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  • In 1954, in Austin, Texas, the sexy Nadine Hightower (Kim Basinger) pays a visit to the photographer Raymond Escobar (Jerry Stiller) begging him to retrieve the photos he took from her since she believed that he would show them to Hugh Hefner. He gives an envelope to her mistakenly with the plans of the route of a new road instead and while she is waiting to leave his office, he is murdered bu his client. Nadine becomes the prime suspect and when her ex-husband Vernon Hightower (Jeff Bridges) visits her asking to sign the divorce papers, he sees the documents and realizes that they are valuable. While Vernon wants to make money with the documents, the powerful criminal Buford Pope (Rip Torn) chases Nadine and Vernon to retrieve the plans.

    "Nadine" is an entertaining romantic adventure, with Kim Basinger and Jeff Bridges showing a great chemistry. Maybe the best thing in this movie is the chance to see Kim Basinger in the top of her beauty and sensuality. My vote is six.

    Title (Brazil): "Nadine - Um Amor a Prova de Balas" ("Nadine – A Bullet Proof Love")
  • This film centers on an about-to-be divorced couple (Basinger and Bridges) in the Austin of 1954, who get thrown back together when Basinger accidentally comes into possession of the state's secret plans for a new highway. Bridges steals the plans from her and figures on using the information to get rich, until the arch-hustler criminal Torn gets other ideas. It's a classic mix of romantic comedy and caper movie, with a pair of thugs working for Torn who might be straight out of Home Alone. It's not as if the plot is all that thrilling, and in truth if it had been shot in black and white and were 50 years older, it wouldn't stand out from some of Jimmy Cagney's potboilers from the 30's. But the three main actors are all terrific (especially Basinger), and we even get a brief cameo appearance by George Costanza's father (Jerry Stiller), who winds up in a way that George Costanza might have dreamed about. Recommended.
  • Warning: Spoilers
    ***SPOILERS*** It's 1954 when back then we were all young and innocent as Nadine Hightower, Kim Basinger, goes to the office of photographer Raymond Escobar, Jerry Stiller, to retrieve a number of cheesecake photos he took of her the day before. Nadine feels that if made public the photos would ruin her cultivated over the years girl next door image. Before you can say "Stiller & Mera" Escobar is stabbed off camera by an unknown assailant as Nadine is locked,for safe keeping, in his closet! On Escobar is a yellow envelope of what at first Nadine thought was her photo spread but instead it turns out to be photos of a new government super-highway being built in and around Austin Texas!

    We never quite know who murdered Escobar but the fact that he hid the blueprints for the superhighway in Nadine's file shows that he expected that someone was out to get him! That together with the photo-stats of the highway In order to buy up the land around it at dirt cheap prices and end up making a killing on it! The only killing that he made was in icing himself: Raymond Escobar.

    1930's like screwball comedy with a few murders mixed in for good measures has Nadine and her soon to be divorced, until be buys her a late model car with air conditioning, screwy husband Vernon,Jeff Bridges,on the run from shady land developer Buford Pope, Rip Torn, and his bumbling henchmen Cecil & Floyd, Gary Gubbs & Mickey Jones, all throughout the movie. Pope who later after Floyd screwed things up for him for the last time blew him away in sheer frustration making the odds switch to both Nadine & Vernon, with Cecil now completely out of the picture, by them outnumbering him, minus his henchmen, two to one.

    There's as also Vernon's greedy and back stabbing third cousin Dwight Estes, Jay Patterson, who threw his lot in with Pope and ended up, when Pope thought that things were going his way,getting blasted by him when he stupidly asked for his share in getting him the photo-stats from Vernon.

