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  • Having recently revisited George RR Martin's haunting and intelligent novella NIghtflyers in his anthology Dreamsongs, I decided to finally put in the effort to find a copy of this mostly unknown film adaptation. I didn't even have to read the few reviews out there to know it most likely was not going to be fantastic; the fact that it has never been released on DVD combined with the author's warning about the quality of this film was enough of a hint towards what to expect. Still, I went in with a open mind and hoped to enjoy a probably mediocre rendition of a great novella. And there were good parts to it; that classic atmosphere of loneliness that only 80's sci-fi seems have to it, aided by a enjoyably camp and moody synthesizer score. And the very few scenes that used dialog lifted straight from George's novel got across a tiny bit of the engrossing story and character of the novella. Other than that, the story and characters get mostly butchered, sad to say. The story becomes both extremely simplified and extremely convoluted, and the strange editing doesn't help. A staggered set-up quickly dissolves from intro into a prolonged climax that takes up the time that could have been used for a proper second act, destroying the chance for any real character to develop. And the films ending itself is perhaps the greatest disservice to the novella it was based on, being mostly non-sensical and maintaining only the smallest resemblance to the original story. So yes, not a great movie by any stretch, not even a good movie. And certainly not a good adaptation. But still, I'm glad I saw it.

    Seeing Uncle Phil from Fresh Prince in a space suit made it all worthwhile.
  • For what it is worth I can watch this movie, and at least not be bored. I saw this one on the sci-fi channel and it had its moments and it is a lot better than the stuff they play on that channel these days. You know the stuff, the stupid computer animated sea creature that attacks and someone like Dean Cain must stop it. This one is sort of a horror version of 2001, not that I am comparing the two, but both feature crazed computers. I think this one is based on a book also, but I have never read it so I can't really say if it follows along with the book for the most part or that it makes drastic changes. This movie has this group chartering a spaceship to find something or other, I can't remember what. The ship is run by this guy who seems to have been in space his whole life so he doesn't take to gravity real well. The computer is like his mother or something and it fears that this group is going to take the son away and so it starts a killing spree. I saw a preview of this and the preview made it look a lot scarier than what I saw. On the other hand it did provide a nice distraction for a while and a few interesting kills as well.
  • gridoon5 August 2002
    The silly, uninteresting story (a computer that has the mind of a mother with a fixation on her son?) and the annoying overacting of some of the players are the two most important - but not the only - problems with this very, very minor sci-fi flick. However, the effects are good for what they probably cost, and Catherine Mary Stewart shows indications of being a strong female lead - she deserves a better movie. (*1/2)
  • When I enter Nightflyers as my keyword in Google, all I get is references to this movie. That's a shame, since the George R. R. Martin novel, novella, whatever, is a wonderful, intriguing, scary, intelligent mystery story, whereas the movie is the palest ghost of the book's greatness. Martin's book predated Alien by about five years, and I wonder if Ron Shusett or Dan O'Bannon might have gotten some inspiration from it.

    The movie is a typical '80s gore-fest, complete with misty, foggy sets, ridiculous dialogue and caricatures, and an explosive climax that totally ruins of the book's thoughtful ending. I like the actors who play Royd Eris and Professor D'Branin, and I admit I enjoyed Michael Des Barres's performance as the whacked-out telepath. But most of the acting was subpar. I thought Catherine Mary Stewart did what she could, but the script stripped away all the complexity of her character, who was much more richly drawn in the book. The movie also completely misses the book's subtle sense of humor. The book is closer in tone to John Carpenter's movie Dark Star, plus a great sense of mystery and spookiness. The movie spills the beans on Royd's backstory far too early and off-handedly, as opposed to the book's climactic revelation.

