrupt politicians, etc. The script is muddled (a lot of the muddle comes from the fact that Billy Dee Williams does not immediately recognize Morgan Fairchild without her brunette wig; we do, but because he doesn't we have second thoughts), and the direction has close to zero style (it plays A LOT like an extended TV episode), but the film is partly redeemed by the charismatic Williams, the delightful - if underutilized - Vanity, an offbeat sense of humor, and some good stunts (despite the low budget). **1/2 out of 4.
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loui-in-stlouis31 May 2000watch the first half of this movie and invent your own second half. it had so much promise.
mr. williams and ms. fairchild get it going with what seems to be an actual passion for their pairing and proximity. and why not? mr. colt 45 and ms. seduction were the hot and bother of their decade, and even if it would be a few more years before ms. sciorra and mr. snipes mixed it up in JUNGLE FEVER, the dams were ready to break. vanity fans will also not be disappointed. if you are souring from the aftertaste of lando calrissian in RETURN OF THE JEDI, this is good tonic. the best visuals of the movie are when mr. williams plants his lower body and delivers a punch. other action stars should study this, but alas, not everyone can move with the authoritative and accessible grace of billy dee.
ms. fairchild's fans will not like ms. fairchild in liza minelli hair, but she has her moments on screen and returns to familiar coiffure and stature soon enough. her moments make good excerpts, like cuttings from a magazine. ms. vanity, in contrast, flows more happily with the film's main stream.
the deadly illusion in this case is the illusion that mr. cohen had an ending to the film when he pitched the beginning. and no, neither this title nor its alternate title has anything to do with the story. -
anthonyfeather12 December 2002Those of you who remember Morgan Fairchild in "Paper Dolls" as "Racine" will note how similar she is in this role. She's a beautiful model agency owner. Imagine that? What a stretch. She looks lovely behind the desk contemplating sexy bad girl deeds while tapping her glamour length nails on the fancy desk. It's been done before, many times. Vanity plays, lets face it, herself. She walks about in dazzling hot outfits, she looks beautiful, she's sassy in her double-entendre way. Unfortunately, those things aren't enough to invest a movie's worth of time to watch this stinker. I saw this movie at the Mann Chinese theatre in Hollywood. Even so, the theatre's historic aura wasn't enough to keep me happy to be there. I wanted to leave, but I stayed, hoping for something original to happen. I waited, and waited... There is no Vanity song performance in this movie, sadly. There is an illusion referred to in this movie, thus the title. I wasn't deceived, and I wasn't surprised. I remember the luster of Morgan Fairchild's image during the 80's. If you are a die hard Vanity or Morgan Fairchild fan, rent the movie to say you have. If not, don't bother with DUD-ly Illusion.
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lor_22 March 2023My review was written in October 1987 after a Midtown Manhattan screening.
"Deadly Illusion", formerly titled "Love You to Death", is a very entertaining tongue-in-cheek homage to film noir, spotlighting a charming, funny performance by lead Billy Dee Wiliams; Absence of exploitation values and a poverty row budget puts this effort at a disadvantage in today's action film market, however.
Writer-director Larry Cohen (he began helming this film but producers chose Willaim Tannen of "Flashpoint" to complete the direction) successfuly paid homage to the Edward G. Robinson style of gangster pic with his Fred Williamson-starrer "Black Caesar", and here harkens back to the lovable scoundrel personified (pre-"The Thin Man") by William Powell. Williams plays Hamberger, a detective with no license whose habit of causing accidental deaths is a career detriment (pic's body count is very high and a source of black humor).
He's hired by Dennis Hallahan to kill his wife. Williams accepts the $25,000 retainer, but goes to warn the wife, played by Morgan Fairchild in a black wig. She beds him and splits, but all hell breaks loose when the real wife is found murdered and Hallahan turns out to be an imposter (John Beck plays the real husband). While playing cat and mouse with his old buddy cop Joe Cortese, Williams finally tracks down a drugrunning ring set in the world of models, led by Fairchild (in her familiar blonde persona).
With very clever dialog by Cohen (including a throwaway line that predicts a stock market crash, not bad for a film shot last December), Williams excels at shtick mocking his pretty boy image. One funny scene has him crashing a fashion show and enjoying the fact that he's mistaken for Reggie Jackson. As his girlfriend, Vanity provides the requisite beauty and her acting is becoming more natural tan in her previous films, while Fairchild is delicious as the baddie with many a double entendre. Joe Spinell has a cute bit whipping out a gun and taking a hostage when the firearms license bureu won't honor his request for a permit.
Using hidden camera techniques and other evidence of guerrilla filmmaking, pic gives the ilusion of some scale, but too many scenes are static talkathons, reminiscent of quota quickies. It's the dialog and performances that carry the picture.