    **SPOILERS*** The ending of the movie was both a real gem & unexpected surprise with both Vernon & Nadine at the local police station up on charges for stealing US Government top secret documents: The blueprint or photos of the new superhighway. And all that was found on them was what Nadine was looking for in the first place! Something that you won't send her and Vernon for as much as 7 to 15 years behind bars in a federal prison!
  • It's Austin, Texas, 1954, and Jeff Bridges's biggest ambition is a gaudy neon to top-off his tacky, no-business, beer bar, while estranged wife and apprentice hairdresser Kim Basinger sends her "art photos" to Playboy magazine. Obviously they're made for each other. Meanwhile, her sleazo photographer turns up dead and they're on the run. It's delightful madcap as they bumble their way through a series of misadventures. Their subtly affectionate sniping reminds me of a bad grammar version of Nick and Nora Charles in the uptown Thin Man series. Surprisingly, the California born Bridges has the "good ol' boy" drawl down pat, while even the usually snooty Basinger manages a convincing honky-tonk queen. Good period detail without the distractive sounds of Golden Oldies. -- With a delightfully arch Rip Torn as the slyly superior villain. It's amazing how these little gems keep getting produced with little or no recognition. All in all, great escapist fare for a slow evening at home.
  • This a comedy that is not funny and a caper that is not interesting. The 83 minutes felt like twice that. The pitch for this picture is almost unimaginable--lets make a movie about a real estate deal and tell it through the the voice of an actress who is unwatchable. We'll waste the talents of great actors like Rip Torn and Jeff Bridges, and kill off a clutch of C- actors along the way. Bridges is a low-rent, charming bar owner who just wants his estranged wife, Kim Basinger to sign the divorce papers so he can refinance his bar. There is no chemistry between Basinger and Bridges, and the Hollywood version of funny southerners is as stale and terrible as ever. Just a rung or two up from the Dukes of Hazard. The hokey accents and music are unintentionally funny. The positive reviews are absolutely baffling.
  • If watched in 1987 "Nadine" could be labeled as one terrible movie which only wasted time, energy, money and a good cast on a loose plot. But when one watches this now, one must see it in a different light. It's far from being bad. It's very cool actually. Take two attractive actors, make them as an unusual pair in between loving and hating each other, trying to survive dangerous people and thrilling situations, then you have a movie. And quite a short one (78 minutes).

    What prevents "Nadine" of being found good by viewers relates in seeing who's involved in it and why they're stuck with such a heavily clichéd, flawed picture. Why Jeff Bridges and Kim Basinger would star in something like this, playing loud, talky, cheap characters who try to be smarter than smartness itself? Or why Academy Award winner Robert Benton would go forward in writing and directing such a strange project? The conclusion reached was that this was a way of doing something fun, a child's play. Hollywood indulging itself with plenty of fun in the making and hoping people notice that and perhaps enjoy it for what it is. In this department, as being a fun work, it succeeds despite the pros and cons. Today it's easier to make things like this and with better results ("Ocean's Eleven" is a living proof of this, a movie made among friends, very easy and it became quite profitable, going with two more sequels).

    How come no one notices that in this film? It's not trying to convey messages or have a higher purpose, it's just a small entertainment, fine. It's the kind of story presented time and time again in countless pictures: Nadine (Basinger) testifies a murder, then she gets chased by people involved in it who want something she might have taken out from the victim, something that belongs to them. Endangered and with nothing better to do, she contacts her soon to be ex-husband (Bridges), a lousy bar owner drowned in debts and misunderstandings, who's desperately for divorcing his wife to marry his new girl (Glenne Headly) as fast as possible. Fun thing about this is seeing the story made in the 1950's, for whatever reasons.