    So don't let this movie turn you off of Nightflyers -- read the book. By all means, read it!
  • bornskeptic25 June 2017
    So if you like cheesy 80's music, TV and movies, then please see this. Otherwise, just pass. It really isn't that good. The cast is fun with Catherine Mary Stewart and everyone's favorite 80's rock star - Michael Des Barres. And there is some decent effects and atmosphere to spare. But it looks like 'Robert Collector' was going for a Michael Mann style look and just came up short. Again, good for 80's nostalgia. But that's kind of it.
  • Why the heck are high-tech spacecraft so misty in the interior!? Apparently, the humidity controls on the ship's air conditioning system were set up to maximum; either that or the filmmakers were trying to rip off Alien. Other than the spectre of mist, the action and the acting was pretty lacking and even grinded down to a halt at times. From the laser beam shooting out the side of the gun (bad, bad editing) to the cornball scenes of the headless, decapitated body choking someone, this movie is filled with flaws, but the worst flaw was the awful mist which seems to condense on my television.
  • ShadeSiren21 February 2007
    OK, so this movie isn't all that fantastic. Having been a LONG time fan of George R. R. Martin, and having literally cried real tears at the ending of this short story, I was a little disappointed in the way this was converted from story to movie. The many changes made no sense to me at all, and as is usual in a situation like this, the movie ends up being nearly terrible. Still, it has many redeeming features, including the To Die For gorgeous Michael Praed, the always fun Catherine Mary Stuart (playing what was a black amazon woman in the book as a rather uninteresting white girl - can't blame HER for that). It's really not the casts fault that the script was mangled. Even the crazy Michael Des Barres is great, but I would have rather seen the oh-so-cool pocket void-head explosion brought on by the blood-pressure-increasing psychic drug scene, over the silly cuts-off-half-his-head-and-he-keeps-on-fighting nonsense this movie had.

    The whole thing with Royd's "mother" was badly handled - in the book, she was sinister and creepy, terrifying and powerful, here she's kinda creepy and somehow pathetic, instead of tragic and still sympathetic as she is in the book.

    The book is MUCH better - all of Martin's short stories are just awesome - and I have to admit, I envisioned Michael Praed when I read Royd Eris's adventure, and that probably helped bring on the tears when it reached the end. The movie's ending is, in the sense that it didn't make me cry, better, but the tragedy that was Royd Eris's life in the book is really the better quality ending.

    Like Sandkings, the TV version takes out all the fun parts, dumbs down the smart parts, and assumes we can't deal with the complications and ideas as presented by Martin in the originals.

    Shame on whoever made the changes, you could have kept the same cast, and not changed the story any, and it would have been a MUCH better movie. All in all, it's not a bad sci fi romp, but don't expect much. Read the book after you see it, and you'll be amazed.
  • Warning: Spoilers
    Is it just me, or is this movie basically "Event Horizon"? It makes me wonder if Paul Anderson saw this movie as a kid and then subconsciously recreated it later. A crew of expendable caricatures head for deep space in a mysterious and uniquely experimental vessel which is secretly both sentient and malicious. The evil spaceship begins to throw spooky vibes and lethal accidents at them in equal measure, and a guy who is very "in tune" with the bodiless lurking evil gradually becomes obsessed and consumed by it, eventually graduating into a full-blown zombie possessee. He is killed in a messy, disfiguring way and yet because he is the ship's puppet/mascot he comes back again and again. Eventually what's left of the hardy crew manages to circumvent the "evil core" of the ship and explosions ensue. Does any of this sound familiar? It makes me wonder if EVERY contemporary genre film has its own obscure eighties counterpart that nobody remembers.

    -H
  • When I first watched this film, I thought it was really cool, but then after seeing it a second time, I thing about how weird it truly was. From the ghostly premonitions to the weird lighting, it was quite a mess of a film. While I will give it a 5/10, I feel like this was being a bit generous. If you ever see this film, give a watch. Some people might actually find it tantalizing.
  • My VHS tape of Nightflyers was a prized possession of mine, until that media died. THEN, I found a digital copy of a laserdisc(?) WooHoo! Methinks, mehopes, that a 'remastered edition' will be released with the new Nightflyer Series! The film has such an immersive quality, an original sci-fi story and the soundtrack is classic 80's! Thanks to George Arr Arr Martin!
  • It's the 21st century. Michael D'Brannin has spent the last 12 years calculating the intercept course to an alien entity which he calls the Volcryn. Few believe in his research. He recruits a crew to board captain Royd Eris's spaceship Nightflyer to make contact with the aliens. He hires class 10 telepath Jon Winderman (Michael Des Barres) if all else fails with the alien communication. Miranda Dorlac (Catherine Mary Stewart) is the project manager. Royd remains isolated from other humans and projects himself through his hologram. The ship is controlled by an AI modeled after his mother.

