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  • Oh, a film that had so much promise.

    It had Nancy Allen from Robocop, and Gina Gershon from Bound, and it was about sex slavery.

    Unfortunately, it was the second film directed by Mark Sobel, and his inexperience showed. He should have stuck with TV episodes. The writer who penned the screenplay was a newbie too, as he only wrote one other screenplay. Maybe he shot himself after writing this.

    For a film about sex slavery, the only nudity is shots of Gina Gershon and Lotis Key going skinny dipping after they escape, and before they agree to go back to get Nancy Allen's daughter.

    Ted Shackelford ("Knots Landing") provides the beefcake, and Allen does end up in bed with him.

    Oh, it does have a lot of gunfire and numerous Filipinos die, but there was more action going on at my neighbors as it was the 4th of July.
  • Sweet revenge (1987) is a terrible 80's film. The" movie" is about intrigue and abduction in some tropical third world country. It's so sad to see stars such as Martin Landau and Nancy Allen reduced to perform in such tripe. This picture screams "cheap" and the performances were absolutely dreadful. There's nothing worth noting about this film except it was the first film that I've seen Gina Gershon act in. My advice to you my friend is to avoid it like the plague.

    Horrible, with no redeeming values

    F-
  • "Sweet Revenge" is a low-grade action movie lacking in style and tension, and yet what sets it somewhat apart from others of its kind (and earns it an extra half-star for a total rating of ** out of 4) is the still quite unusual for its era fact that the three female leads (plus one villainess) have very pro-active roles, the kind of roles that usually men have in the genre; in fact, there is a "Charlie's Angels" vibe to the movie, not so much in the plotting (these are amateurs, not professionals in crime-fighting) but in the sense of female empowerment and sisterhood (the male leads are nondescript). Gina Gershon, in particular, in one of her earliest roles, already has that raw, untamed quality that made her a star later.
  • This movie fails on so many levels it's hard to catalog them all, but I'll try. Acting. Directing. Script. Plot. Voice dubs. Miscellaneous goofs and errors. With the "plot" of sex slavery, there was a chance for the typical sexplotation in these sorts of movies. None of that (though there is a brief scene with Gina Gershon and one of the other "actresses" doing some skinny-dipping, hardly worth the effort.)

    The "movie" is a muddled attempt at...something. It tries to be a "kidnapped girls get revenge" movie, of which there are plenty, but "Sweet Revenge" does not offer any of the "best" of this genre.

    If you have 90 minutes to spare, organize your silverware drawer or watch infomercials...don't watch this "movie."
  • I have to say that although this film isn't quite good, casting Nancy Allen, was a brilliant idea. She did as much as she could with a poor direction. In this occasion Nancy plays a mother who has to rescue her daughter, and she does another heroine character very well. I think her best heroine character is Anne Lewis in RoboCop movies, but this one is great too!! In the other hand, this movie has action, adventures, a bit of music, as I said before an excellent performance by Nancy. and I have to mention that two great actors as Martin Landau and Gina work in this film too!! So definitive I recommend it to you, it's suitable to watch with friends, and I give it a 10/10.
  • Warning: Spoilers
    Boone (Shackelford) is a smuggler of counterfeit perfume and international adventurer. When a TV news reporter, Jillian Grey (Allen) starts following a story about girls abducted from L.A. and put into white slavery camps, it leads her to the diabolical mastermind Geoffrey Cicero (Landau). Grey and her young daughter are then kidnapped. Meanwhile, three friends, K.C. (Gershon), Tina (Adams) and Lee (Little) are expecting a modeling agent to meet with them. It turns out it's two of Cicero's top goons, Sonya (Key) and Gil (Landi). The three girls are also kidnapped. When the girls, Jillian, and Boone all end up crossing paths, they make an unlikely force and they all fight to escape the clutches of Cicero and his minions. Will they get SWEET REVENGE? While mostly a TV actor, Sweet Revenge seems to be the only starring film role of one Theodore T. Shackelford III, who modestly just goes by "Ted". While he's supposed to be an Indiana Jones-type hero, his smug, glib one-liners (which were perfect for the 80's, let's not forget) do tend to undercut the audience's faith in him as a powerful central hero. He's more of a jokester, a goofball. But the movie as a whole has a cartoonish, comic-booky vibe, where opponents are easily knocked over by the slightest touch, and muzzle flashes look painted-on. Add some triumphant, A-Team-style music over it all, and you have some dumb, but not offensively bad, video store shelf-filler that only could have existed in the 80's.

    Not to be confused with Best Revenge (1984), One Man Out (1989), Cocaine Wars (1985), or a myriad other items of this type, you really have to be a fan of rediscovering movies otherwise left languishing on video store shelves to appreciate Sweet Revenge. It has a lot of the hallmarks we look for when it comes to 80's action: the disco scene, at least one pinball machine, exploding huts, and an exploding helicopter. But the movie it resembles most is Catch the Heat (1987). The goofy tone is similar, the climax is almost exactly the same, and they each got one major star: Catch the Heat got Rod Steiger, this got Martin Landau.

    It must have been fun for Nancy Allen and Gina Gershon to run around the Philippines shooting machine guns and such. When we're first introduced to Allen's character, it seems she's going to be another in a long line of female reporters who don't do much. Thankfully, she basically becomes a gun-toting hero, along with her unlikely compatriots, some L.A. girls and Ted Shackelford. Strangely, that description makes the movie sound better than it really is. But the movie was kind of ahead of its time with its look at human trafficking, and Martin Landau as Cicero has his own logo. If you live in a palace surrounded by goons, and you have flags bearing your own personal emblem hanging all over the place, you might as well have a neon sign reading "BADDIE!" also outside your house. But Cicero makes no bones about the fact that he's evil. He sometimes comes out of his house, says nothing, then turns right around and goes back in. Such are his powers of intimidation.

    Released on VHS by Media, Sweet Revenge is a lightweight offering in just about every sense of the word. The 79 minute running time reinforces that, and is certainly welcome. While not a must-buy, you could do a lot worse than Sweet Revenge.

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  • My review was written in September 1987 after a screening in Washington Heights.

    "Sweet Revenge" is an utterly routine action picture from the Roger Corman stable, reminscent of the Filipino-lensed films he cranked out for the old New World in the early 1970s.

    Nancy Allen (pre-"Robocop") toplines as an L. A. reporter doing an undercover stgory on a white slavery ring, who is abducted by the ring's henchpersons Lotis Key and Sal Landi and taken with three young would-be models to the Far East lair of Cicero (Martin Landau, playing the sort of smu baddie used to foil weekly on "Mission: Impossible").

    In the midst of numerous escapes and chases they are befriended by Boone (Ted Shackelford), a soldier of fortune involved in smuggling counterfeit Chanel No. 5 to the U. S. Pic sags considerably midway through as the leads take time out to help a pirate friend of Boone's.

    Direction by Mark Sobel is by-the-numbers, with numerous explosions proving to be the action highlight. A hurried climax kills off each villain one-by-one, leading to a soggy, sentimental coda of Allen reunited with her missing daughter at the airport back home. Acting is okay, with tv star Shackelford physically right as the reluctant hero.