    Basinger and Bridges make a very exciting couple, they're pretty good together. Hearing their accents might be a problem to many, I think it's quite hilarious at parts. Not much of an intelligent, brilliantly written comedy, it just goes in presenting goofy situations and bright action sequences (final shootout is the best and also the bit with the snakes in the room). Final analysis: it never gets great as it could be and even gets weary in such short running time but it's an amusing film, well acted by everyone involved, and with a nice soundtrack. Let go of everything and just enjoy the show. It manages to save the day. 6/10
  • Robert Benton wrote and directed this daffy comedy about a Texas manicurist in 1950s Austin who enlists the aid of her estranged husband to help her retrieve some sexy photographs she had taken by a unscrupulous shutterbug; swiping blueprints for a new highway instead, the bickering couple are chased by both the police and a crooked kingpin who's out for blood. Sassy talk and gumshun are the highlights of this pleasant whiff of an idea--sort of an old-fashioned throwback to the cinema's second-feature--but it runs out of steam after an hour or so. Kim Basinger gets to show off her squirrelly side which is very appealing, and Jeff Bridges is a good match for her, but the ramifications of an early murder, the contents of the file, and the plot elements with the gun-toting villains, Bridges' new girlfriend, and Basinger's secret "condition" are not immediately captivating. Didn't Benton realize that the central relationship alone was more engaging than the chases and the overlong shoot-out finale in a junkyard? He was trying for a breezy screwball effect, but this approach is only successful in setting up the story. The rest is irrelevant. ** from ****
  • Nice lighthearted crime story, with quite witty acting performances by a quite young Kim Basinger and Jeff Bridges. Kim has made some nude photos, now she wants them back, but accidentally she gets hold of photos belonging to criminals. Fun trouble starts when the criminals start chasing her.

    A movie that puts a constant smile on my face, because Kim Basinger is excellent in playing pretty charming blondes. Jeff Bridges plays an excellent part as a macho ex-husband, who thinks he is smart, yet gets wrapped around Kim Basinger's finger in a heartbeat. Both are constantly bickering with each other as 2 former love birds, while dodging bullets from the bad guys. Especially the bickering dialogues are very charming and witty. Basically that's what's the whole movie is about: bickering with your ex-lover, whom you still feel attracted to. Witty, lighthearted eighties datemovie.
  • It's 1954 Austin, Texas. Nadine Hightower (Kim Basinger) tries to get her 'art studies' back from Escobar who claimed to know Hugh Hefner. He is killed by an unknown assailant and she gets away with what she assumed to be her photos. Instead, the folder contains highly valuable plans of a proposed new road. Her husband Vernon (Jeff Bridges) wants her to sign the divorce papers but she wants his Buick. He owns the useless bar Blue Bonnet and going out with Renée Lomax (Glenne Headly). Both the cops and the bad guy Buford Pope (Rip Torn) are after her. She tricks Vernon to join her as she tries to recover her lost photos. He steals the plans and tries to get money for it.

    Jeff Bridges is kind of annoying. It's really his character. Even as a hostage, he's completely brash and arrogant. That rubbed me the wrong way. Their renewed romance is abrupt and forced. Their combo isn't funny and I'm not sure they tried particular hard to be funny. It may help if he doesn't have another woman waiting around. Glenne Headly is as annoying as hell and Kim Basinger screams way too much. It's not even screwball enough to be fun. They keep getting caught by the bad guys but it's like a Bond movie.
  • This is the kind of movie that starts out with strikingly real characterizations--Nadine is herself quite a piece of work, Texas country simple but shrewd with a strong will--and an interesting premise, but doesn't maintain the excellence.

    Kim Basinger is gorgeous in the title role and natural. Jeff Brides plays her estranged husband Vernon Hightower who owns a bar in Austin, Texas circa 1954 that is not doing much in the way of business. He is one of those guys who dream of making it big financially in business as a proof of his manhood, a guy who has always just gotten by on his good looks, a guy who often lies and cuts corners and can't be trusted, but a guy with a smile to charm a rattlesnake. These two really love each other but are currently in the process of getting divorced and Vernon has a girl friend (Renee, played with eager finesse by Glenne Headly) that he wants to marry, he thinks.