    I like Catherine Mary Stewart and Michael Des Barres. After trying to watch the TV show and quitting, I figured I'd give George R. R. Martin another stab at the material. First, the set is un-spaceship-like. It's a low budget affair but there is no excuse for bad designs. The issue with the set is too many to count and too easy to ridicule. Then there is the story. It introduces an alien contact story but turns it into a HAL story. I miss the alien contact story and the HAL story is a bunch of explosions signifying empty action. It's a muddled uncompelling bore. At least, I gave it a shot.
  • I need to comment on this movie since reading all of the other comments and knowing how many times I've seen this movie...I should say something. First, I read the book after I saw the movie and was surprised by the different direction the movie took. Most of the names were changed, some of the characters themselves were totally different that described in the novella. Having seen the movie before reading the book, however, I thought it was an interesting story. Getting past the sets, editing, script and continuity issues, I saw interesting character study and flow of events. At least we got a little glimpse of some of the character's pasts, if we listened closely to some of the sometimes rambling conversation, and saw briefly into their personal lives...especially Royd Erris and Jon Winderman. When I look at the movie, I try to get into the meat of it ...as if it was really happening at that moment. What were they thinking, experiencing. What kind of emotional bond was going on between some of the characters. However, after I read the book, I thought the movie could have been so much better. I gave the movie an 8 out of 10 for a great attempt at creating the mood of the characters and atmosphere of the Nightflyer described in George R.R. Martin's awesome short story. I found the book at an old used bookstore 600 miles form my house. I believe you can get in online. Read it!
  • Just for the record, I haven't read the novella this is based on, though I've heard it's much better than this movie. As a movie alone, it's a very fun sci-fi thriller that looks downright incredible. It's some of the best sci-fi movie set design I've seen, and the movie doesn't waste a centimeter. The story is basically about the implications of telekinesis, and uses the Alien "trapped-onboard-a-spaceship-with-malignant-force" set-up to exploit it (with much "sturm und drang"). The film has very well-drawn characters, like the loose-cannon telekinetic (Michael Des Barres), the wistful, elderly professor (John Standing) whose search for the mythical Volkind (itself a pity case from his colleagues) is the reason for the mission, and especially Royd (Michael Preed), whose unique, reclusive existence on the ship offers the main thrust of the story. Highly recommended for fans of sci-fi and obscure cinema.
  • Scarecrow-8828 June 2007
    Warning: Spoilers
    Michael D'Brannin(John Standing)has a great vision and that is to find a certain form of alien life/intelligence but needs a space vessel to seek it out. The ship he's able to find is captained supposedly by a mysterious man named Royd(Michael Praed)who won't reveal himself in person to the crew. Miranda(Catherine Mary Stewart who I thought was just fine)is a head-strong woman who is D'Brannin's confident, a person who believes in him and his life's goal & desire. The rest of the crew are not as assured of this mission, but go along with the ride anyway. They are mostly made up of tech-heads who wish to understand Royd more and try various ways to get more information about him. Then there's a woebegone Class-10 telepath Jon(the always watchable, flashy, flamboyant Michael Des Barres ripping to shreds every scene he's in)who believes he's found an evil presence on board the ship, at it's very core. This "seething malignant presence" hates the crew, Jon informs them in shouting tirades as he has "linked" with the very evil itself. Royd has found a person to confide in with Miranda, obviously a woman he's also attracted to. He finds her doing gymnastics(perhaps one of the few times the film really pursues character development by placing a past to a person)and is intrigued by her and the things Miranda has to say. Royd informs her that he is in fact a clone, created by a woman he calls "Mother" who died before the chamber birthing him completed it's cycle. Royd wishes to leave his ship and realizes that his immunity system is so weak he'll probably die leaving the ship, but his feeling of imprisonment makes his decision easier. His desire to do this makes the evil presence on the ship erupt as it's obvious who it is that is behind the violence that will take place..Mother. Jon wishes to "take over" the ship and believes he can defeat the evil that is control at the present..big mistake. He is instead controlled by Mother and forced to attempt the murder on the one she believes is responsible for putting thoughts of leaving in Royd's head..Miranda. The rest of the crew are merely fodder for her death belt. From Jon we find out what is indeed behind the evil..somehow the woman who created Royd transfered her consciousness and will into the ship's core meaning that it's her who controls the ship and it's computer. Somewhere on the ship lies her power and it must be destroyed or else everyone perishes.

