17 March 2016 | Hey_Sweden
Worth seeing for Kathy Baker.
WWII era West Virginia. In a rural area, there's a thoroughly despicable character named Pink Gresham (top character actor Bill Smitrovich), a mill foreman who not only screws over his employees, but cheats on his wife Maggie (Kathy Baker) to boot. Shortly into the story, Maggie finds Pink dead, and is then visited by a stranger, Baston Morris (Peter Weller). Maggie finds herself drawn to Baston, even after he informs her that he's murdered her husband. The balance of "A Killing Affair" shows how their relationship develops, as she struggles between possible feelings for him and an understandable amount of distrust for the man. Is Baston really on the level with her? He hides out on her homestead while the law searches for him.
This marked the directing debut for screenwriter David Saperstein ("Cocoon"), who adapted the novel "Monday, Tuesday, Wednesday" by Robert Houston. This viewer didn't mind so much the fact that it is a pretty sordid story (with some interesting revelations along the way), but overall it lacks any truly intriguing features). It's got some decent period atmosphere, some mild titillation (a brief flashing of breasts), a draggy pace, and no on screen violence, but what it does have is a sympathetic, appealing performance by Ms. Baker. Weller is passable as the earnest, somewhat enigmatic Morris. Smitrovich is perfectly vile in his brief time on screen. And John Glover is solid, if not utilized to his full potential, as Maggies' brother who is also the local priest. The film does also have a lush, lovely score by ever reliable John Barry.
Not bad, but not very memorable either.
Six out of 10.