    The plot begins with Nadine going to a photographer's studio and demanding to get back some "art studio" shots of her that were taken under the guise of being shown to Hugh Hefner at Playboy. The photographer is murdered and Nadine mistakenly ends up with some photos of the plans for the new Interstate that will be built nearby, plans that Buford Pope (Rip Torn) and his thugs want for themselves because, if you know where the highway will be built you can buy up the property near it on the cheap and then sell it later for a big profit. Vernon knows this too and when he finds the photos in Nadine's purse, he takes off with them.

    The questions that the plot will answer are (1) Will Vernon and Nadine escape from Buford Pope and his strongmen with the photos and their lives? and (2) Will Vernon and Nadine realize they really love each other and find true love and happiness together? There is a shoot-out in a junkyard near the end that's...different, and there's a neat car chase and...well, the movie that started out so well deteriorates into something ordinary, but not all that bad.

    Robert Benton, who wrote the script for Bonnie and Clyde (1967) and both wrote and directed Kramer vs. Kramer (1979) directed. He has a fine feel for character and can write authentic and witty dialogue. He is not at his best here; nonetheless this is definitely worth seeing mainly because Bridges and Basinger do such a great job of filling up the screen. Basinger in particular is wonderful. See it for her.

    (Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)
  • I think this movie deserves 5.5 stars. The beginning is very entertaining but after that the film decreases a lot.

    I have always liked the work of the two leading Kim Basinger and Jeff Bridges who show they have a great chemistry in this film. The main problem with "Nadine" is the plot because the performances are good and funny, even though the supporting cast doesn't have much to do in here.

    "Nadine" is about how a married couple in their process of divorce gets accidentally involved in a murder. That murder was done to get some confidential maps that represent a great business opportunity, those maps are now at Nadine's possession by mistake. Now the characters of Kim Basinger and Jeff Bridges are wanted by some bad guys who want those maps.

    I recommend to watch it only if you are a fan of Kim Basinger or Jeff Bridges.
  • karen-12821 July 2006
    I say 'surprisingly' because the rating is so low, I didn't know what to expect.

    But it's a delightful little caper movie, driven (as all good movies are) by the performers and a tight script by Robert Benton, not known for his enjoyable caper movies!

    Jeff Bridges all but steals the film from a delightful Kim Basinger, and the two of them together set the screen on fire. They are surrounded by some of the best character actors working today, including Rip Torn. As I was watching this I thought how smart Robert Benton is for casting real actors, and having the comedy come out of their behaviour and talent, rather than casting 'wacky comedians' and reducing the story to little bits.

    A lot of fun, and worth seeing.
  • Robert Benton isn't the most well-known director. Probably his most famous output is 1979's Oscar-winning "Kramer vs. Kramer". He also did 1994's Oscar-nominated "Nobody's Fool". A lesser known work of his is the 1987 comedy "Nadine", about a hairdresser (Kim Basinger) drawn into a murder plot in 1950s Texas. It's nothing special: a lot of running around and shrieking, but she and Jeff Bridges have a good time with the material. It's not the sort of movie intended as some sort of masterpiece, just nice silly fun (and Basinger's a real babe here). I'd be content if this movie got rediscovered and gained a cult following, corny though it is.
  • NADINE stars Kim Basinger in the title role as a murder witness who is on the verge of divorcing her husband (Jeff Bridges), but fate brings them back together when they become targeted by the killers. Because the cops are also after them, and the movie takes place in Texas, you can easily see some similarity between this and THE SUGARLAND EXPRESS, which had more of a story and better acting. NADINE has cornier acting, a less attractive lady and a more ridiculous plot. I recommend SUGARLAND over this underachiever.