    Yeah, it's rather mediocre, but I never found it to be as bad as everyone else posting user comments does. Now, this could be because I haven't read the book it's based on. I'll admit, there isn't much character development and the crew, for the most part, are merely here to serve as victims for the "Mother of evil". Lisa Blount who portrays Audrey, the crew member who questions nearly everything, especially the trustworthiness of Royd, is feisty enough, but a bit grating at the same time. James Avery(as Darryl, the cook who gets his fingers taken off in a kitchen explosion during one of Mother's emotional outbursts and then later re-applied during a surgery scene)tries hard in the role of token black guy who serves as emotional center to the nervous crew members who do not trust Royd or the other goings-on on board this alien ship. Glenn Withrow is Keelor, the nerd who understands the engineering side of things and has a scene where he finds the massive schematics of the computer showing us what they're up against. Hélène Udy is Lilly, the computer wiz mostly seen punching keys trying to get at what makes Royd(..and the ship)tick. Annabel Brooks is Jon's telepathic lover, Eliza.

    There's one great sequence where someone possessed by Mother attempts to kill Miranda and during the struggle gets his arm sliced off & face broken apart by a renegade laser. Another poor soul is sucked out into space when, in another one of her emotional tirades, Mother opens the cargo bay doors. During that tirade, Royd is able, he thinks, to stop Mother, but not before the cargo bay is breached meaning it must be patched before the ship implodes. So you know that going outside the ship is very necessary..is Mother really dead? I thought some of the special effects sequences were just fine and the murkiness of the ship's interior isn't something I was bothered by. It could've been better, I assume, since many consider this an abomination to a good novel. Whoever made this probably didn't have the money or proper resources to make the kind of ambitious project that novel needed.
  • As far as low-budget, sci-fi horror goes, Nightflyers is definitely above the fray. I can't say enough about Catherine Mary Stewarts character: beautiful, courageous, mysterious and intelligent. Her performance also lists as a cut above the average. Sure there are deficiencies in the script; but I thought that Nightflyers was an ambitious little entry into the sci-fi film market and definitely worth the effort. I am anxiously awaiting a potential DVD release.
  • It's unbelievable how silly some movies can be. I forgot completely why it was that I started watching this movie. It has a story, I'm sure of that, but it can't have been a very thick one. Everybody seems to have motivations, but they don't say anything about them. They just look pondering into the camera for a moment or two (three, ten) and then take action. A little more light on the flyers activities would in other ways also have been nice. I mean: they're on a spaceship, the electricity bill will not be the largest post. And that way it is actually possible to see what is happening to some of the flyers, fights in the dark do so little to me.

    By far the worst film I've ever seen.
  • I like the set design and decoration, the appearance of the ship's spaces; it's not the most wholly grabbing or original interior design, but it was given fine consideration all the same. The costume design is swell, and I feel like the hair and makeup artists worked overtime on their contributions; all due credit to Kay Cole, Susan J. Lipson, Sher Flowers, and Michael Stein. Some special effects, like lasers or the hologram, leave a bit to be desired, while more practical visualizations - set pieces, props, blood, explosions - look pretty decent. Doug Timm's score is good enough. From a technical standpoint 'Nightflyers' seems pretty average - nothing exceptional, nothing abhorrent, just executed suitably. It turns out, too, that this rather describes the film as a whole.

    Adapted from a George R. R. Martin tale of the same name, the screenplay is a mixed bag. Dialogue is suitable. Characters are mostly pretty thin - in the first few minutes voiceover narration informs of their specialties, but as the plot commences, they're distinguishable mostly only on account of their hair. That even goes for "Miranda," who is set up as the protagonist. The treatment given to the roles by the writing is unfortunate, as the cast is largely limited from meaningfully demonstrating their skills. What the assembled actors can bring to the picture is dependent on the construction of each passing scene, and in a genre piece where the establishing elements of science fiction or horror are paramount, the attention to characters in any given instance is at most a secondary consideration. All told - that Catherine Mary Stewart, Lisa Blount, Michael Praed, James Avery, or anyone else is able to breathe life into their parts with personality, feeling, or any real presence is a credit to the players alone.

