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  • gordonl5612 October 2013
    Warning: Spoilers
    PRIVATE EYE – Pilot - 1987

    This is the pilot episode for the great 1987-88 series of the same name. The series was set in 1956 Los Angeles and starred Michael Woods and a 21 year-old Josh Brolin. Woods is an ex-detective who has taken to the bottle since he was tossed off the police force on a false corruption charge. Only two people believe he was framed. His P.I. brother, Jay Sanders, as well as his ex-police partner, William Sadler.

    It is Woods' birthday and Sanders arranges to meet him later that night to tip a few. He has some loose ends on a case he needs to tie up first though. Sanders is on a big case involving the mob and payola in the rock and roll racket. Sanders fails to show-up for the very good reason he has been filled full of lead, and ran off the road in flames.

    Woods does not even notice his brother's no show since he is into round 15 of his 26 oz. bottle. Sadler peels Woods off the floor the next morning and tells him about his brother. "A road accident the highway guys say" Sadler offers. Woods does not believe it for an instant. He sobers up and goes digging. Several hundred yards up the road from the wreck Woods finds broken glass and shell casings from a Thompson sub machine gun.

    "This was no accident", he tells Sadler. Woods hits his brother's office and goes through the files of his latest case. The files lead him to a mob controlled record company, and the under the table cash to the radio stations. A trip around to various radio station disc jockeys draws a quick response and several large gentlemen pay him a late night visit.

    A sound pistol whipping and a verbal warning do not take, and Woods is at it again the next day. One of his leads takes him to Josh Brolin. Brolin is a want to be rock and roller with a sideline. In order to makes ends meet, he hires out as muscle to various P.I. types. One of his clients was Woods' now deceased brother.

    Brolin just happens to know all the details of Sanders' case because he was helping him with it. The mob is after a set of tapes where payoff amounts are being discussed. The mob killed Sanders so they could retrieve the tapes."But!" says Brolin. "There is another set of tapes hidden somewhere."

    Woods and Brolin deal out a few beatings of their own before finally locating the tapes. They call in the police so they can hand over the tapes. That of course would be far too simple as some crooked cops now put in an appearance. Thompson sub-machine guns, shotguns and various pistols are produced and used. A rather large body count is accumulated before the issue is settled. Woods is offered his job back on the force but decides to take over his brother's agency instead.

    This is a show with some real style mixed in with just the right amounts of violence and grit. Too bad it only ran for 13 episodes.

    The episode was written and produced by Anthony Yerkovich. Yerkovich was involved with HILL STREET BLUES and Miami VICE. The director was Mark Tinker. Tinker produced and directed many TV series such as NYPD BLUE and DEADWOOD. The d of p was Bradford May. He started on HAWAII FIVE-0 in the 60's and is still working as a director of TV movies. The score was by Joe Jackson.

    The cast includes, Faye Grant, Lisa Jane Persky. Stanley Kamel and Frederick Coffin.

    It is better than I make it sound. It is sort of a CRIME STORY mixed together with some L.A. CONFIDENTIAL.
  • The show started off good with handsome Michael Woods as "Jack Cleary" a private eye with a lot of charisma and a "Clint Eastwood" voice. Josh Brolin played his young informer and (sort of) side kick who helped with cases. The locations were perfect as were the cars and actors.The show, about Hollywood in the 1950's, had tons of possibilities with an excellent pilot. The first episodes showed promise but it seemed to keep going down hill, script wise, as the season progressed. ABC did nothing to publicize the show and Brandon Tartikoff, who headed the network, made some lame remarks about one of the actors, which was totally unfounded. The show was canceled after one season.
  • now I'm not sure when this episode played,i think it was at some point during its first several months or so,but in said episode,Chris Isaak over dubbed his vocals for a character named billy ray or some such thing in an episode about payola,murder & rock-a-billy music. Jim youngs,of'the wanderers' & 'footloose'fame,played the twanging' hic-upping'teen idol type,by the way,the actor is also actor john savage's brother of 'the deer hunter' fame and I'm pretty sure the Chris Isaak music was off his first two records,'silver tone' & 'Chris Isaak' respectively. I'm also pretty sure the other music,i.e. background music and such,was played by Joe Jackson & Todd Rundgren,being that this show was also from the makers of 'crime story' another series about the same kind of genre that was out about the same time and by the way,i thought both shows had a lot of style and a really 'retro deco neon drenched noirish 50's/early 60's dragnet look' that was really cool. "private eye" having a nu-wave 'rebel with out a cause' kind of feel,complete with a 'unshaven trench coat wearing cigarette smoking' hard drinking' gumshoe type and a 'black leather jacketed,blue jeans, white t-shirt wearing',engineer boot wearing,duck tailed,chopped black 50's hotrod mercury driving',shotgun & switchblade toting',greasey juvenile delinquent' type....it fit the 86/87 stray cats video MTV thing that was popular then for a brief time. "crime story" of course was chalk full of big late 50's/early 60's Oldsmobile's,Cadillac's,Lincoln's,Buick's,Pontiac's,Desoto's,Chrysler crown imperial's and other assorted 'enormously finned automobiles as big as Texas,tough talking' detectives spouting' mickey spillaneisms every other word too usually trembling little wise guy punk types and you couldn't tell who the good guys or the bad guys were,cause they all dressed in black,right down to the tench coats and pork pie hats,until a gun fight broke out that is and a handful of guys would go down in a hail of gunfire and since the good guys always won,ala 'dragnet' & 'highway patrol',you'de know that the bad guys were the punks on the ground all bullet riddled, kinda cool,huh?
  • If anyone has this series on VHS or DVD. I would be interested in purchasing a copy.

    The series is very well written and because of the time in which the show was written, I loved the time in in which the show takes place. I really loved the idea of the Private Eye and Michael Woods plays the part to perfection.

    Josh Brolin plays his part good and the office girl, Dottie that works for Cleary does also.

    I think the show had a lot of style and a really 'retro deco neon drenched noirish 50's/early 60's dragnet look' that was really great. "Private Eye" had a nu-wave 'rebel without a cause' kind of feel,complete with a 'unshaven trench coat wearing cigarette smokin' gumshoe' type and a 'black leather jacketed, blue jeans' white t-shirt wearin',engineer booted,ducktailed,chopped black 50's hotrod mercury.

    Thanks, Gale
  • I never understood why "Private Eye" didn't make it.