    1 out of 5
  • Coxer9927 June 1999
    Incoherent comedy about a bar owner and his beautician girlfriend who try and solve a murder she witnessed in 1954 Austin. Bad choice for director Benton and for Bridges and Basinger, who resort to bad accents to get through this mess.
  • jeff_hartt18 December 2001
    I saw this movie with a friend. Immediately after leaving the theater, he asked, "what was that movie about?" I racked my brains and could only remember one seen where the lead lady is crossing between two buildings on a rickety ladder. The movie can't be very good if you suppress over 99% of it.
  • Kim Basinger, Jeff Bridges, and Rip Torn lift "Nadine" above the material provided. The script is transparent and without strong performances, "Nadine" would be long forgotten. This is partially due to the uneasy mix of drama and comedy. It is mostly slapstick, with smatterings of some very dark comedy. There is violence including, rattlesnakes on the loose. A flawless 50s atmosphere adds tremendously to the overall viewing enjoyment. In the end everything is tied together quite nicely, perhaps too nicely. A good movie for mixed company, but do not expect anything more than likable characters mired in an average story. - MERK
  • This is a sort of light hearted adventure romance that has probably the worst possible writing of characters and plot.

    The obnoxious bad guy is one thing, and meant for the dweebs who love obnoxious bad guys. The hero is impossible to relate to. He begins as a guy who has every woman on Earth already as girlfriends, and add to that he has ESP, add to that he is a demon possessed control freak (when Nadine gives him a gift, he insists on her telling him every single thing she ever did.

    Nadine is just as demonic. She begins by killing some guy, who maybe deserved it, but the fact is that she just does it to get some photos of herself back from him. Only the most demon possessed people can relate to this, or even understand it.

    Everything that happens is contrived to help the most demon possessed control freaks.

    That's poor writing.

    Too bad, because there was a lot of time and money spent on this in production. The directing is there. The writing isn't. That makes it even worse, being a "waste" of resources for something with zero inspiration and strategy.
  • I thoroughly enjoyed this comedy caper movie set in the Deep South, and I can't understand why it has such a low average vote. Kim Basinger and Jeff Bridges play a divorced couple who team up to solve a murder mystery and end up re-igniting their relationship. The two have a good on-screen chemistry which, along with the comic-book-style humour and plot, is what makes the movie. All in all an enjoyable comedy/romance/thriller/caper/adventure affair with style and wit. 9/10
  • Okay, so this movie didn't do great when it came out in the late eighties. I think it was because it was set in another era. But I happen to think this is one of those movies that once you've seen it, it stays with you. The plot is predictable, the action is a little on the slow side, and it veers off funny a few times. However, that being said, Kim Basinger single handedly MAKES this movie. Don't get me wrong Jeff Bridges does a great job too, but it's Nadine that gives the movie it's spark and it's wittiest moments. Basinger is picture perfect because YES, she is beautiful, but she REALLy inhabits the dialogue and her character. She acts beautifully and really seems to be having a great time. My favorite two scenes are when Vernon and Nadine are driving to the photography studio and later when they are alone in his trailer. The scene in the car is all about dialogue and establishing who these two are to each other and it's done amazingly well in a short time. Basinger's dialect alone will make you laugh. "I don't know Vernon, she look a little on the chubby side to be Pecan Queen" and "You know me Vernon, they don't bother me, I don't bother them". She's referring to her spark plugs. I don't know why, but I LOVE her in this scene. It's just seems effortless. And the scene in his trailer, where they are too close for comfort and it starts rekindling that old flame. Chemistry is amazing in this scene, like they can barely exist near each other.

    I highly recommend watching this some night, where you don't have to be up doing laundry or dusting your knick knacks. Pop some popcorn and give this one a chance.
  • This film isn't very well known, and should be, especially for Kim Basinger fans. It proves once and for all that comedy is her forte, and that she has broad range between performances such as this and her role in "Fool for Love" as a character actress, and not just a pretty face or an adequate leading lady. The chemistry between her and Jeff Bridges is like TNT and drives the film forward, and the added comic bluster of Rip Torn as the villain (and the clever script and direction by veteran Robert Benton) makes this a comic gem in the true tradition of the 1930s screwball comedies, but updated for the 1980s. If you're a fan of such films as "His Girl Friday," and would like to see what that frenetic energy and great chemistry can be like updated into the 1980s, see this movie!
  • This movie easily makes it into my top 10. I loved it when it came out in the 80's and still watch my VHS copy often. For some reason it just struck a chord with me- my family often quotes lines from "Nadine" to each other. I was quite puzzled to see such a low score and wanted to add my opinion that it seriously does not get much better for this type of movie. The script is excellent and it is perfectly acted. Jeff Bridges and Kim Basinger are amazing together, but every character is a scene stealer. The movie moves along at a good pace, with lots of laughs and plenty of action. I highly recommend it, and it has really kept its appeal, even 21 years later.
  • blanche-226 November 2009
    I'm not sure where I was in 1987 when this film came out, but I saw it for the first time tonight, and I'd never heard of it. I found it highly entertaining.