    Scene writing is fine, though uneven. And I do like the overall narrative - familiar in some ways; nonetheless ably keeping our attention - but there are entirely too many instances of leaps in logic, or outright hocus pocus, as there seem to be no limits to the antagonist's capabilities. Exposition, including the team's mission, is essentially superfluous - inelegantly rushed and almost immediately dispensed with to advance to the core of the plot. This also begins to describe the editing, direction, and otherwise execution: 'Nightflyers' sprints forward with such abandon that very few scenes that should be impactful are allowed to impart that weight. This includes character deaths most of all, but broadly one senses that the budget was already stretched to its greatest extent, so devoting still more resources to additional blood, gore, or even merely length of film was just not going to happen. Moreover, the movie works hard to ensure both science fiction and horror share our attention in equal parts. Yet the very setting, and the set pieces and props we see in each scene, are all the more we need to cement the former, and still the latter is somewhat sidelined by numerous further unnecessary shots of, say, characters in environmental suits.

    With all this having been said, I don't think 'Nightflyers' is altogether bad. I think there was earnest effort here, the basics of the feature's craft are managed well, a solid cast was put together, and the concept has potential. But these possible strengths are very much dampened by uncareful writing and execution that aims simply to tell a story and is a little myopic in that pursuit. Not specifically bad, not particularly good - I wanted to like this more than I do, but it falls squarely somewhere in the unremarkable middle. Keep your expectations in check and don't go out of your way, but 'Nightflyers' is passingly, modestly entertaining sci-fi horror if you come across it.
  • The George R. R. Martin's Novella is an upper class book, reading some reviews posted here, some imply it as ALIEN's rip off, although the movie was wrote before it, upon this point of view such statement collapses, the whole premise is too auspicious concerning the outcome, however the tight budge imposes constraints the offering, according some comments the book wasn't followed literally, changing names, also the characters as well, the story relies on telepaths aiming for catch the alien entity-intelligence named as Volcryn.

    To some extent the ten characters become a regular research voyage into a nightmare of complaints and everlasting quarrels, likewise a bunch of children fighting at playground, no make sense at all, changing its course of whom they previously had engaged, a foggy special-effects prevail wherever at bleak spaceship, average design sets, a late eighties synthesizer soundtrack, gorgeous girls like Catherine Mary Stuart, Lisa Blount, Helene Udy and the cutting edge actor John Standing, that seems the most sober-minded player on multi-faceted crew, the picture has ups and downs, even so watchable.

    .

    Thanks for reading

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    First watch: 2024 / How many: 1 / Source: Youtube / Rating: 5.
  • smsnieto8 May 2019
    3/10
    Weird
    2001 a space oddessy meets fatal attraction in a weird love triangle 💀📷
  • rolf-torgersen3 February 2019
    Getting worse for every episode.. Now just waiting for it to end. A thin story that is so predictable. Was looking forward to this aerie but this was so disappointing to watch..
  • This is a combination of modern Horror and old Twilight Zone style science fiction.

    The story is fairly well told. In the 1980s, the idea of the living machine was not overused. It's an age old idea, as life is given to an inanimate object. In this case, there is an attempt to explain it as a scientific plausibility when a "witch" is incorporated into a ship.

    The movie tries to take both worlds, to satisfy the Horror crowd with witchcraft and "possession", and the Science Fiction crowd with the other possibility.

    And that's a minor point, but still a point I would rather the movie take sides on instead of intentionally and obviously grab at multiple audiences. Still, knowing that, one can't blame them.

    The story is fairly well told, a bit engaging. Most of the characters are quite likable, and we can believe their experiences and reactions. I am very surprised at the low rating on IMDb. I am a tough grader, with 5/10 being an average, decent film, and thought my 6/10 was low, but clearly, since I am a tough grader, and not a huge fan of this sort of film making, I am very suspect as to the motives of those who rate this film so low, especially since there were multitudes. You can infer a logical conclusion from that, one you can't prove, but know to be true.

