A nostalgic look at radio's golden age focusing on one ordinary family and the various performers in the medium.A nostalgic look at radio's golden age focusing on one ordinary family and the various performers in the medium.A nostalgic look at radio's golden age focusing on one ordinary family and the various performers in the medium.
What a beautiful, kind, gentle, ironic, warm, sentimental (in a very good way and yes, I am talking about Woody Allen's movie, that's right) yet perfectly balanced delight. It is a series of sketches about young Joe (young Allen, of course, played by Seth Green - that was a surprise), an adolescent in Brooklyn, NY during 1930s-1940s who was passionately in love with radio which was a king. The film is a tribute to the magical radio days and the myths and legends about radio personalities, the memory of a grown man who never forgot where he came from, the love letter to his always fighting and arguing ("I mean, how many people argue over oceans?") but loving relatives and a very funny comedy (the way only Allen's comedy can be). It is the film where pretty like a doll and painfully naive Sally (Mia Farrow) asks who Pearl Harbor is? Where gorgeous Diane Keaton sings and Diane Wiest, his beloved Aunt Bea never gives up hope of one true love. He never told us if she found it...
"I never forgot that New Year's Eve when Aunt Bea awakened me to watch 1944 come in. I've never forgotten any of those people or any of the voices we would hear on the radio. Though the truth is, with the passing of each New Year's Eve, those voices do seem to grow dimmer and dimmer."
The Radio days are gone but thanks to Allen, the voices of the times passed are still clear and sound and they always will be.
- Aug 21, 2006