    Kim Basinger is Nadine, a pregnant, soon to be divorced woman living in small-town Texas in 1954. She posed for some "art studies" and wants to get them back from the sleazy photographer (Jerry Stiller) who told her that he knew Hugh Hefner. She's very insistent, so he lets her into his studio, even though he has an appointment coming, and sticks her in the back room. When he opens the door with what seems to be her file, he falls over, dead from a knife in the back. Nadine grabs her file and gets out of there. When she arrives home, the file has maps of an area of town in it. She lies to her ex-husband (Jeff Bridges) so that he will return to the studio with her; soon, they're on the run from the police - and the owner of the maps (Rip Torn).

    This is a funny, fast-moving comedy with excellent performances from Bridges, Basinger, Torn, Stiller, Glenne Headley as Bridges' girlfriend, and Gwen Verdon, who plays Nadine's boss. Written and directed by Robert Benton, "Nadine" is a small film and an enjoyable one. Recommended.
  • Let me begin by saying I am just astonished to see the low average of viewer comments for this splendid movie. I just have to figure the commenters are a bunch of Yankees who never set foot in the South and have no feel for the slow, quiet humor that this fine film represents.

    But even that cultural adjustment doesn't explain the complete failure of these other reviewers to appreciate a really finely drawn comedy, from beginning to end. This is a wonderful work by the fine writer and director Robert Benton, who defies the axiom, Comedy is hard. He makes it look easy.

    What he did was simple, looking back, but so very hard for most people to do: He set up a funny plot and kept it funny from one scene to another, by keeping it low key and letting the characters carry the humor lightly, one slightly ridiculous moment after the other, thus avoiding the great comedic danger: You can kill comedy by overworking it.

    Benton takes a plausible story about some Texas corruption and discovered maps with some amusing twists to it and jacks it up with some great dialogue and some fine actors -- mostly Southern, as it happens: the fine actor Rip Torn (birth name, Ripley J. Torn, Jr., Texas) and Kim Basinger (Alabama). Robert Benton himself is from Waxahatchie, Texas, and wrote the screenplay with full knowledge and confidence of the plausibility of the plot and the reality of his characters.

    Folks, I know lots of people like these characters. So do you. Good people, simple people, women who on the phone who soon ask, How's yer Mom 'n 'em? And Benton has given them a moment of great adventure and humor.

    A few gems: Jeff Bridges: "I'm not in the Vernon Darlin' business anymore." Basinger naming her early fetus Doris Isabel and talking to her. Rip Torn: "Why is it you work your butt off all your life to get ahead and it takes two nitwits about ten minutes to screw the whole thing up." And in her most glorious beauty, Glenne Headley as the girlfriend, full of Texas spunk.

    I truly pity the Yankees and Californians west of Bakersfield who cannot see the beauty of this film. But you know what? We don't need you. This movie is like Elvis. It will live forever.
  • This is a very cute comedy caper movie. Kim Basinger is perfect as the ditsy West Texas small town girl, and Jeff Bridges is great as her even dumber husband. Rip Torn is also good as the villain. Plot is pretty simple, but fun. I've shared this with several others in the 35+ year old class, and they all enjoyed it. Very good chemistry between the leads.
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