    I didn't care much for the background sound, and it was a large reason why I didn't rate it higher. A film should be relaxing and easy to watch. I do understand that this is geared to the masochistic Horror crowd, but not totally. In any event, it is uncomfortable viewing, with inadequate Sound effects. The story itself receives a passing grade.
  • Movie Nuttball4 August 2003
    This sci-fi/horror film is very unusual.I really don't want to spoil it but it has a slow beginning and middle but the climax is a long intense ending!If you haven't seen this movie before than give it a chance,it'll be a different experience for the sci-fi and horror film fan!
  • Warning: Spoilers
    I revisited this 80s sci-fi flick last night. This has a lot of things going for it, most notably the effects work by Fantasy II Film Effects. Yes, the same group that toiled on ALIENS and THE TERMINATOR worked on this and their miniature work is exceptional. The sets and sound design are also great. Unfortunately, the rest of the movie is just kinda blah with some bad 80s hair and clothes to date it. Something must have gone down during the filming because director Robert Collector, of RED HEAT with Linda Blair fame, took a pseudonym on the final film. A crew hires the spaceship The Night Flyer from Captain Royd to go and investigate something in space. What they don't know is the ship is controlled by a computer that houses the spirit of Royd's dead psychic mother. Before you can say Oedipal complex, crew members are being wasted left and right. Catherine Mary Stewart (NIGHT OF THE COMET) is the female lead and doesn't get to do much other than give a hard stare when things go wrong. Rocker Michael Des Barres shows up as a psychic whose head ends up bisected when he is on the wrong end of a laser. Worth checking out once I guess which shows you how much of a sucker I am for watching it twice. Based on a novel by George R.R. Martin.
  • Look at these people! Those funny hairdos! All this mist! And listen to the music! Yes, this film was done in the eighties.

    I like the eighties, but I don't like this film.

    I admit, I had read George R. R. Martin's novella on which "Nightflyers" is based, before, so I was extremely prejudiced in regard to this film. The universe that Martin created in the seventies is the most haunting and beautiful science fiction realm I have ever entered. "Nightflyers" isn't his best story, but it is exciting (Martin couldn't write a boring story even if he tried), it has a nice prologue and a great ending and it is about a hundred times better than its adaptation.

    Screenplay is horrible. Production design of the interiors looks very low budget. Cast is mediocre. Editing is confused. Music is forgettable. Yes, there are some nice old fashioned special effects shots, but they don't save the film.

    George R. R. Martin's stories and novels have always been too intelligent, too beautiful and too sad to be considered source material for Hollywood blockbusters. Thank god, I should say.
  • gpeltz5 March 2015
    Warning: Spoilers
    Nightflyers (1987) directed by Robert Collector, and written for screen by Robert Jaffe, from the novel by George R.R, Martin. Before I begin, I should mention I saw this as an upload on You Tube. The choppy sound quality almost made the film unwatchable, it always drew attention to itself and was very distracting. None the less, I shall attempt to be objective in my review.

    It stunk.

    But in a grand overblown manner. Should you watch it? Sure give it a try but keep in mind, it gets worse. Spoilers ahead, I will be mentioning plot details, to a degree

    The concept of a computer running a spaceship, and going out of control had been done many years before, with much more élan. Still, I will give this attempt credit where credit is due,

    First a mention of the plot details, A Professor, played by John Standing, Rents out a Space Freighter, "Nightflyer" to pursue his research: To trace an Alien signal, and have a crew that could interpret it, He hires a handful of professionals, from all fields, to assist him in his research. The group that he assembles is a rag tag bunch and few seem very gungho on the missions success, especially when they discover that the pilot, "Royd", is isolated and connected to ships mother board. No pun intended. The term Mothership takes on a new perspective, here.

    Actually until the computer turns homicidal, the movie works quite well; In it's favor is the set and production design. these are the real heroes here. They gave us a Art Nouveau set design a throwback to the Thirties, Even the ship itself is styled like a classic car, Smooth curved lines, The interior set piece is elegant, a drawing room more akin to Nemo's Nautilus then to the Enterprise lounge. Pipe organ included. The Computer display stuff was pretty advanced for it's day

    The score was composed by Doug Timm, and was performed on synthesizer. It reminded me of the works of Alan Parsons, and Rick Wakeman. too bad the upload sound quality was over all crappy. So much for the good.

    The movie was overall stupid, repetitious and juvenile. It becomes evident that the cast is to be fodder for the Killer Computer. Things get much worse when the computer is aware of attempts to shut it down. The overuse of the "Wind Machine is almost comical. It should get top billing. By the time we get to Royd shooting blue beams out of his head to combat the red beams being shot from the mother computer, do we realize how ludicrous the movie ultimately is. out of Power rangers, man! There was no way to edit this monster short of blowing up the ship after the first forty minutes. Six out of Ten Stars for the design crew, ,
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